The History of Classical Music, Part 2: Classical to Early Romantic: From Haydn to Paganini

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶Digitales Medium: Haydn: Symphonies no. 45 “Farewell”, no. 88 & no. 104 “London”
2▶Digitales Medium: Haydn: String Quartets “Emperor”, “The Lark” & “The Rider”
3▶Digitales Medium: Haydn: The Creation (highlights)
4▶Digitales Medium: Mozart: Eine kleine Nachtmusik / Symphonies nos. 40 & 41 “Jupiter”
5▶Digitales Medium: Mozart: Piano Concertos nos. 20 & 21 / Fantasia in D minor
6▶Digitales Medium: Mozart: Clarinet Quintet / String Quintet no. 4
7▶Digitales Medium: Mozart: Le nozze di Figaro (highlights)
8▶Digitales Medium: Mozart: Requiem / Laudate Dominum / Exsultate, jubilate
9▶Digitales Medium: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
10▶Digitales Medium: Beethoven: Symphony no. 9 “Choral”
11▶Digitales Medium: Beethoven: Piano Concerto nos. 4 & 5
12▶Digitales Medium: Beethoven: “Kreutzer” Sonata / String Quartet “Rasumovsky”
13▶Digitales Medium: Beethoven: Piano Sonatas no. 8 “Pathétique”, no. 23 “Appassionata” & no. 31
14▶Digitales Medium: Weber: Der Freischütz (highlights)
15▼Digitales Medium: Rossini: Il barbiere di Siviglia (highlights)
Nr.TitelKünstlerBewertungLänge
1Il barbiere di Siviglia: Overture. Sinfonia
leitende(r) Produzent(in):
Karl Faust (producer)
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Orchester:
London Symphony Orchestra (von 1971-09-11 bis 1971-09-15)
conductor:
Claudio Abbado (conductor) (von 1971-09-11 bis 1971-09-15)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer) (von 1971-09-11 bis 1971-09-15)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1971-09-11 bis 1971-09-15)
recording of:
Il barbiere di Siviglia: Sinfonia (von 1971-09-11 bis 1971-09-15)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Der Barbier von Sevilla (german lyrics)
Teil von:
Il barbiere di Siviglia
Teil von:
Le Barbier de Séville (french lyrics)
Teil von:
The Barber of Seville (english lyrics)
Gioachino Rossini7:26
2Il barbiere di Siviglia, Act I: “Ecco, ridente in cielo” – “Ehi, Fiorello?” – “Gente indiscreta!”
leitende(r) Produzent(in):
Karl Faust (producer)
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Cembalo:
Theodor Guschlbauer (conductor) (von 1971-09-11 bis 1971-09-15)
Gitarre:
Barna Kováts (von 1971-09-11 bis 1971-09-15)
Baritongesang [Fiorello, servitore del conte]:
Renato Cesari (bass-baritone) (von 1971-09-11 bis 1971-09-15)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1971-09-11 bis 1971-09-15)
Tenor-Gesang [Il conte d'Almaviva]:
Luigi Alva (tenor) (von 1971-09-11 bis 1971-09-15)
Orchester:
London Symphony Orchestra (von 1971-09-11 bis 1971-09-15)
conductor:
Claudio Abbado (conductor) (von 1971-09-11 bis 1971-09-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1971-09-11 bis 1971-09-15)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer) (von 1971-09-11 bis 1971-09-15)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1971-09-11 bis 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto I, N°1b. Cavatina “Ecco ridente in cielo” (Conte) (von 1971-09-11 bis 1971-09-15)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
recording of:
Il barbiere di Siviglia: Atto I, N°1c. Recitativo “Ehi, Fiorello” (Coro, Fiorello, Conte) (von 1971-09-11 bis 1971-09-15)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
recording of:
Il barbiere di Siviglia: Atto I, N°1e. “Gente indiscreta!” (Conte, Fiorello, Figaro) (von 1971-09-11 bis 1971-09-15)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Gioachino Rossini7:28
3Il barbiere di Siviglia, Act I: No. 2 Cavatina: “Largo al factotum”
Baritongesang [Figaro]:
Hermann Prey (baritone) (in 1971-09)
vocals:
Hermann Prey (baritone) (in 1972)
Orchester:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09, in 1972)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1972)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1971-09)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:39
4Il barbiere di Siviglia, Act I: Una voce poco fa
Mezzosoprangesang [Rosina]:
Teresa Berganza (mezzo-soprano) (in 1971-09)
Orchester:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (in 1971-09)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:38
5Il barbiere di Siviglia, Act I: No. 6 Aria: “La calunnia è un venticello”
Bass-Gesang [Basilio]:
Paolo Montarsolo (operatic bass) (in 1971-09)
Orchester:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°6a. “La calunnia è un venticello” (Basilio) (in 1971-09)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:32
6Il barbiere di Siviglia, Act I: No. 7 Duetto: “Dunque io son… tu non m’inganni?”
Baritongesang [Figaro]:
Hermann Prey (baritone) (in 1971-09)
Mezzosoprangesang [Rosina]:
Teresa Berganza (mezzo-soprano) (in 1971-09)
vocals:
Teresa Berganza (mezzo-soprano)
Orchester:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1972)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro) (in 1971-09)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:57
7Il barbiere di Siviglia, Act I: No. 8 Aria: “A un dottor della mia sorte”
leitende(r) Produzent(in):
Karl Faust (producer)
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Bass-Gesang [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (von 1971-09-11 bis 1971-09-15)
Orchester:
London Symphony Orchestra (von 1971-09-11 bis 1971-09-15)
conductor:
Claudio Abbado (conductor) (von 1971-09-11 bis 1971-09-15)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer) (von 1971-09-11 bis 1971-09-15)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) und Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1971-09-11 bis 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto I, N°8a. Aria “A un dottor della mia sorte” (Bartolo) (von 1971-09-11 bis 1971-09-15)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:11
8Il barbiere di Siviglia, Act II: No. 10 Duetto: “Pace e gioia sia con voi”
Bass-Gesang [Bartolo]:
Enzo Dara (operatic bass) (in 1971-09)
Tenor-Gesang [Il Conte Almaviva]:
Luigi Alva (tenor) (in 1971-09)
Orchester:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto II, No. 10. Duetto: “Pace e gioia sia con voi” (Conte, Bartolo) (in 1971-09)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:49
9Il barbiere di Siviglia, Act II: No. 11 Aria: “Contro un cor che accende amore”
Mezzosoprangesang [Rosina]:
Teresa Berganza (mezzo-soprano) (in 1971-09)
Tenor-Gesang [Il Conte Almaviva]:
Luigi Alva (tenor) (in 1971-09)
Orchester:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) (in 1971-09)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto II
Gioachino Rossini4:43
10Il barbiere di Siviglia, Act II: No. 13 Quintetto: “Don Basilio!” “Cosa veggo!”
Baritongesang [Figaro]:
Hermann Prey (baritone) (in 1971-09)
Bass-Gesang [Bartolo]:
Enzo Dara (operatic bass) (in 1971-09)
Bass-Gesang [Basilio]:
Paolo Montarsolo (operatic bass) (in 1971-09)
Mezzosoprangesang [Rosina]:
Teresa Berganza (mezzo-soprano) (in 1971-09)
Tenor-Gesang [Il Conte Almaviva]:
Luigi Alva (tenor) (in 1971-09)
Orchester:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (in 1971-09)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto II
Gioachino Rossini10:31
11Il barbiere di Siviglia, Act II: No. 15 Temporale. Thunderstorm
Orchester:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto II, No. 15. Temporale (Thunderstorm) (in 1971-09)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:09
12Il barbiere di Siviglia, Act II: No. 16 Terzetto: “Ah! qual colpo inaspettato!”
Baritongesang [Figaro]:
Hermann Prey (baritone) (in 1971-09)
Mezzosoprangesang [Rosina]:
Teresa Berganza (mezzo-soprano) (in 1971-09)
Tenor-Gesang [Il Conte Almaviva]:
Luigi Alva (tenor) (in 1971-09)
Orchester:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Terzetto “Ah, qual colpo inaspettato” (Rosina, Conte, Figaro) (in 1971-09)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto II
Gioachino Rossini6:21
13Il barbiere di Siviglia, Act II: No. 19 Finaletto II: “Di sì felice innesto”
leitende(r) Produzent(in):
Karl Faust (producer)
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Baritongesang [Figaro, barbiere]:
Hermann Prey (baritone) (von 1971-09-11 bis 1971-09-15)
Bass-Gesang [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (von 1971-09-11 bis 1971-09-15)
Bass-Gesang [Basilio, maestro di musica]:
Paolo Montarsolo (operatic bass) (von 1971-09-11 bis 1971-09-15)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1971-09-11 bis 1971-09-15)
Mezzosoprangesang [Berta, cameriera di Bartolo]:
Stefania Malagú (mezzo-soprano) (von 1971-09-11 bis 1971-09-15)
Mezzosoprangesang [Rosina, pupilla di Bartolo]:
Teresa Berganza (mezzo-soprano) (von 1971-09-11 bis 1971-09-15)
Tenor-Gesang [Il conte d'Almaviva]:
Luigi Alva (tenor) (von 1971-09-11 bis 1971-09-15)
Orchester:
London Symphony Orchestra (von 1971-09-11 bis 1971-09-15)
conductor:
Claudio Abbado (conductor) (von 1971-09-11 bis 1971-09-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1971-09-11 bis 1971-09-15)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer) (von 1971-09-11 bis 1971-09-15)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) und Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1971-09-11 bis 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto II, No. 19. Finaletto II “Di sì felice innesto” (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro) (von 1971-09-11 bis 1971-09-15)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:19
16▶Digitales Medium: Schubert: Symphonies no. 8 “Unfinished” & no. 9 “The Great”
17▶Digitales Medium: Schubert: “Trout” Quintet / “Death and the Maiden” Quartet
18▶Digitales Medium: Schubert: Piano Music
19▶Digitales Medium: Schubert: Winterreise
20▶Digitales Medium: Paganini: Violin Concerto no. 1 / Caprices

Nennungen

Veröffentlichungsgruppe

enthält:Clarinet Quintet in A major / String Quintet in G minor von Mozart (Wolfgang Amadeus Mozart, classical composer); Amadeus Quartet, Gervase de Peyer (clarinetist), Cecil Aronowitz (viola player)
Der Freischütz (1973 studio cast) von Carl Maria von Weber (composer); Gundula Janowitz (soprano), Edith Mathis (soprano), Peter Schreier (German tenor and conductor), Theo Adam (German classical bass-baritone), Staatskapelle Dresden (Dresden Symphonic Orchestra), Carlos Kleiber (conductor)
Die Schöpfung (Auszüge) von Haydn (composer); Gundula Janowitz (soprano), Fritz Wunderlich (operatic tenor), Werner Krenn (tenor), Dietrich Fischer‐Dieskau (baritone), Walter Berry (bass‐baritone), Berliner Philharmoniker, Herbert von Karajan (conductor)
Eine kleine Nachtmusik / Symphonien nr. 40 & 41 “Jupiter” von Mozart (Wolfgang Amadeus Mozart, classical composer); Wiener Philharmoniker, Berliner Philharmoniker, Karl Böhm (Austrian conductor)
Forellen‐Quintett / Der Tod und das Mädchen von Franz Schubert (composer); Christoph Eschenbach (pianist and conductor), Koeckert-Quartett, Amadeus Quartet
Il barbiere di Siviglia (London, 1971) von Gioachino Rossini (composer); Hermann Prey (baritone), Teresa Berganza (mezzo-soprano), Luigi Alva (tenor), Enzo Dara (operatic bass), Paolo Montarsolo (operatic bass), London Symphony Orchestra, Claudio Abbado (conductor)
Kaiserquartett / Lerchenquartett / Reiterquartett von Joseph Haydn (composer); Amadeus Quartet
Klaviersonate, D 960 / 3 impromptus / 2 moments musicaux von Franz Schubert (composer); Wilhelm Kempff (pianist)
Piano Concertos nos. 20 & 21 / Fantasia in D minor von Mozart (Wolfgang Amadeus Mozart, classical composer); Camerata Academica of the Salzburg Mozarteum (Austrian chamber orchestra), Géza Anda (Geza Anda, pianist), Wilhelm Kempff (pianist)
Piano Sonatas no. 8 “Pathétique” / No. 23 “Appassionata” / no. 31, op. 110 von Beethoven (Ludwig van Beethoven, German composer); Emil Gilels (pianist)
Requiem / Laudate Dominum / Exsultate, jubilate von Mozart (Wolfgang Amadeus Mozart, classical composer); Berlin Philharmonic (Berliner Philharmoniker), Herbert von Karajan (conductor)
Symphonie no. 9 von Beethoven (Ludwig van Beethoven, German composer); Gwyneth Jones (soprano), Hanna Schwarz (mezzo soprano), René Kollo (tenor), Kurt Moll (operatic bass), René Kollo (tenor), Konzertvereinigung Wiener Staatsopernchor (Chor der Wiener Staatsoper), Wiener Philharmoniker, Leonard Bernstein (American conductor, composer, pianist)
Symphonie nr. 8 „Unvollendete“ / Symphonie nr. 9 von Franz Schubert (composer); Berliner Philharmoniker, Karl Böhm (Austrian conductor)
Symphonies nos. 5 & 6 von Beethoven (Ludwig van Beethoven, German composer); Berliner Philharmoniker, Herbert von Karajan (conductor)
The Marriage of Figaro (highlights) von Mozart (Wolfgang Amadeus Mozart, classical composer); Gundula Janowitz (soprano), Edith Mathis (soprano), Hermann Prey (baritone), Dietrich Fischer‐Dieskau (baritone), Chor (Chorus of the German Opera Berlin) und Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Karl Böhm (Austrian conductor)
Violin Concerto no. 1 / 10 Capricci von Niccolò Paganini (Italian composer and violinist); Salvatore Accardo (violinist and conductor), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Charles Dutoit (conductor)
Winterreise von Franz Schubert (composer); Dietrich Fischer‐Dieskau (baritone), Daniel Barenboim (pianist and conductor)
Teil von:The History of Classical Music: From Gregorian Chant to Górecki (Reihenfolge: 2)