Remembering Mr. Sinatra

~ Veröffentlichung von Julie Budd (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1I've Got the World on a String
recording engineer und Mix:
Jamie Lawrence (orchestrator)
Produzent(in):
Herb Bernstein und Julie Budd (Female Jazz Singer)
arranger und Orchestrator(in):
Herb Bernstein
aufgenommen bei:
Jamie Lawrence Productions in New York, New York, Vereinigte Staaten
recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
2:17
2All the Way
recording engineer und Mix:
Jamie Lawrence (orchestrator)
Produzent(in):
Herb Bernstein und Julie Budd (Female Jazz Singer)
arranger und Orchestrator(in):
Herb Bernstein
aufgenommen bei:
Jamie Lawrence Productions in New York, New York, Vereinigte Staaten
recording of:
All the Way (from “The Joker Is Wild”)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network und Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1957 winner)
4:05
3The Best Is Yet to Come
recording engineer und Mix:
Jamie Lawrence (orchestrator)
Produzent(in):
Herb Bernstein und Julie Budd (Female Jazz Singer)
arranger und Orchestrator(in):
Herb Bernstein
aufgenommen bei:
Jamie Lawrence Productions in New York, New York, Vereinigte Staaten
recording of:
The Best Is Yet to Come
Texter:
Carolyn Leigh (in 1959)
Komponist(in):
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. und WB Music Corp. (1929–2019)
2:43
4More Than You Know / The Very Thought of You / The Nearness of You
recording engineer und Mix:
Jamie Lawrence (orchestrator)
Produzent(in):
Herb Bernstein und Julie Budd (Female Jazz Singer)
arranger und Orchestrator(in):
Herb Bernstein
aufgenommen bei:
Jamie Lawrence Productions in New York, New York, Vereinigte Staaten
medley including a recording of:
More Than You Know
Texter:
Edward Eliscu und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Teil von:
Great Day!
Teil von:
Hit the Deck (1955 movie)
medley including a recording of:
The Nearness of You
Texter:
Ned Washington (in 1938)
Komponist(in):
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
medley including a recording of:
The Very Thought of You
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
7:48
5In the Wee Small Hours
recording engineer und Mix:
Jamie Lawrence (orchestrator)
Produzent(in):
Herb Bernstein und Julie Budd (Female Jazz Singer)
arranger und Orchestrator(in):
Herb Bernstein
aufgenommen bei:
Jamie Lawrence Productions in New York, New York, Vereinigte Staaten
recording of:
In the Wee Small Hours of the Morning
Texter:
Bob Hilliard
Komponist(in):
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company und Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:38
6Come Rain or Come Shine
recording engineer und Mix:
Jamie Lawrence (orchestrator)
Produzent(in):
Herb Bernstein und Julie Budd (Female Jazz Singer)
arranger und Orchestrator(in):
Herb Bernstein
aufgenommen bei:
Jamie Lawrence Productions in New York, New York, Vereinigte Staaten
recording of:
Come Rain or Come Shine
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
3:56
7I'm a Fool to Want You
recording engineer und Mix:
Jamie Lawrence (orchestrator)
Produzent(in):
Herb Bernstein und Julie Budd (Female Jazz Singer)
arranger und Orchestrator(in):
Herb Bernstein
aufgenommen bei:
Jamie Lawrence Productions in New York, New York, Vereinigte Staaten
recording of:
I’m a Fool to Want You
Verfasser(in):
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) und Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network und Warner Chappell Music Ltd. (no slash; used 1988–1996)
4:32
8Don't Get Around Much Anymore
recording engineer und Mix:
Jamie Lawrence (orchestrator)
Produzent(in):
Herb Bernstein und Julie Budd (Female Jazz Singer)
arranger und Orchestrator(in):
Herb Bernstein
aufgenommen bei:
Jamie Lawrence Productions in New York, New York, Vereinigte Staaten
recording of:
Don’t Get Around Much Anymore
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
2:29
9How About You
recording engineer und Mix:
Jamie Lawrence (orchestrator)
Produzent(in):
Herb Bernstein und Julie Budd (Female Jazz Singer)
arranger und Orchestrator(in):
Herb Bernstein
aufgenommen bei:
Jamie Lawrence Productions in New York, New York, Vereinigte Staaten
recording of:
How About You?
Texter:
Ralph Freed
Komponist(in):
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
2:53

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