Time Life Presents The ’60s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▶CD: Time Has Come Today CD 1
2▶CD: Time Has Come Today CD 2
3▶CD: People Got to Be Free CD 1
4▶CD: People Got to Be Free CD 2
5▼CD: Happy Together CD 1
#TitoloArtistaValutazioneDurata
1California Dreamin’
tecnico:
Bones Howe
produttore:
Lou Adler
chitarra :
P.F. Sloan (nel 1965)
flauto contralto solista :
Bud Shank (nel 1965)
diritti fonografici (℗) detenuti da:
Geffen Records e Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 420)
registrazione di:
California Dreamin’ (nel 1965)
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:41
2Going up the Country
produttore:
Canned Heat e Skip Taylor
flauto :
Jim Horn (saxophonist, hornist, flutist and oboist) (dal 1968-08-06 al 1968-08-07)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1968) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2005)
registrata presso:
I.D. Sound in Los Angeles, California, Stati Uniti (dal 1968-08-06 al 1968-08-07)
registrazione di:
Going Up the Country (dal 1968-08-06 al 1968-08-07)
paroliere, autore e compositore:
Alan Wilson (Canned Heat member)
editore:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. e United Artists Music Ltd.
versione di:
Bull Doze Blues
Canned Heat2.52:51
3I’m a Man
produttore:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
diritti fonografici (℗) detenuti da:
Fontana (nel 1967)
registrazione di:
I’m a Man
autore:
Jimmy Miller (producer for Rolling Stones/Nirvana etc) e Steve Winwood
compositore:
Keith Emerson
editore:
Island Music Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The Spencer Davis Group42:51
4Good Morning Starshine
registrazione di:
Good Morning Starshine (from “Hair”)
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI Catalogue Partnership
parte di:
Hair (1967 musical)
Oliver53:38
5Friday on My Mind
The Easybeats2:43
6Different Drum
The Stone Poneys2:39
7A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:00
8A Groovy Kind of Love
The Mindbenders1:58
9With a Little Help from My Friends
registrazione di:
With a Little Help From My Friends
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, nel 1967), Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP) (dal 1967 a oggi)
Joe Cocker5:02
10Hair
registrazione dal vivo di:
Hair (from “Hair”)
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
parte di:
Hair (1967 musical)
The Cowsills33:30
11Abraham, Martin and John
registrazione cover di:
Abraham, Martin and John
paroliere e arrangiatore:
Dick Holler
compositore:
Dick Holler (nel 1968)
editore:
Regent Music (BMI) e TJ Musicservice GmbH
Dion3:22
12I Started a Joke
tecnico:
John Pantry
produttore:
Bee Gees e Robert Stigwood
batteria :
Colin Petersen (nel 1968-06)
chitarra :
Barry Gibb (nel 1968-06) e Vince Melouney (nel 1968-06)
chitarra basso , mellotron , organo e pianoforte :
Maurice Gibb (nel 1968-06)
voce principale:
Robin Gibb (nel 1968-06)
direttore d'orchestra:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arrangiatore:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1968), Maurice Gibb (nel 1968) e Robin Gibb (nel 1968)
diritti fonografici (℗) detenuti da:
PolyGram International Ltd. (nel 1968) e RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1968)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (nel 1968-06)
registrazione di:
I Started a Joke (nel 1968-06)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc. e Gibb Brothers Music
Bee Gees2.753:09
13Happy Together
diritti fonografici (℗) detenuti da:
White Whale (late 60s/early 70s California) (nel 1967)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 257)
registrazione di:
Happy Together (nel 1967)
autore:
Garry Bonner (singer and songwriter) e Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
editore:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) e Trio Music Co., Inc.
parte di:
Freaky Friday (2003)
The Turtles4.42:54
14Eve of Destruction
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1965)
registrazione di:
Eve of Destruction (nel 1965)
paroliere e compositore:
P.F. Sloan
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.63:37
15Bend Me, Shape Me
The American Breed2:15
16Na Na Hey Hey Kiss Him Goodbye
Steam4:10
17Put a Little Love in Your Heart
Jackie DeShannon2:30
6▶CD: Happy Together CD 2
7▶CD: Something in the Air CD 1
8▶CD: Something in the Air CD 2

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parte di:Time Life Music (ordine: 8)