The Best of Domingo, Kiri Te Kanawa & Pavarotti

~ Veröffentlichung von Domingo, Kiri Te Kanawa, Pavarotti (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD: Favourite Melodies That Will Live Forever / Reflective Favourites (Part 1)
Nr.TitelKünstlerBewertungLänge
1Nessun dorma (None Shall Sleep)
Chorgesang:
The John Alldis Choir (von 1972-08-10 bis 1972-08-25) und Wandsworth School Boys’ Choir (von 1972-08-10 bis 1972-08-25)
Tenor-Gesang [Calaf]:
Luciano Pavarotti (tenor) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Luciano Pavarotti with The John Alldis Choir and London Philharmonic Orchestra53:00
2Your Tiny Hand Is Frozen
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Berlin Philharmonic Orchestra (Berliner Philharmoniker)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Luciano Pavarotti with the Berlin Philharmonic Orchestra4:39
3On With the Motley
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
Komponist(in) und Librettist:
Ruggero Leoncavallo (composer) (in 1892)
Teil von:
For the First Time (1959 film)
Teil von:
Pagliacci: Atto I (Pagliacci: Act I)
Luciano Pavarotti with the National Philharmonic Orchestra4:08
4Musetta’s Waltz Song
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Kiri Te Kanawa with London Philharmonic Orchestra2:34
5One Fine Day
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Kiri Te Kanawa with London Philharmonic Orchestra4:32
6Celeste Aïda
Tenor-Gesang [Radamès]:
Luciano Pavarotti (tenor)
Orchester:
Vienna Volksoper Orchestra
conductor:
Leone Magiera (conductor, pianist)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1974)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1871)
Librettist:
Antonio Ghislanzoni (in 1870)
Teil von:
Aida: Atto I
Luciano Pavarotti with the Vienna Volksoper Orchestra4:29
7Vissi d’arte
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
Kiri Te Kanawa with the National Philharmonic Orchestra3:19
8Largo from ‘Xerxes’
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Helmuth Froschauer (conductor and chorus master)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1979)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
Plácido Domingo with the Vienna Symphony Orchestra2:52
9The Stars Were Brightly Shining
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
Luciano Pavarotti with the National Philharmonic Orchestra3:03
10La donna è mobile
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
London Symphony Orchestra
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
Luciano Pavarotti with London Symphony Orchestra2:23
11The Flower Song
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
Komponist(in):
Georges Bizet (French composer) (in 1875)
Librettist:
Ludovic Halévy (French librettist) (in 1875) und Henri Meilhac (in 1875)
Teil von:
Carmen : Acte II
Plácido Domingo with London Philharmonic Orchestra3:55
12Questa o quella
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
London Symphony Orchestra
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1850 bis 1851-03-11)
Librettist:
Francesco Maria Piave (von 1850 bis 1851-03-11)
Teil von:
Rigoletto: Atto I
Luciano Pavarotti with London Symphony Orchestra1:49
13Una furtiva lagrima
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
London Symphony Orchestra
phonographisches Urheberrecht (℗) von:
BMG Music
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
Komponist(in):
Gaetano Donizetti (Italian opera composer) (in 1832)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
Teil von:
L’elisir d’amore: Atto II
Plácido Domingo with London Symphony Orchestra5:02
14Ave Maria
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer) (in 1976-01)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Wandsworth School Boys’ Choir (in 1976-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger und Orchestrator(in):
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
live recording of:
Ave Maria (catch-all for arrangements) (in 1976-01)
Komponist(in):
Franz Schubert (composer)
Arrangement von:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Franz Schubert (composer)
Version von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
Komponist(in):
Franz Schubert (composer) (in 1825)
Arrangement von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
Texter:
Jairo (Argentinean singer) und Sir Walter Scott (19th-century Scottish author)
Komponist(in):
Franz Schubert (composer) (in 1825)
Übersetzer:
Adam Storck
Teil von:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (Nummer: D. 839)
Luciano Pavarotti with the National Philharmonic Orchestra4:51
15Auf Flügeln des Gesanges (On Wings of Song)
Chorgesang:
Choir of St. Paul’s Cathedral (London)
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
English Chamber Orchestra
phonographisches Urheberrecht (℗) von:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1984)
recording of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (catch-all for arrangements)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer)
Arrangement von:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano)
Kiri Te Kanawa with the Choir Of St Paul's Cathedral and the English Chamber Orchestra2:45
16I Know That My Redeemer Liveth
Produzent(in):
Ray Minshull (record producer)
Soprangesang:
Kiri Te Kanawa (soprano) (in 1984-10)
Orchester:
Chicago Symphony Orchestra (in 1984-10)
conductor:
Sir Georg Solti (conductor) (in 1984-10)
Tonmeister(in):
Simon Eadon (classical music engineer) (in 1984-10) und James Lock (James Locke, engineer) (in 1984-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1984-10)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1984-10)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part III
Kiri Te Kanawa with Chicago Symphony Orchestra5:51
17O Divine Redeemer
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
English Chamber Orchestra
phonographisches Urheberrecht (℗) von:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1984)
recording of:
Repentir (“O Divine Redeemer”)
Komponist(in):
Charles Gounod (French composer)
Kiri Te Kanawa with the English Chamber Orchestra6:04
18Panis angelicus
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Wandsworth School Boys’ Choir (in 1976-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger und Orchestrator(in):
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
recording of:
Panis Angelicus (catch-all for arrangements)
Komponist(in):
César Franck (Belgian‐born French composer)
Arrangement von:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
Luciano Pavarotti with the Wandsworth Boys Choir and the National Philharmonic Orchestra4:02
2▶CD: Reflective Favourites (Concluded) / The Placido Domingo Showcase
3▶CD: Unforgettable Moments / Pavarotti Sings Magical Melodies (Part 1)
4▶CD: Pavarotti Sings Magical Melodies (Concluded) / The Luciano Pavarotti Showcase (Part 1)
5▶CD: The Luciano Pavarotti Showcase (Concluded) / The Kiri Te Kanawa Showcase (Part 1)
6▶CD: The Kiri Te Kanawa Showcase (Concluded) / Kiri Sings Golden Favourites