Jazz Top 100 Allertijden: The Greatest Standards

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1I’ve Grown Accustomed to His Face
assistierende(r) Techniker(in):
Angela Gomez (engineer)
Techniker(in):
Joe Ferla
Produzent(in):
Stefan F. Winter (producer)
Klavier:
Mulgrew Miller (in 1988-02)
Kontrabass:
Lonnie Plaxico (in 1988-02)
Schlagzeug:
Terri Lyne Carrington (in 1988-02)
vocals:
Cassandra Wilson (in 1988-02)
phonographisches Urheberrecht (℗) von:
Polydor K.K. (DO NOT USE AS A RELEASE LABEL!)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (in 1988-02)
recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (in 1988-02)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
My Fair Lady (full musical)
Cassandra Wilson5:16
2Ask a Woman Who Knows
Natalie Cole4:15
3The Shadow of Your Smile
Wes Montgomery2:16
4What a Difference a Day Made
recorded in:
New York, New York, Vereinigte Staaten (am 1959-02-19)
Produzent(in):
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (am 1959-02-19)
flute:
Jerome Richardson (am 1959-02-19)
Gitarre:
Kenny Burrell (am 1959-02-19)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (am 1959-02-19)
Kontrabass:
Milt Hinton (am 1959-02-19)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1959-02-19)
Sologesang:
Dinah Washington (am 1959-02-19)
vocals:
Dinah Washington (am 1959-02-19)
Orchester:
Belford Hendricks' Orchestra (am 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (am 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (am 1959-02-19)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Dinah Washington2.82:30
5Cheek to Cheek
cover recording of:
Cheek to Cheek (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong4:16
6Moonlight Serenade
The Rosenberg Trio4:35
7Feels So Good
Chuck Mangione3:28
8The Very Thought of You
Gast-Flügelhorn:
Roy Hargrove
Interpret(in):
Linda Ronstadt
cover recording of:
The Very Thought of You
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
Linda Ronstadt & Aaron Neville4:31
9How Intensitive
Roy Hargrove5:23
10If You Love Somebody
Silje Nergaard4:05
11Just One of Those Things
Laura Fygi3:36
12I Get a Kick Out of You
recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Charlie Parker3:36
13My Baby Just Cares for Me
aufgenommen bei:
Vine St. Bar & Grill in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1985-12-03 bis 1985-12-08)
live cover recording of:
My Baby Just Cares for Me (von 1985-12-03 bis 1985-12-08)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3:02
14Love Is Here to Stay
Carmen McRae2:39
15A Sunday Kind of Love
Produzent(in):
Leonard Chess, Leonard & Phil Chess (legendary US production duo) und Phil Chess
Sologesang:
Etta James
vocals:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
Interpret(in):
Sugar Pie DeSanto
arranger:
Riley Hampton
cover recording of:
A Sunday Kind of Love
Verfasser(in):
Barbara Belle, Anita Leonard (US pianist, composer and lyricist), Louis Prima und Stan Rhodes
publisher:
Leeds Music Inc.
Etta James4.53:18
16Diamonds Are a Girl’s Best Friend
recording of:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Leo Robin (US composer, lyricist & songwriter) und Jule Styne
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent) und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Teil von:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Marilyn Monroe3:32
17One for My Baby (and One for the Road)
recording of:
One for My Baby (and One More for the Road)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. und Harwin Music
Teil von:
The Sky’s the Limit (1943 film)
Billie Holiday5:41
18Bewitched
Susannah McCorkle4:36
19Body and Soul
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1958-07-10)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (am 1958-07-10)
Sonny Rollins4:20
20Night Train
recording of:
Night Train (Jimmy Forrest’s original instrumental version)
Komponist(in):
Jimmy Forrest
basiert auf:
Happy Go Lucky Local
Oscar Peterson4:51
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