Classic Rock Box, Vol. 3

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Up on the Catwalk
Produzent(in):
Peter Walsh (UK producer)
recording of:
Up on the Catwalk
Texter und Komponist(in):
Simple Minds (Scottish rock band) (von 1983 bis 2013)
Verfasser(in):
Charlie Burchill (vom 2013 bis heute), Derek Forbes (vom 2013 bis heute), Jim Kerr (of Simple Minds) (vom 2013 bis heute), Michael MacNeil (vom 2013 bis heute) und Mel Gaynor (von 2013 bis 2015)
publisher:
EMI Publishing Ltd. (von 1983 bis 2013), EMI Music Publishing Ltd. (PRS‐affiliated) (von 2013 bis 2015), Hornall Music (limited company) (von 2013 bis 2015), JKMC-Bucks Music Group Ltd (Bucks Music Group) (von 2013 bis 2015) und BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (vom 2015 bis heute)
Simple Minds4:06
2The Golden Age of Rock ’n’ Roll
Mott the Hoople3:25
3Generals and Majors
XTC3:42
4Adorations
recording of:
Adorations
Verfasser(in):
Jaz Coleman, Paul Ferguson, Paul Raven (UK bassist) und Geordie Walker
publisher:
BMG Music Publishing Ltd. und BMG Songs Ltd.
Killing Joke4:40
5No More Heroes
recording of:
No More Heroes
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers3:28
6Tenement Steps
The Motors4:42
7Dum Dum Girl
recording of:
Dum Dum Girl
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
publisher:
Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Talk Talk3:48
8The Tide Is High
assistierende(r) Techniker(in):
Gary Boatner (engineer) und Doug Schwartz (mastering engineer)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Perkussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) und Emil Richards (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Hintergrundgesang [girl-group backup vocals]:
The ‘B’ Girls und Deborah Harry
Sologesang:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
cover recording of:
The Tide Is High (in 1980)
Verfasser(in):
John Holt (in 1967)
zusätzliche(r) Verfasser(in):
Howard Barrett (in 1967) und Tyrone Evans (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
Blondie4.154:40
9Glad to Be Gay
Tom Robinson Band4:49
10Dancing With Tears in My Eyes
Techniker(in):
Rik Walton
Produzent(in):
Ultravox
Mix:
John Hudson (producer, recording and mixing engineer) (am 1984-03-19)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1984, in 2025)
aufgenommen bei:
Musicfest Studio (recording studio, located in Chiswick, London, UK) in Chiswick, Hounslow, London (Greater London), England, Vereinigtes Königreich (am 1983-08-08)
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich (am 1984-03-19)
Musikvideos:
Dancing With Tears in My Eyes von Ultravox
recording of:
Dancing With Tears in My Eyes (am 1983-08-08)
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox44:05
11The Big Music
recording of:
The Big Music
Texter und Komponist(in):
Mike Scott (The Waterboys)
Verfasser(in):
The Waterboys (folk-rock)
The Waterboys4:40
12I Should Have Known Better
Wire3:51
13(I Can’t Gèt Mé Nö) Satisfactiön
Techniker(in):
Conny Plank (German producer and sound engineer)
Produzent(in):
Brian Eno
aufgenommen bei und mixed at:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen, Deutschland
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 17)
cover recording of:
(I Can’t Get No) Satisfaction
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. und Essex Music International
recording of:
(I Can’t Get No) Satisfaction
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. und Essex Music International
DEVO4.62:41
14Life in the Air Age
recording of:
Life in the Air Age
Texter und Komponist(in):
Bill Nelson (English experimental musician)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
Be Bop Deluxe4:01
15You Keep Me Hangin’ On
recorded in:
England, Vereinigtes Königreich
Techniker(in):
Peter Wade Schwier (producer, mixing and recording engineer)
Produzent(in):
Ricky Wilde
Gitarre:
Steve Byrd
Keyboard:
Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1986), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M Productions (British record and publishing company)
aufgenommen bei und mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California (Kalifornien), Vereinigte Staaten, Select Sound Studios in Knebworth, Hertfordshire, England, Vereinigtes Königreich und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Cachitos Nochevieja 2022 (Nummer: 108)
cover recording of:
You Keep Me Hangin’ On
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Kim Wilde3.454:16
16More Than This
recording of:
More Than This
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4:09
17It’s the End of the World as We Know It (and I Feel Fine)
zusätzlich recording engineer:
Gary Laney
Techniker(in):
Scott Litt (producer and engineer)
Produzent(in):
Scott Litt (producer and engineer) und R.E.M. (American rock band)
zusätzliche(r) Mix:
Steve Catania
Bassgitarre:
Mike Mills (R.E.M. bass player)
Gitarre:
Peter Buck (R.E.M. guitarist)
Schlagzeug:
Bill Berry (R.E.M. drummer)
Sologesang:
Michael Stipe
aufgenommen bei:
Sound Emporium Studios in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Master Control in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 69) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 69)
recording of:
It’s the End of the World as We Know It (and I Feel Fine)
Verfasser(in):
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) und Michael Stipe
publisher:
Night Garden Music
R.E.M.4.24:04
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