Klara Top 100

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Symfonie nr.6 ‘Pastorale’: Ontwaken van vrolijke gevoelns bij aankomst op het land (Allegro ma non troppo)
Orchester:
Chamber Orchestra of Europe (am 1990-07-01)
conductor:
Nikolaus Harnoncourt (conductor) (am 1990-07-01)
aufgenommen bei:
Stefaniensaal in Graz, Steiermark, Österreich (am 1990-07-01)
live recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphonie Nr. 6 F-Dur, Op. 68 "Sinfonia pastorale": I. "Erwachen heiterer Empfindungen bei der Ankunft auf dem Land". Allegro ma non troppo) (am 1990-07-01)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1808)
Teil von:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven13:12
2Rusalka: Lied aan de maan
Soprangesang:
Lesley Garrett (soprano) und Lucia Popp (soprano)
Soprangesang [Rusalka]:
Lucia Popp (soprano)
Orchester:
Munich Radio Symphony Orchestra (The Munich Radio Orchestra) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Andrew Greenwood (conductor) und Stefan Soltész (conductor)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
Komponist(in):
Antonín Dvořák (composer) (von 1900-04-21 bis 1900-11-27)
Teil von:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák35:52
3Messiah: Hallelujah
conductor:
Emmanuelle Haïm (conductor)
Interpret(in):
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel3:35
4Danse macabre
recording engineer:
Frédéric Briand (engineer)
Produzent(in) und Editing:
Étienne Collard
Geige / Violine:
Renaud Capuçon (violinist) (von 2000-11-29 bis 2000-12-01)
Orchester:
Deutsche Kammerphilharmonie Bremen (von 2000-11-29 bis 2000-12-01)
conductor:
Daniel Harding (conductor) (von 2000-11-29 bis 2000-12-01)
aufgenommen bei:
Gut Varrel in Stuhr, Niedersachsen, Deutschland (von 2000-11-29 bis 2000-12-01)
recording of:
Danse macabre, op. 40 (symphonic poem for orchestra) (von 2000-11-29 bis 2000-12-01)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1874)
Teil von:
Classic 100: Music of France (2012) (Nummer: 16) und Works of Camille Saint-Saëns by opus number (Nummer: op. 40)
basiert auf:
Danse macabre (song for voice and piano)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Camille Saint‐Saëns6:25
5Jazzsuite nr.2. Wals nr.2
Orchester:
The Philadelphia Orchestra
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite)
Komponist(in):
Дмитрий Дмитриевич Шостакович (Dmitri Dmitrijewitsch Schostakowitsch, composer)
Teil von:
Suite for Variety Orchestra
Дмитрий Дмитриевич Шостакович3:42
6Nabucco: Slavenkoor 'Va pensiero'
Chorgesang:
Coro del Teatro alla Scala di Milano
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Muti (conductor)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1841)
Librettist:
Temistocle Solera
Teil von:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:54
7Cantilene
Cello:
Marien van Staalen (cellist and conductor) (in 1998)
Klavier:
Jozef de Beenhouwer (Belgian pianist) (in 1998)
recording of:
Cantilène (in 1998)
Komponist(in):
August de Boeck (Belgian composer and organist)
August de Boeck5:33
8Miserere
Chorgesang:
Choir of King’s College, Cambridge
conductor:
Stephen Cleobury (organist, conductor)
phonographisches Urheberrecht (℗) von:
Warner Classics (in 2010)
recording of:
Miserere mei, Deus
Komponist(in):
Gregorio Allegri (composer)
Teil von:
ABC Classic 100 (2001) (Nummer: 9)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri13:41
9Mandolineconcerto in C RV425: Allegro
Techniker(in), Editing und Tonmeister(in):
Alessandra Galleron
leitende(r) Produzent(in):
Alain Lanceron
Produzent(in):
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
Bratsche / Viola:
Ernesto Braucher, Stefano Marcocchi und Diego Mecca (violist)
Cello:
Maurizio Naddeo (cellist)
Cembalo und Orgel:
Sergio Ciomei
Geige / Violine:
Fabio Biondi (conductor/violinist), Robert Brown (Classical music violist), Lorenzo Colitto, Luca Giardini (classical violinist), Carla Marotta, Raffaello Negri, Andrea Rognoni und Renata Spotti (Classical violinist)
Mandoline [Mandoline]:
Giovanni Scaramuzzino (mandolinist) (von 2001-10-09 bis 2001-10-12)
Solo-Mandoline:
Giovanni Scaramuzzino (mandolinist)
theorbo:
Ugo Nastrucci und Giangiacomo Pinardi
Violone:
Francisco Montero (double bassist)
Orchester:
Europa Galante (Italian Baroque orchestra) (von 2001-10-09 bis 2001-10-12, in 2002)
conductor:
Fabio Biondi (conductor/violinist) (von 2001-10-09 bis 2001-10-12, in 2002)
aufgenommen bei:
San Giovanni Evangelista in Parma, Parma, Emilia-Romagna, Italien (von 2001-10-09 bis 2001-10-12)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro (Mandolinenkonzert C-Dur, RV 425: I. Allegro) (von 2001-10-09 bis 2001-10-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Mandolin in C major, RV 425 (Mandolinenkonzert C-Dur, RV 425)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro (Mandolinenkonzert C-Dur, RV 425: I. Allegro) (in 2002)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Mandolin in C major, RV 425 (Mandolinenkonzert C-Dur, RV 425)
Antonio Vivaldi3:09
10Mandolineconcerto in C RV425: Largo
Techniker(in), Editing und Tonmeister(in):
Alessandra Galleron
leitende(r) Produzent(in):
Alain Lanceron
Produzent(in):
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
Bratsche / Viola:
Ernesto Braucher, Stefano Marcocchi und Diego Mecca (violist)
Cello:
Maurizio Naddeo (cellist)
Cembalo und Orgel:
Sergio Ciomei
Geige / Violine:
Fabio Biondi (conductor/violinist), Robert Brown (Classical music violist), Lorenzo Colitto, Luca Giardini (classical violinist), Carla Marotta, Raffaello Negri, Andrea Rognoni und Renata Spotti (Classical violinist)
Mandoline und Solo-Mandoline:
Giovanni Scaramuzzino (mandolinist)
theorbo:
Ugo Nastrucci und Giangiacomo Pinardi
Violone:
Francisco Montero (double bassist)
Orchester:
Europa Galante (Italian Baroque orchestra) (von 2001-10-09 bis 2001-10-12, in 2002)
conductor:
Fabio Biondi (conductor/violinist) (von 2001-10-09 bis 2001-10-12, in 2002)
Interpret(in):
Fabio Bondi (conductor/violinist)
aufgenommen bei:
San Giovanni Evangelista in Parma, Parma, Emilia-Romagna, Italien (von 2001-10-09 bis 2001-10-12)
recording of:
Concerto for Mandolin in C major, RV 425: II. Largo (Mandolinenkonzert C-Dur, RV 425: II. Largo) (von 2001-10-09 bis 2001-10-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Mandolin in C major, RV 425 (Mandolinenkonzert C-Dur, RV 425)
recording of:
Concerto for Mandolin in C major, RV 425: II. Largo (Mandolinenkonzert C-Dur, RV 425: II. Largo) (in 2002)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Mandolin in C major, RV 425 (Mandolinenkonzert C-Dur, RV 425)
Antonio Vivaldi2:52
11Mandolineconcerto in C RV425: Allegro
Techniker(in), Editing und Tonmeister(in):
Alessandra Galleron
leitende(r) Produzent(in):
Alain Lanceron
Produzent(in):
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
Bratsche / Viola:
Ernesto Braucher, Stefano Marcocchi und Diego Mecca (violist)
Cello:
Maurizio Naddeo (cellist)
Cembalo und Orgel:
Sergio Ciomei
Geige / Violine:
Fabio Biondi (conductor/violinist), Robert Brown (Classical music violist), Lorenzo Colitto, Luca Giardini (classical violinist), Carla Marotta, Raffaello Negri, Andrea Rognoni und Renata Spotti (Classical violinist)
Mandoline und Solo-Mandoline:
Giovanni Scaramuzzino (mandolinist)
theorbo:
Ugo Nastrucci und Giangiacomo Pinardi
Violone:
Francisco Montero (double bassist)
Orchester:
Europa Galante (Italian Baroque orchestra) (von 2001-10-09 bis 2001-10-12, in 2002)
conductor:
Fabio Biondi (conductor/violinist) (von 2001-10-09 bis 2001-10-12, in 2002)
aufgenommen bei:
San Giovanni Evangelista in Parma, Parma, Emilia-Romagna, Italien (von 2001-10-09 bis 2001-10-12)
recording of:
Concerto for Mandolin in C major, RV 425: III. Allegro (Mandolinenkonzert C-Dur, RV 425: III. Allegro) (von 2001-10-09 bis 2001-10-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Mandolin in C major, RV 425 (Mandolinenkonzert C-Dur, RV 425)
recording of:
Concerto for Mandolin in C major, RV 425: III. Allegro (Mandolinenkonzert C-Dur, RV 425: III. Allegro) (in 2002)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Mandolin in C major, RV 425 (Mandolinenkonzert C-Dur, RV 425)
Antonio Vivaldi2:06
12Enigma Variaties op.36: Nimrod
Produzent(in):
David R. Murray
Orchester:
City of Birmingham Symphony Orchestra (von 1993-08-28 bis 1993-08-29)
conductor:
Simon Rattle (conductor) (von 1993-08-28 bis 1993-08-29)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (von 1993-08-28 bis 1993-08-29)
aufgenommen bei:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, Vereinigtes Königreich (von 1993-08-28 bis 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (von 1993-08-28 bis 1993-08-29)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Augustus J. Jaeger
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar4:22
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