Eight Classic Albums

~ Pubblicazione di Anita O’Day (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1-1You're The Top
registrazione di:
You’re the Top
paroliere e compositore:
Cole Porter (composer) (nel 1934)
parte di:
Anything Goes
2:23
1-2Honeysuckle Rose
registrazione di:
Honeysuckle Rose
paroliere:
Andy Razaf (nel 1928)
compositore:
Fats Waller (nel 1928)
editore:
Intersong Music
parte di:
New York, New York (1977 musical film soundtrack)
parte di:
Thousands Cheer (1943 movie)
3:12
1-3A Nightingale Sang In Berkeley Square
registrazione di:
A Nightingale Sang in Berkeley Square
paroliere:
Eric Maschwitz (Holt Marvell)
compositore:
Manning Sherwin (nel 1939)
editore:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. e Shapiro, Bernstein & Co., Inc.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
3:59
1-4Who Cares?
registrazione di:
Who Cares? (Of Thee I Sing)
paroliere:
Ira Gershwin (nel 1931)
compositore:
George Gershwin (composer) (nel 1931)
editore:
New World Music (new age music) e WB Music Corp. (1929–2019)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Of Thee I Sing: Act II
3:12
1-5I Can't Get Started
registrazione di:
I Can’t Get Started
paroliere:
Ira Gershwin
compositore:
Vernon Duke
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) e Universal Music Corp. (USA, affiliated with ASCAP)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:52
1-6Fine And Dandy
registrazione di:
Fine and Dandy
paroliere:
Paul James (Lyricist, aka James Warburg)
compositore:
Kay Swift
editore:
Warner Bros., Inc. (Warner Bros. Music Division) e WC Music Corp.
2:23
1-7As Long As I Live
registrazione di:
As Long as I Live
paroliere:
Ted Koehler (nel 1934)
compositore:
Harold Arlen (nel 1934)
editore:
Arko Music Corp.
3:37
1-8No Moon At All
registrazione di:
No Moon at All
paroliere:
Redd Evans
compositore:
David Mann (American songwriter)
editore:
Mann David Music Company, Music Sales Corporation (American copyright holder in both popular and classical music) e Rytvoc, Inc. (ASCAP)
2:26
1-9Time After Time
registrazione cover di:
Time After Time
paroliere:
Sammy Cahn
compositore:
Jule Styne
editore:
Chappell/Morris Ltd. e Sands Music Corp.
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
registrazione di:
Time After Time
paroliere:
Sammy Cahn
compositore:
Jule Styne
editore:
Chappell/Morris Ltd. e Sands Music Corp.
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
4:05
1-10I'll See You In My Dreams
registrazione di:
I’ll See You in My Dreams
paroliere:
Gus Kahn
compositore:
Isham Jones
editore:
Bantam Music Publishing Co., Gilbert Keyes Music Company e Leo Feist, Inc. (il 1924-12-19)
2:48
1-11I Fall In Love Too Easily
registrazione di:
I Fall in Love Too Easily
paroliere:
Sammy Cahn
compositore:
Jule Styne
editore:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. e Leo Feist, Inc.
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The 18th Academy Award for Best Original Song (numero: 2)
2:52
1-12Beautiful Love
registrazione di:
Beautiful Love (Jazz Standard)
paroliere:
Haven Gillespie
compositore:
Egbert Van Alstyne, Wayne King e Victor Young (American composer, arranger, violinist & conductor)
editore:
Movie Tone Music e Sam Fox Publishing Co. (London) Ltd.
2:36
1-13Don't Be That Way
produttore:
Norman Granz e Anita O’Day
batteria :
Alvin Stoller (il 1956-12-18)
chitarra :
Barney Kessel (il 1956-12-18)
contrabbasso [bass] :
Joe Mondragon (il 1956-12-18)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-12-18)
tromba :
Harry Edison (il 1956-12-18)
vibrafono :
Larry Bunker (il 1956-12-18)
voce:
Anita O’Day (il 1956-12-18)
registrazione di:
Don’t Be That Way
paroliere:
Mitchell Parish
compositore:
Benny Goodman (clarinetist and bandleader) e Edgar Sampson
editore:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation e The Songwriters Guild
parte di:
New York, New York (1977 musical film soundtrack)
2:30
1-14Let's Face The Music And Dance
produttore:
Norman Granz e Anita O’Day
batteria :
Alvin Stoller (il 1956-12-18)
chitarra :
Barney Kessel (il 1956-12-18)
contrabbasso [bass] :
Joe Mondragon (il 1956-12-18)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-12-18)
tromba :
Harry Edison (il 1956-12-18)
vibrafono :
Larry Bunker (il 1956-12-18)
voce:
Anita O’Day (il 1956-12-18)
registrazione di:
Let’s Face the Music and Dance (from “Follow the Fleet”)
paroliere e compositore:
Irving Berlin (nel 1936)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp. e Williamson Music Company
parte di:
Follow the Fleet (1936 film)
3:14
1-15I Never Had A Chance
produttore:
Norman Granz e Anita O’Day
batteria :
Alvin Stoller (il 1956-12-20)
chitarra :
Al Hendrickson (il 1956-12-20)
contrabbasso [bass] :
Joe Mondragon (il 1956-12-20)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-12-20)
sassofono baritono :
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (il 1956-12-20)
sassofono contralto :
Herb Geller (il 1956-12-20) e Bud Shank (il 1956-12-20)
sassofono tenore :
Bob Cooper (US jazz saxophonist) (il 1956-12-20) e George Auld (il 1956-12-20)
tromba :
Conte Candoli (il 1956-12-20), Pete Candoli (il 1956-12-20), Conrad Gozzo (il 1956-12-20) e Ray Linn (il 1956-12-20)
trombone :
Milt Bernhart (il 1956-12-20), George Roberts (american bass trombone) (il 1956-12-20), Frank Rosolino (il 1956-12-20) e Lloyd Ulyate (il 1956-12-20)
voce:
Anita O’Day (il 1956-12-20)
direttore d'orchestra:
Buddy Bregman (il 1956-12-20)
registrazione di:
I Never Had a Chance
paroliere e compositore:
Irving Berlin
4:21
1-16Stompin' At The Savoy
produttore:
Norman Granz e Anita O’Day
batteria :
Alvin Stoller (il 1956-12-20)
chitarra :
Al Hendrickson (il 1956-12-20)
contrabbasso [bass] :
Joe Mondragon (il 1956-12-20)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-12-20)
sassofono baritono :
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (il 1956-12-20)
sassofono contralto :
Herb Geller (il 1956-12-20) e Bud Shank (il 1956-12-20)
sassofono tenore :
Bob Cooper (US jazz saxophonist) (il 1956-12-20) e George Auld (il 1956-12-20)
tromba :
Conte Candoli (il 1956-12-20), Pete Candoli (il 1956-12-20), Conrad Gozzo (il 1956-12-20) e Ray Linn (il 1956-12-20)
trombone :
Milt Bernhart (il 1956-12-20), George Roberts (american bass trombone) (il 1956-12-20), Frank Rosolino (il 1956-12-20) e Lloyd Ulyate (il 1956-12-20)
voce:
Anita O’Day (il 1956-12-20)
direttore d'orchestra:
Buddy Bregman (il 1956-12-20)
registrazione di:
Stompin’ at the Savoy (il 1956-12-20)
paroliere:
Andy Razaf
compositore:
Benny Goodman (clarinetist and bandleader), Edgar Sampson e Chick Webb
editore:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:16
1-17Pick Yourself Up
produttore:
Norman Granz e Anita O’Day
batteria :
Alvin Stoller (il 1956-12-18)
chitarra :
Barney Kessel (il 1956-12-18)
contrabbasso [bass] :
Joe Mondragon (il 1956-12-18)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-12-18)
tromba :
Harry Edison (il 1956-12-18)
vibrafono :
Larry Bunker (il 1956-12-18)
voce:
Anita O’Day (il 1956-12-18)
registrazione di:
Pick Yourself Up (from “Swing Time”)
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jerome Kern
parte di:
Swing Time (film)
3:04
1-18Stars Fell On Alabama
produttore:
Norman Granz e Anita O’Day
batteria :
Alvin Stoller (il 1956-12-19)
chitarra :
Al Hendrickson (il 1956-12-19)
contrabbasso [bass] :
Joe Mondragon (il 1956-12-19)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-12-19)
sassofono baritono :
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (il 1956-12-19)
sassofono contralto :
Herb Geller (il 1956-12-19) e Bud Shank (il 1956-12-19)
sassofono tenore :
Bob Cooper (US jazz saxophonist) (il 1956-12-19) e George Auld (il 1956-12-19)
tromba :
Conte Candoli (il 1956-12-19), Pete Candoli (il 1956-12-19), Conrad Gozzo (il 1956-12-19) e Ray Linn (il 1956-12-19)
trombone :
Milt Bernhart (il 1956-12-19), George Roberts (american bass trombone) (il 1956-12-19), Frank Rosolino (il 1956-12-19) e Lloyd Ulyate (il 1956-12-19)
voce:
Anita O’Day (il 1956-12-19)
direttore d'orchestra:
Buddy Bregman (il 1956-12-19)
registrazione di:
Stars Fell on Alabama
paroliere:
Mitchell Parish
compositore:
Frank S. Perkins
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) e Mills Music
2:50
1-19Sweet Georgia Brown
produttore:
Norman Granz e Anita O’Day
batteria :
Alvin Stoller (il 1956-12-20)
chitarra :
Al Hendrickson (il 1956-12-20)
contrabbasso [bass] :
Joe Mondragon (il 1956-12-20)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-12-20)
sassofono baritono :
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (il 1956-12-20)
sassofono contralto :
Herb Geller (il 1956-12-20) e Bud Shank (il 1956-12-20)
sassofono tenore :
Bob Cooper (US jazz saxophonist) (il 1956-12-20) e George Auld (il 1956-12-20)
tromba :
Conte Candoli (il 1956-12-20), Pete Candoli (il 1956-12-20), Conrad Gozzo (il 1956-12-20) e Ray Linn (il 1956-12-20)
trombone :
Milt Bernhart (il 1956-12-20), George Roberts (american bass trombone) (il 1956-12-20), Frank Rosolino (il 1956-12-20) e Lloyd Ulyate (il 1956-12-20)
voce:
Anita O’Day (il 1956-12-20)
direttore d'orchestra:
Buddy Bregman (il 1956-12-20)
registrazione di:
Sweet Georgia Brown (il 1956-12-20)
paroliere:
Kenneth Casey (nel 1925)
compositore:
Ben Bernie (nel 1925) e Maceo Pinkard (nel 1925)
editore:
Francis Day (publisher), Remick Music Corp. e Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
4:12
1-20I Won't Dance
produttore:
Norman Granz e Anita O’Day
batteria :
Alvin Stoller (il 1956-12-20)
chitarra :
Al Hendrickson (il 1956-12-20)
contrabbasso [bass] :
Joe Mondragon (il 1956-12-20)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-12-20)
sassofono baritono :
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (il 1956-12-20)
sassofono contralto :
Herb Geller (il 1956-12-20) e Bud Shank (il 1956-12-20)
sassofono tenore :
Bob Cooper (US jazz saxophonist) (il 1956-12-20) e George Auld (il 1956-12-20)
tromba :
Conte Candoli (il 1956-12-20), Pete Candoli (il 1956-12-20), Conrad Gozzo (il 1956-12-20) e Ray Linn (il 1956-12-20)
trombone :
Milt Bernhart (il 1956-12-20), George Roberts (american bass trombone) (il 1956-12-20), Frank Rosolino (il 1956-12-20) e Lloyd Ulyate (il 1956-12-20)
voce:
Anita O’Day (il 1956-12-20)
direttore d'orchestra:
Buddy Bregman (il 1956-12-20)
registrazione di:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (il 1956-12-20)
paroliere:
Jimmy McHugh (songwriter) e Dorothy Fields (American librettist and lyricist) (nel 1935)
compositore:
Jerome Kern
editore:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
si basa su:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:24
1-21Man With A Horn
produttore:
Norman Granz e Anita O’Day
batteria :
Alvin Stoller (il 1956-12-19)
chitarra :
Al Hendrickson (il 1956-12-19)
contrabbasso [bass] :
Joe Mondragon (il 1956-12-19)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-12-19)
sassofono baritono :
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (il 1956-12-19)
sassofono contralto :
Herb Geller (il 1956-12-19) e Bud Shank (il 1956-12-19)
sassofono tenore :
Bob Cooper (US jazz saxophonist) (il 1956-12-19) e George Auld (il 1956-12-19)
tromba :
Conte Candoli (il 1956-12-19), Pete Candoli (il 1956-12-19), Conrad Gozzo (il 1956-12-19) e Ray Linn (il 1956-12-19)
trombone :
Milt Bernhart (il 1956-12-19), George Roberts (american bass trombone) (il 1956-12-19), Frank Rosolino (il 1956-12-19) e Lloyd Ulyate (il 1956-12-19)
voce:
Anita O’Day (il 1956-12-19)
direttore d'orchestra:
Buddy Bregman (il 1956-12-19)
registrazione di:
Man With a Horn (il 1956-12-19)
paroliere:
Eddie DeLange
compositore:
Jack Jenney (American jazz trombonist) e Bonnie Lake
3:55
1-22I Used To Be Color Blind
produttore:
Norman Granz e Anita O’Day
batteria :
Alvin Stoller (il 1956-12-18)
chitarra :
Barney Kessel (il 1956-12-18)
contrabbasso [bass] :
Joe Mondragon (il 1956-12-18)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-12-18)
tromba :
Harry Edison (il 1956-12-18)
vibrafono :
Larry Bunker (il 1956-12-18)
voce:
Anita O’Day (il 1956-12-18)
registrazione di:
I Used to Be Color Blind (from "Carefree")
paroliere e compositore:
Irving Berlin (nel 1938)
3:07
1-23There's A Lull In My Life
produttore:
Norman Granz e Anita O’Day
batteria :
Alvin Stoller (il 1956-12-19)
chitarra :
Al Hendrickson (il 1956-12-19)
contrabbasso [bass] :
Joe Mondragon (il 1956-12-19)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-12-19)
sassofono baritono :
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (il 1956-12-19)
sassofono contralto :
Herb Geller (il 1956-12-19) e Bud Shank (il 1956-12-19)
sassofono tenore :
Bob Cooper (US jazz saxophonist) (il 1956-12-19) e George Auld (il 1956-12-19)
tromba :
Conte Candoli (il 1956-12-19), Pete Candoli (il 1956-12-19), Conrad Gozzo (il 1956-12-19) e Ray Linn (il 1956-12-19)
trombone :
Milt Bernhart (il 1956-12-19), George Roberts (american bass trombone) (il 1956-12-19), Frank Rosolino (il 1956-12-19) e Lloyd Ulyate (il 1956-12-19)
voce:
Anita O’Day (il 1956-12-19)
direttore d'orchestra:
Buddy Bregman (il 1956-12-19)
registrazione di:
There’s a Lull in My Life (il 1956-12-19)
paroliere:
Mack Gordon
compositore:
Harry Revel (British-born American composer)
editore:
Robbins Music Corp.
3:16
1-24Let's Begin
produttore:
Norman Granz e Anita O’Day
batteria :
Alvin Stoller (il 1956-12-20)
chitarra :
Al Hendrickson (il 1956-12-20)
contrabbasso [bass] :
Joe Mondragon (il 1956-12-20)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-12-20)
sassofono baritono :
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (il 1956-12-20)
sassofono contralto :
Herb Geller (il 1956-12-20) e Bud Shank (il 1956-12-20)
sassofono tenore :
Bob Cooper (US jazz saxophonist) (il 1956-12-20) e George Auld (il 1956-12-20)
tromba :
Conte Candoli (il 1956-12-20), Pete Candoli (il 1956-12-20), Conrad Gozzo (il 1956-12-20) e Ray Linn (il 1956-12-20)
trombone :
Milt Bernhart (il 1956-12-20), George Roberts (american bass trombone) (il 1956-12-20), Frank Rosolino (il 1956-12-20) e Lloyd Ulyate (il 1956-12-20)
voce:
Anita O’Day (il 1956-12-20)
direttore d'orchestra:
Buddy Bregman (il 1956-12-20)
registrazione di:
Let’s Begin (from "Roberta")
paroliere:
Dorothy Fields (American librettist and lyricist) e Otto Harbach (nel 1933)
compositore:
Jerome Kern (nel 1933)
parte di:
Roberta
2:19
2-1'S Wonderful / They Can't Take That Away From Me
registrata a:
Los Angeles, California, Stati Uniti (nel 1956-05)
produttore:
Norman Granz
medley che comprende una registrazione di:
’S Wonderful
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e WB Music Corp. (1929–2019)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Funny Face (1927 musical)
parte di:
My One and Only (1983 Broadway musical)
medley che comprende una registrazione di:
They Can’t Take That Away From Me (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Gershwin Publishing Corp (nel 1937)
parte di:
The 10th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1937 nominee)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
2:55
2-2Tenderly
registrata a:
Los Angeles, California, Stati Uniti (nel 1956-05)
produttore:
Norman Granz
registrazione di:
Tenderly
paroliere:
Jack Lawrence (US songwriter) (nel 1946)
compositore:
Walter Gross (American composer) (nel 1946)
editore:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music e Range Road Music
3:19
2-3Old Devil Moon
registrata a:
Los Angeles, California, Stati Uniti (il 1960-08-03)
produttore:
Norman Granz
batteria :
Mel Lewis (American jazz drummer) (il 1960-08-03)
contrabbasso :
Joe Mondragon (il 1960-08-03)
pianoforte :
Lou Levy (il 1960-08-03)
sassofono contralto :
Joe Maini (il 1960-08-03)
sassofono tenore :
Bill Perkins (jazz saxophonist) (il 1960-08-03)
tromba :
Lee Katzman (il 1960-08-03) e Al Porcino (il 1960-08-03)
trombone :
Frank Rosolino (il 1960-08-03)
voce:
Anita O’Day (il 1960-08-03)
registrazione di:
Old Devil Moon (from “Finian’s Rainbow”) (il 1960-08-03)
paroliere:
Yip Harburg
compositore:
Burton Lane
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK) e Victoria Music Ltd.
adattamenti:
Old Devil Moon / Stari vražji mesec
parte di:
Finian’s Rainbow (1947 Broadway musical)
2:50
2-4Love Me Or Leave Me
registrata a:
Los Angeles, California, Stati Uniti (nel 1956-05)
produttore:
Norman Granz
registrazione di:
Love Me or Leave Me
paroliere:
Gus Kahn
compositore:
Walter Donaldson
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (nel 1928, nel 1955) e Gilbert Keyes Music Company (nel 1928, nel 1955)
2:32
2-5We'll Be Together Again
registrata a:
Los Angeles, California, Stati Uniti (nel 1956-05)
produttore:
Norman Granz
registrazione di:
We’ll Be Together Again
paroliere:
Frankie Laine
compositore:
Carl T. Fischer (Native American jazz pianist and composer)
editore:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:36
2-6Stella By Starlight
registrata a:
Los Angeles, California, Stati Uniti (nel 1956-05)
produttore:
Norman Granz
registrazione di:
Stella by Starlight
paroliere:
Ned Washington (nel 1946)
compositore:
Victor Young (American composer, arranger, violinist & conductor) (nel 1944)
editore:
BMG Music Publishing Ltd. e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
42:03
2-7Taking A Chance On Love
registrata a:
Los Angeles, California, Stati Uniti (nel 1956-05)
produttore:
Norman Granz
registrazione di:
Taking a Chance on Love
paroliere:
Ted Fetter e John Latouche
compositore:
Vernon Duke
editore:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. e Taking a Chance on Love Music Company
parte di:
Cabin in the Sky
2:20
2-8Them There Eyes
registrata a:
Los Angeles, California, Stati Uniti (nel 1956-05)
produttore:
Norman Granz
registrazione di:
Them There Eyes
paroliere:
William Tracey (nel 1930)
compositore:
Maceo Pinkard (nel 1930) e Doris Tauber (nel 1930)
editore:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) e Warner Chappell Music Limited (2019–present)
2:35
2-9I've Got The World On A String
registrata a:
Los Angeles, California, Stati Uniti (nel 1956-05)
produttore:
Norman Granz
registrazione di:
I’ve Got the World on a String
paroliere:
Ted Koehler (nel 1932)
compositore:
Harold Arlen (nel 1932)
editore:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) e S.A. Music Co.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
3:57
2-10You Turned The Tables On Me
registrata a:
Los Angeles, California, Stati Uniti (nel 1956-05)
produttore:
Norman Granz
registrazione di:
You Turned the Tables on Me
paroliere:
Sidney Mitchell
compositore:
Louis Alter
editore:
Sam Fox Publishing Company (publisher; do NOT use as release label) (nel 1936)
3:39
2-11Bewitched, Bothered And Bewildered
registrata a:
Los Angeles, California, Stati Uniti (nel 1956-05)
produttore:
Norman Granz
registrazione di:
Bewitched, Bothered and Bewildered (Pal Joey)
paroliere:
Lorenz Hart (nel 1940)
compositore:
Richard Rodgers (composer) (nel 1940)
editore:
WB Music Group (conclusa), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e Williamson Music Company
parte di:
Pal Joey
3:53
2-12Take The A Train
registrata a:
Los Angeles, California, Stati Uniti (il 1958-04-03)
produttore:
Norman Granz
basso :
Buddy Clark (US jazz bassist)
batteria :
Mel Lewis (American jazz drummer)
flauto :
Herbie Mann
pianoforte :
Jimmy Rowles
sassofono baritono :
Bill Perkins (jazz saxophonist)
sassofono contralto :
Med Flory
sassofono tenore :
Herbie Mann e Bill Perkins (jazz saxophonist)
tromba :
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) e Jack Sheldon
trombone :
Pete Carpenter, Bob Fitzpatrick, Dick Nash e Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
tuba :
John Kitzmiller
voce:
Anita O’Day (il 1958-04-03)
arrangiatore:
Marty Paich
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1958-04-03)
registrazione cover di:
Take the “A” Train (version with lyrics by Sherrill) (il 1958-04-03)
paroliere:
Joya Sherrill (nel 1944)
compositore:
Billy Strayhorn (nel 1939)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
versione di:
Take the “A” Train (original instrumental version)
2:48
2-13Tenderly
registrata a:
Los Angeles, California, Stati Uniti (il 1958-04-03)
produttore:
Norman Granz
basso :
Buddy Clark (US jazz bassist)
batteria :
Mel Lewis (American jazz drummer)
flauto :
Herbie Mann
pianoforte :
Jimmy Rowles
sassofono baritono :
Bill Perkins (jazz saxophonist)
sassofono contralto :
Med Flory
sassofono tenore :
Herbie Mann e Bill Perkins (jazz saxophonist)
tromba :
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) e Jack Sheldon
trombone :
Pete Carpenter, Bob Fitzpatrick, Dick Nash e Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
tuba :
John Kitzmiller
voce:
Anita O’Day (il 1958-04-03)
arrangiatore:
Marty Paich
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1958-04-03)
registrazione di:
Tenderly (il 1958-04-03)
paroliere:
Jack Lawrence (US songwriter) (nel 1946)
compositore:
Walter Gross (American composer) (nel 1946)
editore:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music e Range Road Music
2:37
2-14A Night In Tunisia
registrata a:
Los Angeles, California, Stati Uniti (il 1958-04-03)
produttore:
Norman Granz
basso :
Buddy Clark (US jazz bassist)
batteria :
Mel Lewis (American jazz drummer)
flauto :
Herbie Mann
pianoforte :
Jimmy Rowles
sassofono baritono :
Bill Perkins (jazz saxophonist)
sassofono contralto :
Med Flory
sassofono tenore :
Herbie Mann e Bill Perkins (jazz saxophonist)
tromba :
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) e Jack Sheldon
trombone :
Pete Carpenter, Bob Fitzpatrick, Dick Nash e Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
tuba :
John Kitzmiller
voce:
Anita O’Day (il 1958-04-03)
arrangiatore:
Marty Paich
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1958-04-03)
2:33
2-15Four
registrata a:
Los Angeles, California, Stati Uniti (il 1958-04-03)
produttore:
Norman Granz
basso :
Buddy Clark (US jazz bassist)
batteria :
Mel Lewis (American jazz drummer)
flauto :
Herbie Mann
pianoforte :
Jimmy Rowles
sassofono baritono :
Bill Perkins (jazz saxophonist)
sassofono contralto :
Med Flory
sassofono tenore :
Herbie Mann e Bill Perkins (jazz saxophonist)
tromba :
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) e Jack Sheldon
trombone :
Pete Carpenter, Bob Fitzpatrick, Dick Nash e Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
tuba :
John Kitzmiller
voce:
Anita O’Day (il 1958-04-03)
arrangiatore:
Marty Paich
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1958-04-03)
2:47
2-16Early Autumn
registrata a:
Los Angeles, California, Stati Uniti (il 1958-04-03)
produttore:
Norman Granz
basso :
Buddy Clark (US jazz bassist)
batteria :
Mel Lewis (American jazz drummer)
flauto :
Herbie Mann
pianoforte :
Jimmy Rowles
sassofono baritono :
Bill Perkins (jazz saxophonist)
sassofono contralto :
Med Flory
sassofono tenore :
Herbie Mann e Bill Perkins (jazz saxophonist)
tromba :
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) e Jack Sheldon
trombone :
Pete Carpenter, Bob Fitzpatrick, Dick Nash e Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
tuba :
John Kitzmiller
voce:
Anita O’Day (il 1958-04-03)
arrangiatore:
Marty Paich
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1958-04-03)
registrazione di:
Early Autumn (il 1958-04-03)
paroliere:
Johnny Mercer (nel 1949)
compositore:
Ralph Burns (nel 1949) e Woody Herman (nel 1949)
3:08
2-17Four Brothers
registrata a:
Los Angeles, California, Stati Uniti (il 1958-04-03)
produttore:
Norman Granz
basso :
Buddy Clark (US jazz bassist)
batteria :
Mel Lewis (American jazz drummer)
flauto :
Herbie Mann
pianoforte :
Jimmy Rowles
sassofono baritono :
Bill Perkins (jazz saxophonist)
sassofono contralto :
Med Flory
sassofono tenore :
Herbie Mann e Bill Perkins (jazz saxophonist)
tromba :
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) e Jack Sheldon
trombone :
Pete Carpenter, Bob Fitzpatrick, Dick Nash e Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
tuba :
John Kitzmiller
voce:
Anita O’Day (il 1958-04-03)
arrangiatore:
Marty Paich
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1958-04-03)
registrazione di:
Four Brothers
compositore:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (nel 1947)
2:22
2-18Sing, Sing, Sing (With A Swing)
registrata a:
Los Angeles, California, Stati Uniti (il 1958-04-02)
produttore:
Norman Granz
basso :
Red Mitchell (jazz double-bassist, composer and lyricist)
batteria :
Alvin Stoller
chitarra :
Tony Rizzi
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
sassofono baritono :
Ronnie Lang
sassofono contralto :
Benny Carter e Ronnie Lang
sassofono tenore :
Buddy Collette e Irving “Babe” Russin
tromba :
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman e Sam Noto
trombone :
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque e Ken Shroyer (trombonist)
voce:
Anita O’Day (il 1958-04-02)
arrangiatore:
Russ Garcia
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1958-04-02)
registrazione di:
Sing, Sing, Sing (With a Swing)
paroliere e compositore:
Louis Prima
editore:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (conclusa) e EMI Robbins Catalog Inc. (ASCAP)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
3:29
2-19My Funny Valentine
registrata a:
Los Angeles, California, Stati Uniti (il 1958-04-02)
produttore:
Norman Granz
basso :
Red Mitchell (jazz double-bassist, composer and lyricist)
batteria :
Alvin Stoller
chitarra :
Tony Rizzi
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
sassofono baritono :
Ronnie Lang
sassofono contralto :
Benny Carter e Ronnie Lang
sassofono tenore :
Buddy Collette e Irving “Babe” Russin
tromba :
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman e Sam Noto
trombone :
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque e Ken Shroyer (trombonist)
voce:
Anita O’Day (il 1958-04-02)
arrangiatore:
Russ Garcia
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1958-04-02)
registrazione di:
My Funny Valentine (from “Babes in Arms”) (il 1958-04-02)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
3:34
2-20Frenesi
registrata a:
Los Angeles, California, Stati Uniti (il 1958-04-02)
produttore:
Norman Granz
basso :
Red Mitchell (jazz double-bassist, composer and lyricist)
batteria :
Alvin Stoller
chitarra :
Tony Rizzi
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
sassofono baritono :
Ronnie Lang
sassofono contralto :
Benny Carter e Ronnie Lang
sassofono tenore :
Buddy Collette e Irving “Babe” Russin
tromba :
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman e Sam Noto
trombone :
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque e Ken Shroyer (trombonist)
voce:
Anita O’Day (il 1958-04-02)
arrangiatore:
Russ Garcia
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1958-04-02)
registrazione di:
Frenesi
compositore:
Alberto Domínguez
traduttore:
Leonard Whitcup
versione tradotta di:
Frenesí
3:01
2-21Body And Soul
registrata a:
Los Angeles, California, Stati Uniti (il 1958-04-02)
produttore:
Norman Granz
basso :
Red Mitchell (jazz double-bassist, composer and lyricist)
batteria :
Alvin Stoller
chitarra :
Tony Rizzi
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
sassofono baritono :
Ronnie Lang
sassofono contralto :
Benny Carter e Ronnie Lang
sassofono tenore :
Buddy Collette e Irving “Babe” Russin
tromba :
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman e Sam Noto
trombone :
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque e Ken Shroyer (trombonist)
voce:
Anita O’Day (il 1958-04-02)
arrangiatore:
Russ Garcia
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1958-04-02)
registrazione di:
Body and Soul (il 1958-04-02)
paroliere:
Frank Eyton (nel 1930), Edward Heyman (nel 1930) e Robert Sour (nel 1930)
compositore:
Edward Heyman, Robert Sour e John Green (composer and conductor, often credited as John Green) (nel 1930)
editore:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:20
2-22What's Your Story Morning Glory
registrata a:
Los Angeles, California, Stati Uniti (il 1958-04-02)
produttore:
Norman Granz
basso :
Red Mitchell (jazz double-bassist, composer and lyricist)
batteria :
Alvin Stoller
chitarra :
Tony Rizzi
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
sassofono baritono :
Ronnie Lang
sassofono contralto :
Benny Carter e Ronnie Lang
sassofono tenore :
Buddy Collette e Irving “Babe” Russin
tromba :
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman e Sam Noto
trombone :
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque e Ken Shroyer (trombonist)
voce:
Anita O’Day (il 1958-04-02)
arrangiatore:
Russ Garcia
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1958-04-02)
registrazione di:
What's Your Story, Morning Glory?
paroliere:
Jack Lawrence (US songwriter)
compositore:
Mary Lou Williams (American jazz pianist and composer)
editore:
Advanced Music corp.
3:47
2-23Peanut Vendor
registrata a:
Los Angeles, California, Stati Uniti (il 1958-04-02)
produttore:
Norman Granz
basso :
Red Mitchell (jazz double-bassist, composer and lyricist)
batteria :
Alvin Stoller
chitarra :
Tony Rizzi
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
sassofono baritono :
Ronnie Lang
sassofono contralto :
Benny Carter e Ronnie Lang
sassofono tenore :
Buddy Collette e Irving “Babe” Russin
tromba :
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman e Sam Noto
trombone :
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque e Ken Shroyer (trombonist)
voce:
Anita O’Day (il 1958-04-02)
arrangiatore:
Russ Garcia
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1958-04-02)
registrazione di:
The Peanut Vendor
paroliere:
L. Wolfe Gilbert e Marion Sunshine
compositore:
Moisés Simons
versione tradotta di:
El manisero
2:38
3-1Just One Of Those Things
2:37
3-2Love For Sale
produttore:
Norman Granz
voce:
Anita O’Day (il 1959-04-02)
orchestra:
Billy May & His Orchestra (il 1959-04-02)
registrazione di:
Love for Sale (il 1959-04-02)
paroliere e compositore:
Cole Porter (composer) (nel 1930)
editore:
Chappell & Co., Chappell Music Ltd., Harms, Inc. e Warner Bros., Inc. (not for release label use!)
2:41
3-3You'd Be So Nice To Come Home
1:48
3-4Easy To Love
produttore:
Norman Granz
voce:
Anita O’Day (il 1959-04-02)
orchestra:
Billy May & His Orchestra (il 1959-04-02)
registrazione di:
Easy to Love (il 1959-04-02)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Anything Goes
parte di:
Born to Dance
2:01
3-5I Get A Kick Out Of You
produttore:
Norman Granz
voce:
Anita O’Day (il 1959-04-09)
orchestra:
Billy May & His Orchestra (il 1959-04-09)
registrazione di:
I Get a Kick Out of You (il 1959-04-09)
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell e Chappell (nel 1974)
parte di:
Anything Goes
2:21
3-6All Of You
produttore:
Norman Granz
voce:
Anita O’Day (il 1959-04-02)
orchestra:
Billy May & His Orchestra (il 1959-04-02)
registrazione di:
All of You (Silk Stockings musical) (il 1959-04-02)
paroliere e compositore:
Cole Porter (composer) (nel 1954)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Chappell Music (UK)
parte di:
Silk Stockings (1957 musical film)
1:40
3-7Get Out Of Town
produttore:
Norman Granz
voce:
Anita O’Day (il 1959-04-09)
orchestra:
Billy May & His Orchestra (il 1959-04-09)
registrazione di:
Get Out of Town (il 1959-04-09)
paroliere e compositore:
Cole Porter (composer) (nel 1938)
parte di:
Leave It to Me!
2:30
3-8I've Got You Under My Skin
produttore:
Norman Granz
voce:
Anita O’Day (il 1959-04-09)
orchestra:
Billy May & His Orchestra (il 1959-04-09)
registrazione di:
I’ve Got You Under My Skin (il 1959-04-09)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
1:44
3-9Night And Day
produttore:
Norman Granz
voce:
Anita O’Day (il 1959-04-09)
orchestra:
Billy May & His Orchestra (il 1959-04-09)
registrazione cover di:
Night and Day (Cole Porter; from “The Gay Divorce”) (il 1959-04-09)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
1:59
3-10It's De-lovely
produttore:
Norman Granz
voce:
Anita O’Day (il 1959-04-09)
orchestra:
Billy May & His Orchestra (il 1959-04-09)
registrazione di:
It’s De‐Lovely (il 1959-04-09)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
parte di:
Anything Goes
parte di:
Red, Hot and Blue (1936 Cole Porter musical)
2:03
3-11I Love You
produttore:
Norman Granz
voce:
Anita O’Day (il 1959-04-09)
orchestra:
Billy May & His Orchestra (il 1959-04-09)
registrazione di:
I Love You (Mexican Hayride musical) (il 1959-04-09)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
1:56
3-12What Is This Thing Called Love
produttore:
Norman Granz
voce:
Anita O’Day (il 1959-04-09)
orchestra:
Billy May & His Orchestra (il 1959-04-09)
registrazione di:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (il 1959-04-09)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
2:29
3-13You're The Top
2:24
3-14My Heart Belongs To Daddy
2:51
3-15Why Shouldn't I
3:05
3-16From This Moment On
3:10
3-17Love For Sale
3:34
3-18Just One Of Those Things
2:37
3-19Johnny One Note
1:50
3-20Little Girl Blue
2:58
3-21Falling In Love With Love
1:24
3-22Bewitched, Bothered And Bewildered
4:17
3-23I Could Write A Book
2:05
3-24Have You Met Miss Jones
1:50
3-25Lover
1:58
3-26It Never Entered My Mind
2:21
3-27Ten Cents A Dance
2:13
3-28I've Got Five Dollars
1:43
3-29To Keep My Love Alive
3:09
3-30Spring Is Here
voce:
Anita O’Day (il 1960-06-07)
orchestra:
Billy May & His Orchestra (il 1960-06-07)
direttore d'orchestra:
Billy May (il 1960-06-07)
arrangiatore:
Billy May
registrazione cover di:
Spring Is Here (il 1960-06-07)
paroliere:
Lorenz Hart (nel 1938)
compositore:
Richard Rodgers (composer) (nel 1938)
editore:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. e United Partnership Ltd.
2:42
4-1That Old Feeling
2:26
4-2Angel Eyes
3:37
4-3The Thrill Is Gone
2:12
4-4Detour Ahead
4:22
4-5Yesterdays
5:09
4-6Waiter, Make Mine Blues
3:19
4-7Whatever Happened To You
4:39
4-8When Sunny Gets Blue
3:02
4-9Stella By Starlight
2:47
4-10Mad About The Boy
3:25
4-11A Blues Serenade
2:53
4-12Goodbye
3:35
4-13Trav'lin Light
registrazione di:
Trav’lin’ Light
paroliere:
Johnny Mercer (nel 1942)
compositore:
Jimmy Mundy (nel 1942) e Trummy Young (nel 1942)
editore:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation (American copyright holder in both popular and classical music), Rytvoc, Inc. (ASCAP) e WB Music Corp. (1929–2019)
3:32
4-14The Moon Looks Down And Laughs
3:55
4-15Don't Explain
registrazione di:
Don’t Explain
autore:
Arthur Herzog, Jr. e Billie Holiday
editore:
Duchess Music Corporation (BMI-affiliated) e Universal Music Publishing (use ONLY if no country‐specific information is available)
3:08
4-16Remember
registrazione di:
Remember
paroliere e compositore:
Irving Berlin (nel 1925)
editore:
Irving Berlin Music Corp. e Williamson Music Company
2:35
4-17Some Other Spring
2:24
4-18What A Little Moonlight Can Do
registrazione di:
What a Little Moonlight Can Do
paroliere e compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) e Warner Brothers Music Inc.
2:26
4-19Miss Brown To You
4:00
4-20God Bless The Child
registrazione cover di:
God Bless the Child
paroliere:
Billie Holiday
compositore:
Arthur Herzog, Jr.
editore:
Basart Editions (conclusa) e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:06
4-21If The Moon Turns Green
batteria :
Mel Lewis (American jazz drummer) (il 1961-01-18)
chitarra :
Al Viola (il 1961-01-18)
contrabbasso :
Buddy Clark (US jazz bassist) (il 1961-01-18)
pianoforte :
Russ Freeman (pianist) (il 1961-01-18)
sassofono :
Joe Maini (il 1961-01-18)
sassofono baritono :
Chuck Gentry (il 1961-01-18)
tromba :
Al Porcino (il 1961-01-18), Jack Sheldon (il 1961-01-18), Ray Triscari (il 1961-01-18) e Stu Williamson (il 1961-01-18)
trombone :
Lew McCreary (il 1961-01-18), Dick Nash (il 1961-01-18) e Frank Rosolino (il 1961-01-18)
vibrafono :
Larry Bunker (il 1961-01-18)
voce:
Anita O’Day (il 1961-01-18)
direttore d'orchestra:
Johnny Mandel (American composer and arranger) (il 1961-01-18)
registrazione di:
If the Moon Turns Green (il 1961-01-18)
paroliere:
Paul Coates (songwriter; “If the Moon Turns Green”) (il 1934-11-27)
compositore:
Bernie Hanighen (il 1934-11-27)
editore:
Bourne Co. (not for release label use, this is a music publisher) (il 1934-11-27)
2:52
4-22I Hear Music
registrazione di:
I Hear Music (Dancing on a Dime)
paroliere:
Frank Loesser
compositore:
Burton Lane
2:12
4-23Lover, Come Back To Me
registrazione di:
Lover, Come Back to Me (from "The New Moon")
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1928)
autore:
Sigmund Romberg
compositore:
Sigmund Romberg (nel 1928)
editore:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1928)
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The New Moon: Act II
2:48
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