The Greatest Rock ’n’ Roll Collection Ever!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1That’ll Be the Day
recording of:
That’ll Be the Day
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly2:17
2La bamba
recording engineer:
Larry Levine und Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Bob Keane
phonographisches Urheberrecht (℗) von:
Del-Fi Records Inc. (in 1958)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 142) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 346)
recording of:
La bamba (additional lyrics by Ritchie Valens) (am 1958-11-17)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Ritchie Valens4.752:09
3Chantilly Lace
The Big Bopper2:22
4Great Balls of Fire
recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis1:52
5Rock Around the Clock
E-Gitarre [lead guitar]:
Danny Cedrone (am 1954-04-12)
E-Gitarre [rhythm guitar] und Sologesang:
Bill Haley (am 1954-04-12)
Klavier:
Johnny Grande (am 1954-04-12)
Kontrabass:
Marshall Lytle (am 1954-04-12)
Schlagzeug:
Billy Gussak (am 1954-04-12)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1954-04-12)
Tenorsaxophon:
Joey D'Ambrosio (am 1954-04-12)
phonographisches Urheberrecht (℗) von:
Sonet Music AB (in 1954) und MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (am 1954-04-12)
Texter und Komponist(in):
Jimmy De Knight (in 1952) und Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. und Myers Music, Inc.
Version von:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & the Comets4.352:12
6Heartbreak Hotel
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (am 1956-01-10), Lena Brock "Mom" Speer (am 1956-01-10) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-01-10)
Herausgeber:
Sony/ATV Songs LLC
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 45) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 347)
recording of:
Heartbreak Hotel (am 1956-01-10)
Verfasser(in):
Mae Boren Axton, Tommy Durden und Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing und Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Elvis Presley3.652:10
7Tequila
recording of:
Tequila
Texter und Komponist(in):
Daniel Flores (Daniel Flores)
publisher:
Longitude Music Co. und Powerforce Music
sub-publisher:
EMI Music Publishing France und Universal Music Publishing France (not for release label use!)
The Champs4.32:12
8Maybellene
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1955-05-21)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1955-05-21)
Kontrabass:
Willie Dixon (am 1955-05-21)
Maracas / Rumba-Rasseln [possibly]:
Leonard Chess (am 1955-05-21) und Jerome Green (am 1955-05-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1955-05-21)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 18), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 102)
recording of:
Maybellene (am 1955-05-21)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und Salee Music Company
Chuck Berry3.92:24
9All I Have to Do Is Dream
recording of:
All I Have to Do Is Dream
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1958-04-21)
The Everly Brothers2:21
10Yakety Yak
recording of:
Yakety Yak
Texter:
Jerry Leiber
Verfasser(in):
Jerry Leiber und Mike Stoller
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC
Teil von:
Twins (1988)
The Coasters1:52
11Little Miss Ruby
Neville Taylor and The Cutters1:47
12Tutti Frutti
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1955-09-14)
Produzent(in):
Robert Blackwell
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1955-09-14)
Gitarre:
Justin Adams (1950s session guitarist) (am 1955-09-14)
Klavier:
Melvin Dowden (am 1955-09-14)
Kontrabass:
Frank Fields (am 1955-09-14)
Schlagzeug:
Earl Palmer (am 1955-09-14)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1955-09-14)
Sologesang:
Little Richard (am 1955-09-14)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1955-09-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 35) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 43)
recording of:
Tutti Frutti (am 1955-09-14)
Texter:
Dorothy LaBostrie (American songwriter) und Richard Wayne Penniman
Komponist(in):
Dorothy LaBostrie (American songwriter), Joe Lubin und Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Phonogram GmbH (in 1983)
Little Richard4.12:24
13Be‐Bop‐a‐Lula
Gitarre [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (am 1956-05-04)
Gitarre [rhythm guitar]:
Willie Williams (50s rock guitarist) (am 1956-05-04)
Kontrabass [upright bass]:
Jack Neal (am 1956-05-04)
Schlagzeug [drums]:
Dickie Harrell (am 1956-05-04)
vocals:
Gene Vincent (am 1956-05-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (vom 1956 bis heute)
aufgenommen bei:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1956-05-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 9) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 102)
recording of:
Be‐Bop‐a‐Lula (am 1956-05-04)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent & His Blue Caps4.352:35
14There Goes My Baby
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Reggie Kimber (am 1959-03-06)
Baritongesang:
Dock Green (am 1959-03-06)
Bass-Gesang:
Elsbeary Hobbs (am 1959-03-06)
Sologesang:
Ben E. King (am 1959-03-06)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1959-03-06)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1959-03-06)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
aufgenommen bei:
Coastal Recording in New York, New York, Vereinigte Staaten (am 1959-03-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 2) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 193)
recording of:
There Goes My Baby (am 1959-03-06)
Texter und Komponist(in):
Benjamin Nelson, Lover Patterson und George Treadwell
publisher:
Jerome Leiber Music, Purple Starfish Music, Sherman Jot Enterprises Inc. und Sony/ATV Songs LLC
The Drifters4.52:12
15Only You
recording of:
Only You
Texter und Komponist(in):
Buck Ram
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music und Sherwin Music (publisher) (in 1973)
The Platters2:37
16Let’s Rock While the Rockin’s Good
Cuddly Dudley1:41
17I’m Walkin’
phonographisches Urheberrecht (℗) von:
F. D. & Hunter (publisher) (in 1957)
Bearbeitung von:
I’m Walking von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 17)
recording of:
I’m Walkin’ (am 1957-01-03)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Verfasser(in):
A. Domino/D. Bartholomew (duo)
publisher:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. und Rolf Budde Musikverlag (aka Budde Music)
Fats Domino52:10
18Shortnin’ Bread
Paul Chaplain and His Emeralds1:56
19High School Hop
Lee Denson1:51
20All the Time
Sleepy LaBeef1:51
21Mean Woman Blues
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Sid Manker (am 1957-09-10)
Gitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1957-09-10)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-09-10)
Schlagzeug:
Otis Jett (am 1957-09-10)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-09-10)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1957)
cover recording of:
Mean Woman Blues (am 1957-09-10)
Texter und Komponist(in):
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. und Williamson Music Company
Jerry Lee Lewis2:27
22Lorraine
Buddy Covelle2:33
23Roll, Hot Rod, Roll
Oscar McLollie3:01
24Try Me
Bob Luman2:10
25I Dig That Girl the Most
Ronnie Pearson2:20
26I Like Love
vocals:
Roy Orbison
recording of:
I Like Love
Texter und Komponist(in):
Jack Clement
publisher:
Universal–Songs of PolyGram International, Inc.
Roy Orbison2:32
27Somebody Touched Me
Cliff Richard2:02
28Sincerely
Bassgitarre:
Willie Dixon (in 1954-10)
Gitarre:
Walter Scott (US blues guitarist) (in 1954-10)
Klavier:
Johnny Young (jazz pianist) (in 1954-10)
Schlagzeug:
Wesley Landers (Jazz drummer) (in 1954-10)
Tenorsaxophon:
Eddie Chamblee (in 1954-10)
Baritongesang:
Harvey Fuqua (in 1954-10)
Bass-Gesang:
Prentiss Barnes (in 1954-10)
Sologesang:
Bobby Lester (rhythm & blues and soul vocalist and songwriter) (in 1954-10)
Tenor-Gesang:
Pete Graves (US doo-wop vocalist, member of The Moonglows) (in 1954-10)
recording of:
Sincerely
Verfasser(in):
Alan Freed (American disc jockey) (bis 1954-10) und Harvey Fuqua (bis 1954-10)
publisher:
Alan Freed Music, Arc Music (U.S. rock & blues publisher), Irving Music (BMI), Quazical Music, Regent Music Corp. (BMI) und ロックンロール ミュージック (Rock ’n’ Roll Music)
The Moonglows3:10
29Reet Petite
recording of:
Reet Petite (The Sweetest Girl in Town) (in 1957)
Verfasser(in):
Tyran Carlo und Berry Gordy
publisher:
Burlington Music Ltd.
Jackie Wilson42:45
30Why Do Fools Fall in Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
Verfasser(in):
Morris Levy und Frankie Lymon
zusätzliche(r) Verfasser(in):
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) und Herman Santiago (singer for Frankie Lymon & The Teenagers)
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Frankie Lymon & The Teenagers4.52:19
31Ain’t Got No Home
recording engineer:
Cosimo Matassa (in 1956-09)
Produzent(in):
Paul Gayten (US R&B)
Gitarre:
Walter “Papoose” Nelson (guitarist in Fats Domino's band) (in 1956-09)
Klavier:
Paul Gayten (US R&B) (in 1956-09)
Kontrabass [bass]:
Frank Fields (in 1956-09)
Posaune:
Edgar Myles (in 1956-09)
Schlagzeug [drums]:
Eugene Jones (drummer) (in 1956-09)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (in 1956-09) und Eddie Smith (R&B tenor sax) (in 1956-09)
vocals:
Clarence “Frogman” Henry (in 1956-09)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (vom 1956 bis heute) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
J&M Studio (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten (in 1956-09)
recording of:
Ain’t Got No Home (in 1956-09)
Texter und Komponist(in):
Clarence “Frogman” Henry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Clarence “Frogman” Henry2:20
32You Little Baby Faced Thing
Joe Tex2:25
33Searchin’
recording of:
Searchin’
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Chappell & Co., Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC und Tiger (publisher)
The Coasters2:43
34The Train Kept A‐Rollin’
Johnny Burnette Trio2:16
35Raunchy
Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Sid Lapworth (am 1957-06-05)
Gitarre:
Roland Janes (am 1957-06-05) und Sid Manker (am 1957-06-05)
Horn [horn overdubs]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1957-06-05)
Klavier:
Jimmy Wilson (rockabilly piano) (am 1957-06-05)
Schlagzeug [drums]:
J.M. Van Eaton (am 1957-06-05)
Tenorsaxophon:
Bill Justis (am 1957-06-05)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-06-05)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 38)
recording of:
Raunchy (am 1957-06-05)
Komponist(in):
Bill Justis und Sid Manker
sub-publisher:
Tutti Intersong Éditions musicales SARL und Warner Chappell Music France
Bill Justis2:24
36Jerry Jerry
Artie Wilson2:03
37Fast Freight
Arvee Allens2:03
38You Cash Ain’t Nothin’ but Trash
The Clovers2:56
39Buzz, Buzz, Buzz
Vince Eager2:02
40Matchbox
recording of:
Matchbox
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Unichappell Music und Wren Music Co.
Version von:
Match Box Blues
Carl Perkins2:12
41Long Gone Daddy
Pat Cupp2:31
42Nothin’ Shakin’ (But the Leaves on the Trees)
Eddie Fontaine2:55
43Honey Hush
Johnny Burnette Trio2:04
44See You Later, Alligator
Bobby Charles2:49
45Bop‐A‐Lena
Ronnie Self2:06
46Modern Romance
Sanford Clark2:03
47Rip It Up
cover recording of:
Rip It Up (am 1957-11-06)
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC und Venice Music
The Everly Brothers2:14
48Why
recording of:
Why
Texter und Komponist(in):
Charles Calhoun
The Cues2:40
49Honey Don’t
recording of:
Honey, Don’t!
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corporation, Hi Lo Music, Hi Lo Music Inc. (BMI-affiliated), Knox Music Ltd. und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Carl Perkins2:50
50Jeannie, Jeannie, Jeannie
Eddie Cochran2:22
51Evenin’ Time
Scotty McKay2:02
52Lawdy Miss Clawdy
alto saxophone:
Joseph Harris (am 1952-03-13)
Gitarre:
Ernest McLean (am 1952-03-13)
Klavier:
Fats Domino (am 1952-03-13)
Kontrabass [bass]:
Frank Fields (am 1952-03-13)
Schlagzeug [drums]:
Earl Palmer (am 1952-03-13)
Tenorsaxophon:
Herb Hardesty (am 1952-03-13)
Trompete:
Dave Bartholomew (am 1952-03-13)
Sologesang:
Lloyd Price (US R&B/soul singer) (am 1952-03-13)
conductor:
Dave Bartholomew (am 1952-03-13)
aufgenommen bei:
J&M Record Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1952-03-13)
recording of:
Lawdy Miss Clawdy (am 1952-03-13)
Texter und Komponist(in):
Lloyd Price (US R&B/soul singer) (in 1952-03)
publisher:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC und Venice Music
Lloyd Price2:32
53Rock Billy Boogie
Gitarre:
Paul Burlison (am 1956-07-04) und Johnny Burnette (am 1956-07-04)
Kontrabass:
Dorsey Burnette (am 1956-07-04)
Schlagzeug:
Murray M. "Buddy" Harman, Jr. (Session drummer and songwriter) (am 1956-07-04)
vocals:
Johnny Burnette (am 1956-07-04)
aufgenommen bei:
Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1956-07-04)
recording of:
Rock Billy Boogie (am 1956-07-04)
Verfasser(in):
Dorsey Burnette, Johnny Burnette, George Hawkins (Rock Billy Boogie co-writer) und Henry Jerome
Johnny Burnette Trio32:35
54Rumble
Link Wray & the Wray Men2:30
55Wake Up Little Susie
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 21) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 311)
recording of:
Wake Up Little Susie (in 1957)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.651:59
56Come Go With Me
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 441)
recording of:
Come Go With Me
publisher:
Joseph M. Averbach
Texter und Komponist(in):
C.E. Quick
publisher:
Fee Bee Music Company und Gil Music Corporation
The Del‐Vikings4.52:42
57Mercy
The Collins Kids2:04
58Up Above My Head I Hear Music in the Air
Laurie London2:06
59Black Slacks
Joe Bennett & the Sparkletones2:09
60High Class Baby
recording of:
High Class Baby
Komponist(in):
Ian Samwell
publisher:
Carlin Music Corp.
Cliff Richard2:11
61I’m in Love Again
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Everest Records (classical) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 6)
recording of:
I’m in Love Again (am 1955-10-15)
Verfasser(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Fats Domino51:54
62Let the Good Times Roll
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 15)
recording of:
Let the Good Times Roll
Verfasser(in):
Shirley Goodman und Leonard Lee (rhythm & blues and doo wop singer and songwriter)
publisher:
Atlantic Music Corp. (BMI), Pixley Music (publisher), Travis Music Co. und Unart Music Corp.
Shirley & Lee52:24
63Baby, Beat It
Big Duke Henderson2:28
64Hallelujah! I Love Her So
Eddie Cochran2:21
65Shake, Rattle and Roll
Big Joe Turner3:01
66Youngblood
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-02-15)
Techniker(in):
Bunny Robyn (Aufgabe: recording) und Tom Dowd
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Barney Kessel (bis 1957-02-15) und Adolph Jacobs (am 1957-02-15)
Klavier:
Mike Stoller (am 1957-02-15)
Kontrabass [bass]:
Ralph Hamilton (US jazz/R&B bassist) (am 1957-02-15)
Schlagzeug [drums]:
Jesse Sailes (am 1957-02-15)
Tenorsaxophon:
Gil Bernal (am 1957-02-15)
vocals:
The Coasters (am 1957-02-15), Carl Gardner (am 1957-02-15), Billy Guy (r&b vocalist) (am 1957-02-15), Bobby Nunn (US doo‐wop/R&B bass vocalist) (am 1957-02-15) und Young Jessie (am 1957-02-15)
arranger:
Mike Stoller
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-02-15)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 414)
recording of:
Young Blood (am 1957-02-15)
Texter:
Jerry Leiber und Doc Pomus
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Copyright Records, EMI Broadcast Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Pomus Songs Inc. und Sony/ATV Songs LLC
The Coasters2.52:22
67You Started Something
Don Lang & His Frantic Five2:00
68In the Still of the Night
Produzent(in):
Marty Kugell
Klavier:
Curlee Glover (in 1956-02)
Kontrabass:
Doug Murray (double bassist) (in 1956-02)
Schlagzeug [drums]:
Bobby Mapp (in 1956-02)
Solo-Saxophon:
Vinny Mazzetta (in 1956-02)
vocals:
Al Denby (in 1956-02), Jim Freeman (American singer and songwriter) (in 1956-02), Ed Martin (in 1956-02), Nat Mosley (in 1956-02) und Fred Parris (in 1956-02)
phonographisches Urheberrecht (℗) von:
Standard Records (in 1956)
aufgenommen bei:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, Vereinigte Staaten (in 1956-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 90) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 170)
recording of:
In the Still of the Night (Five Satins doo-wop song) (in 1956-02)
Texter und Komponist(in):
Fred Parris
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Llee Corp. (LLEE Corporation) (in 1956)
The Five Satins4.53:04
69Lucille
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-07-30)
Bassgitarre:
Frank Fields (am 1956-07-30)
Gitarre:
Roy Montrell (am 1956-07-30)
Klavier und Sologesang:
Little Richard (am 1956-07-30)
Schlagzeug:
Earl Palmer (am 1956-07-30)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-07-30)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-07-30)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 14)
recording of:
Lucille (am 1956-07-30)
Verfasser(in):
Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) und Richard Wayne Penniman
publisher:
Budde Music Publishing GmbH, Flora GmbH, Josef Hochmuth Musikverlag, Leeds Music Corp., Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Melody Music Pty Ltd., Morro Music Corp., Strengholt Music Publishing BV, Universal Music Publishing Ricordi srl, Universal/MCA Music Ltd. (not for release label use!) und Venice Music
sub-publisher:
Sony/ATV Music Publishing France (beendet), Sony Music Publishing France und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Little Richard4.52:25
70Lipstick, Powder and Paint
Big Joe Turner2:26
71Move It
recording of:
Move It
Komponist(in):
Ian Samwell
publisher:
Multimood Music Ltd.
Cliff Richard2:23
72Rock and Roll Is Here to Stay
recording of:
Rock and Roll Is Here to Stay
Texter und Komponist(in):
David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
Danny & the Juniors2:31
73Rocking Pneumonia and the Boogie Woogie Flu
recording of:
Rockin’ Pneumonia and the Boogie Woogie Flu
Texter und Komponist(in):
Huey “Piano” Smith
Huey “Piano” Smith2:21
74Race With the Devil
Gene Vincent & His Blue Caps2:03
75Six‐Five Jive
Jimmy Jackson3:13
76Splish Splash
Produzent(in):
Herb Abramson und Ahmet Ertegun (US songwriter/producer)
Teil von:
Billboard Hot 100: 1958-08-04 (Nummer: 3)
recording of:
Splish Splash
Verfasser(in):
Bobby Darin und Jean Murray
publisher:
Alley Music Corp., EMI Unart Catalog Inc., Good Music Ltd. und Oirt Music Inc.
Bobby Darin32:14
77A Big Hunk o’ Love
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1958-06-10)
Gitarre:
Chet Atkins (am 1958-06-10), Hank Garland (am 1958-06-10) und Elvis Presley (“The King of Rock and Roll”) (am 1958-06-10)
Klavier:
Floyd Cramer (am 1958-06-10)
Schlagzeug:
D.J. Fontana (am 1958-06-10) und Buddy Harman (Session drummer and songwriter) (am 1958-06-10)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (am 1958-06-10)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1958), BMG Music (in 1958, in 1959, in 1973) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1958-06-10)
cover recording of:
A Big Hunk o’ Love (am 1958-06-10)
Verfasser(in):
Aaron Schroeder (1950s~1960s US songwriter) und Sid Wyche
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Songs, Elvis Presley Music Inc., Minder Music Ltd., R&H Music, Rachel’s Own Music, Regent Music (BMI) und Williamson Music Company
Elvis Presley3.052:15
78We’re Gonna Rock
Gunter Lee Carr2:12
79Tweedlee Dee
recording of:
Tweedlee Dee
Texter und Komponist(in):
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) und Unichappell Music
LaVern Baker3:04
80Ramrod
Duane Eddy1:43
81Ramshackle Daddy
Don Lang & His Frantic Five2:29
82Little Darlin’
cover recording of:
Little Darlin’
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Campbell Connelly & Co. Ltd. und Excellorec Music
The Diamonds2:10
83King Kong
Big ‘T’ Tyler2:01
84There’s Good Rockin’ Tonight
Ricky Nelson1:54
85You Got Me Reeling and Rocking
recording of:
You Got Me Reeling and Rocking
Texter und Komponist(in):
Roy Milton
Roy Milton2:07
86Whole Lotta Lovin’
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1956-1968) in New Orleans, Louisiana, Vereinigte Staaten
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 31)
recording of:
Whole Lotta Loving (am 1958-09-23)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Fats Domino41:42
87Bluejean Bop
Gene Vincent2:24
88Gee
The Crows2:13
89Please Mr. Mayor
Roy Clark2:19
90All Shook Up
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-01-12 bis 1957-01-13)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-01-12 bis 1957-01-13) und Elvis Presley (“The King of Rock and Roll”) (von 1957-01-12 bis 1957-01-13)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1957-01-12 bis 1957-01-13)
Schlagzeug:
D.J. Fontana (von 1957-01-12 bis 1957-01-13)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”) und The Jordanaires (southern gospel group) (von 1957-01-12 bis 1957-01-13)
remixer:
Dennis Ferrante
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957), BMG Music (in 1957) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-01-12 bis 1957-01-13) und Bloch Arena in Honolulu, Hawaii, Vereinigte Staaten (am 1961-03-25)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 18) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 353)
cover recording of:
All Shook Up (am 1957-01-12)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) und Shalimar Music Corp.
Elvis Presley3.652:02
91Blueberry Hill
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Blueberry Hill (Imperial) von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 81) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 147)
cover recording of:
Blueberry Hill (am 1956-06-27)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Fats Domino4.652:22
92Come On, Let’s Go
recording of:
Come On, Let’s Go
Texter und Komponist(in):
Ritchie Valens
publisher:
Tro-Essex Music Ltd.
Ritchie Valens2:03
93I Got a Woman
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone:
David “Fathead” Newman (American jazz saxophonist) (am 1954-11-18)
Bass:
Jimmy Bell (jazz bassist) (am 1954-11-18)
Gitarre:
Wesley Jackson (US R&B guitarist) (am 1954-11-18)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
Schlagzeug:
Glenn Brooks (am 1954-11-18)
Solo-Tenorsaxophon:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1954-11-18)
Trompete:
Joe Bridgewater (am 1954-11-18) und Charles "Clanky" Whitley (am 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
WGST Studio in Atlanta, Georgia, Vereinigte Staaten (am 1954-11-18)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2019) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 235)
recording of:
I Got a Woman (am 1954-11-18)
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles4.52:49
94Bird Dog
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1958)
recording of:
Bird Dog (am 1958-07-10)
Texter und Komponist(in):
Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI) (am 1958-08-15) und House of Bryant Publications (publisher; do NOT use as release label) (in 1978)
recording of:
Bird Dog (in 1958)
Texter und Komponist(in):
Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI) (am 1958-08-15) und House of Bryant Publications (publisher; do NOT use as release label) (in 1978)
The Everly Brothers12:17
95You Ought to See Your Grandma Rock
Skeets McDonald2:02
96Down on the Farm
Big Al Downing1:35
97Good Golly, Miss Molly
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-10-15)
Gitarre:
Edgar Blanchard (am 1956-10-15)
Kontrabass [bass]:
Frank Fields (am 1956-10-15)
Schlagzeug [drums]:
Earl Palmer (am 1956-10-15)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-10-15)
vocals:
Little Richard (am 1956-10-15)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-10-15)
Bearbeitung von:
Good Golly, Miss Molly (false start, chatter, announcement & take 9) von Little Richard
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 92) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 94)
recording of:
Good Golly Miss Molly (am 1956-10-15)
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. und Robin Hood Music Co.
Little Richard3.52:10
98Lights Out
Gitarre:
Justin Adams (1950s session guitarist) (am 1958-02-09) und Edgar Blanchard (am 1958-02-09)
Klavier:
Art Neville (am 1958-02-09)
Kontrabass [bass]:
Frank Fields (am 1958-02-09)
Schlagzeug [drums]:
Charles "Hungry" Williams (drummer and occasional singer from New Orleans) (am 1958-02-09)
Tenorsaxophon:
Harold Battiste (am 1958-02-09)
vocals:
Jerry Byrne (am 1958-02-09)
aufgenommen bei:
Cosimo Studios (New Orleans, circa 1956-1968) in New Orleans, Louisiana, Vereinigte Staaten (am 1958-02-09)
Jerry Byrne1:52
99Mr. Lee
The Bobbettes2:13
100Itchy Twitchy Feeling
Bobby Hendricks2:29
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ASIN:UK: B004MY7S82 [Info]