Chartboxx: Movie Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
12001: Odysee Im Weltraum (Also sprach Zarathustra)
Techniker(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) und Simon Rhodes (senior recording engineer at Abbey Road Studios)
Produzent(in):
David R. Murray
Orgel:
David Bell (organist)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1986-11-19 bis 1989-03-15)
conductor:
Klaus Tennstedt (conductor) (von 1986-11-19 bis 1989-03-15)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
aufgenommen bei:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1986-11-19 bis 1989-03-15)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Also sprach Zarathustra, op. 30: Einleitung, Sonnenaufgang) (von 1986-11-19 bis 1989-03-15)
Komponist(in):
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
Teil von:
Also sprach Zarathustra, op. 30 (TrV 176)
London Philharmonic Orchestra1:45
2E.T. (Theme From Steven Spielberg’s Film E.T.)
Ron Goodwin and His Concert Orchestra3:57
3Spiel mir das Lied vom Tod (Once Upon a Time in the West)
Ennio Morricone5:07
4Miss Marple (Miss Marple’s Theme)
recording of:
Murder She Said
Komponist(in):
Ron Goodwin (English composer)
Ron Goodwin and His Concert Orchestra2:05
5Manhattan (Rhapsody in Blue)
Flügel:
Wayne Marshall (British pianist, organist and conductor)
Orchester:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
teilweise recording of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
Orchestrator(in):
Ferde Grofé (pianist, arranger, conductor and composer) (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
was commissioned by:
Paul Whiteman (in 1924)
publisher:
Harms, Inc. (in 1924)
Premiere bei:
Aeolian Hall in New York, New York, Vereinigte Staaten (am 1924-02-12)
Version von:
Rhapsody in Blue (original 1924 two-piano manuscript version)
Wayne Marshall / Sir Simon Rattle4:36
6Doktor Schiwago (Lara’s Theme)
Ron Goodwin and His Concert Orchestra2:38
7Rob Roy (Overture: Rob Roy/The Rieving Party)
Carter Burwell4:42
8Philadelphia (La Mamma Morta)
Produzent(in):
Walter Legge (British classical producer)
Soprangesang:
Maria Callas (soprano) (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
conductor:
Tullio Serafin (conductor) (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (von 1954-09-17 bis 1954-09-18)
Komponist(in):
Umberto Giordano (Italian opera composer)
Librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. und MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:
Andrea Chénier: Atto III
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (von 1954-09-20 bis 1954-09-21)
Komponist(in):
Umberto Giordano (Italian opera composer)
Librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. und MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:
Andrea Chénier: Atto III
Maria Callas / Tullio Serafin & Philharmonia Orchestra4:51
9Schindlers Liste (Schindler’s List - Theme)
Geige / Violine:
Tasmin Little (violinist) (in 1994)
Orchester:
New World Philharmonic (in 1994)
conductor:
Iain Sutherland (British conductor) (in 1994)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recording of:
Main Theme (Schindler’s List) (in 1994)
Komponist(in):
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. und Universal/MCA Music (music publisher; do not use as release label!)
Teil von:
Schindler's List
Teil von:
Three Pieces from Schindler’s List
Tasmin Little, New World Philharmonic5:03
10Platoon (Adagio for Strings Op.11)
The Philadelphia Orchestra6:22
11Tod in Venedig (Adagietto)
James Conlon / Gürzenich-Orchester Köln4:23
12Barry Lyndon (Sarabande)
Orchester:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 2002)
conductor:
Alex Briger (Australian conductor) (in 2002)
Interpret(in):
Alexander Briger (Australian conductor)
arranger:
Simon Hale
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande (catch-all for arrangements)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Arrangement von:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
Academy of St Martin in the Fields3:23
13Das Piano (The Heart Asks Pleasure First)
Michael Nyman1:35
14Hannibal (Aria Goldberg Variations BWV 988)
recording engineer:
Daniel Michel (recording engineer)
Produzent(in):
Alain Lanceron
Klavier:
Maria Tipo (pianist) (von 1986-06-26 bis 1986-06-28)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (von 1986-06-26 bis 1986-06-28)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (von 1986-06-26 bis 1986-06-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 26)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Maria Tipo3:04
15Das Zimmer meines Sohnes (La Stanza de Figlio)
Nicola Piovani4:05
16Es war einmal in Amerika (Deborah’s Theme)
Ennio Morricone4:23
17Romeo & Julia (Balcony Scenne)
Techniker(in):
Andy Bradfield
Koproduzent(in):
Craig Armstrong (Scottish score composer) und Marius de Vries
Produzent(in):
Craig Armstrong (Scottish score composer) und Nellee Hooper
Mix:
Craig Armstrong (Scottish score composer)
Orchester:
The London Session Orchestra
conductor:
Craig Armstrong (Scottish score composer)
arranger und Orchestrator(in):
Craig Armstrong (Scottish score composer)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
recording of:
William Shakespeare’s Romeo + Juliet: Balcony Scene
Komponist(in):
Craig Armstrong (Scottish score composer), Marius de Vries und Nellee Hooper
publisher:
Melankolic und Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
Teil von:
William Shakespeare’s Romeo + Juliet (orchestral score from the 1996 Baz Luhrmann film)
Craig Armstrong5:18
18Ocean’s Eleven (Clair de Lune)
Klavier:
Dame Moura Lympany (British pianist) (in 1988)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Komponist(in):
Claude Debussy (French composer) (von 1890 bis 1905)
Teil von:
Classic 100: Piano (2004) (Nummer: 3)
enthalten in:
Granblue Fantasy (video game soundtrack)
Teil von:
Suite bergamasque, L. 75, CD 82 (for piano)
Moura Lympany4:57
19American Beauty (Any Other Name)
recording engineer:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Tom Hardisty (film score engineer) und David Marquette
Produzent(in):
Bill Bernstein, Nikolaj Bloch, Sally Herbert (violinist, composer, and conductor) und Thomas Newman (American score composer)
Mix:
Tom Hardisty (film score engineer) und Dennis Sands (American sound engineer)
assistierendes Editing:
Jordan Corngold
Editing:
Bill Bernstein
Interpret(in):
Nikolaj Bloch und Sally Herbert (violinist, composer, and conductor)
phonographisches Urheberrecht (℗) von:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (, in 1999, in 2000)
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Any Other Name
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
publisher:
Cherry Lane Music und Cherry Lane Music Publishing Company Inc.
Teil von:
American Beauty (1999)
Nikolaj Bloch, Sally Herbert34:04
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