Handful of Keys

~ Veröffentlichung von Fats Waller (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Numb Fumblin’
2▼CD: Truckin’
Nr.TitelBewertungLänge
1Serenade for a Wealthy Widow
recorded in:
New York, New York, Vereinigte Staaten (am 1934-09-28)
alto saxophone und Klarinette:
Mezz Mezzrow (am 1934-09-28)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-09-28)
Klavier und Sprecher:
Fats Waller (am 1934-09-28)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-09-28)
Posaune:
Floyd O'Brien (am 1934-09-28)
Schlagzeug und Vibraphon:
Harry Dial (am 1934-09-28)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-09-28)
instrumental recording of:
Serenade for a Wealthy Widow (am 1934-09-28)
Komponist(in):
Reginald Foresythe
2:44
2How Can You Face Me?
recorded in:
New York, New York, Vereinigte Staaten (am 1934-09-28)
alto saxophone und Klarinette:
Mezz Mezzrow (am 1934-09-28)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-09-28)
Klavier:
Fats Waller (am 1934-09-28)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-09-28)
Posaune:
Floyd O'Brien (am 1934-09-28)
Schlagzeug:
Harry Dial (am 1934-09-28)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-09-28)
vocals:
Fats Waller (am 1934-09-28)
recording of:
How Can You Face Me? (am 1934-09-28)
Texter:
Andy Razaf
Komponist(in):
Fats Waller
2:52
3Sweetie Pie
recorded in:
New York, New York, Vereinigte Staaten (am 1934-09-28)
alto saxophone und Klarinette:
Mezz Mezzrow (am 1934-09-28)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-09-28)
Klavier:
Fats Waller (am 1934-09-28)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-09-28)
Posaune:
Floyd O'Brien (am 1934-09-28)
Schlagzeug:
Harry Dial (am 1934-09-28)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-09-28)
vocals:
Fats Waller (am 1934-09-28)
recording of:
Sweetie Pie (am 1934-09-28)
Texter und Komponist(in):
John Jacob Loeb
3:11
4Believe It, Beloved
recorded in:
New York, New York, Vereinigte Staaten (am 1934-11-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-11-07)
Klarinette:
Gene Sedric (am 1934-11-07)
Klavier:
Fats Waller (am 1934-11-07)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-11-07)
Schlagzeug:
Harry Dial (am 1934-11-07)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1934-11-07)
vocals:
Fats Waller (am 1934-11-07)
recording of:
Believe it, Beloved (am 1934-11-07)
Texter:
Nat Schwartz (Early 20th century composer?) und George A. Whiting (popular songwriter)
Komponist(in):
J.C. Johnson
2:43
5Dream Man
recorded in:
New York, New York, Vereinigte Staaten (am 1934-11-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-11-07)
Klarinette:
Gene Sedric (am 1934-11-07)
Klavier:
Fats Waller (am 1934-11-07)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-11-07)
Schlagzeug:
Harry Dial (am 1934-11-07)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1934-11-07)
vocals:
Fats Waller (am 1934-11-07)
recording of:
Dream Man (am 1934-11-03)
Texter:
Joe Young (US lyricist)
Komponist(in):
Milton Ager
3:01
6Breakin' the Ice
recorded in:
New York, New York, Vereinigte Staaten (am 1934-11-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-11-07)
Klavier:
Fats Waller (am 1934-11-07)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-11-07)
Schlagzeug:
Harry Dial (am 1934-11-07)
Tenorsaxophon:
Gene Sedric (am 1934-11-07)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1934-11-07)
vocals:
Fats Waller (am 1934-11-07)
recording of:
Looks Like I’m Breakin’ the Ice (am 1934-11-07)
Verfasser(in):
James Cavanaugh, Charles McCarthy (Composer and lyricist) und Frank Weldon
3:18
7African Ripples
Klavier:
Fats Waller (am 1934-11-16)
recording of:
African Ripples (am 1934-11-16)
Komponist(in):
Fats Waller
3:11
8Alligator Crawl
Klavier:
Fats Waller (am 1934-11-16)
recording of:
Alligator Crawl (am 1934-11-16)
Texter:
Joe Davis (US lyricist, producer, publisher & promoter) und Andy Razaf
Komponist(in):
Fats Waller
2:45
9Viper's Drag
recorded in:
New York, New York, Vereinigte Staaten (am 1934-11-16)
Solo-Klavier:
Fats Waller (am 1934-11-16)
recording of:
Viper's Drag (am 1934-11-16)
Komponist(in):
Fats Waller
3:01
10I'm a Hundred Per Cent for You
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-01-05)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-01-05)
Klavier:
Fats Waller (am 1935-01-05)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-01-05)
Rohrblattinstrumente und Tenorsaxophon:
Gene Sedric (am 1935-01-05)
Schlagzeug:
Harry Dial (am 1935-01-05)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1935-01-05)
vocals:
Fats Waller (am 1935-01-05)
recording of:
I’m a Hundred Percent for You (am 1935-01-05)
Verfasser(in):
Irving Mills, Ben Oakland und Mitchell Parish
3:05
11Night Wind
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-01-05)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-01-05)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-01-05)
Orgel:
Fats Waller (am 1935-01-05)
Schlagzeug:
Harry Dial (am 1935-01-05)
Tenorsaxophon:
Gene Sedric (am 1935-01-05)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1935-01-05)
vocals:
Fats Waller (am 1935-01-05)
recording of:
Night Wind (am 1935-01-05)
Verfasser(in):
Bob Rothberg (tin-pan alley songwriter)
Komponist(in):
Dave Pollock
3:17
12I Believe in Miracles
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-01-05)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-01-05)
Klarinette und Tenorsaxophon:
Gene Sedric (am 1935-01-05)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-01-05)
Orgel:
Fats Waller (am 1935-01-05)
Schlagzeug:
Harry Dial (am 1935-01-05)
Trompete:
Bill Coleman (US jazz trumpeter) (am 1935-01-05)
vocals:
Fats Waller (am 1935-01-05)
recording of:
I Believe in Miracles (am 1935-01-05)
Verfasser(in):
Sam M. Lewis (1930s lyricist), George W. Meyer (Tin Pan Alley songwriter) und Pete Wendling (American composer)
2:53
13I Ain't Got Nobody
recorded in:
New York, New York, Vereinigte Staaten (am 1935-03-06)
alto saxophone, Klarinette und Rohrblattinstrumente:
Rudy Powell (am 1935-03-06)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-03-06)
Klavier:
Fats Waller (am 1935-03-06)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-03-06)
Schlagzeug:
Harry Dial (am 1935-03-06)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-03-06)
vocals:
Fats Waller (am 1935-03-06)
recording of:
I Ain’t Got Nobody (am 1935-03-06)
Texter:
Roger Graham
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
2:50
14Clothes Line Ballet
Klavier:
Fats Waller (am 1935-03-11)
vocals:
Fats Waller (am 1935-03-11)
recording of:
Clothes Line Ballet (am 1935-03-11)
Verfasser(in):
Fats Waller
recording of:
Clothes Line Ballet (Clothesline Ballet)
Komponist(in):
Fats Waller
publisher:
Anne-Rachel Music Corp.
2:32
15Lulu's Back in Town
recorded in:
New York, New York, Vereinigte Staaten (am 1935-05-08)
alto saxophone und Klarinette:
Rudy Powell (am 1935-05-08)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-05-08)
Klavier:
Fats Waller (am 1935-05-08)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-05-08)
Schlagzeug:
Harry Dial (am 1935-05-08)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-05-08)
vocals:
Fats Waller (am 1935-05-08)
cover recording of:
Lulu’s Back in Town (am 1935-05-08)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
2:42
16I'm Going to Sit Right Down and Write Myself a Letter
recorded in:
New York, New York, Vereinigte Staaten (am 1935-05-08)
alto saxophone, Klarinette und Rohrblattinstrumente:
Rudy Powell (am 1935-05-08)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-05-08)
Klavier:
Fats Waller (am 1935-05-08)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-05-08)
Schlagzeug:
Harry Dial (am 1935-05-08)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-05-08)
vocals:
Fats Waller (am 1935-05-08)
Interpret(in):
Fats Waller and His Rhythm (am 1935-05-08)
recording of:
I’m Gonna Sit Right Down and Write Myself a Letter (am 1935-05-08)
Texter:
Joe Young (US lyricist)
Komponist(in):
Fred Ahlert und Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) und Rytvoc, Inc. (ASCAP)
3:36
17You're the Cutest One
recorded in:
New York, New York, Vereinigte Staaten (am 1935-05-08)
alto saxophone und Klarinette:
Rudy Powell (am 1935-05-08)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1935-05-08)
Klavier:
Fats Waller (am 1935-05-08)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-05-08)
Schlagzeug:
Harry Dial (am 1935-05-08)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-05-08)
vocals:
Fats Waller (am 1935-05-08)
3:27
18Dinah
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-06-24)
alto saxophone und Klarinette:
Rudy Powell (am 1935-06-24)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-06-24)
Klavier:
Fats Waller (am 1935-06-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-06-24)
Schlagzeug:
Arnold Boling (am 1935-06-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-06-24)
vocals:
Fats Waller (am 1935-06-24)
recording of:
Dinah (am 1935-06-24)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
3:09
19My Very Good Friend the Milkman
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-06-24)
alto saxophone und Klarinette:
Rudy Powell (am 1935-06-24)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-06-24)
Klavier:
Fats Waller (am 1935-06-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-06-24)
Schlagzeug:
Arnold Boling (am 1935-06-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-06-24)
vocals:
Fats Waller (am 1935-06-24)
recording of:
My Very Good Friend the Milkman (am 1935-06-24)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Harold Spina (composer/conductor)
publisher:
Chappell & Co., Inc. (USA)
43:34
20Twelfth Street Rag
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-06-24)
alto saxophone und Klarinette:
Rudy Powell (am 1935-06-24)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-06-24)
Klavier:
Fats Waller (am 1935-06-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-06-24)
Schlagzeug:
Arnold Boling (am 1935-06-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-06-24)
vocals:
Fats Waller (am 1935-06-24)
Interpret(in):
Fats Waller and His Rhythm (am 1935-06-24)
recording of:
12th Street Rag (am 1935-06-24)
publisher:
Euday L. Bowman (am 1914-01-30)
Texter:
James S. Sumner
Komponist(in):
Euday L. Bowman
Arrangement von:
Twelfth Street Rag
recording of:
Twelfth Street Rag (am 1935-06-24)
Texter:
Andy Razaf
Komponist(in):
Euday L. Bowman
2:51
21There'll Be Some Changes Made
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-06-24)
alto saxophone und Klarinette:
Rudy Powell (am 1935-06-24)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-06-24)
Klavier:
Fats Waller (am 1935-06-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-06-24)
Schlagzeug:
Arnold Boling (am 1935-06-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-06-24)
vocals:
Fats Waller (am 1935-06-24)
recording of:
There’ll Be Some Changes Made (am 1935-06-24)
publisher:
Harry H. Pace (in 1921)
Texter:
Billy Higgins (1920s composer and singer)
Komponist(in):
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
3:10
22Sweet Sue
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1935-06-24)
alto saxophone und Klarinette:
Rudy Powell (am 1935-06-24)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-06-24)
Klavier:
Fats Waller (am 1935-06-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-06-24)
Schlagzeug:
Arnold Boling (am 1935-06-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-06-24)
vocals:
Fats Waller (am 1935-06-24)
recording of:
Sweet Sue, Just You (am 1935-06-24)
Texter:
Will J. Harris (early 1900s songwriter/lyricist)
Komponist(in):
Will J. Harris (early 1900s songwriter/lyricist) und Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
2:56
23Truckin'
recorded in:
New York, New York, Vereinigte Staaten (am 1935-08-02)
alto saxophone und Klarinette:
Rudy Powell (am 1935-08-02)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-08-02)
Klavier:
Fats Waller (am 1935-08-02)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-08-02)
Schlagzeug:
Arnold Boling (am 1935-08-02)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-08-02)
vocals:
Fats Waller (am 1935-08-02)
recording of:
Truckin’ (am 1935-08-02)
Texter:
Ted Koehler
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist)
3:21
24Sugar Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1935-08-02)
alto saxophone und Klarinette:
Rudy Powell (am 1935-08-02)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-08-02)
Klavier:
Fats Waller (am 1935-08-02)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-08-02)
Schlagzeug:
Arnold Boling (am 1935-08-02)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-08-02)
vocals:
Fats Waller (am 1935-08-02)
recording of:
Sugar Blues (am 1935-08-02)
Texter:
Lucy Fletcher (in 1919)
Komponist(in):
Clarence Williams (US jazz pianist, composer, singer and bandleader) (in 1919)
publisher:
Chappell Paris
2:52
25Rhythm and Romance
recorded in:
New York, New York, Vereinigte Staaten (am 1935-08-20)
alto saxophone und Klarinette:
Rudy Powell (am 1935-08-20)
Celesta und Klavier:
Fats Waller (am 1935-08-20)
Gitarre:
James Smith (US jazz guitarist active 1930s, recorded with Fats Waller) (am 1935-08-20)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1935-08-20)
Schlagzeug:
Arnold Boling (am 1935-08-20)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1935-08-20)
vocals:
Fats Waller (am 1935-08-20)
recording of:
Rhythm and Romance (am 1935-08-20)
Texter:
Nat Schwartz (Early 20th century composer?)
Verfasser(in):
George Whiting (American composer)
Komponist(in):
J.C. Johnson
3:16
3▶CD: The Joint Is Jumping
4▶CD: Ain’t Misbehavin’

Nennungen