100 Hits Legends: Nat King Cole

~ Pubblicazione di Nat King Cole (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

in cardboard cover

Annotazione modificata l'ultima volta il 2017-10-10 08:55 UTC.

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1▼CD
#TitoloValutazioneDurata
1Unforgettable
arpa :
Ann Mason Stockton (American harpist) (il 1951-08-17)
batteria :
Nick Fatool (il 1951-08-17)
celesta e pianoforte :
Buddy Cole (il 1951-08-17)
chitarra :
Bob Bain (guitarist) (il 1951-08-17)
congas :
Joe Costanzo (il 1951-08-17)
contrabbasso :
Joe Comfort (il 1951-08-17)
viola :
Paul Robyn (il 1951-08-17) e Dave Sterkin (il 1951-08-17)
violino :
Alex Beller (il 1951-08-17), Harry Bluestone (il 1951-08-17), Walter Edelstein (il 1951-08-17), Henry Hill (Violin player) (il 1951-08-17), Dan Lube (il 1951-08-17), Erno Neufeld (il 1951-08-17), Mischa Russell (violinist) (il 1951-08-17) e Marshall Sosson (il 1951-08-17)
violoncello :
Cy Bernard (il 1951-08-17) e Eleanor Slatkin (US cellist, b. Aller) (il 1951-08-17)
voce:
Nat King Cole (il 1951-08-17)
orchestra:
Nelson Riddle and His Orchestra (il 1951-08-17)
direttore d'orchestra:
Nelson Riddle (il 1951-08-17)
arrangiatore:
Nelson Riddle
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1951-08-17)
registrazione di:
Unforgettable (il 1951-08-17)
paroliere e compositore:
Irving Gordon (US songwriter)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Bourne Music Ltd.
43:13
2Mona Lisa
voce:
Nat King Cole (nel 1950)
esecutore:
Les Baxter and His Orchestra (nel 1950)
registrazione di:
Mona Lisa (nel 1950)
paroliere:
Raymond B. Evans (American songwriter)
compositore:
Jay Livingston
editore:
Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-editore:
BMG Unisong Music Publishers BV
parte di:
The 23rd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1950 winner)
3:13
3Too Young
voce:
Nat King Cole (nel 1951)
esecutore:
Les Baxter and His Orchestra (nel 1951)
registrazione di:
Too Young (nel 1951)
paroliere:
Sylvia Dee (American lyricist)
compositore:
Sidney Lippman (American songwriter)
editore:
Aria Music Co.
3:12
4Smile
produttore:
Lee Gillette
ance :
John Hacker (il 1954-07-27), Harry Klee (il 1954-07-27) e Dominic Mumolo (il 1954-07-27)
basso :
Charlie Harris (jazz bassist) (il 1954-07-27)
batteria :
Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1954-07-27)
chitarra :
John Collins (US jazz guitarist) (il 1954-07-27)
corno francese :
Vincent DeRosa (il 1954-07-27) e William Hinshaw (American horn player) (il 1954-07-27)
percussione :
Louis Singer (percussionist) (il 1954-07-27)
pianoforte :
Bill Miller (pianist) (il 1954-07-27)
trombone :
Francis Howard (trombone) (il 1954-07-27)
trombone basso :
George Roberts (american bass trombone) (il 1954-07-27)
viola :
Stanley Harris (US big band viola player) (il 1954-07-27), Paul Robyn (il 1954-07-27), Barbara Simons (il 1954-07-27) e Dave Sterkin (il 1954-07-27)
violino :
Leonard Atkins (il 1954-07-27), Victor Bay (il 1954-07-27), Alex Beller (il 1954-07-27), Harry Bluestone (il 1954-07-27), Walter Edelstein (il 1954-07-27), Nathan Ross (il 1954-07-27), Mischa Russell (violinist) (il 1954-07-27), Eudice Shapiro (Violinist) (il 1954-07-27), Paul Shure (il 1954-07-27), Felix Slatkin (il 1954-07-27), Marshall Sosson (il 1954-07-27) e Gerald Vinci (American violinist and strings conductor) (il 1954-07-27)
violoncello :
Cy Bernard (il 1954-07-27), Armand Kaproff (il 1954-07-27), Ray Kramer (il 1954-07-27) e Eleanor Slatkin (US cellist, b. Aller) (il 1954-07-27)
voce:
Nat King Cole (il 1954-07-27)
orchestra:
Nelson Riddle and His Orchestra (nel 1954)
direttore d'orchestra:
Nelson Riddle (il 1954-07-27)
arrangiatore:
Nelson Riddle
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-07-27)
registrazione cover di:
Smile (song version w/ lyrics) (il 1954-07-27)
paroliere:
Geoffrey Parsons (lyricist) e John Turner (lyricist)
compositore:
Charlie Chaplin (filmmaker)
editore:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. e Bourne Co. (not for release label use, this is a music publisher) (nel 1954)
sub-editore:
Editions Vedette Sprl e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Smile (Modern Times; original instrumental version)
parte di:
Chaplin
2:52
5Orange-Colored Sky
basso e contrabbasso :
Joe Comfort (il 1950-08-16)
bonghi e congas :
Jack Costanzo (il 1950-08-16)
chitarra :
Irving Ashby (il 1950-08-16)
pianoforte :
Nat King Cole (il 1950-08-16)
voce:
Nat King Cole (il 1950-08-16)
orchestra:
Stan Kenton and His Orchestra (il 1950-08-16)
arrangiatore:
Pete Rugolo
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1950-08-16)
registrazione di:
Orange Colored Sky (il 1950-08-16)
autore:
Milton DeLugg e William Stein
editore:
Amy Dee Music Corp.
3.52:32
6Lush Life
bonghi e congas :
Jack Costanzo (il 1949-03-29)
chitarra :
Irving Ashby (il 1949-03-29)
contrabbasso :
Joe Comfort (il 1949-03-29)
pianoforte :
Nat King Cole (il 1949-03-29)
voce:
Nat King Cole (il 1949-03-29)
orchestra:
Pete Rugolo and His Orchestra (il 1949-03-29)
direttore d'orchestra:
Pete Rugolo (il 1949-03-29)
registrata presso:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, Stati Uniti (il 1949-03-29)
registrazione di:
Lush Life (il 1949-03-29)
paroliere e compositore:
Billy Strayhorn (dal 1933 al 1938)
editore:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) e Tempo Music, Inc. (Duke Ellington’s music publishing company) (dal 1949 a oggi)
parte di:
The Real Book (compilation of jazz standards, volume I)
3:16
7Pretend
produttore:
Lee Gillette
chitarra :
Irving Ashby (il 1952-12-30)
contrabbasso :
Joe Comfort (il 1952-12-30)
pianoforte :
Nat King Cole (il 1952-12-30)
voce:
Nat King Cole (il 1952-12-30)
orchestra:
Nelson Riddle and His Orchestra (il 1952-12-30)
direttore d'orchestra:
Ralph Carmichael e Nelson Riddle
registrazione di:
Pretend (1952 song popularized by Nat King Cole) (il 1952-12-30)
paroliere:
Lew Douglas, Frank Lavere e Cliff Parman
compositore:
Dan Belloc, Lew Douglas, Frank Lavere e Cliff Parman
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
2:44
8’Deed I Do
strumenti:
The Nat King Cole Trio (nel 1949)
voce:
Nat King Cole (nel 1949)
registrazione di:
’Deed I Do (nel 1949)
paroliere:
Walter Hirsch
compositore:
Fred Rose (songwriter)
editore:
Keith Prowse Music Publishing Co. Ltd.
2:15
9My Baby Just Cares for Me2:46
10For All We Know
chitarra :
Irving Ashby (il 1949-03-22)
contrabbasso :
Joe Comfort (il 1949-03-22)
pianoforte :
Nat King Cole (il 1949-03-22)
voce:
Nat King Cole (il 1949-03-22)
registrata presso:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, Stati Uniti (il 1949-03-22)
registrazione cover di:
For All We Know (1934 song) (il 1949-03-22)
paroliere:
Sam M. Lewis (1930s lyricist) (nel 1934)
compositore:
J. Fred Coots (nel 1934)
editore:
Bienstock Publishing Company (ASCAP affiliated) (conclusa), Cromwell Music, Inc. (conclusa), EMI Feist Catalog Inc. (conclusa), Leo Feist, Inc. (conclusa), Redwood Music Ltd. (Carlin) (conclusa), Tro-Cromwell Music, Inc. (conclusa), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company e Toy Town Tunes, Inc.
3:00
11Angel Eyes
basso :
Jack Agee (il 1953-01-14) e Ralph Peña (il 1953-01-14)
batteria :
John Markham (il 1953-01-14)
bonghi e congas :
Jack Costanzo (il 1953-01-14)
chitarra :
John Collins (US jazz guitarist) (il 1953-01-14)
clarinetto e sassofono :
Bob Dawes (il 1953-01-14) e Charles Deremo (il 1953-01-14)
pianoforte :
Cliff Fishback (il 1953-01-14)
sassofono contralto :
Willie Smith (US jazz alto saxophonist, 1910-1967) (il 1953-01-14)
sassofono tenore :
Richard Clay (il 1953-01-14) e Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1953-01-14)
tromba :
Tony Facciuto (il 1953-01-14), Conrad Gozzo (il 1953-01-14), Jack H. Laubach (trumpeter) (il 1953-01-14), Robert McKinzie (il 1953-01-14) e Andy Peele (40s jazz trumpeter) (il 1953-01-14)
trombone :
Karl DeKarske (il 1953-01-14), Dick Nash (il 1953-01-14), Robert Reisiger (il 1953-01-14) e Si Zentner (il 1953-01-14)
voce:
Nat King Cole (il 1953-01-14)
orchestra:
Billy May & His Orchestra (il 1953-01-14)
direttore d'orchestra:
Billy May (il 1953-01-14)
arrangiatore:
Billy May
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1953-01-14)
registrazione cover di:
Angel Eyes (1946 jazz standard) (il 1953-01-14)
paroliere:
Earl Brent (nel 1946)
compositore:
Matt Dennis (American singer, pianist, band leader) (nel 1946)
editore:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) e Onyx Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:15
12Almost Like Being in Love
voce:
Nat King Cole (nel 1953)
esecutore:
Nelson Riddle and His Orchestra (nel 1953)
registrazione di:
Almost Like Being in Love (from “Brigadoon”) (nel 1953)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
Brigadoon (complete musical)
1:52
13This Can’t Be Love
voce:
Nat King Cole (nel 1953)
esecutore:
Nelson Riddle and His Orchestra (nel 1953)
registrazione di:
This Can’t Be Love (nel 1953)
paroliere:
Lorenz Hart (nel 1938)
compositore:
Richard Rodgers (composer) (nel 1938)
editore:
Chappell & Co. e Warner/Chappell (Warner/Chappell Music, Inc.)
2:29
14Love Is Here To Stay
voce:
Nat King Cole (nel 1953-01)
orchestra:
Nelson Riddle and His Orchestra (nel 1953-01)
registrazione di:
Love Is Here to Stay (nel 1953-01)
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer)
editore:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Gershwin Publishing Corp (nel 1938) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The Goldwyn Follies
2:48
15Dinner for One Please James
voce:
Nat King Cole (nel 1953)
esecutore:
Nelson Riddle and His Orchestra (nel 1953)
registrazione di:
Dinner for One Please, James (nel 1953)
paroliere e compositore:
Michael Carr (songwriter)
2:56
16Don’t Let Your Eyes Go Shopping for Your Heart
ance :
Leo Anthony (il 1952-07-24), Earl Bergman (il 1952-07-24), Jim Schneider (il 1952-07-24), Billy Usselton (il 1952-07-24) e Buddy Wise (il 1952-07-24)
batteria :
Archie Freeman (il 1952-07-24)
chitarra :
John Collins (US jazz guitarist) (il 1952-07-24)
contrabbasso :
Charlie Harris (jazz bassist) (il 1952-07-24)
pianoforte :
Nat King Cole (il 1952-07-24)
tromba :
Bruce Bruckert (il 1952-07-24), Chris Griffin (Gordon Claude Griffin, trumpeter) (il 1952-07-24), Dean Henckle (il 1952-07-24), Jack H. Laubach (trumpeter) (il 1952-07-24) e Martin White (Ray Anthony Orchestra trumpeter) (il 1952-07-24)
trombone :
Keith Butterfield (il 1952-07-24), Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (il 1952-07-24), Walter Shields (il 1952-07-24) e Kenneth Trimble (il 1952-07-24)
voce:
Nat King Cole (il 1952-07-24)
orchestra:
Ray Anthony Orchestra (il 1952-07-24)
direttore d'orchestra:
Nelson Riddle (il 1952-07-24)
arrangiatore:
Nelson Riddle
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1952-07-24)
registrazione di:
Don’t Let Your Eyes Go Shopping (for Your Heart) (il 1952-07-24)
autore:
Billy Austin e Sheldon Smith (jazz songwriter)
2:29
17Exactly Like You
registrata a:
Los Angeles, California, Stati Uniti (il 1949-07-26)
bonghi e congas e membranofono :
Jack Costanzo (il 1949-07-26)
chitarra :
Irving Ashby (il 1949-07-26)
contrabbasso :
Joe Comfort (il 1949-07-26)
pianoforte :
Nat King Cole (il 1949-07-26)
strumenti:
The Nat King Cole Trio (nel 1949)
voce:
Nat King Cole (il 1949-07-26)
registrazione di:
Exactly Like You (il 1949-07-26)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1930)
autore:
Fritz Löhner-Beda (librettist, lyricist, writer)
compositore:
Jimmy McHugh (songwriter) (nel 1930)
2:40
18’Tis Autumn
chitarra :
Irving Ashby (il 1949-03-29)
contrabbasso :
Joe Comfort (il 1949-03-29)
pianoforte :
Nat King Cole (il 1949-03-29)
voce:
Nat King Cole (il 1949-03-29)
registrata presso:
WMGM Studios (renamed Fine Sound Studios in 1953) in New York, New York, Stati Uniti (il 1949-03-29)
registrazione cover di:
’Tis Autumn (il 1949-03-29)
paroliere e compositore:
Henry Nemo
3:07
19What’ll I Do?
strumenti:
The Nat King Cole Trio (nel 1947)
voce:
Nat King Cole (nel 1947)
registrazione di:
What’ll I Do? (nel 1947)
paroliere e compositore:
Irving Berlin (nel 1923)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen e Williamson Music Company
3:03
20Save the Bones for Henry Jones
chitarra :
Johnny Moore (US blues guitarist, Three Blazers) (il 1947-08-20) e Oscar Moore (il 1947-08-20)
contrabbasso :
Johnny Miller (part of the Nat King Cole Trio) (il 1947-08-20)
pianoforte :
Nat King Cole (il 1947-08-20)
voce:
Nat King Cole (il 1947-08-20) e Johnny Mercer (il 1947-08-20)
orchestra:
The Trio (il 1947-08-20)
registrata presso:
RKO-Pathé Studios in New York, New York, Stati Uniti (il 1947-08-20)
registrazione di:
Save the Bones for Henry Jones (’Cause Henry Don’t Eat No Meat) (il 1947-08-20)
autore:
Danny Barker e Vernon Lee (Music publisher, songwriter and composer)
2:40
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Accreditamenti

Pubblicazione

note di libretto:Tony Watts
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (nel 2009)
Discogs:https://www.discogs.com/release/11488991 [info]
ASIN:UK: B002LZUKVQ [info]

Gruppo di pubblicazioni

parte di:100 Hits Legends (numero: 3) (ordine: 3)