Classic Cuts Presents: 80’s Night: The Ultimate DJ Collection: Special Stereo Wide Edition 16 CD Box

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: A to B
2▶CD: A to B
3▶CD: B to D
4▶CD: B to D
5▶CD: D to H
6▶CD: D to H
7▶CD: H to M
8▶CD: H to M
9▶CD: M to O
10▼CD: M to O
Nr.TitelKünstlerBewertungLänge
1Beds Are Burning
A&R-Management:
S. Ralbovsky
assistierende(r) Techniker(in):
Kathy Naunton (editor)
Techniker(in):
Guy Gray
Produzent(in):
Warne Livesey und Midnight Oil (Australian rock band)
Bass:
Peter Gifford
Cello:
John Ockwell (Cello Artist)
Gitarre:
Jim Moginie und Martin Rotsey
Keyboard:
Warne Livesey und Jim Moginie
Posaune:
Glad Reed
Schlagzeug [drums]:
Rob Hirst
Waldhorn:
Jeremy Smith (Horns)
phonographisches Urheberrecht (℗) von:
Midnight Oil (Australian rock band) (in 1987)
phonographisches Urheberrecht (℗) von:
Midnight Oil Ents Pty Ltd (in 1987) und Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1987)
aufgenommen bei:
Alberts Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 18) und VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 95)
recording of:
Beds Are Burning
Verfasser(in):
Peter Garrett, Rob Hirst und Jim Moginie
publisher:
Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Sprint Music Pty. Ltd.
Midnight Oil4.54:17
2Abracadabra
phonographisches Urheberrecht (℗) von:
Sailor Music (in 1982)
Musikvideos:
Abracadabra von Steve Miller Band (American rock band)
recording of:
Abracadabra
Texter und Komponist(in):
Steve Miller (leader of Steve Miller Band)
publisher:
Sailor Music
Steve Miller Band4.33:39
3Never Knew Love Like This Before
Produzent(in):
Reggie Lucas und James Mtume (jazz/funk musician)
recording of:
Never Knew Love Like This Before
Verfasser(in):
Reggie Lucas und James Mtume (jazz/funk musician)
publisher:
Frozen Butterfly Publishing Co.
Stephanie Mills3:30
4I Should Be So Lucky
Techniker(in):
Karen Hewitt, Mark McGuire (UK producer/engineer) und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographisches Urheberrecht (℗) von:
Mushroom Records (vom 1988 bis heute)
Musikvideos:
I Should Be So Lucky von Kylie Minogue
recording of:
I Should Be So Lucky
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
Mushroom Music Pty. Ltd. (vom 1988 bis heute)
Kylie Minogue4.353:25
5Hand on Your Heart
Techniker(in):
Karen Hewitt und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Mix:
Phil Harding (engineer, producer and remixer)
vocals:
Kylie Minogue
phonographisches Urheberrecht (℗) von:
Mushroom Records (in 1989)
recording of:
Hand on Your Heart
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys USA Music (in 1989)
Kylie Minogue33:51
6Everybody Salsa
recording of:
Everybody Salsa
Verfasser(in):
Geoffrey Deane und David Jaymes
Modern Romance3:22
7Together in Electric Dreams
Produzent(in):
Giorgio Moroder und Philip Oakey
Mix:
Brian Reeves
Bass:
Arthur Barrow
Gitarre:
Richie Zito
Synthesizer:
Giorgio Moroder
Hintergrundgesang:
E.G. Daily (American singer and actress) und Joe Esposito
Sologesang:
Philip Oakey
recording of:
Together in Electric Dreams
Texter:
Philip Oakey
Komponist(in):
Giorgio Moroder
publisher:
BMG Gold Songs und WB Music Corp. (1929–2019)
Giorgio Moroder feat. Phil Oakey2.53:53
8Pass the Dutchie
Produzent(in):
Peter Collins (producer)
Bassgitarre:
Patrick
Gitarre:
Kelvin
Keyboard:
Michael (Keyboard player for Musical Youth)
Schlagzeug:
Junior
vocals:
Dennis
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 25)
cover recording of:
Pass the Kouchie
Verfasser(in):
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) und Fitzroy “Bunny” Simpson
Teil von:
My Kind of People
Musical Youth43:22
9Hole in My Shoe
Produzent(in):
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
Hintergrundgesang:
Barbara Gaskin
Sologesang:
Neil (The Young Ones character)
cover recording of:
Hole in My Shoe
Verfasser(in):
Dave Mason (co‐founder of Traffic)
Neil3:37
10Move Closer
Produzent(in):
Yves Dessca und Pascal Rivaton
phonographisches Urheberrecht (℗) von:
OVC Ltd., Dessca Entertainment Company (in 1984) und Capricorn (imprint used by Carrère after 1989) (in 1985)
recording of:
Move Closer
Texter und Komponist(in):
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson34:03
1199 Red Balloons
Produzent(in):
Jay Faires, Tricia Holloway, Reinhold Heil (von 1982 bis 1983) und Manne Praeker (von 1982 bis 1983)
Sologesang:
Nena (the person, performing solo since 1987) (in 1983)
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1983), Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (in 1983) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983)
aufgenommen bei:
Spliff Studio in Berlin, Deutschland (von 1982 bis 1983)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 64)
recording of:
99 Red Balloons (von 1982 bis 1983)
Texter:
Carlo Karges (in 1982)
Komponist(in):
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
Übersetzer:
Kevin McAlea (in 1983)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Songs Ltd.
übersetzte Version von:
99 Luftballons
Nena3.83:51
12C’est la vie
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 45)
recording of:
C’est la vie
Verfasser(in):
Mark Holding, Robbie Nevil und Duncan Pain (songwriter)
publisher:
AFG House Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dresden China Music (A), EMI Music Publishing (do not use as a release label!), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), PolyGram Music Publishing, Universal‐MCA Music Publishing (US), Warner/Chappell Music Ltd. (1996–2019) und WC Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Robbie Nevil3:42
13Candy Girl
Produzent(in):
Michael Jonzun und Maurice Starr
recording of:
Candy Girl
Komponist(in):
Michael Jonzun und Maurice Starr
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs Australia Pty. Ltd. und Universal‐MCA Music Publishing (US)
New Edition43:35
14Living by Numbers
Produzent(in):
Tony Mansfield (producer & songwriter)
phonographisches Urheberrecht (℗) von:
GTO Records Ltd. (holding company - file no releases here!) (in 1980) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980)
aufgenommen bei:
TMC Studios (Recording studio, active in the 1970s and 80s in Tooting, London) in Tooting, Wandsworth, London (Greater London), England, Vereinigtes Königreich (von 1979 bis 1980-03)
recording of:
Living by Numbers (von 1979 bis 1980-03)
Texter und Komponist(in):
Tony Mansfield (producer & songwriter)
publisher:
April Music Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
New Musik53:22
15Blue Monday
Produzent(in):
Quincy Jones und New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
recording of:
Blue Monday
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) und Zomba Music Publishing Ltd.
New Order44:09
16True Faith
Produzent(in):
Stephen Hague und New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
True Faith
Verfasser(in):
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Teil von:
American Psycho
New Order3.755:52
17Physical
phonographisches Urheberrecht (℗) von:
ONJ Productions (Olivia Newton-John) (in 1981)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 11), Cachitos Nochevieja 2022 (Nummer: 97) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 457)
recording of:
Physical
Verfasser(in):
Steve Kipner und Terry Shaddick
publisher:
EMI April Music Inc., EMI Songs Australia Pty. Ltd. und Floating World Music
Olivia Newton‐John4.353:43
18I Can’t Wait
Produzent(in):
John Smith (Nu Shooz) und Rick Waritz (producer)
phonographisches Urheberrecht (℗) von:
Injection (Netherlands) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 60)
recording of:
I Can’t Wait
Texter und Komponist(in):
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz43:37
19When the Going Gets Tough, the Tough Get Going
leitende(r) Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Produzent(in):
Barry J. Eastmond und Wayne Brathwaite
Mix:
Nigel Green (engineer)
phonographisches Urheberrecht (℗) von:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
Musikvideos:
When the Going Gets Tough, the Tough Get Going von Billy Ocean
recording of:
When the Going Gets Tough, the Tough Get Going
Verfasser(in):
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) und Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean3.254:07
11▶CD: O to S
12▶CD: O to S
13▶CD: S to T
14▶CD: S to T
15▶CD: T to Z
16▶CD: T to Z