Simply Mad About the Mouse: A Musical Celebration of Imagination

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Simply Mad - An Introduction
recording engineer:
Hideki Sunada
zusätzliche Programmierung:
Rob Schwimmer
Produzent(in):
B A Robertson, Mary Kessler und Robbie Kilgore (Keyboardist, composer, producer, songwriter, and programmer)
remixer:
Hideki Sunada
arranger:
B A Robertson, Mary Kessler und Robbie Kilgore (Keyboardist, composer, producer, songwriter, and programmer)
aufgenommen bei und remixed at:
Unique Recording in Manhattan, New York, New York, Vereinigte Staaten
[unknown]2:11
2When You Wish Upon a Star
recording engineer:
Steve Churchyard und Peter Doell
Produzent(in):
B A Robertson und Rick Chertoff
remixer:
Steve Churchyard
arranger:
Ralph Schuckett (keyboard, composer, producer)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1991)
aufgenommen bei:
Capitol Recording (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Sheffield Audio/Video Productions in Baltimore County, Maryland, Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
remixed at:
Electric Lady Studio in Greenwich Village, New York, New York, Vereinigte Staaten
cover recording of:
When You Wish Upon a Star (Pinocchio, 1940 film)
Texter:
Ned Washington
Komponist(in):
Leigh Harline
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Chappell Music Ltd.
Teil von:
The 13th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1940 winner)
Medley von:
Little Wooden Head (Pinocchio, 1940 film, music cue)
Medley von:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
Medley von:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
Teil von:
Celebrate the Future Hand in Hand
Teil von:
Pinocchio (1940 Disney film soundtrack)
Billy Joel23:45
3Zip-A-Dee-Doo-Dah
recording engineer:
Steve Churchyard
Produzent(in):
Ric Ocasek
Solo-Gitarre:
Eron Otcasek
Hintergrundgesang:
Edie Brickell (American singer-songwriter), Derek Ocasek und Paulina Porizkova
remixer:
Steve Churchyard
arranger:
B A Robertson, Greg Hawkes und Ric Ocasek
aufgenommen bei und remixed at:
Electric Lady Studio in Greenwich Village, New York, New York, Vereinigte Staaten
cover recording of:
Zip‐a‐Dee‐Doo‐Dah (Song of the South)
Texter:
Ray Gilbert
Komponist(in):
Allie Wrubel (US composer and songwriter)
publisher:
J. Albert & Son, Joy Music Inc. und Walt Disney Music Company (music publisher, do not use as release label) (in 1945)
Teil von:
The 20th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1947 winner)
Teil von:
Song of the South (1946 live action/animated film)
Ric Ocasek4:57
4Who's Afraid of the Big Bad Wolf
recording engineer:
Rob Paustian
Produzent(in):
B A Robertson, Edward Ferrell III und L.L. Cool J
remixer:
Rob Paustian
arranger:
B A Robertson, Edward Ferrell III und L.L. Cool J
aufgenommen bei und remixed at:
Unique Recording in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
Who’s Afraid of the Big Bad Wolf? (from “Three Little Pigs”)
Texter und Komponist(in):
Frank Churchill
zusätzlicher Texter:
Ann Ronell
publisher:
Bourne Co. (not for release label use, this is a music publisher)
LL Cool J3:53
5I've Got No Strings
recording engineer:
Peter Doell und Francoise Delabriere
Produzent(in):
B A Robertson und Jim Cregan (producer & member of Family)
Saiteninstrumente:
Ralph Schuckett (keyboard, composer, producer)
remixer:
Brian Tench
arranger:
B A Robertson und Jim Cregan (producer & member of Family)
aufgenommen bei:
Capitol Recording (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Path Marconi (Boulogne-Billancourt) in Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, Frankreich
remixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
I’ve Got No Strings (Pinocchio, 1940 film)
Texter:
Ned Washington
Komponist(in):
Leigh Harline
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Teil von:
Pinocchio (1940 Disney film soundtrack)
Gipsy Kings3:20
6The Bare Necessities
recording engineer:
Gregg Rubin
Produzent(in):
Harry Connick, Jr. und Tracy Freeman (jazz producer & engineer)
Kontrabass [bass]:
Ben Wolfe
Schlagzeug [drums]:
Shannon Powell
remixer:
Gregg Rubin
arranger:
Harry Connick, Jr.
aufgenommen bei:
McClear Place in Toronto, Ontario, Kanada
remixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
The Bare Necessities (From "The Jungle Book")
Texter und Komponist(in):
Terry Gilkyson
publisher:
Campbell Connelly & Co. Ltd. und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1964)
Teil von:
The 40th Academy Award for Best Original Song (Nummer: 2)
adaptations:
Le Livre de la jungle : Il en faut peu pour être heureux
Teil von:
The Jungle Book (1967 Disney film soundtrack)
Harry Connick, Jr.3:06
7The Siamese Cat Song
recording engineer:
Howard Johnston (engineer, co-owner “Different Fur Recording”)
Produzent(in):
Bobby McFerrin
remixer:
Chris Tergesen
arranger:
Bobby McFerrin
aufgenommen bei:
Different Fur in San Francisco, California (Kalifornien), Vereinigte Staaten
remixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
The Siamese Cat Song
Verfasser(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) und Peggy Lee (jazz vocalist)
Bobby McFerrin4:12
8Kiss the Girl
recording engineer:
Eugene Ellis
Programmierung:
Will Mowatt
Produzent(in):
Jazzie B
Sologesang:
Kofi
remixer:
Eugene Ellis
arranger:
B A Robertson und Jazzie B
aufgenommen bei und remixed at:
Soul II Soul Studios in London (Greater London), England, Vereinigtes Königreich
cover recording of:
Kiss the Girl (The Little Mermaid)
Texter:
Howard Ashman
zusätzlicher Texter:
Lin‐Manuel Miranda (von 2022 bis 2023)
Komponist(in):
Alan Menken
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), 日音 Synch事業部 (NICHION, INC. Synch Division), Walt Disney Music Company (music publisher, do not use as release label) (in 1988) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1988)
Teil von:
The 62nd Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1989 nominee)
Teil von:
The Little Mermaid (1989 film soundtrack)
Soul II Soul4:21
9A Dream Is a Wish Your Heart Makes
recording engineer:
Glenn Berger und Roger Talkov (engineer)
Produzent(in):
B A Robertson, Michael Bolton und Ralph Schuckett (keyboard, composer, producer)
conductor:
Gene Orloff
remixer:
Rob Eaton
arranger:
Ralph Schuckett (keyboard, composer, producer)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
remixed at:
Sheffield Audio/Video Productions in Baltimore County, Maryland, Vereinigte Staaten
cover recording of:
A Dream Is a Wish Your Heart Makes (Cinderella, 1950 animated film)
Texter:
Jerry Livingston (songwriter)
Komponist(in):
Mack David (American lyricist and songwriter) und Al Hoffman
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), 日音 Synch事業部 (NICHION, INC. Synch Division) und Walt Disney Music Company (music publisher, do not use as release label) (in 1948)
Teil von:
Cinderella (1950 Disney animated film)
Michael Bolton3:17
10Someday My Prince Will Come / One Song
recording engineer:
Burke Trieschmann (US video game composer/sound designer)
Produzent(in):
Vontallio Carter
remixer:
Burke Trieschmann (US video game composer/sound designer)
arranger:
B A Robertson und Ralph Schuckett (keyboard, composer, producer)
cover recording of:
One Song
Texter:
Larry Morey (American lyricist, 1905–1971)
Komponist(in):
Frank Churchill
publisher:
Bourne, Inc.
Teil von:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
cover recording of:
Someday My Prince Will Come
Texter:
Larry Morey (American lyricist, 1905–1971)
Komponist(in):
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
Teil von:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
En Vogue5:20
11Mad About the Wolf
recording engineer:
Hideki Sunada und Angela Piva
Programmierung:
Mary Kessler
Produzent(in):
B A Robertson, Mary Kessler und Robbie Kilgore (Keyboardist, composer, producer, songwriter, and programmer)
Mix:
Robbie Kilgore (Keyboardist, composer, producer, songwriter, and programmer)
remixer:
Angela Piva
arranger:
B A Robertson, Mary Kessler und Robbie Kilgore (Keyboardist, composer, producer, songwriter, and programmer)
aufgenommen bei und remixed at:
Unique Recording in Manhattan, New York, New York, Vereinigte Staaten
Kirk Whalum4:01

Nennungen

Veröffentlichung

leitende(r) Produzent(in):B A Robertson
Rick Chertoff
mastering:Howie Weinberg (mastering engineer)
mastered at:Masterdisk in New York, New York, Vereinigte Staaten
Discogs:https://www.discogs.com/release/3049501 [Info]