Carmina Burana

~ Veröffentlichung von Carl Orff; Sylvia Greenberg, James Bowman, Stephen Roberts, Berlin State Boys’ Chorus, Berlin Radio Symphony Orchestra, Berlin Radio Symphony Choir, Riccardo Chailly (alle Versionen dieser Veröffentlichung ansehen, 6 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Carmina Burana: Fortune, Empress of the World: O Fortune
Sound-Engineering:
Stanley Goodall (engineer) und Colin Moorfoot (engineer)
Produzent(in):
James Mallinson (producer)
Chorgesang:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Ernst Senff (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
Bearbeitung von:
O Fortuna / Fortune plango vulnera (from ‘Carmina Burana’) von Ernst Senff, Rundfunkchor Berlin (Berlin Radio Chorus), Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:32
2Carmina Burana: Fortune, Empress of the World: I bemoan the wounds of Fortune
Sound-Engineering:
Stanley Goodall (engineer) und Colin Moorfoot (engineer)
Produzent(in):
James Mallinson (producer)
Chorgesang:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Ernst Senff (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
Bearbeitung von:
O Fortuna / Fortune plango vulnera (from ‘Carmina Burana’) von Ernst Senff, Rundfunkchor Berlin (Berlin Radio Chorus), Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
Fortune plango vulnera (Poem, CB 16)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:33
3Carmina Burana: Spring: The merry face of spring
Sound-Engineering:
Stanley Goodall (engineer) und Colin Moorfoot (engineer)
Produzent(in):
James Mallinson (producer)
Chorgesang:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Ernst Senff (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
Bearbeitung von:
Carmina Burana: I. Primo vere: 3. Veris leta facies / 4. Omnia Sol temperat von Stephen Roberts (UK bass-baritone), Rundfunkchor Berlin (Berlin Radio Chorus), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: I. Primo Vere
Carl Orff3:35
4Carmina Burana: Spring: The sun warms everything
Sound-Engineering:
Stanley Goodall (engineer) und Colin Moorfoot (engineer)
Produzent(in):
James Mallinson (producer)
Baritongesang:
Stephen Roberts (UK bass-baritone) (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
Bearbeitung von:
Carmina Burana: I. Primo vere: 3. Veris leta facies / 4. Omnia Sol temperat von Stephen Roberts (UK bass-baritone), Rundfunkchor Berlin (Berlin Radio Chorus), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: I. Primo Vere
Carl Orff2:07
5Carmina Burana: Spring: Behold, the pleasant spring
Sound-Engineering:
Stanley Goodall (engineer) (in 1983-06) und Colin Moorfoot (engineer) (in 1983-06)
Produzent(in):
James Mallinson (producer)
Chorgesang:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Ernst Senff (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: I. Primo Vere
Carl Orff2:42
6Carmina Burana: On the green: Dance
Sound-Engineering:
Stanley Goodall (engineer) und Colin Moorfoot (engineer)
Produzent(in):
James Mallinson (producer)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
Bearbeitung von:
Carmina Burana: Uf dem anger: 6. Tanz / 7. Floret silva nobilis von Ernst Senff, Rundfunkchor Berlin (Berlin Radio Chorus), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance) (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff1:43
7Carmina Burana: On the green: The noble woods are burgeoning
Sound-Engineering:
Stanley Goodall (engineer) und Colin Moorfoot (engineer)
Produzent(in):
James Mallinson (producer)
Chorgesang:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Ernst Senff (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
Bearbeitung von:
Carmina Burana: Uf dem anger: 6. Tanz / 7. Floret silva nobilis von Ernst Senff, Rundfunkchor Berlin (Berlin Radio Chorus), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva) (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff3:13
8Carmina Burana: On the green: Shopkeeper, give me colour
Sound-Engineering:
Stanley Goodall (engineer) (in 1983-06) und Colin Moorfoot (engineer) (in 1983-06)
Produzent(in):
James Mallinson (producer)
Chorgesang:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Ernst Senff (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem Anger: 8. Chramer, gip die varwe mir) (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff3:33
9Carmina Burana: On the green: Round dance
Sound-Engineering:
Stanley Goodall (engineer) und Colin Moorfoot (engineer)
Produzent(in):
James Mallinson (producer)
Chorgesang:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Ernst Senff (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
Bearbeitung von:
Carmina Burana: Uf dem anger: 9. Reie / 10. Were diu werlt alle min von Ernst Senff, Rundfunkchor Berlin (Berlin Radio Chorus), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff4:41
10Carmina Burana: On the green: If all the world were mine
Sound-Engineering:
Stanley Goodall (engineer) und Colin Moorfoot (engineer)
Produzent(in):
James Mallinson (producer)
Chorgesang:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Ernst Senff (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
Bearbeitung von:
Carmina Burana: Uf dem anger: 9. Reie / 10. Were diu werlt alle min von Ernst Senff, Rundfunkchor Berlin (Berlin Radio Chorus), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem anger: 10. Were diu werlt alle min) (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff0:49
11Carmina Burana: In The Tavern: Burning inside
Sound-Engineering:
Stanley Goodall (engineer) (in 1983-06) und Colin Moorfoot (engineer) (in 1983-06)
Produzent(in):
James Mallinson (producer)
Baritongesang:
Stephen Roberts (UK bass-baritone) (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff2:13
12Carmina Burana: In The Tavern: Once I lived on lakes
Sound-Engineering:
Stanley Goodall (engineer) (in 1983-06) und Colin Moorfoot (engineer) (in 1983-06)
Produzent(in):
James Mallinson (producer)
Chorgesang:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1983-06)
Countertenorgesang:
James Bowman (UK countertenor) (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Ernst Senff (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff3:18
13Carmina Burana: In The Tavern: I am the abbot
Sound-Engineering:
Stanley Goodall (engineer) und Colin Moorfoot (engineer)
Produzent(in):
James Mallinson (producer)
Baritongesang:
Stephen Roberts (UK bass-baritone) (in 1983-06)
Chorgesang:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Ernst Senff (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
Bearbeitung von:
Carmina Burana: II. In taberna: 13. Ego sum abbas / 14. In taberna quando sumus von Ernst Senff, Stephen Roberts (UK bass-baritone), Rundfunkchor Berlin (Berlin Radio Chorus), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff1:29
14Carmina Burana: In The Tavern: When we are in the tavern
Sound-Engineering:
Stanley Goodall (engineer) und Colin Moorfoot (engineer)
Produzent(in):
James Mallinson (producer)
Chorgesang:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Ernst Senff (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
Bearbeitung von:
Carmina Burana: II. In taberna: 13. Ego sum abbas / 14. In taberna quando sumus von Ernst Senff, Stephen Roberts (UK bass-baritone), Rundfunkchor Berlin (Berlin Radio Chorus), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff2:59
15Carmina Burana: The Court of Love: Cupid flies everywhere
Sound-Engineering:
Stanley Goodall (engineer) und Colin Moorfoot (engineer)
Produzent(in):
James Mallinson (producer)
Chorgesang:
Knabenchor der Staats‐ und Domchor Berlin (in 1983-06)
Soprangesang:
Sylvia Greenberg (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Professor Christian Grube (choral conductor) (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
Bearbeitung von:
Carmina Burana: III. Cours d’amour: 15. Amor volat undique / 16. Dies nox et omnia / 17. Stetit puella von Ernst Senff, Sylvia Greenberg, Stephen Roberts (UK bass-baritone), Staats‐ und Domchor Berlin, Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff3:15
16Carmina Burana: The Court of Love: Day, night and everything
Sound-Engineering:
Stanley Goodall (engineer) und Colin Moorfoot (engineer)
Produzent(in):
James Mallinson (producer)
Baritongesang:
Stephen Roberts (UK bass-baritone) (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
Bearbeitung von:
Carmina Burana: III. Cours d’amour: 15. Amor volat undique / 16. Dies nox et omnia / 17. Stetit puella von Ernst Senff, Sylvia Greenberg, Stephen Roberts (UK bass-baritone), Staats‐ und Domchor Berlin, Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff2:17
17Carmina Burana: The Court of Love: A girl stood
Sound-Engineering:
Stanley Goodall (engineer) und Colin Moorfoot (engineer)
Produzent(in):
James Mallinson (producer)
Soprangesang:
Sylvia Greenberg (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
Bearbeitung von:
Carmina Burana: III. Cours d’amour: 15. Amor volat undique / 16. Dies nox et omnia / 17. Stetit puella von Ernst Senff, Sylvia Greenberg, Stephen Roberts (UK bass-baritone), Staats‐ und Domchor Berlin, Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff1:46
18Carmina Burana: The Court of Love: In my heart
Sound-Engineering:
Stanley Goodall (engineer) und Colin Moorfoot (engineer)
Produzent(in):
James Mallinson (producer)
Baritongesang:
Stephen Roberts (UK bass-baritone) (in 1983-06)
Chorgesang:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Ernst Senff (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
Bearbeitung von:
Carmina Burana: III. Cours d’amour: 18. Circa mea pectora / 19. Si puer cum puellula / 20. Veni veni venias von Ernst Senff, Stephen Roberts (UK bass-baritone), Rundfunkchor Berlin (Berlin Radio Chorus), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff1:59
19Carmina Burana: The Court of Love: If a boy with a girl
Sound-Engineering:
Stanley Goodall (engineer) und Colin Moorfoot (engineer)
Produzent(in):
James Mallinson (producer)
Chorgesang:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Ernst Senff (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
Bearbeitung von:
Carmina Burana: III. Cours d’amour: 18. Circa mea pectora / 19. Si puer cum puellula / 20. Veni veni venias von Ernst Senff, Stephen Roberts (UK bass-baritone), Rundfunkchor Berlin (Berlin Radio Chorus), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff0:56
20Carmina Burana: The Court of Love: Come, come, O come
Sound-Engineering:
Stanley Goodall (engineer) und Colin Moorfoot (engineer)
Produzent(in):
James Mallinson (producer)
Chorgesang:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Ernst Senff (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
Bearbeitung von:
Carmina Burana: III. Cours d’amour: 18. Circa mea pectora / 19. Si puer cum puellula / 20. Veni veni venias von Ernst Senff, Stephen Roberts (UK bass-baritone), Rundfunkchor Berlin (Berlin Radio Chorus), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff1:00
21Carmina Burana: The Court of Love: In the balance
Sound-Engineering:
Stanley Goodall (engineer) (in 1983-06) und Colin Moorfoot (engineer) (in 1983-06)
Produzent(in):
James Mallinson (producer)
Soprangesang:
Sylvia Greenberg (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff2:23
22Carmina Burana: The Court of Love: This is the joyful time
Sound-Engineering:
Stanley Goodall (engineer) und Colin Moorfoot (engineer)
Produzent(in):
James Mallinson (producer)
Baritongesang:
Stephen Roberts (UK bass-baritone) (in 1983-06)
Chorgesang:
Knabenchor der Staats‐ und Domchor Berlin (in 1983-06) und Rundfunkchor Berlin (Berlin Radio Chorus) (in 1983-06)
Soprangesang:
Sylvia Greenberg (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Professor Christian Grube (choral conductor) (in 1983-06) und Ernst Senff (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
Bearbeitung von:
Carmina Burana: III. Cours d’amour: 22. Tempus est iocundum / 23. Dulcissime von Ernst Senff, Sylvia Greenberg, Stephen Roberts (UK bass-baritone), Staats‐ und Domchor Berlin, Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff2:27
23Carmina Burana: The Court of Love: Sweetest one
Sound-Engineering:
Stanley Goodall (engineer) und Colin Moorfoot (engineer)
Produzent(in):
James Mallinson (producer)
Soprangesang:
Sylvia Greenberg (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
Bearbeitung von:
Carmina Burana: III. Cours d’amour: 22. Tempus est iocundum / 23. Dulcissime von Ernst Senff, Sylvia Greenberg, Stephen Roberts (UK bass-baritone), Staats‐ und Domchor Berlin, Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Riccardo Chailly (conductor)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff0:44
24Carmina Burana: Blanchefleur and Helen: Hail, most beautiful one
Sound-Engineering:
Stanley Goodall (engineer) (in 1983-06) und Colin Moorfoot (engineer) (in 1983-06)
Produzent(in):
James Mallinson (producer)
Chorgesang:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Ernst Senff (in 1983-06)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:05
25Carmina Burana: Fortune, Empress of the World: O Fortune
Sound-Engineering:
Stanley Goodall (engineer) (in 1983-06) und Colin Moorfoot (engineer) (in 1983-06)
Produzent(in):
James Mallinson (producer)
Chorgesang:
Rundfunkchor Berlin (Berlin Radio Chorus) (in 1983-06)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Ernst Senff (in 1983-06)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1983-06)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (in 1983-06)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:34

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Discogs:https://www.discogs.com/master/412242 [Info]