Classic Love Songs of Rock ’n’ Roll • Volume Two

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

From Discogs...

Companies, etc.
Manufactured By – Warner Special Products – Disc One
Manufactured By – Universal Music Special Markets – Disc Two

Barcode and Other Identifiers
Matrix / Runout (Disc One): 10 OPCD 1110-2 01
Matrix / Runout (Disc Two): 4400695282 1056313143
Barcode: 610583064629

Anmerkung zuletzt geändert am 2021-05-13 10:12 UTC.

Titelliste

1▶CD: Disc One
2▼CD: Disc Two
Nr.TitelKünstlerBewertungLänge
1Just a Dream
recording of:
Just a Dream
Komponist(in):
Jimmy Clanton und Cosimo Matassa
publisher:
Franmar Music und Three Wise Boys Music LLC
Jimmy Clanton2:32
2It’s Only Make Believe
recording of:
It’s Only Make Believe
Verfasser(in):
Jack Nance (in 1958) und Conway Twitty (in 1958)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tree Publishing Co., Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Conway Twitty2:15
3It’s Just a Matter of Time
recording of:
It’s Just a Matter of Time
Verfasser(in):
Belford C. Hendricks (composer, pianist, conductor, arranger and record producer), Brook Benton und Clyde Otis (American songwriter and record producer)
publisher:
Alley Music Corp., Carlin Music Corporation, Eden Music, Inc., The Clyde Otis Music Group, Inc. (publisher; do NOT use as release label) und Trio Music Co., Inc.
Brook Benton2:29
4What a Diff’rence a Day Makes
recorded in:
New York, New York, Vereinigte Staaten (am 1959-02-19)
Produzent(in):
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (am 1959-02-19)
flute:
Jerome Richardson (am 1959-02-19)
Gitarre:
Kenny Burrell (am 1959-02-19)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (am 1959-02-19)
Kontrabass:
Milt Hinton (am 1959-02-19)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1959-02-19)
Sologesang:
Dinah Washington (am 1959-02-19)
vocals:
Dinah Washington (am 1959-02-19)
Orchester:
Belford Hendricks' Orchestra (am 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (am 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (am 1959-02-19)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Dinah Washington2.82:32
5Stay
Kontrabass:
Albert Hill (double bassist)
Schlagzeug [drums]:
Willie Morrow
Baritongesang:
Charles Thomas (The Zodiacs)
Sologesang:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
Tenor-Gesang:
Wiley Bennett
Tenor-Gesang [falsetto tenor]:
Henry Gaston
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 1)
recording of:
Stay
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. und Cherio Corp. (in 1960)
Maurice Williams and the Zodiacs51:40
6Shop Around
recording of:
Shop Around
Verfasser(in):
Berry Gordy und Smokey Robinson
The Miracles2:48
7Where the Boys Are
vocals:
Connie Francis (American former actress and chart-topping singer)
recording of:
Where the Boys Are
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
EMI Longitude Music, Robbins Music Corp. Ltd., Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Connie Francis2:40
8Baby, It’s You
Produzent(in):
Luther Dixon (in 1961)
phonographisches Urheberrecht (℗) von:
Gusto (UK dance/club/house)
recording of:
Baby It’s You (in 1961)
Texter:
Barney Williams (in 1961-11) und Mack David (American lyricist and songwriter) (in 1961-11)
Komponist(in):
Burt Bacharach (in 1961-11)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dolfi Music Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Fuji Pacific Music SBK Department (Fujipacific Music SBK Department), Fujipacific Music, Inc. Division 2, Ludix Music Ltd., Mary Jane Pub. Co. Inc., New Hidden Valley Music Co., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Shinko Music Entertainment Co., Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Windswept Music (London) Ltd. und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Shirelles52:38
9I Fall to Pieces
Produzent(in):
Owen Bradley
Akustikgitarre:
Randy Hughes
akustische Bassgitarre:
Bob Moore (U.S. bassist and bandleader)
Bass:
Harold Bradley
E-Gitarre:
Hank Garland
Klavier:
Hargus “Pig” Robbins
Schlagzeug:
Doug Kirkham
Steel-Gitarre:
Ben Keith
vocals:
Patsy Cline
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1960-11-16)
Teil von:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (Nummer: 40) und Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 72)
cover recording of:
I Fall to Pieces (am 1960-11-16)
Komponist(in):
Hank Cochran (Nashville singer and songwriter) und Harlan Howard
Patsy Cline52:51
10Break It to Me Gently
recording of:
Break It to Me Gently
Verfasser(in):
Diane Lampert (composer) und Joe Seneca (Songwriter, film and television actor)
publisher:
Northern Music Company, Rainbow Music Corp und The Songwriters Guild
Brenda Lee2:40
11Stranger on the Shore
phonographisches Urheberrecht (℗) von:
Polydor Ltd. UK (not for release label use; fka Polydor Records Ltd.) (in 1962) und K‐tel International (do not use as a release label! for copyrights/distributor use only) (in 1984)
recording of:
Stranger on the Shore (original instrumental version)
Komponist(in):
Acker Bilk
publisher:
EMI Music Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated)
Acker Bilk2:57
12Sealed With a Kiss
vocals:
Brian Hyland
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1962)
cover recording of:
Sealed With a Kiss
Verfasser(in):
Gary Geld und Peter Udell
uraufgeführt von:
The Four Voices (in 1960-05)
publisher:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) und Pogo Music Corp. (in 1962)
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Brian Hyland42:44
13Sheila
recording of:
Sheila
Texter und Komponist(in):
Tommy Roe
publisher:
Low Twi Music Inc (publisher) und Sony/ATV Music Publishing (UK) Ltd.
Tommy Roe2:01
14Only Love Can Break a Heart
recording of:
Only Love Can Break a Heart (in 1962)
Texter:
Hal David (in 1962)
Komponist(in):
Burt Bacharach (in 1962)
Gene Pitney2:51
15Baby Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (am 1964-08-13)
Bass:
James Jamerson (am 1964-08-13)
foot stomps [footstomps]:
Michael Valvano (am 1964-08-13)
Gitarre:
Eddie Willis (am 1964-08-13)
Instrumente:
The Funk Brothers (am 1964-08-13)
Klavier:
Earl Van Dyke (am 1964-08-13)
Schlagzeug:
Richard "Pistol" Allen (am 1964-08-13)
Tenorsaxophon:
Henry Cosby (am 1964-08-13)
Vibraphon:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-08-13)
Hintergrundgesang:
Florence Ballard (am 1964-08-13) und Mary Wilson (am 1964-08-13)
Sologesang:
Diana Ross (am 1964-08-13)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-08-13)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 324) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 499)
recording of:
Baby Love (am 1964-08-13)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music Division
The Supremes4.352:43

Nennungen

Veröffentlichungsgruppe

Teil von:Classic Love Songs of Rock ’n’ Roll (Time-Life Music Series) (Nummer: 2) (Reihenfolge: 2)