The Time-Life Treasury of Christmas (disc 2)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Anmerkung

A different track listing than http://musicbrainz.org/showalbum.html?albumid=171594

This album is something of a mystery. It is not catalog # TCD-107 described at http://www.bsnpubs.com/warner/time-life/49misc/49misc.html, and I can find no match on any sites except for simple track listings - no catalog numbers or release year.

Anmerkung zuletzt geändert am 2009-03-08 20:23 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Ding Dong Merrily on High
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1984)
cover recording of:
Ding Dong! Merrily on High
Texter:
George Ratcliffe Woodward
Komponist(in):
Thoinot Arbeau (Artist name of Jehan Tabourot (“Orchesographie”))
arranger:
Charles Wood (Irish composer)
basiert auf:
Branle de l’official
Roger Whittaker4:48
2If Every Day Were Like Christmas
Techniker(in):
Jim Malloy
Gitarre:
Harold Bradley (am 1966-06-10), Scotty Moore (American guitarist and recording engineer) (am 1966-06-10) und Chip Young (American session guitarist, bassist, producer in the genre of country) (am 1966-06-10)
Klavier:
David Briggs (English organist and composer) (am 1966-06-10)
Orgel:
Henry Slaughter (am 1966-06-10)
Pauke:
Buddy Harman (Session drummer and songwriter) (am 1966-06-10)
Saxophon:
Rufus Long (am 1966-06-10)
Schlagzeug:
D.J. Fontana (am 1966-06-10) und Buddy Harman (Session drummer and songwriter) (am 1966-06-10)
Steel-Gitarre:
Pete Drake (steel guitar player) (am 1966-06-10)
Hintergrundgesang:
Dolores Edgin (von 1966-06-10 bis 1966-06-12), The Jordanaires (southern gospel group) (von 1966-06-10 bis 1966-06-12), Millie Kirkham (von 1966-06-10 bis 1966-06-12), June Page (von 1966-06-10 bis 1966-06-12) und The Imperials Quartet (gospel/CCM group) (von 1966-06-10 bis 1966-06-12)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Dolores Edgin (am 1966-06-10), The Imperials (gospel/CCM group) (am 1966-06-10), The Jordanaires (southern gospel group) (am 1966-06-10), Millie Kirkham (am 1966-06-10), June Page (am 1966-06-10) und Elvis Presley (“The King of Rock and Roll”) (am 1966-06-12)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1966)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1966-06-10, von 1966-06-10 bis 1966-06-12, am 1966-06-12)
cover recording of:
If Every Day Was Like Christmas (von 1966-06-10 bis 1966-06-12)
Texter und Komponist(in):
Red West
publisher:
Atlantic Music Corp. (BMI)
Elvis Presley2.652:57
3Frosty the Snowman
recording of:
Frosty the Snow Man
Verfasser(in):
Steve Nelson (US songwriter who co-wrote “Frosty the Snowman”) und Walter E. Rollins (songwriter)
publisher:
Carlin Music Corporation, J. Albert & Son Pty. Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Chappell & Co. (in 1950) und Hill and Range Songs, Inc. (publisher) (am 1950-06-02)
Brenda Lee2:23
4Santa Claus Is Coming to Town
recording engineer:
Bob Simpson (US jazz engineer/producer) (von 1959-07-13 bis 1959-07-15)
Produzent(in):
Charles Grean und Lee Schapiro
Chorgesang:
The Ray Charles Singers (von 1959-07-13 bis 1959-07-15)
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (von 1959-07-13 bis 1959-07-15)
Orchester:
Mitchell Ayres and His Orchestra (von 1959-07-13 bis 1959-07-15)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (von 1959-07-13 bis 1959-07-15)
recording of:
Santa Claus Is Coming to Town (von 1959-07-13 bis 1959-07-15)
Texter:
Haven Gillespie (in 1932)
Komponist(in):
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership und The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Perry Como2:46
5Jingle Bells
cover recording of:
Jingle Bells
Texter und Komponist(in):
James Lord Pierpont (in 1850)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
komponiert bei und Liedtexte geschrieben bei:
Simpson Tavern in Medford, Massachusetts, Vereinigte Staaten (in 1850)
Jim Reeves41:52
6What Child Is This
André Previn3:10
7Adeste Fideles
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
London Voices (in 1976-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Terry Edwards (British choir director) (in 1976-01)
arranger:
Douglas Gamley (film composer)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
recording of:
Adeste fideles (original latin version) (in 1976-01)
Texter und Komponist(in):
John Francis Wade (von 1740 bis 1743)
Luciano Pavarotti3:33
8I'll Be Home for Christmas
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (am 1946-08-06)
recording of:
I’ll Be Home for Christmas (am 1946-08-06)
Texter:
James Kimball Gannon
zusätzliche(r) Verfasser(in):
Buck Ram
Komponist(in):
Walter Kent
publisher:
Chappell Music Ltd., Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gannon and Kent Music Co., Piedmont Music Company, Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Perry Como2:55
9Christmas in Dixie
Techniker(in):
Gene Rice
aufgenommen bei und mixed at:
Music Mill in Nashville, Tennessee, Vereinigte Staaten
recording of:
Christmas in Dixie (in 1982-07)
Verfasser(in):
Jeff Cook (US country vocalist/guitarist/fiddler, member of Alabama), Teddy Gentry, Mark Herndon und Randy Owen
publisher:
Maypop Music (in 1982)
Alabama33:42
10Do You Hear What I Hear
recording of:
Do You Hear What I Hear?
Texter:
Noël Regney (in 1962)
Verfasser(in):
Noël Regney und Gloria Shayne Baker
Komponist(in):
Gloria Shayne Baker (in 1962)
publisher:
Blue Ribbon Music Ltd., Campbell Connelly und Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
Bing Crosby52:46
11Joy to the World
Robert Shaw Chorale3:20
12Blue Christmas
Glen Campbell2:35
13It Came Upon a Midnight Clear
Chorgesang:
The Philadelphia Chorus
Orchester:
The Philadelphia Orchestra
conductor:
Robert Page (conductor/choir master)
recording of:
It Came Upon the Midnight Clear (carol version)
Texter:
Edmund Sears (American church author)
Komponist(in):
Richard Storrs Willis
Teil von:
The New English Hymnal (hymn book) (Nummer: 29)
basiert auf:
CAROL (hymn tune)
basiert auf:
It Came Upon the Midnight Clear (poem)
The Philadelphia Orchestra3:22
14Have Yourself a Merry Little Christmas
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1943-12-04)
Produzent(in):
Arthur Freed
vocals:
Judy Garland (am 1943-12-04)
Orchester:
M‐G‐M Studio Orchestra (am 1943-12-04)
conductor:
Georgie Stoll (am 1943-12-04)
recording of:
Have Yourself a Merry Little Christmas (am 1943-12-04)
Texter:
Ralph Blane (in 1943)
Komponist(in):
Hugh Martin (in 1943)
publisher:
EMI April Music Inc., EMI Feist Catalog Inc., EMI Music Publishing (do not use as a release label!), EMI Publishing, EMI United Partnership Ltd., J. Albert & Son, J. Albert & Son Pty. Ltd., Loew’s Incorporated (in 1943, in 1944) und Leo Feist, Inc. (in 1971, in 1972)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Teil von:
Meet Me in St. Louis (1944 musical film soundtrack)
Judy Garland4.52:48
15Mary's Boy Child
vocals:
Harry Belafonte
recording of:
Mary’s Boy Child (am 1956-07-20)
Texter und Komponist(in):
Jester Hairston
publisher:
Bourne Music Ltd. und J. Albert & Son Pty. Ltd.
Harry Belafonte54:26
16Rocking
Roger Whittaker3:10
17Let It Snow, Let It Snow, Let It Snow
cover recording of:
Let It Snow! Let It Snow! Let It Snow!
Texter:
Sammy Cahn (in 1945-07)
Komponist(in):
Jule Styne (in 1945-07)
publisher:
Cahn Music Company, Chappell & Co., Chappell/Morris Ltd., Cherry Lane Music Ltd., Imagen Music, J. Albert & Son Pty. Ltd., Producers Music Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und WB Music Corp. (1929–2019)
Lena Horne2:23
18The First Noel
Sergio Franchi3:18
19Silver Bells
recording of:
Silver Bells (Christmas song)
Texter und Komponist(in):
Ray Evans (American songwriter) und Jay Livingston
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Jay Livingston Music Inc., Paramount Music Corporation, Sony/ATV Music Publishing Australia Pty Ltd. und Sony/ATV Harmony (in 1950)
sub-publisher:
Sony/ATV Harmony Canada und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Kate Smith2:40
20Holly Jolly Christmas
Sologesang:
Burl Ives
chorus master:
Owen Bradley
instruments arranger:
Owen Bradley
Teil von:
Billboard Hot 100: 2026-01-03 (Nummer: 12), Billboard Hot 100: 2025-12-20 (Nummer: 15), Billboard Hot 100: 2025-12-13 (Nummer: 16), Billboard Hot 100: 2025-12-27 (Nummer: 16), Billboard Hot 100: 2025-12-06 (Nummer: 24), Billboard Hot 100: 2025-11-29 (Nummer: 40), Billboard Year-End Hot 100 singles of 2023 (Nummer: 71), Billboard Year-End Hot 100 singles of 2022 (Nummer: 89) und Billboard Year-End Hot 100 singles of 2024 (Nummer: 94)
recording of:
A Holly Jolly Christmas
Texter und Komponist(in):
Johnny Marks (American songwriter)
publisher:
Audiam Publishing, Warner Chappell (Warner/Chappell Music, Inc.) und St. Nicholas Music Inc. (in 1964)
Burl Ives42:17
21It's Beginning to Look Like Christmas
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1963)
Teil von:
Billboard Hot 100: 2026-01-03 (Nummer: 18), Billboard Hot 100: 2025-12-20 (Nummer: 22), Billboard Hot 100: 2025-12-27 (Nummer: 23), Billboard Hot 100: 2025-12-13 (Nummer: 24) und Billboard Hot 100: 2025-12-06 (Nummer: 38)
recording of:
It’s Beginning to Look a Lot Like Christmas (am 1951-09-10)
Texter und Komponist(in):
Meredith Willson (in 1951)
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, Meredith Willson Music LLC, MPL Communications Australia und MPL Music Publishing
Perry Como32:41
22We Wish You a Merry Christmas
Chorgesang:
The Philadelphia Singers (von 1971 bis 1972)
Orchester:
The Philadelphia Orchestra (von 1971 bis 1972)
conductor:
Eugene Ormandy (conductor) (von 1971 bis 1972)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1972)
recording of:
We Wish You a Merry Christmas (von 1971 bis 1972)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 230)
The Philadelphia Orchestra2:03

Nennungen

Veröffentlichungsgruppe

enthalten in:The Time‐Life Treasury of Christmas (4 CD set from 1987)
Teil von:The Time‐Life Treasury of Christmas (Time Life Music) (Reihenfolge: 2)
Discogs:https://www.discogs.com/master/231660 [Info]
Wikidata:Q7769417 [Info]