40 Golden Oldies, Volume 3

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1Silence Is Golden
produttore:
Mike Smith (60’s & 70’s UK Producer)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1967) e CBS Records (manufacturer/distributor, not for release label use!) (nel 1967)
registrazione cover di:
Silence Is Golden
autore:
Bob Crewe e Bob Gaudio
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), Gavadima Music Inc., Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc. e Windswept Pacific Music Ltd.
The Tremeloes3.653:12
2(In the) Morning of My Life
registrazione di:
In the Morning (aka “Morning of My Life”)
paroliere e compositore:
Barry Gibb (nel 1965)
editore:
Bramsdene Music Corporation, Campbell Connelly, Campbell Connelly & Co. Ltd., Careers–BMG Music Publishing, Inc., Connelly Musikverlag, Gibb Brothers Music, Norman Whiteley Ltd., Penjane Music (Australia) Pty. Limited e Plymouth Music Co., Inc.
Bee Gees2:53
3Bend It
registrazione di:
Bend It
paroliere:
Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
compositore:
Alan Blaikley
Dave Dee, Dozy, Beaky, Mick & Tich2:48
4Nashville Cats
registrazione di:
Nashville Cats
paroliere e compositore:
John Sebastian
The Lovin’ Spoonful2:35
5Spicks and Specks
produttore:
Ossie Byrne e Nat Kipner (Australian producer, songwriter, label owner & publisher)
direttore d'orchestra:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees) (nel 1966)
arrangiatore:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1966), Maurice Gibb (nel 1966) e Robin Gibb (nel 1966)
diritti fonografici (℗) detenuti da:
Festival Records (Australian) (nel 1966), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1968) e Robert Stigwood Organisation Ltd. (nel 1968)
registrazione di:
Spicks and Specks (nel 1966)
paroliere e compositore:
Barry Gibb
editore:
BMG Music, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Unichappell Music, Inc. e Warner/Chappell Music Australia Pty. Ltd.
Bee Gees12:51
6Sugar and Spice
registrazione di:
Sugar and Spice
paroliere e compositore:
Fred Nightingale
The Searchers42:12
7Helule Helule
registrazione di:
Helulé, Helulé
paroliere:
Alan Blakley e Len "Chip" Hawkes
compositore:
Daudi Kabaka
The Tremeloes2:44
8Keep It Comin’ Love
produttore:
Harry Wayne Casey e Richard Finch
registrazione di:
Keep It Comin' Love
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Songs, Harrick (publisher), Sherlyn (publisher) e Sherlyn Publishing Co., Inc.
KC and the Sunshine Band4.23:51
9After the Night Is Over
registrazione di:
After the Night Is Over
paroliere e compositore:
Greg Perry
The Three Degrees5:17
10Back on My Feet Again
The Foundations2:48
11The Hunter
Ike & Tina Turner6:23
12Colours (live)
registrazione dal vivo di:
Colours
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan Music Ltd. e Songs of Peer, Ltd. (ASCAP)
Donovan2:20
13Here Comes That Rainy Day Feeling
registrazione di:
Here Comes That Rainy Day Feeling Again
autore:
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway e Tony Macaulay
The Fortunes52:47
14Quando calienta el sol (live)
Trini Lopez2:30
15Run for Home (live)
Gerry & the Pacemakers3:49
16Both Sides Now (live)
Roger Whittaker3:31
17Ain’t Nothing Like the Real Thing (live)
registrazione dal vivo di:
Ain’t Nothing Like the Real Thing
autore:
Nickolas Ashford e Valerie Simpson
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (UK) Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music Co., Inc. (dal 1967 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Marvin Gaye3:22
18And I Love You So
tecnico di registrazione:
John Kurlander (engineer) (dal 1984-07 al 1984-08)
assistente tecnico:
Toby Alington (nel 1984)
produttore:
Norman Newell (nel 1984)
voce:
Shirley Bassey (Welsh singer) (dal 1984-07 al 1984-08)
orchestra:
London Symphony Orchestra (dal 1984-07 al 1984-08)
direttore d'orchestra:
Carl Davis (conductor and composer) (dal 1984-07 al 1984-08)
diritti fonografici (℗) detenuti da:
Towerbell Records (nel 1984)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (dal 1984-07 al 1984-08)
registrazione cover di:
And I Love You So (dal 1984-07 al 1984-08)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Welk Music Group, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Shirley Bassey4:32
19My Own Space
pianoforte :
John Kander (composer)
voce:
Liza Minnelli
Liza Minnelli3:54
20Something’s Got a Hold of Me
Ike & Tina Turner2:39

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parte di:40 Golden Oldies (numero: 3) (ordine: 3)