Capital Gold: Platinum Legends

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I Want to Break Free
recording of:
I Want to Break Free
Texter und Komponist(in):
John Deacon
publisher:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.354:15
2You’ve Lost That Lovin’ Feelin’
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1965)
recording of:
You’ve Lost That Lovin’ Feelin’
Verfasser(in):
Barry Mann, Phil Spector und Cynthia Weil
publisher:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Righteous Brothers43:43
3House of the Rising Sun
Produzent(in):
Mickie Most (English record producer)
Bassgitarre:
Chas Chandler
E-Gitarre:
Hilton Valentine
Orgel:
Alan Price
Schlagzeug:
John Steel (English musician)
Sologesang:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964), Columbia Pictures Industries, Inc. (in 1964) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 122), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Arrangement von:
House of the Rising Sun
The Animals4.24:30
4Maggie May
Produzent(in):
Rod Stewart
Akustikgitarre:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
Bassgitarre, E-Gitarre und zwölfsaitige Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
Becken und membranophone:
Micky Waller (in 1971)
Celesta:
Pete Sears (in 1971)
Hammond-Orgel:
Ian McLagan (in 1971)
Mandoline:
Ray Jackson (in 1971) und David Lindley (in 1971)
Sologesang:
Rod Stewart (in 1971)
phonographisches Urheberrecht (℗) von:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.25:11
5Bus Stop
Produzent(in):
The Hollies und Ron Richards
Bass:
Bernie Calvert (am 1966-05-18)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2003) und Parlophone (Parlophon) (in 1966)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-05-18)
recording of:
Bus Stop (am 1966-05-18)
Texter und Komponist(in):
Graham Gouldman
publisher:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited und Music Sales Corporation (American copyright holder in both popular and classical music)
The Hollies4.752:53
6Young Girl
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recording of:
Young Girl
Texter und Komponist(in):
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
Gary Puckett & the Union Gap43:15
7Only the Lonely
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1960-03-26)
Produzent(in):
Fred Foster
Gitarre:
Hank Garland (am 1960-03-26) und Harold Bradley (am 1960-03-26)
Klavier:
Floyd Cramer (am 1960-03-26)
Kontrabass [bass]:
Bob Moore (U.S. bassist and bandleader) (am 1960-03-26)
Schlagzeug [drums]:
Buddy Harman (Session drummer and songwriter) (am 1960-03-26)
Hintergrundgesang:
Joe Melson (am 1960-03-26) und The Anita Kerr Singers (mixed vocal group) (am 1960-03-26)
vocals:
Roy Orbison (am 1960-03-26)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 2) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Only the Lonely (Know the Way I Feel) (am 1960-03-26)
Verfasser(in):
Joe Melson und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK) und Acuff-Rose Publications, Inc. (BMI) (am 1960-05-04)
was commissioned by:
Rondor Music (London) Ltd.
Roy Orbison4.72:24
8Another Day in Paradise
recording of:
Another Day in Paradise
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, Hit & Run Music (in 1989) und Philip Collins Ltd. (in 1989)
Phil Collins4:48
9We Don’t Need Another Hero
assistierende(r) Techniker(in):
Mike Ging
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Saxophon:
Tim Cappello
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
Musikvideos:
We Don’t Need Another Hero von Tina Turner
recording of:
We Don’t Need Another Hero
Texter und Komponist(in):
Terry Britten und Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Hornall Brothers Music Ltd. (limited company), Myaxe Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Ltd. (1996–2019)
Tina Turner3.554:15
10God Only Knows
Techniker(in):
Chuck Britz (am 1966-03-10) und Ralph Valentin (von 1966-03 bis 1966-04)
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
accordion:
Carl Fortina (am 1966-03-10) und Frank Marocco (am 1966-03-10)
Bassklarinette:
Leonard Hartman (am 1966-03-10)
Bratsche / Viola:
Darrel Terwilliger (am 1966-03-10)
Cello:
Jesse Erlich (am 1966-03-10)
Cembalo:
Larry Knechtel (am 1966-03-10)
E-Bass:
Ray Pohlman (am 1966-03-10)
flute:
Bill Green (woodwind) (am 1966-03-10) und Jim Horn (saxophonist, hornist, flutist and oboist) (am 1966-03-10)
Geige / Violine:
Leonard Malarsky (am 1966-03-10) und Sid Sharp (am 1966-03-10)
Gitarre:
Carol Kaye (am 1966-03-10)
Glocken und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1966-03-10)
Klarinette:
Leonard Hartman (am 1966-03-10) und Jay Migliori (am 1966-03-10)
Kontrabass:
Lyle Ritz (am 1966-03-10)
Perkussion:
Jim Gordon (US drummer with Derek and the Dominos) (am 1966-03-10)
tack piano:
Don Randi (am 1966-03-10)
Tamburin:
Terry Melcher (am 1966-03-10)
Waldhorn:
Alan Robinson (am 1966-03-10)
Sologesang:
Carl Wilson (Beach Boys) (von 1966-03 bis 1966-04)
vocals:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (von 1966-03 bis 1966-04) und Brian Wilson (Beach Boys co‐founder) (von 1966-03 bis 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-03-10) und Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-03 bis 1966-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 11), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 130)
recording of:
God Only Knows (von 1966-03 bis 1966-04)
Texter:
Tony Asher (US lyricist, worked on Pet Sounds)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
The Beach Boys42:49
11Pretty Flamingo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recording of:
Pretty Flamingo
Texter und Komponist(in):
Mark Barkan
publisher:
Campbell Connelly (Australia) P/L und Campbell Connelly & Co. Ltd.
Manfred Mann52:32
12Tired of Waiting for You
Techniker(in):
Bob Auger (Robert Auger, engineer) und Alan McKenzie (engineer)
Bassgitarre und Hintergrundgesang:
Pete Quaife (Kinks' bass guitarist) (in 1964)
Gitarre:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (von 1964 bis 1964-12-29) und Ray Davies (UK singer/songwriter, member of The Kinks) (von 1964 bis 1964-12-29)
Schlagzeug:
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (in 1964)
Sologesang:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964)
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1965)
aufgenommen bei:
Pye Studios, Studio 2 in London (Greater London), England, Vereinigtes Königreich (in 1964) und IBC Studios in London (Greater London), England, Vereinigtes Königreich (am 1964-12-29: Gitarre)
recording of:
Tired of Waiting for You (von 1964 bis 1964-12-29)
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd. und Jay Boy
The Kinks52:31
13Big Girls Don’t Cry
Techniker(in):
Gordon Clark (recording engineer)
Produzent(in):
Bob Crewe
Bassgitarre:
Nick Massi
Gitarre:
Tommy DeVito
Keyboard und Klavier:
Bob Gaudio
vocals:
Bob Gaudio, Tommy DeVito, Nick Massi und Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
conductor:
Charles Calello
Interpret(in):
The Four Seasons (aka Frankie Valli and the Four Seasons)
vocals arranger:
Nick Massi
Orchestrator(in):
Charles Calello
video copyrighted (©) by:
Claridge Music Company (ASCAP) (publisher) (in 1962)
engineered at:
Stea-Phillips in New York, New York, Vereinigte Staaten
recording of:
Big Girls Don’t Cry
Verfasser(in):
Crewe und Gaudio
publisher:
BoBoB Music Corp., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Reservoir 416 und Claridge Music (publisher) (in 1962)
The Four Seasons42:25
14I Get the Sweetest Feeling
phonographisches Urheberrecht (℗) von:
Brunswick Recordings (in 1968)
recording of:
I Get the Sweetest Feeling (in 1968)
Verfasser(in):
Alicia Evelyn (songwriter and performer) und Van McCoy
publisher:
Alley Music, TM Music Ltd., Trio Music (publisher) und Van McCoy Music
Jackie Wilson4.52:54
15Tired of Being Alone
aufgenommen bei:
Royal Studios in Memphis, Tennessee, Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 293)
recording of:
Tired of Being Alone
Texter und Komponist(in):
Al Green (US soul singer, songwriter, pastor and record producer)
publisher:
Burlington Music Ltd., Irving Music, Inc. und Universal Music Publishing Group
Al Green4.452:51
16Something Gotten Hold of My Heart
cover recording of:
Something’s Gotten Hold of My Heart
Texter und Komponist(in):
Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und PolyGram Music Publishing
Gene Pitney3:37
17It Must Have Been Love
Programmierung:
Clarence Öfwerman (von 1987 bis 1990)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Humberto Gatica
E-Gitarre [electric guitars]:
Jonas Isacsson (von 1987 bis 1990)
Keyboard [keyboards] und Synclavier:
Clarence Öfwerman (von 1987 bis 1990)
Schlagzeug:
Pelle Alsing (von 1987 bis 1990)
vocals:
Marie Fredriksson (von 1987 bis 1990) und Per Gessle (Swedish singer and guitarist) (von 1987 bis 1990)
phonographisches Urheberrecht (℗) von:
EMI Svenska AB (not for release label use!) (in 1990) und Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
aufgenommen bei:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990) und EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990)
mixed at:
Ground Control Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 466)
recording of:
It Must Have Been Love (von 1987 bis 1990)
Texter und Komponist(in):
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jimmy Fun Music
Roxette3.154:20
18Wherever I Lay My Hat
cover recording of:
Wherever I Lay My Hat (That’s My Home)
Verfasser(in):
Marvin Gaye, Barrett Strong und Norman Whitfield
publisher:
Jobete Music (UK) Ltd.
Parodieversion von:
Wherever I Lay
Paul Young4:00
19Life on Mars
recording engineer:
Ken Scott (UK record producer & engineer) (am 1971-08-06)
assistierende(r) Produzent(in):
the actor (English singer‐songwriter)
Produzent(in):
Ken Scott (UK record producer & engineer)
Bassgitarre:
Trevor Bolder (British bassist) (am 1971-08-06)
E-Gitarre [Gibson Les Paul electric guitar] und mellotron:
Mick Ronson (British guitarist) (am 1971-08-06)
Klavier:
Rick Wakeman (am 1971-08-06)
Schlagzeug:
Mick Woodmansey (British drummer) (am 1971-08-06)
Sologesang:
David Bowie (English singer‐songwriter) (am 1971-08-06)
Orchester:
BBC Symphony Orchestra (am 1971-08-06)
conductor:
Mick Ronson (British guitarist) (am 1971-08-06)
remixer:
Ken Scott (UK record producer & engineer)
Saiteninstrumente arranger:
Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
Jones/Tintoretto Entertainment Company LLC
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1971-08-06)
Musikvideos:
Life on Mars? von David Bowie (English singer‐songwriter)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 105)
recording of:
Life on Mars? (am 1971-08-06)
geschrieben in:
London (Greater London), England, Vereinigtes Königreich (in 1971)
Texter und Komponist(in):
David Bowie (English singer‐songwriter) (in 1971)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Tintoretto Music
David Bowie4.43:50
20You Don’t Have to Say You Love Me
Produzent(in):
John Franz
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 491)
recording of:
You Don’t Have to Say You Love Me
Texter:
Simon Napier-Bell, Vito Pallavicini (Lyricist) und Vicki Wickham
Komponist(in):
Pino Donaggio (Italian singer‐songwriter and score composer)
publisher:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. und Miller Music Corp.
übersetzte Version von:
Io che non vivo (senza te)
Dusty Springfield3.72:49
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Veröffentlichungsgruppe

Teil von:Capital Gold Legends (Nummer: Platinum) (Reihenfolge: 13)