The Hairy Bikers Road Trip

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1The Boys Are Back in Town
assistente tecnico di registrazione:
Neil Hornby
tecnico:
Will Reid-Dick
produttore:
John Alcock (producer)
batteria :
Brian Downey (Thin Lizzy drummer)
chitarra :
Scott Gorham (Thin Lizzy guitarist) e Brian Robertson (Thin Lizzy & Motörhead)
chitarra acustica e chitarra basso e voce principale:
Phil Lynott
voce:
Brian Robertson (Thin Lizzy & Motörhead)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 272) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 499)
registrazione di:
The Boys Are Back in Town
paroliere e compositore:
Phil Lynott
editore:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e PolyGram Music Publishing (nel 1989)
Thin Lizzy4.14:17
2Whatever You Want
produttore:
Pip Williams (producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979), Mercury Records Ltd. (London) (for copyrights use only) (nel 1979), Mercury Records Ltd. (UK) (nel 1979) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1979)
registrazione di:
Whatever You Want
scritta a:
Jersey
autore:
Andy Bown e Rick Parfitt (UK guitarist for Status Quo)
editore:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton e Shawbury Music Ltd. (publisher)
Status Quo43:55
3(Don’t Fear) The Reaper
tecnico di registrazione:
Andy Abrams (nel 1976-03) e Shelly Yakus (nel 1976-03)
tecnico:
Andy Abrams e Shelly Yakus
produttore:
Murray Krugman, David Lucas (US producer, composer & engineer) e Sandy Pearlman
tecnico di missaggio:
Andy Abrams (dal 1975 al 1976) e Shelly Yakus (dal 1975 al 1976)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1976-03)
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1975 al 1976)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 55) e Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 60)
registrazione di:
(Don’t Fear) The Reaper (nel 1976-03)
paroliere e compositore:
Donald Roeser (singer, lead guitarist and songwriter)
editore:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP) (nel 1976)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:00
4Owner of a Lonely Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
batteria :
Alan White (Yes drummer) (nel 1983)
chitarra :
Trevor Rabin (South African musician and score composer) (nel 1983)
chitarra basso :
Chris Squire (Yes bassist) (nel 1983)
tastiera :
Tony Kaye (nel 1983)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (nel 1983)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983, nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 2003)
registrata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1983)
registrazione di:
Owner of a Lonely Heart (nel 1983)
autore:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) e Chris Squire (Yes bassist)
editore:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Yes3.94:20
5Carry On Wayward Son
produttore:
Jeff Glixman
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrazione di:
Carry On Wayward Son
paroliere e compositore:
Kerry Livgren
editore:
Kirshner CBS Music Publishing, Kirshner-Warner Bros Music Ltd., Don Kirshner Music Inc. (dal 1976 a oggi) e EMI Blackwood Music Inc. (dal 1976 a oggi)
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Kansas43:23
6Tom Sawyer
assistente tecnico:
Robbie Whelan
tecnico:
Paul Northfield
produttore:
Terry Brown (producer) e Rush (Canadian rock trio)
batteria e percussione :
Neil Peart (dal 1980-10 al 1980-11)
chitarra :
Alex Lifeson (dal 1980-10 al 1980-11)
chitarra basso , minimoog , sintetizzatore e voce principale:
Geddy Lee (dal 1980-10 al 1980-11)
arrangiatore:
Terry Brown (producer) e Rush (Canadian rock trio)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2022)
registrata presso e mixata presso:
Le Studio in Morin‐Heights, Québec (Quebec), Canada (dal 1980-10 al 1980-11)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 19) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 91)
registrazione di:
Tom Sawyer (dal 1980-10 al 1980-11)
paroliere:
Pye Dubois e Neil Peart
compositore:
Geddy Lee e Alex Lifeson
editore:
Ole Core Music Publishing
Rush4.554:28
7Cherry Pie
produttore e tecnico di missaggio:
Beau Hill
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1990), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1990), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1990) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1990)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 56)
registrazione di:
Cherry Pie
paroliere:
Jani Lane
compositore:
Joey Allen (glam metal guitarist), Jerry Dixon (rock/metal bass guitarist), Jani Lane, Steven Sweet (drummer, member of Warrant) e Erik Turner (guitarist for Warrant)
editore:
Crab Salad Music, Dick Dragon Music, Dixonyou Music, EMI Virgin Music Australia Pty Ltd, EMI-Virgin Songs, Erik Turner Music, Great Lips Music, Laney Jane Music, Likite Split Music, Rich McBitch Music, Round Hill Works e Virgin Songs, Inc.
Warrant4.63:18
8Addicted to Love
produttore:
Bernard Edwards (American bassist and record producer)
tecnico di missaggio:
Eric Thorngren
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1985)
registrazione di:
Addicted to Love
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) e WC Music Corp.
Robert Palmer4.53:51
9We’re Not Gonna Take It
tecnico di registrazione e tecnico di missaggio:
Geoff Workman
assistente tecnico:
Gary McGachan
tecnico:
John Agnello (engineer & producer), Greg Laney e Geoff Workman
produttore:
Tom Werman
batteria :
A.J. Pero
chitarra basso :
Mark Mendoza (Twisted Sister bassist)
chitarra elettrica :
Jay Jay French e Eddie Ojeda
voce di accompagnamento:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero e Dee Snider
voce principale:
Dee Snider
arrangiatore:
Twisted Sister e Tom Werman
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1984-02 al 1984-03) e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03)
mixata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 47) e Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 81)
registrazione di:
We’re Not Gonna Take It
paroliere e compositore:
Dee Snider
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Tunes
parte di:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (numero: 7)
Twisted Sister4.353:31
10Speed King
tecnico:
Andy Knight (UK engineer)
produttore:
Deep Purple
basso elettrico :
Roger Glover (dal 1969-10 al 1970-04)
batteria :
Ian Paice (dal 1969-10 al 1970-04)
chitarra elettrica :
Ritchie Blackmore (dal 1969-10 al 1970-04)
organo Hammond :
Jon Lord (dal 1969-10 al 1970-04)
voce principale:
Ian Gillan (dal 1969-10 al 1970-04)
diritti fonografici (℗) detenuti da:
HEC Enterprises Ltd. (nel 1995)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (dal 1969-10 al 1970-04)
registrazione di:
Speed King (dal 1969-10 al 1970-04)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co. e EMI Music Publishing Japan C.F. division (fino al 2021-06-30)
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
si basa su:
Ricochet
Deep Purple4.55:45
11Backstreet Symphony
Thunder4:20
12Ramblin’ Man
tecnico:
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records), Ovie Sparks e Buddy Thornton
produttore:
The Allman Brothers Band e Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
basso :
Berry Oakley (US bassist, The Allman Brothers Band) (nel 1972-10)
batteria :
Jai Johanny Johanson (nel 1972-10) e Butch Trucks (nel 1972-10)
chitarra :
Les Dudek (nel 1972-10)
chitarra [lead guitar] e voce principale:
Dickey Betts (nel 1972-10)
congas :
Jai Johanny Johanson (nel 1972-10)
organo :
Gregg Allman (nel 1972-10)
pianoforte e voce di accompagnamento:
Gregg Allman (nel 1972-10) e Chuck Leavell (nel 1972-10)
voce:
Gregg Allman (nel 1972-10)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1973) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 2013)
registrata presso:
Capricorn Sound Studio in Macon, Georgia, Stati Uniti (nel 1972-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Ramblin’ Man (nel 1972-10)
paroliere e compositore:
Dickey Betts
editore:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Australia Pty. Ltd.
The Allman Brothers Band4.554:43
13Johnny B. Goode
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Jasper Thomas (il 1958-01-06)
chitarra e voce principale:
Chuck Berry (il 1958-01-06)
contrabbasso :
Willie Dixon (il 1958-01-06)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1958-01-06)
registrata presso:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Stati Uniti (il 1958-01-06)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 53) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Johnny B. Goode (il 1958-01-06)
paroliere e compositore:
Chuck Berry (nel 1955)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
parte di:
Back to the Future: the Musical
Chuck Berry4.252:37
14Walking in Memphis
tecnico di registrazione, tecnico e tecnico di missaggio:
Ben Wisch
produttore:
Marc Cohn e Ben Wisch
basso e organo :
John Leventhal
batteria :
Dennis McDermott
chitarra :
Marc Cohn e John Leventhal
organo Hammond :
Chris Palmaro
tastiera :
Eric Rehl
voce:
Marc Cohn
voce di accompagnamento:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) e Darryl Tookes
voce di accompagnamento ospite:
James Taylor (singer-songwriter and guitarist)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1991) e Warner Music H.K. Ltd. (nel 1997)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 415)
registrazione di:
Walking in Memphis
paroliere e compositore:
Marc Cohn
editore:
BMG Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:08
15In a Big Country
produttore:
Steve Lillywhite
editore:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1983)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1983)
edit di:
In a Big Country di Big Country
video musicali:
In a Big Country di Big Country
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 14)
registrazione di:
In a Big Country
paroliere:
Stuart Adamson
compositore:
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) e Bruce Watson (member of Big Country)
editore:
10 Music Ltd., Big Country Music Ltd., BMG Gold Songs, EMI 10 Music e Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1983)
Big Country3.953:45
16Still Got the Blues
Gary Moore3:58
17After Midnight
batteria :
Chuck Browning (il 1971-06-09)
chitarra :
J.J. Cale (il 1971-06-09)
chitarra basso :
Norbert Putnam (il 1971-06-09)
pianoforte :
Jerry Whitehurst (session pianist) (il 1971-06-09)
voce:
J.J. Cale (il 1971-06-09)
registrata presso:
Bradley’s Barn in Mt. Juliet, Tennessee, Stati Uniti (il 1971-06-09)
registrazione di:
After Midnight (il 1971-06-09)
paroliere e compositore:
J.J. Cale
editore:
Mijac Music, Robert Stigwood Organisation Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
J.J. Cale3.62:17
18Jane
registrazione di:
Jane (Jefferson Starship song)
paroliere:
David Freiberg e Jim McPherson (singer/songwriter)
compositore:
Craig Chaquico, David Freiberg, Paul Kantner e Jim McPherson (singer/songwriter)
editore:
Carlin Music Corp.
Jefferson Starship3.754:03
19Once Bitten Twice Shy
registrazione cover di:
Once Bitten Twice Shy
paroliere e compositore:
Ian Hunter (Mott the Hoople)
editore:
April (publisher), EMI April Music Inc. e Ian Hunter Music Inc.
Great White5:14
20I’m in the Mood
registrata a:
Chicago, Illinois, Stati Uniti (nel 1966)
produttore:
Ralph Bass
produttore esecutivo:
Marshall Chess
editor:
Ron Malo
chitarra :
Eddie Burns (American Detroit blues guitarist) e John Lee Hooker (US blues singer, songwriter & guitarist)
strumenti:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
voce principale:
John Lee Hooker (US blues singer, songwriter & guitarist)
registrata presso:
Chess Studios in Chicago, Illinois, Stati Uniti (nel 1966)
registrazione di:
I’m in the Mood
autore:
Bernard Besman (producer, label owner and songwriter) e John Lee Hooker (US blues singer, songwriter & guitarist)
editore:
La Cienega Music e Warner Chappell Music Ltd. (no slash; used 1988–1996)
John Lee Hooker32:43

Accreditamenti

Pubblicazione

ASIN:UK: B07YTD2PLL [info]

Gruppo di pubblicazioni

Allmusic:https://www.allmusic.com/album/mw0003327671 [info]