The Complete Warner Symphonic Recordings

~ Veröffentlichung von Riccardo Muti (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

A 91-CD collection of Riccardo Muti's orchestral, choral, and vocal works for Warner Classics between 1973 and 2007.

Anmerkung zuletzt geändert am 2021-12-28 10:24 UTC.

Titelliste

1▶CD: Cherubini: Requiem in D minor
2▶CD: Tchaikovsky: Symphony no. 1 “Winter Daydreams”
3▶CD: Mendelssohn: Symphony no. 3 “Scottish” / Meeresstille und glückliche Fahrt
4▶CD: Verdi: Overtures from Nabucco, Giovanna d'Arco, La battaglia di Legnano, Luisa Miller, I vespri siciliani, La forza del destino
5▶CD: Mozart: Symphonies nos. 25 & 29
6▶CD: Dvořák: Symphony no. 9 “From the New World”
7▶CD: Mendelssohn: Symphony no. 4 “Italian” / Schumann: Symphony no. 4
8▶CD: Vivaldi: Magnificat in G minor, RV 611 / Gloria in D major, RV 589
9▶CD: Tchaikovsky: Romeo and Juliet / Symphony no. 2 “Little Russian”
10▶CD: Tchaikovsky: Symphony no. 3 in D major “Polish”
11▶CD: Prokofiev: Ivan the Terrible (beginning)
12▶CD: Prokofiev: Ivan the Terrible (conclusion) / Sinfonietta
13▶CD: Beethoven: Piano Concerto no. 3 / Andante favori
14▶CD: Schumann: Symphony no. 2 / Hermann und Dorothea, Overture
15▶CD: Mussorgsky: Tableaux d'une exposition / Stravinsky: L'Oiseau de feu, Ballet Suite
16▶CD: Beethoven: Symphony no. 7
17▶CD: Tchaikovsky: Symphony no. 5
18▶CD: Rossini: Overtures from La scala di seta, Il barbiere di Siviglia, Semiramide, Il viaggio a Reims, L'assedio di Corinto, Guillaume Tell
19▶CD: Schumann: Overture to Schiller's “Die Braut von Messina” / Symphony no. 3 “Rhenish”
20▶CD: Ballets from Verdi Operas: I vespri siciliani, Macbeth, Aida
21▶CD: Schumann: Symphony no. 1 “Spring” / Mendelssohn: Symphony no. 5 “Reformation”
22▶CD: Stravinsky: Le Sacre du printemps
23▶CD: Beethoven: Symphony no. 6 “Pastoral”
24▶CD: Tchaikovsky: Symphony no. 4
25▶CD: Verdi: Messa da Requiem (beginning) (1978-1979)
26▶CD: Verdi: Messa da Requiem (conclusion) (1978-1979)
27▼CD: Orff: Carmina Burana
Nr.TitelKünstlerBewertungLänge
1Carmina Burana, Cantiones profanae: Fortuna Imperatrix Mundi. O Fortuna
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
teilweise recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:41
2Carmina Burana, Cantiones profanae: Fortuna Imperatrix Mundi. Fortune plango vulnera
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
Fortune plango vulnera (Poem, CB 16)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:34
3Carmina Burana, Cantiones profanae: I. Primo Vere. Veris leta facies
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: I. Primo Vere
Carl Orff4:07
4Carmina Burana, Cantiones profanae: I. Primo Vere. Omnia Sol temperat
Produzent(in):
John Mordler (producer)
Baritongesang:
Jonathan Summers (baritone) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: I. Primo Vere
Carl Orff2:12
5Carmina Burana, Cantiones profanae: I. Primo Vere. Ecce gratum
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: I. Primo Vere
Carl Orff2:35
6Carmina Burana, Cantiones profanae: Uf dem anger. Tanz
Produzent(in):
John Mordler (producer)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance) (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff1:43
7Carmina Burana, Cantiones profanae: Uf dem anger. Floret silva
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva) (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff3:14
8Carmina Burana, Cantiones profanae: Uf dem anger. Chramer, gip die varwe mir
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem Anger: 8. Chramer, gip die varwe mir) (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff3:15
9Carmina Burana, Cantiones profanae: Uf dem anger. Reie - Swaz hie gat umbe - Chume, chum geselle min - Swaz hie gat umbe
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff4:16
10Carmina Burana, Cantiones profanae: Uf dem anger. Were diu werlt alle min
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem anger: 10. Were diu werlt alle min) (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff0:52
11Carmina Burana, Cantiones profanae: II. In Taberna. Estuans interius
Produzent(in):
John Mordler (producer)
Baritongesang:
Jonathan Summers (baritone) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff2:13
12Carmina Burana, Cantiones profanae: II. In Taberna. Olim lacus colueram
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tenor-Gesang:
John van Kesteren (tenor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff3:24
13Carmina Burana, Cantiones profanae: II. In Taberna. Ego sum abbas
Produzent(in):
John Mordler (producer)
Baritongesang:
Jonathan Summers (baritone) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff1:29
14Carmina Burana, Cantiones profanae: II. In Taberna. In taberna quando sumus
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff3:07
15Carmina Burana, Cantiones profanae: III. Cour d'amours. Amor volat undique
Produzent(in):
John Mordler (producer)
Chorgesang:
Southend Boys’ Choir (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Soprangesang:
Arleen Augér (soprano) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Michael Crabb (organist, conductor, chorus master) (von 1979-03-02 bis 1979-03-04)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff3:23
16Carmina Burana, Cantiones profanae: III. Cour d'amours. Dies, nox et omnia
Produzent(in):
John Mordler (producer)
Baritongesang:
Jonathan Summers (baritone) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff2:25
17Carmina Burana, Cantiones profanae: III. Cour d'amours. Stetit puella
Produzent(in):
John Mordler (producer)
Soprangesang:
Arleen Augér (soprano) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff1:43
18Carmina Burana, Cantiones profanae: III. Cour d'amours. Circa mea pectora
Produzent(in):
John Mordler (producer)
Baritongesang:
Jonathan Summers (baritone) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff1:58
19Carmina Burana, Cantiones profanae: III. Cour d'amours. Si puer cum puellula
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff1:02
20Carmina Burana, Cantiones profanae: III. Cour d'amours. Veni, veni, venias
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff0:57
21Carmina Burana, Cantiones profanae: III. Cour d'amours. In trutina
Produzent(in):
John Mordler (producer)
Soprangesang:
Arleen Augér (soprano) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff2:23
22Carmina Burana, Cantiones profanae: III. Cour d'amours. Tempus est iocundum
Produzent(in):
John Mordler (producer)
Baritongesang:
Jonathan Summers (baritone) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30) und Southend Boys’ Choir (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Soprangesang:
Arleen Augér (soprano) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30) und Michael Crabb (organist, conductor, chorus master) (von 1979-03-02 bis 1979-03-04)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff2:10
23Carmina Burana, Cantiones profanae: III. Cour d'amours. Dulcissime
Produzent(in):
John Mordler (producer)
Soprangesang:
Arleen Augér (soprano) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff0:43
24Carmina Burana, Cantiones profanae: Blanziflor et Helena. Ave formosissima
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:04
25Carmina Burana, Cantiones profanae: Fortuna Imperatrix Mundi. O Fortuna
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:45
28▶CD: Mozart: Piano Concerto no. 22 / Symphony no. 24
29▶CD: Tchaikovsky: Piano Concerto no. 1
30▶CD: Tchaikovsky: Symphony no. 6 “Pathétique”
31▶CD: Chabrier: España / Ravel: Rapsodie espagnole / Falla: El sombrero de tres picos, Ballet suites nos. 1 & 2
32▶CD: Cherubini: Requiem in C minor “À la mémoire de Louis XVI”
33▶CD: Tchaikovsky: 1812 Overture / Serenade for Strings in C major
34▶CD: Prokofiev: Romeo and Juliet, Ballet Suites no. 1 & 2
35▶CD: Stravinsky: Pétrouchka
36▶CD: Tchaikovsky: Manfred Symphony
37▶CD: Franck: Symphony in D minor / Le Chasseur maudit
38▶CD: Rossini: Stabat Mater
39▶CD: Mozart: Violin Concertos nos. 2 & 4
40▶CD: Rimsky-Korsakov: Scheherazade
41▶CD: Ravel: Bolero / Daphnis et Chloé, Ballet suite no. 2 / Alborada del gracioso
42▶CD: Schumann: Violin Concerto no. 1 / Sibelius: Violin Concerto
43▶CD: Liszt: A Faust Symphony
44▶CD: Liszt: Les Préludes / Verdi: Quattro pezzi sacri
45▶CD: Brahms: Piano Concerto no. 1
46▶CD: Mahler: Symphony no. 1
47▶CD: Tchaikovsky: Swan Lake, Ballet Suite / Sleeping Beauty, Ballet Suite
48▶CD: Handel: Water Music, Suites nos. 1-3
49▶CD: Cherubini: Messa dell'Incoronazione in A major / Marche religieuse
50▶CD: Bach: Brandenburg Concerto no. 2 / Telemann: Trumpet Concerto in D major / Torelli: Trumpet Concerto in D major / Haydn: Trumpet Concerto in E-flat major
51▶CD: Bruckner: Symphony no. 4 “Romantic”
52▶CD: Berlioz: Symphonie fantastique
53▶CD: Respighi: Pini di Roma / Fontane di Roma / Feste Romane
54▶CD: Scriabin: Symphony no. 1
55▶CD: Mozart: Symphony no. 41 “Jupiter” / Divertimento in D major
56▶CD: Beethoven: Symphonies nos. 1 & 5
57▶CD: Beethoven: Symphony no. 3 “Eroica” / Fidelio, Overture / The Consecration of the House, Overture
58▶CD: Beethoven: Symphonies nos. 2 & 4
59▶CD: Berlioz: Roméo et Juliette (beginning)
60▶CD: Berlioz: Roméo et Juliette (conclusion)
61▶CD: Schubert: Symphony no. 9 “The Great”
62▶CD: Rachmaninov: Piano Concerto no. 3
63▶CD: Beethoven: Symphonies nos. 7 & 8
64▶CD: Schubert: Symphonies nos. 4 “Tragic” & 6
65▶CD: Mozart: Requiem / Ave verum corpus
66▶CD: Verdi: Messa da Requiem (beginning) (1987)
67▶CD: Verdi: Messa da Requiem (conclusion) (1987)
68▶CD: Beethoven: Symphony no. 6 “Pastoral” / “Leonore” no. 3, Overture
69▶CD: Bruckner: Symphony no. 6
70▶CD: Cherubini: Messa solenne per l'Incoronazione di Luigi XVIII
71▶CD: Beethoven: Symphony no. 9
72▶CD: Scriabin: Symphony no. 3 “Le divin Poème” / Tchaikovsky: Romeo and Juliet
73▶CD: Dvořák: Violin Concerto / Romance for Violin & Orchestra
74▶CD: Schubert: Symphonies nos. 3 & 5
75▶CD: Scriabin: Symphony no. 2 / Tchaikovsky: Hamlet, Overture
76▶CD: Rachmaninov: Piano Concerto no. 2 / Rhapsody on a Theme of Paganini
77▶CD: Tchaikovsky: Symphony no. 6 “Pathétique” / Scriabin: Le Poème d l'extase
78▶CD: Tchaikovsky: Symphony no. 4 / Scriabin: Prométhée, le Poème du feu
79▶CD: Schubert: Symphonies nos. 1 & 8 “Unfinished”
80▶CD: Tchaikovsky: Symphony no. 5 / Francesca da Rimini
81▶CD: Shostakovich: Symphony no. 5 / Festive Overture
82▶CD: Schubert: Symphony no. 2 / Rosamunde, Overture & Incidental Music
83▶CD: Chausson: Poème de l'amour et de la mer / Ravel: Une barque sur l'océan / Debussy: La Mer
84▶CD: Vivaldi: Concerto “La Tempesta di mare” / Flute Concerto “La Notte” / Le quattro stagioni (The Four Seasons)
85▶CD: New Year's Concert 1997 (beginning)
86▶CD: New Year's Concert 1997 (conclusion)
87▶CD: New Year's Concert 2000 (beginning)
88▶CD: New Year's Concert 2000 (conclusion)
89▶CD: Cherubini: Messa solenne in D minor (per il Principe Esterhazy)
90▶CD: Cherubini: Missa solemnis in E major / Two Motets
91▶CD: Muti and the Philharmonia - A Legendary Era