| vocalen |
|---|
| 1961-10 | Salome, Op. 54: „Ich will nicht bleiben” | mezzo-sopraanvocalen [Ein Page] | Birgit Nilsson, Josephine Veasey, Wiener Philharmoniker, Sir Georg Solti | 1:47 |
| 1961-10 | Salome, Op. 54: „Jauchze nicht, du Land Palästina” | mezzo-sopraanvocalen [Ein Page] | Heinz Holecek, Zenon Kosnowski, Birgit Nilsson, Josephine Veasey, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | 2:21 |
| 1961-10 | Salome, Op. 54: „Nach mir wird Einer kommen” | mezzo-sopraanvocalen [Ein Page] | Birgit Nilsson, Heinz Holecek, Waldemar Kmentt, Zenon Kosnowski, Theodor Kirschbichler, Josephine Veasey, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | 2:36 |
| 1961-10 | Salome, Op. 54: „Wie schön ist die Prinzessin Salome heute Nacht!” | mezzo-sopraanvocalen [Ein Page] | Birgit Nilsson, Heinz Holecek, Waldemar Kmentt, Zenon Kosnowski, Josephine Veasey, Wiener Philharmoniker, Sir Georg Solti | 2:50 |
| 1964-07 – 1964-08 | Pelléas et Mélisande: Acte I, Scène 2. “Qu'en dites-vous? / Je n'en dis rien” … “C'est Pelléas” (Geneviève, Arkel, Pelléas) | mezzo-sopraanvocalen [Geneviève] | Guus Hœkman, Camille Maurane, Josephine Veasey, Orchestre de la Suisse Romande, Ernest Ansermet | 5:16 |
| 1964-07 – 1964-08 | Pelléas et Mélisande: Acte I, Scène 2. “Voici ce qu'il écrit à son frère Pelléas” (Geneviève) | mezzo-sopraanvocalen [Geneviève] | Josephine Veasey, Orchestre de la Suisse Romande, Ernest Ansermet | 2:53 |
| 1964-07 – 1964-08 | Pelléas et Mélisande: Acte I, Scène 3. Interlude - “Il fait sombre dans les jardins” … “Hoé! Hisse hoé!” (Mélisande, Geneviève, Pelléas, voix) | mezzo-sopraanvocalen [Geneviève] | Camille Maurane, Erna Spoorenberg, Josephine Veasey, Orchestre de la Suisse Romande, Ernest Ansermet | 8:11 |
| 1966-01 – 1966-02 | Beatrice di Tenda, Atto I, scena 4. "Ah! tal onta io meritai..." (Beatrice, Agnese) | mezzo-sopraanvocalen [Agnese del Maino] | John McCarthy, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | 8:00 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto I, scena 2. "Sì: rivale... rivale regnante" (Agnese, Orombello) | mezzo-sopraanvocalen [Agnese del Maino] | Luciano Pavarotti, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | 6:58 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto I, scena 2. "Silenzio e notte intorno" (Agnese, Orombello) | mezzo-sopraanvocalen [Agnese del Maino] | Luciano Pavarotti, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | 5:00 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto I. "Ah! non pensar che pieno" (Agnese, Filippo) | mezzo-sopraanvocalen [Agnese del Maino] | Cornelis Opthof, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | 9:24 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto II, scena 1. "[Oh, troppo a mie preghiere sordo...]" (Anichino, Agnese) | mezzo-sopraanvocalen [Agnese del Maino] | Josephine Veasey, Joseph Ward, London Symphony Orchestra, Richard Bonynge | 6:49 |
| 1966-01 – 1966-02 | Beatrice di Tenda: Atto II, scena 1. "Filippo!... Tu! ti appressa" (Agnese, Filippo) | mezzo-sopraanvocalen [Agnese del Maino] | Cornelis Opthof, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | 2:08 |
| 1966-05-08 | Requiem in Re minore K 626: Benedictus | mezzo-sopraanvocalen en solo | Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, John Shirley Quirk, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 4:50 |
| 1966-05-08 | Requiem in Re minore K 626: Domine Jesu | mezzo-sopraanvocalen en solo | Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, John Shirley Quirk, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 4:08 |
| 1966-05-08 | Requiem in Re minore K 626: Recordare | mezzo-sopraanvocalen en solo | Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, John Shirley Quirk, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 5:58 |
| 1966-05-08 | Requiem in Re minore K 626: Tuba mirum | mezzo-sopraanvocalen en solo | Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, John Shirley Quirk, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 4:02 |
| 1966-05-15 | Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo | mezzo-sopraanvocalen en solo | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 18:52 |
| 1966-05-15 | Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria | mezzo-sopraanvocalen en solo | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 18:16 |
| 1966-05-15 | Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie | mezzo-sopraanvocalen en solo | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 9:49 |
| 1966-05-15 | Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus | mezzo-sopraanvocalen en solo | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 16:25 |
| 1966-08-25 – 1966-12-30 | Die Walküre: Aufzug II, Szene I. „Deiner ew’gen Gattin heilige Ehre“ (Fricka, Wotan) | mezzo-sopraanvocalen | Berliner Philharmoniker, Herbert von Karajan | 3:44 |
| 1966-08-25 – 1966-12-30 | Die Walküre: Aufzug II, Szene I. „Der alte Sturm, die alte Müh’!“ (Wotan, Fricka) | mezzo-sopraanvocalen | Berliner Philharmoniker, Herbert von Karajan | 4:56 |
| 1966-08-25 – 1966-12-30 | Die Walküre: Aufzug II, Szene I. „So ist es denn aus mit den ewigen Göttern“ (Fricka, Wotan) | mezzo-sopraanvocalen | Berliner Philharmoniker, Herbert von Karajan | 9:18 |
| 1966-08-25 – 1966-12-30 | Die Walküre: Aufzug II, Szene I. „Was verlangst du?“ (Wotan, Fricka, Brünnhilde) | mezzo-sopraanvocalen | Berliner Philharmoniker, Herbert von Karajan | 2:28 |
| 1966 | A Midsummer Night's Dream: Act I. "Fair love, you faint with wand'ring" | mezzo-sopraanvocalen [Hermia] | Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 2:41 |
| 1966 | A Midsummer Night's Dream: Act I. "How now, my love?" | mezzo-sopraanvocalen [Hermia] | Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 4:33 |
| 1966 | A Midsummer Night's Dream: Act I. "Stay, tho' thou kill me, sweet Demetrius" | mezzo-sopraanvocalen [Hermia] | Heather Harper, Thomas Hemsley, Peter Pears, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 5:15 |
| 1966 | A Midsummer Night's Dream: Act I. "Through the forest have I gone" | mezzo-sopraanvocalen [Hermia] | Stephen Terry, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 1:45 |
| 1966 | A Midsummer Night's Dream: Act II. "Flower of this purple dye" | mezzo-sopraanvocalen [Hermia] | Alfred Deller, Stephen Terry, Peter Pears, Heather Harper, Thomas Hemsley, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 6:32 |
| 1966 | A Midsummer Night's Dream: Act II. "How now, mad spirit" | mezzo-sopraanvocalen [Hermia] | Alfred Deller, Stephen Terry, Thomas Hemsley, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 3:06 |
| 1966 | A Midsummer Night's Dream: Act II. "Puppet? why so?" | mezzo-sopraanvocalen [Hermia] | Josephine Veasey, Heather Harper, Peter Pears, Thomas Hemsley, Stephen Terry, London Symphony Orchestra, Benjamin Britten | 3:05 |
| 1966 | A Midsummer Night's Dream: Act II. "Up & Down" | mezzo-sopraanvocalen [Hermia] | Stephen Terry, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 6:02 |
| 1966 | A Midsummer Night's Dream: Act III, Scene 1. "Helena! - Hermia!" | mezzo-sopraanvocalen [Hermia] | Thomas Hemsley, Peter Pears, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 4:46 |
| 1966 | A Midsummer Night's Dream: Act III, Scene 2. "If we offend, it is with our good will" | mezzo-sopraanvocalen [Hermia] | Owen Brannigan, Kenneth MacDonald, Norman Lumsden, David Kelly, Robert Tear, Keith Raggett, John Shirley‐Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 1:20 |
| 1966 | A Midsummer Night's Dream: Act III, Scene 2. "In the same interlude" | mezzo-sopraanvocalen [Hermia] | Robert Tear, Josephine Veasey, Peter Pears, John Shirley‐Quirk, London Symphony Orchestra, Benjamin Britten | 1:10 |
| 1966 | A Midsummer Night's Dream: Act III, Scene 2. "This lanthorn doth the horned Moon present" | mezzo-sopraanvocalen [Hermia] | Keith Raggett, Peter Pears, John Shirley‐Quirk, Thomas Hemsley, Helen Watts, Kenneth MacDonald, David Kelly, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 1:50 |
| 1966 | A Midsummer Night's Dream: Act III, Scene 2. "You Ladies, you" | mezzo-sopraanvocalen [Hermia] | David Kelly, Josephine Veasey, Thomas Hemsley, John Shirley‐Quirk, London Symphony Orchestra, Benjamin Britten | 0:46 |
| 1966 | A Midsummer Night's Dream: Act III, Scene 2. Orchestral March / "Now, fair Hippolyta" | mezzo-sopraanvocalen [Hermia] | John Shirley‐Quirk, Helen Watts, Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra, Benjamin Britten | 7:24 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Du da, folge uns!“ (Fafner, Freia, Froh, Donner, Fasolt, Wotan, Fricka) | mezzo-sopraanvocalen | Berliner Philharmoniker, Herbert von Karajan | 1:36 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Ein Runenzauber zwingt das Gold zum Reif“ (Loge, Donner, Wotan, Froh, Fricka, Fafner) | mezzo-sopraanvocalen | Berliner Philharmoniker, Herbert von Karajan | 3:11 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Endlich, Loge! Eiltest du so“ (Wotan, Loge, Fricka, Froh, Donner, Fafner, Fasolt) | mezzo-sopraanvocalen | Berliner Philharmoniker, Herbert von Karajan | 3:33 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Immer ist Undank Loges Lohn!“ (Loge, Wotan, Fasolt, Fafner, Fricka) | mezzo-sopraanvocalen | Berliner Philharmoniker, Herbert von Karajan | 6:57 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Schwester! Brüder! Rettet! helft!“ (Freia, Froh, Donner, Loge, Fricka) | mezzo-sopraanvocalen | Berliner Philharmoniker, Herbert von Karajan | 4:36 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „So schirme sie jetzt“ (Fricka, Freia, Wotan) | mezzo-sopraanvocalen | Berliner Philharmoniker, Herbert von Karajan | 1:44 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Wotan, Gemahl, unsel’ger Mann!“ (Fricka, Wotan, Loge, Donner, Froh) | mezzo-sopraanvocalen | Berliner Philharmoniker, Herbert von Karajan | 1:56 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene II. „Wotan! Gemahl! erwache!“ (Fricka, Wotan) | mezzo-sopraanvocalen | Berliner Philharmoniker, Herbert von Karajan | 6:26 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene IV. „Gepflanzt sind die Pfähle nach Pfandes Maß“ (Fafner, Wotan, Loge, Froh, Fricka, Donner, Fasolt, Freia) | mezzo-sopraanvocalen | Berliner Philharmoniker, Herbert von Karajan | 5:55 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene IV. „Lauschtest du seinem Liebesgruß?“ (Loge, Wotan, Froh, Donner, Fricka) | mezzo-sopraanvocalen | Berliner Philharmoniker, Herbert von Karajan | 3:07 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene IV. „Lieblichste Schwester, süßeste Lust!“ (Fricka, Fasolt, Wotan) | mezzo-sopraanvocalen | Berliner Philharmoniker, Herbert von Karajan | 2:46 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene IV. „Nun blinzle nach Freias Blick“ (Fafner, Wotan, Loge, Fricka, Donner) | mezzo-sopraanvocalen | Berliner Philharmoniker, Herbert von Karajan | 3:57 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene IV. „So grüß’ ich die Burg“ (Wotan, Fricka, Loge) | mezzo-sopraanvocalen [Fricka] | Dietrich Fischer‐Dieskau, Josephine Veasey, Gerhard Stolze, Berliner Philharmoniker, Herbert von Karajan | 2:06 |
| 1967-12-06 – 1967-12-28 | Das Rheingold: Szene IV. „Soll ich sorgen und fürchten“ (Wotan, Fricka, Froh, Donner, Freia) | mezzo-sopraanvocalen | Berliner Philharmoniker, Herbert von Karajan | 2:27 |
| 1967-12 | Das Rheingold: "Zur Burg führt die Brücke" - "Abendlich strahlt der Sonne Auge" (Froh / Wotan) | mezzo-sopraanvocalen [Fricka] | Richard Wagner | 9:00 |
| 1969-04-21 – 1969-04-22 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – Allegro assai – Recitativo: “O Freunde, nicht diese Töne” – Allegro assai – Allegro assai vivace. Alla marcia – Andante maestoso – Allegro energico, sempre ben marcato | mezzo-sopraanvocalen | Plácido Domingo, Sherrill Milnes, New England Conservatory Chorus, Josephine Veasey, Boston Symphony Orchestra, Erich Leinsdorf | 23:34 |
| 1969-06-08 – 1969-06-10 | La captive, op. 12 (Orientale H.60C) | mezzo-sopraanvocalen | Josephine Veasey, London Symphony Orchestra, Sir Colin Davis | 7:09 |
| 1969-10 | Les Troyens: Act III: No. 19 Récitatif et air: "Nous avons vu finir" - "Chers Tyriens" | mezzo-sopraanvocalen [Didon] | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 7:20 |
| 1969-10 | Les Troyens: Act III: No. 23 Récitatif et choeur: "Peuple!" - "Gloire à Didon" | mezzo-sopraanvocalen [Didon] | Chorus of the Royal Opera House, Covent Garden, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:19 |
| 1969-10 | Les Troyens: Act III: No. 24 Récitatif et duo: "Les chants joyeux" - "Sa voix fait naître dans mon sein" | mezzo-sopraanvocalen [Didon] | Heather Begg, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 10:21 |
| 1969-10 | Les Troyens: Act III: No. 25 Récitatif et air: "Echappés à grand peine" - "Errante sur les mers" | mezzo-sopraanvocalen [Didon] | Ian Partridge, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:20 |
| 1969-10 | Les Troyens: Act III: No. 26 Marche troyenne dans le mode triste - "J'éprouve une soudaine et vive impatience" | mezzo-sopraanvocalen [Didon] | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:08 |
| 1969-10 | Les Troyens: Act III: No. 27 Récitatif: "Auguste reine, un peuple" | mezzo-sopraanvocalen [Didon] | Anne Howells, Anthony Raffell, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:33 |
| 1969-10 | Les Troyens: Act IV: No. 34 Scène et chant d'Iopas: "Assez, ma soeur" - "O blonde Cérès" | mezzo-sopraanvocalen [Didon] | Ian Partridge, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 6:38 |
| 1969-10 | Les Troyens: Act IV: No. 35 Récitatif et quintette: "Pardonne, Iopas" - "O pudeur!" | mezzo-sopraanvocalen [Didon] | Heather Begg, Ian Partridge, Roger Soyer, Josephine Veasey, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 6:26 |
| 1969-10 | Les Troyens: Act IV: No. 36 Récitatif et septuor: "Mais bannissons" - "Tout n'est que paix" | mezzo-sopraanvocalen [Didon] | Heather Begg, Chorus of the Royal Opera House, Covent Garden, Anne Howells, Ian Partridge, Anthony Raffell, Roger Soyer, Josephine Veasey, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 5:18 |
| 1969-10 | Les Troyens: Act IV: No. 37 Duo: "Nuit d'ivresse et d'extase" | mezzo-sopraanvocalen [Didon] | Josephine Veasey, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 10:06 |
| 1969-10 | Les Troyens: Act V: No. 44 Duo et choeur: "Errante sur tes pas" - "Italie!" | mezzo-sopraanvocalen [Didon] | Chorus of the Royal Opera House, Covent Garden, Josephine Veasey, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 5:27 |
| 1969-10 | Les Troyens: Act V: No. 45 Scène: "Va, ma soeur, l'implorer" | mezzo-sopraanvocalen [Didon] | Heather Begg, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:07 |
| 1969-10 | Les Troyens: Act V: No. 46 Scène: "En mer, voyez!" - "Dieux immortels!" | mezzo-sopraanvocalen [Didon] | Chorus of the Royal Opera House, Covent Garden, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:24 |
| 1969-10 | Les Troyens: Act V: No. 47 Monologue: "Ah! Ah! He vais mourir..." | mezzo-sopraanvocalen [Didon] | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:06 |
| 1969-10 | Les Troyens: Act V: No. 48 Air: "Adieu, fière cité" | mezzo-sopraanvocalen [Didon] | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:32 |
| 1969-10 | Les Troyens: Act V: No. 50 Scène: "Pluton... semble m'être propice" | mezzo-sopraanvocalen [Didon] | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:16 |
| 1969-10 | Les Troyens: Act V: No. 51 Choeur: "Ah! au secours!" - No. 52 Imprécation: "Rome... Rome.. immortelle" | mezzo-sopraanvocalen [Didon] | Chorus of the Royal Opera House, Covent Garden, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:36 |
| 1969 | Les Troyens, Nr. 48: "Adieu fière cité" | mezzo-sopraanvocalen | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:30 |
| 1970-02-25 | Messa da Requiem: I. Requiem & Kyrie (chœur et solistes) | mezzo-sopraanvocalen en solo | Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | 10:42 |
| 1970-02-25 | Messa da Requiem: II. Dies Irae “Lacrymosa, dies illa” (solistes, chœur) | mezzo-sopraanvocalen en solo | Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | 7:04 |
| 1970-02-25 | Messa da Requiem: II. Dies Irae “Liber scriptus proferetur” (mezzo-soprano, chœur) | mezzo-sopraanvocalen en solo | Josephine Veasey, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | 5:08 |
| 1970-02-25 | Messa da Requiem: II. Dies Irae “Quid sum miser” (soprano, mezzo-soprano, tenor) | mezzo-sopraanvocalen en solo | Martina Arroyo, Josephine Veasey, Plácido Domingo, London Symphony Orchestra, Leonard Bernstein | 4:00 |
| 1970-02-25 | Messa da Requiem: II. Dies Irae “Recordare, Jesus pie” (mezzo-soprano, soprano) | mezzo-sopraanvocalen en solo | Martina Arroyo, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | 4:34 |
| 1970-02-25 | Messa da Requiem: II. Dies Irae “Rex tremendae majestatis” (chœur, solistes) | mezzo-sopraanvocalen en solo | Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | 4:05 |
| 1970-02-25 | Messa da Requiem: III. Offertorio (solistes) | mezzo-sopraanvocalen en solo | Martina Arroyo, Plácido Domingo, Ruggero Raimondi, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | 11:44 |
| 1970-02-25 | Messa da Requiem: V. Agnus Dei (soprano, mezzo-soprano, chœur) | mezzo-sopraanvocalen en solo | Martina Arroyo, Josephine Veasey, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein | 5:55 |
| 1970-02-25 | Messa da Requiem: VI. Lux aeterna (mezzo-soprano, ténor, basse) | mezzo-sopraanvocalen en solo | Plácido Domingo, Ruggero Raimondi, Josephine Veasey, London Symphony Orchestra, Leonard Bernstein | 6:35 |
| A Midsummer Night's Dream: Act II - Conclusion | mezzo-sopraanvocalen [Hermia] | Gordon Clark, Richard Dakin, Thomas Hemsley, Peter Pears, John Pryer, Stephen Terry, Josephine Veasey, Ian Wodehouse, London Symphony Orchestra, Benjamin Britten | 9:14 |
| Adriana Lecouvreur: Atto II. “Con la Regina a lungo favellai” | mezzo-sopraanvocalen [La principessa] | Plácido Domingo, Josephine Veasey, Greater Miami Opera Orchestra & Chorus, Emerson Buckley | 4:08 |
| Adriana Lecouvreur: Atto II. “L’anim ho stanca” | mezzo-sopraanvocalen [La principessa] | Plácido Domingo, Josephine Veasey, Teresa Żylis‐Gara, Greater Miami Opera Orchestra & Chorus, Emerson Buckley | 1:57 |
| Adriana Lecouvreur: Atto II. “Principessa” | mezzo-sopraanvocalen [La principessa] | Plácido Domingo, Josephine Veasey, Greater Miami Opera Orchestra & Chorus, Emerson Buckley | 1:11 |
| Adriana Lecouvreur: Atto II. “Sia! Non risponde” | mezzo-sopraanvocalen [La principessa] | Josephine Veasey, Teresa Żylis‐Gara, Greater Miami Opera Orchestra & Chorus, Emerson Buckley | 3:33 |
| Adriana Lecouvreur: Atto III. “Eh, via!” | mezzo-sopraanvocalen [La principessa] | Josephine Veasey, Greater Miami Opera Orchestra & Chorus, Emerson Buckley | 5:35 |
| Adriana Lecouvreur: Atto III. “Il Conte di Sassonia!” | mezzo-sopraanvocalen [La principessa] | John Cheek, Anselmo Colzani, Plácido Domingo, Josephine Veasey, Teresa Żylis‐Gara, Greater Miami Opera Orchestra & Chorus, Emerson Buckley | 3:55 |
| Adriana Lecouvreur: Atto III. “Quella dama al certo!” | mezzo-sopraanvocalen [La principessa] | John Cheek, Josephine Veasey, Teresa Żylis‐Gara, Greater Miami Opera Orchestra & Chorus, Emerson Buckley | 3:08 |
| Adriana Lecouvreur: Atto III. “Sempre la prima grazie!” | mezzo-sopraanvocalen [La principessa] | John Cheek, Josephine Veasey, Greater Miami Opera Orchestra & Chorus, Emerson Buckley | 8:42 |
| Adriana Lecouvreur: Atto III. “Voi, Principessa” | mezzo-sopraanvocalen [La principessa] | Josephine Veasey, Greater Miami Opera Orchestra & Chorus, Emerson Buckley | 6:10 |
| Beatrice di Tenda: Atto I. “Sì, rivale … rival regnante” | mezzo-sopraanvocalen | Luciano Pavarotti | 7:03 |
| Beatrice di Tenda: Atto I. Part 1 | mezzo-sopraanvocalen [Agnese] | Cornelis Opthof, Luciano Pavarotti, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | ?:?? |
| Beatrice di Tenda: Atto I. Part 2 | mezzo-sopraanvocalen [Agnese] | Cornelis Opthof, Luciano Pavarotti, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | ?:?? |
| Beatrice di Tenda: Atto I. Part 3, Conclusion | mezzo-sopraanvocalen [Agnese] | Cornelis Opthof, Luciano Pavarotti, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | ?:?? |
| Beatrice di Tenda: Atto II. Part 1 | mezzo-sopraanvocalen [Agnese] | Cornelis Opthof, Luciano Pavarotti, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | ?:?? |
| Beatrice di Tenda: Atto II. Part 2 | mezzo-sopraanvocalen [Agnese] | Cornelis Opthof, Luciano Pavarotti, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | ?:?? |
| Beatrice di Tenda: Atto II. Part 3, Conclusion | mezzo-sopraanvocalen [Agnese] | Cornelis Opthof, Luciano Pavarotti, Joan Sutherland, Josephine Veasey, London Symphony Orchestra, Richard Bonynge | ?:?? |
| Bekijk alle 126 relaties |
| vocalen |
|---|
| Das Rheingold | mezzo-sopraanvocalen | Richard Wagner; Berliner Philharmoniker, Herbert von Karajan | |
| Die Walküre | mezzo-sopraanvocalen | Richard Wagner; Berliner Philharmoniker, Herbert von Karajan | |
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