The Complete Reprise Studio Recordings

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

A 20-CD collection of the Reprise recordings of Frank Sinatra with hardcover book with several essays and track credits. From the included book: "The Complete Reprise Studio Recordings contains every master recorded by Frank Sinatra for Reprise Records between December 19, 1960 and June 6, 1988. A few songs, attempted but never satisfactorily completed, have been omitted."

Identifiers

CD 1

  • Disc ID: ZV.Ey3mF9WU4z..7NAT8aAwDGRU-
  • Matrix Code: 936247045-2/1 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05N2

CD 2

  • Disc ID: SjkK1nZt4JBH6THnRJI01qRd1u0-
  • Matrix Code: 936247045-2/2 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05A8

CD 3

  • Disc ID: __n9gUeu1.I0EYQy5uVcywFiYzw-
  • Matrix Code: 936247045-2/3 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05N8

CD 4

  • Disc ID: .BWURU4faxB15DYfu7ezAd20Gfg-
  • Matrix Code: 936247045-2/4 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05A5

CD 5

  • Disc ID: QDLSbVFKk8vcAJvx96SY6S2iktY-
  • Matrix Code: 936247045-2/5 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05A5

CD 6

  • Disc ID: lCHq_9QxW7MLxdmKN7IDt60il_k-
  • Matrix Code: 936247045-2/6 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05A0

CD 7

  • Disc ID: Uq7sE9dEvkaNjF4necoidfgCnLc-
  • Matrix Code: 936247045-2/7 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 0504

CD 8

  • Disc ID: Df3w8F_03DUIzmgHxFkwOZ__LK4-
  • Matrix Code: 936247045-2/8 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 0582

CD 9

  • Disc ID: zLrn6X4Ck.0TEx6x1M6MR19mKxo-
  • Matrix Code: 936247045-2/9 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05D1

CD 10

  • Disc ID: OAXJXpnx2fbjD_Un8cub1QD8dJE-
  • Matrix Code: 936247045-2/10 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 0590

CD 11

  • Disc ID: l2p63tWJ6gTC9gTsIRHpVRZpweE-
  • Matrix Code: 936247045-2/11 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05N2

CD 12

  • Disc ID: nY6YJMHzVQLShEEjt0_uCYNphn0-
  • Matrix Code: 936247045-2/12 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 0567

CD 13

  • Disc ID: QyEG4PurwHVZYER_thQnKFRpzz0-
  • Matrix Code: 936247045-2/13 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 0564

CD 14

  • Disc ID: VtMov4JP8jYP1RLj92gggMHeRsM-
  • Matrix Code: 936247045-2/14 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05F1

CD 15

  • Disc ID: Lzl8O3YtRhPSRXWwnVsi5hEzdsM-
  • Matrix Code: 936247045-2/15 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05F1

CD 16

  • Disc ID: 35gVETcgQbbi1fjrslkef5v5nVQ-
  • Matrix Code: 936247045-2/16 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05A2

CD 17

  • Disc ID: 9pKH.zkQXJxH0.rvv7_NZMIgb2U-
  • Matrix Code: 936247045-2/17 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05D2

CD 18

  • Disc ID: 55XIAArIeOJaExITROyWnGBueMA-
  • Matrix Code: 936247045-2/18 09/98
  • Mastering SID Code: IFPI L012
  • Mould SID Code: IFPI 05E1

CD 19

  • Disc ID: suOPzatm3DfG58ysjj9OkgZMFHU-
  • Matrix Code: 936247045-2/19 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05E1

CD 20

  • Disc ID: ZHITGsll45p.vYVzBrzFUN4Vs3I-
  • Matrix Code: 936247045-2/20 09/98
  • Mastering SID Code: IFPI L011
  • Mould SID Code: IFPI 05A8
Anmerkung zuletzt geändert am 2021-05-28 08:29 UTC.

Titelliste

1▶CD
2▶CD
3▶CD
4▶CD
5▶CD
6▶CD
7▶CD
8▶CD
9▶CD
10▶CD
11▶CD
12▶CD
13▶CD
14▶CD
15▶CD
16▶CD
17▶CD
18▶CD
19▶CD
20▼CD
Nr.TitelBewertungLänge
1Monday Morning Quarterback
recorded in:
New York, New York, Vereinigte Staaten (am 1981-09-10)
Produzent(in):
Don Costa (US pop music arranger & producer)
Blechblasinstrumente:
Charles Turner (US jazz trumpeter) (am 1981-09-10)
Bratsche / Viola:
George Brown (American pop violinist) (am 1981-09-10), Harold Coletta (am 1981-09-10), Theodore Israel (am 1981-09-10), Vincent Liota (am 1981-09-10), Richard Maximoff (am 1981-09-10) und Mitsue Takayama (violinist/violist/cellist) (am 1981-09-10)
Cello:
Julius Ehrenwerth (am 1981-09-10), Jesse Levy (am 1981-09-10), Anthony Sophos (am 1981-09-10) und Frederick Zlotkin (cellist) (am 1981-09-10)
Geige / Violine:
Anahid Ajemian (American violinist) (am 1981-09-10), Sanford Allen (am 1981-09-10), Lamar Alsop (am 1981-09-10), Frederick Buldrini (am 1981-09-10), Peter Buonconsiglio (am 1981-09-10), Peter Dimitriades (am 1981-09-10), Winterton Garvey (am 1981-09-10), Max Hollander (am 1981-09-10), Stanley Hunte (am 1981-09-10), Elliot Magaziner (am 1981-09-10), Carmel Malin (am 1981-09-10), Joe Malin (am 1981-09-10), Pamela Posk (am 1981-09-10), Tony Posk (am 1981-09-10), Secondo Proto (am 1981-09-10) und Gerald Tarack (am 1981-09-10)
Gitarre:
Tony Mottola (am 1981-09-10)
Harfe:
Nanette Norton Kramer (am 1981-09-10)
Holzblasinstrumente:
Sidney Cooper (am 1981-09-10), Wally Kane (US woodwind player) (am 1981-09-10), Bernie Kaufman (am 1981-09-10), Al Klink (am 1981-09-10), Sol Schlinger (saxophone, jazz) (am 1981-09-10) und Robert Steen (am 1981-09-10)
Klavier:
Vincent Falcone, Jr. (am 1981-09-10)
Kontrabass:
Frank Bruno (bass) (am 1981-09-10), Gene Cherico (am 1981-09-10) und John Miller (bassist and music contractor/coordinator) (am 1981-09-10)
Perkussion:
Ted Sommer (am 1981-09-10)
Schlagzeug:
Irv Cottler (am 1981-09-10)
Waldhorn:
Joseph de Angelis (am 1981-09-10), Donald Corrado (am 1981-09-10) und Sharon Moe (am 1981-09-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1981-09-10)
conductor:
Gordon Jenkins (am 1981-09-10)
arranger:
Gordon Jenkins
aufgenommen bei:
Columbia Studios in New York, New York, Vereinigte Staaten (am 1981-09-10)
recording of:
Monday Morning Quarterback (am 1981-09-10)
Texter:
Pamela Phillips‐Oland
Komponist(in):
Don Costa (US pop music arranger & producer)
publisher:
WB Music Corp. (1929–2019)
14:38
2Hey Look, No Crying
recorded in:
New York, New York, Vereinigte Staaten (am 1981-09-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1981-09-10)
arranger:
Gordon Jenkins
recording of:
Hey Look, No Cryin' (am 1981-09-10)
Texter:
Susan Birkenhead
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
5:27
3To Love a Child
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1981-12-05)
vocals:
Nikki Costa (am 1981-12-05) und Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1981-12-05)
arranger:
Don Costa (US pop music arranger & producer)
recording of:
To Love a Child (am 1981-12-05)
Texter:
Hal David
Komponist(in):
Joe Raposo (piano, composer, Sesame Street)
publisher:
Casa David und Instructional Children’s Music Inc.
3:22
4Love Makes Us Whatever We Want to Be
recorded in:
New York, New York, Vereinigte Staaten (am 1982-08-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1982-08-17)
arranger:
Billy May
recording of:
Love Makes Us Whatever We Want to Be (am 1982-08-17)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
2:39
5Searching
recorded in:
New York, New York, Vereinigte Staaten (am 1982-08-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1982-08-17)
arranger:
Don Costa (US pop music arranger & producer)
recording of:
Searching (am 1982-08-17)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
3:48
6Here’s to the Band
recorded in:
New York, New York, Vereinigte Staaten (am 1983-01-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1983-01-25)
arranger:
Joe Parnello (American pianist, conductor and arranger)
recording of:
Here's to the Band (am 1983-01-25)
Verfasser(in):
Sharman Howe, Alfred Nittoli und Arthur Schroeck
publisher:
EMI Algee Music Corp. und Saloon Songs Inc.
4:11
7All the Way Home
recorded in:
New York, New York, Vereinigte Staaten (am 1983-01-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1983-01-25)
arranger:
Joe Parnello (American pianist, conductor and arranger)
recording of:
All the Way Home (am 1983-01-25)
Texter und Komponist(in):
Teddy Randazzo
publisher:
Saloon Songs Inc. und Teddy Randazzo Music
3:54
8It’s Sunday
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1983-02-28)
Gitarre:
Tony Mottola (am 1983-02-28)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1983-02-28)
arranger:
Tony Mottola
recording of:
It's Sunday (am 1983-02-28)
Texter:
Susan Birkenhead
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Inc. (USA), Saloon Songs Inc., Unichappell Music und WB Music Corp. (1929–2019)
3:37
9L.A. Is My Lady
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-13)
recording engineer:
Phil Ramone (am 1984-04-13)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Perkussion:
Ralph MacDonald (am 1984-04-13)
Solo-Gitarre:
George Benson (jazz guitarist/singer) (am 1984-04-13)
Solo-Hybrid-Piano:
Bob James (US jazz keyboardist, arranger and producer) (am 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-13)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-13)
conductor:
Quincy Jones (am 1984-04-13)
arranger:
Jerry Hey, Quincy Jones, Dave Matthews (of Dave Matthews Band) und Torrie Zito
recording of:
L.A. Is My Lady (am 1984-04-13)
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Quincy Jones und Peggy Lipton
publisher:
Rashida Music, Threesome Music Company und Yellowbrick Road Music
53:14
10Until the Real Thing Comes Along
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-13)
recording engineer:
Phil Ramone (am 1984-04-13)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Solo-Trompete [Muted Trumpet]:
Joe Newman (US jazz trumpeter) (am 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-13)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-13)
conductor:
Quincy Jones (am 1984-04-13)
arranger:
Sammy Nestico
cover recording of:
Until the Real Thing Comes Along (am 1984-04-13)
Texter und Komponist(in):
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner und Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
13:05
11After You’ve Gone
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-13)
recording engineer:
Phil Ramone (am 1984-04-13)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Gitarre:
George Benson (jazz guitarist/singer) (am 1984-04-13)
Solo-Vibraphon [Vibes]:
Lionel Hampton (am 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-13)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-13)
conductor:
Quincy Jones (am 1984-04-13)
arranger:
Frank Foster (saxophonist)
cover recording of:
After You’ve Gone (am 1984-04-13)
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
13:18
12The Best of Everything
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-16)
recording engineer:
Phil Ramone (am 1984-04-16)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Solo-alto saxophone:
Frank Wess (am 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-16)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-16)
conductor:
Quincy Jones (am 1984-04-16)
arranger:
Joe Parnello (American pianist, conductor and arranger)
recording of:
The Best of Everything (am 1984-04-16)
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
Fiddleback Music Publishing Co., Inc. und Kander & Ebb, Inc.
12:48
13It’s All Right With Me
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-16)
recording engineer:
Phil Ramone (am 1984-04-16)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Solo-Gitarre:
George Benson (jazz guitarist/singer) (am 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-16)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-16)
conductor:
Quincy Jones (am 1984-04-16)
arranger:
Sammy Nestico
cover recording of:
It’s All Right with Me (Can‐Can musical) (am 1984-04-16)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
12:41
14A Hundred Years From Today
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-16)
recording engineer:
Phil Ramone (am 1984-04-16)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Solo-Posaune:
Urbie Green (am 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-16)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-16)
conductor:
Quincy Jones (am 1984-04-16)
arranger:
Sammy Nestico
cover recording of:
A Hundred Years From Today (am 1984-04-16)
Texter:
Ned Washington und Joe Young (US lyricist)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und Warock Corp.
13:09
15How Do You Keep the Music Playing?
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-17)
recording engineer:
Phil Ramone (am 1984-04-17)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Klavier:
Joe Parnello (American pianist, conductor and arranger) (am 1984-04-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-17)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-17)
conductor:
Quincy Jones (am 1984-04-17)
arranger:
Joe Parnello (American pianist, conductor and arranger)
cover recording of:
How Do You Keep the Music Playing? (am 1984-04-17)
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Michel Legrand
publisher:
Warner Olive Music LLC und WB Music Corp. (1929–2019) (in 1982)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1982 nominee)
13:54
16Teach Me Tonight
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-17)
recording engineer:
Phil Ramone (am 1984-04-17)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-17)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-17)
conductor:
Quincy Jones (am 1984-04-17)
arranger:
Torrie Zito
cover recording of:
Teach Me Tonight (am 1984-04-17)
Texter:
Sammy Cahn
Komponist(in):
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
23:47
17If I Should Lose You
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-17)
recording engineer:
Phil Ramone (am 1984-04-17)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-17)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-17)
conductor:
Quincy Jones (am 1984-04-17)
arranger:
Sammy Nestico
cover recording of:
If I Should Lose You (am 1984-04-17)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
12:39
18Stormy Weather
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1984-05-17)
recording engineer:
Steve Crimmel (US recording engineer) (am 1984-05-17), Mark Ettel (am 1984-05-17) und Phil Ramone (am 1984-05-17)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Solo-Gitarre:
Lee Ritenour (am 1984-05-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-05-17)
Orchester:
Quincy Jones and His Orchestra (am 1984-05-17)
conductor:
Quincy Jones (am 1984-05-17)
arranger:
Sammy Nestico
cover recording of:
Stormy Weather (am 1984-05-17)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
13:41
19Mack the Knife
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1986-10-30)
recording engineer und Mix:
Phil Ramone
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Solo-Gitarre:
George Benson (jazz guitarist/singer) (am 1986-10-30)
Solo-Posaune:
Urbie Green (am 1986-10-30)
Solo-Trompete [Muted Trumpet]:
Joe Newman (US jazz trumpeter) (am 1986-10-30)
Vibraphon [vibes]:
Lionel Hampton (am 1986-10-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1986-10-30)
Orchester und Interpret(in):
Quincy Jones and His Orchestra (am 1986-10-30)
conductor:
Quincy Jones (am 1986-10-30)
arranger:
Frank Foster (saxophonist)
cover recording of:
Mack the Knife (1954 Blitzstein translation) (am 1986-10-30)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
24:53
20The Girls I Never Kissed
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1986-10-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1986-10-30)
arranger:
Billy May
recording of:
The Girls I Never Kissed (am 1986-10-30)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Jerome Leiber Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Purple Starfish Music und Sony/ATV Songs LLC
3:32
21Only One to a Customer
Bass:
Jim Hughart (am 1986-10-30)
Bratsche / Viola:
Marilyn Baker (am 1986-10-30), Kenneth Burward‐Hoy (am 1986-10-30), Pamela Goldsmith (American violist) (am 1986-10-30) und Gareth Nuttycombe (violist) (am 1986-10-30)
Cello:
Virginia Burward-Hoy (cellist) (am 1986-10-30), Ernest Ehrhardt (am 1986-10-30), Raymond Kelley (cellist) (am 1986-10-30) und Frederick Seykora (am 1986-10-30)
Geige / Violine:
Israel Baker (American violinist) (am 1986-10-30), Arnold Belnick (am 1986-10-30), Assa Drori (am 1986-10-30), Henry Ferber (am 1986-10-30), Reginald Hill (British‐American violinist) (am 1986-10-30), Bill Hybel (am 1986-10-30), Kathleen Lenski (am 1986-10-30), Gordon Marron (am 1986-10-30), Wilbert Nuttycombe (strings) (am 1986-10-30), Donald Palmer (US violinist and concertmaster) (am 1986-10-30), Mari Tsumura (aka Mari Tsumura‐Botnick) (am 1986-10-30) und Shari Zippert (Violinist) (am 1986-10-30)
Gitarre:
Ron Anthony (am 1986-10-30)
Harfe:
Gayle Levant (American studio musician, harpist) (am 1986-10-30)
Holzblasinstrumente:
Jeff Clayton (saxophonist and flautist) (am 1986-10-30), Bob Cooper (US jazz saxophonist) (am 1986-10-30), Daniel Higgins (am 1986-10-30), Jack Nimitz (American saxophonist and clarinet player) (am 1986-10-30) und Wilbur Schwartz (am 1986-10-30)
Klavier:
Bob Florence (am 1986-10-30)
Perkussion:
Victor Feldman (jazz musician) (am 1986-10-30)
Posaune:
Les Benedict (am 1986-10-30), Dick Hyde (am 1986-10-30), Charles Loper (American trombonist) (am 1986-10-30) und Dick Noel (trombone) (am 1986-10-30)
Schlagzeug:
Irv Cottler (am 1986-10-30)
Trompete:
Charles Davis (trumpet player) (am 1986-10-30), Walter Johnson (trumpeter) (am 1986-10-30), John Madrid (am 1986-10-30) und Frank Szabo (am 1986-10-30)
Waldhorn:
Ron Loofbourrow (am 1986-10-30), Ralph Pollock (am 1986-10-30) und Henry Sigismonti (am 1986-10-30)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1986-10-30)
conductor:
Bill Miller (pianist) (am 1986-10-30)
arranger:
Billy May
aufgenommen bei:
Evergreen Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten (am 1986-10-30)
recording of:
Only One to a Customer (am 1986-10-30)
Texter:
Carolyn Leigh
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
2:48
22My Foolish Heart
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1988-06-06)
Solo-Trompete:
Jack Sheldon (am 1988-06-06)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1988-06-06)
arranger:
Billy May
Bearbeitung von:
My Foolish Heart (original studio master) von Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
recording of:
My Foolish Heart (am 1988-06-06)
Texter:
Ned Washington
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music und Patti Washington Music
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 2)
2:47

Nennungen

Veröffentlichung

hergestellt in:Deutschland
art direction:Tom Recchion
JoDee Stringham
Fotografie:Ed Thrasher (US art director & photographer)
liner notes:Charles Pignone
Jonathan Schwartz (vocalist / broadcaster)
sonstige Unterstützung:Jo Motta (project coordinator) (Aufgabe: Project coordinator)
zusätzliche(r) Techniker(in):Keith Blake (mastering engineer)
Produzent(in):Gregg Geller
Lee Herschberg
Joe McEwen
Ric Ross
mastering:Lee Herschberg
design:Arlene Grzeszak
Tom Recchion
JoDee Stringham
urheberrechtlich geschützt (©) von:Reprise Records (in 1995, in 1998)
phonographisches Urheberrecht (℗) von:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (von 1972 bis 1977, von 1980 bis 1983)
Bristol Productions (in 1984)
Qwest Records (in 1984)
Reprise Records (von 1991 bis 1992, in 1995)
Discogs:https://www.discogs.com/release/16067396 [Info]
ASIN:US: B00000DG1M [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/655651 [Info]
Wikidata:Q7727180 [Info]