The Complete Ella Fitzgerald Song Books

~ Veröffentlichung von Ella Fitzgerald (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Notes

This huge (and expensive) 16 discs boxset covers the totality of Fitzgerald's Song Books serie that she made for Verve during the late 50s and early 60s.
It features major works drawn from the Great American Song Book, including from Cole Porter, Harold Arlen, Jerome Kern, Duke Ellington, Irving Berlin, Rodgers & Hart, George & Ira Gershwin, and Johnny Mercer.
Given its size, nature (and price), this set is not for everyone, and newcomers would certainly be better digging one of the smallest sampler that Verve made out of this (one of the The Best of the Song Books for example).
As well, jazz hardcore fans could find themselves disappointed if they don't already know the material, and actually expect scat and swing (this is orchestral, mostly, and not of the lightest ones...).
But any completist, any serious Ella's fans, or anybody interested in this major cultural event should really consider saving money to buy this superb set.
This specific disc covers the first part of the Cole Porter songbook.

Anmerkung zuletzt geändert am 2018-09-16 21:59 UTC.

Titelliste

1▶CD: Ella Fitzgerald Sings the Cole Porter Song Book
2▶CD: Ella Fitzgerald Sings the Cole Porter Song Book
3▶CD: Ella Fitzgerald Sings the Rodgers and Hart Song Book
4▼CD: Ella Fitzgerald Sings the Rodgers and Hart Song Book
Nr.TitelBewertungLänge
1Give It Back to the Indians
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
baritone saxophone:
Chuck Gentry (am 1956-08-28)
Bass:
Joe Mondragon (am 1956-08-28)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-28)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-28)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-28) und Edgar Lustgarten (am 1956-08-28)
Gitarre:
Barney Kessel (am 1956-08-28)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1956-08-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-28), Bud Shank (am 1956-08-28) und Maurice Stein (American jazz saxophonist) (am 1956-08-28)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-28)
Posaune:
Milt Bernhart (am 1956-08-28), Joe Howard (american trombone player) (am 1956-08-28) und Lloyd Ulyate (am 1956-08-28)
Schlagzeug:
Alvin Stoller (am 1956-08-28)
Trompete:
Pete Candoli (am 1956-08-28), Maynard Ferguson (am 1956-08-28), Conrad Gozzo (am 1956-08-28) und Ray Linn (am 1956-08-28)
Waldhorn:
Vince DeRosa (am 1956-08-28)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-28)
conductor:
Buddy Bregman (am 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-28)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-28)
cover recording of:
Give It Back to the Indians (am 1956-08-28)
Texter:
Lorenz Hart (in 1939)
Komponist(in):
Richard Rodgers (composer) (in 1939)
3:15
2Ten Cents a Dance
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
baritone saxophone:
Chuck Gentry (am 1956-08-28)
Bass:
Joe Mondragon (am 1956-08-28)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-28)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-28)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-28) und Edgar Lustgarten (am 1956-08-28)
Gitarre:
Barney Kessel (am 1956-08-28)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1956-08-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-28), Bud Shank (am 1956-08-28) und Maurice Stein (American jazz saxophonist) (am 1956-08-28)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-28)
Posaune:
Milt Bernhart (am 1956-08-28), Joe Howard (american trombone player) (am 1956-08-28) und Lloyd Ulyate (am 1956-08-28)
Schlagzeug:
Alvin Stoller (am 1956-08-28)
Trompete:
Pete Candoli (am 1956-08-28), Maynard Ferguson (am 1956-08-28), Conrad Gozzo (am 1956-08-28) und Ray Linn (am 1956-08-28)
Waldhorn:
Vince DeRosa (am 1956-08-28)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-28)
conductor:
Buddy Bregman (am 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-28)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-28)
cover recording of:
Ten Cents a Dance (am 1956-08-28)
Texter:
Lorenz Hart (in 1930)
Komponist(in):
Richard Rodgers (composer) (in 1930)
Teil von:
Simple Simon
4:10
3There’s a Small Hotel
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
baritone saxophone, Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-29)
Bass:
Joe Mondragon (am 1956-08-29)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-29)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-29) und Edgar Lustgarten (am 1956-08-29)
Englischhorn [English horn] und Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-29), Bud Shank (am 1956-08-29) und Willie Schwartz (am 1956-08-29)
Gitarre:
Barney Kessel (am 1956-08-29)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-29)
Perkussion:
Milt Holland (am 1956-08-29)
Schlagzeug:
Alvin Stoller (am 1956-08-29)
Waldhorn:
Vince DeRosa (am 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-29)
conductor:
Buddy Bregman (am 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-29)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-29)
cover recording of:
There’s a Small Hotel (from “On Your Toes”) (am 1956-08-29)
Texter:
Lorenz Hart (in 1936)
Komponist(in):
Richard Rodgers (composer) (in 1936)
Teil von:
On Your Toes
Teil von:
Pal Joey
2:52
4I Didn’t Know What Time It Was
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
baritone saxophone, Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-29)
Bass:
Joe Mondragon (am 1956-08-29)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-29)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-29) und Edgar Lustgarten (am 1956-08-29)
Englischhorn [English horn] und Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-29), Bud Shank (am 1956-08-29) und Willie Schwartz (am 1956-08-29)
Gitarre:
Barney Kessel (am 1956-08-29)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-29)
Perkussion:
Milt Holland (am 1956-08-29)
Schlagzeug:
Alvin Stoller (am 1956-08-29)
Waldhorn:
Vince DeRosa (am 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-29)
conductor:
Buddy Bregman (am 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-29)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-29)
cover recording of:
I Didn’t Know What Time It Was (Pal Joey) (am 1956-08-29)
Texter:
Lorenz Hart (in 1939)
Komponist(in):
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. und Williamson Music Company
Teil von:
Pal Joey
3:51
5Ev’rything I’ve Got
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (in 1956)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1956)
Kontrabass:
Joe Mondragon (in 1956)
Schlagzeug:
Alvin Stoller (in 1956)
vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-30)
cover recording of:
Ev’rything I’ve Got (in 1956)
Texter:
Lorenz Hart (in 1942)
Komponist(in):
Richard Rodgers (composer) (in 1942)
publisher:
Chappell & Co., Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:25
6I Could Write a Book
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-30)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-30) und Edgar Lustgarten (am 1956-08-30)
Englischhorn [English horn] und Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-08-30)
Flügelhorn:
Vince DeRosa (am 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Harfe:
Corky Hale (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
conductor:
Buddy Bregman (am 1956-08-30)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-30)
cover recording of:
I Could Write a Book (am 1956-08-30)
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
Pal Joey
43:42
7Blue Room
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bassklarinette und Fagott:
Chuck Gentry (in 1956)
flute:
Jule Kinzler (in 1956)
Gitarre:
Barney Kessel (in 1956)
Klarinette:
Abe Most (in 1956)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1956)
Kontrabass:
Joe Mondragon (in 1956)
Oboe:
Arnold Koblentz (Oboe player) (in 1956)
Schlagzeug:
Alvin Stoller (in 1956)
Waldhorn:
Vincent DeRosa (in 1956)
vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
conductor:
Buddy Bregman (in 1956)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-31)
cover recording of:
Blue Room (in 1956)
Texter:
Lorenz Hart (in 1926)
Komponist(in):
Richard Rodgers (composer) (in 1926)
2:33
8My Funny Valentine
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-30)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-30) und Edgar Lustgarten (am 1956-08-30)
Englischhorn [English horn] und Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Harfe:
Corky Hale (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
Waldhorn:
Vince DeRosa (am 1956-08-30)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
conductor:
Buddy Bregman (am 1956-08-30)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-30)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1956-08-30)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
43:56
9Bewitched
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-30)
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (am 1956-08-30)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
2.657:05
10Mountain Greenery
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
baritone saxophone:
Chuck Gentry (am 1956-08-28)
Bass:
Joe Mondragon (am 1956-08-28)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-28)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-28)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-28) und Edgar Lustgarten (am 1956-08-28)
Gitarre:
Barney Kessel (am 1956-08-28)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1956-08-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-28), Bud Shank (am 1956-08-28) und Maurice Stein (American jazz saxophonist) (am 1956-08-28)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-28)
Posaune:
Milt Bernhart (am 1956-08-28), Joe Howard (american trombone player) (am 1956-08-28) und Lloyd Ulyate (am 1956-08-28)
Schlagzeug:
Alvin Stoller (am 1956-08-28)
Trompete:
Pete Candoli (am 1956-08-28), Maynard Ferguson (am 1956-08-28), Conrad Gozzo (am 1956-08-28) und Ray Linn (am 1956-08-28)
Waldhorn:
Vince DeRosa (am 1956-08-28)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-28)
conductor:
Buddy Bregman (am 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-28)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-28)
cover recording of:
Mountain Greenery (am 1956-08-28)
Texter:
Lorenz Hart (in 1926)
Komponist(in):
Richard Rodgers (composer) (in 1926)
2:17
11Wait Till You See Her
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (in 1956)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-08-29)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-29)
cover recording of:
Wait Till You See Her (in 1956)
Texter:
Lorenz Hart (in 1942)
Verfasser(in):
Lorenz Hart und Richard Rodgers (composer)
Komponist(in):
Richard Rodgers (composer) (in 1942)
1:34
12Lover
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1956)
conductor:
Buddy Bregman (in 1956)
Orchestrator(in):
Buddy Bregman
cover recording of:
Lover (in 1956)
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:21
13Isn’t It Romantic?
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-31)
Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-31)
Englischhorn [English horn]:
Bob Cooper (US jazz saxophonist) (am 1956-08-31)
flute:
Jule Kinzler (am 1956-08-31)
Gitarre:
Barney Kessel (am 1956-08-31)
Klarinette:
Abe Most (am 1956-08-31)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-31)
Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-31)
Schlagzeug:
Alvin Stoller (am 1956-08-31)
Waldhorn:
Vince DeRosa (am 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-31)
conductor:
Buddy Bregman (am 1956-08-31)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-31)
cover recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (am 1956-08-31)
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Sony/ATV Harmony
3:04
14Here in My Arms
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-31)
Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-31)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-31)
Englischhorn [English horn]:
Bob Cooper (US jazz saxophonist) (am 1956-08-31)
flute:
Jule Kinzler (am 1956-08-31)
Gitarre:
Barney Kessel (am 1956-08-31)
Klarinette:
Abe Most (am 1956-08-31)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-31)
Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-31)
Schlagzeug:
Alvin Stoller (am 1956-08-31)
Waldhorn:
Vince DeRosa (am 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-31)
conductor:
Buddy Bregman (am 1956-08-31)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-31)
cover recording of:
Here in My Arms (am 1956-08-31)
Texter:
Lorenz Hart (in 1925)
Komponist(in):
Richard Rodgers (composer) (in 1925)
1:56
15Blue Moon
Techniker(in):
Val Valentin (am 1956-08-29)
Produzent(in):
Norman Granz
baritone saxophone, Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-29)
Bass:
Joe Mondragon (am 1956-08-29)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-29)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-29) und Edgar Lustgarten (am 1956-08-29)
Englischhorn [English horn] und Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-29), Bud Shank (am 1956-08-29) und Willie Schwartz (am 1956-08-29)
Gitarre:
Barney Kessel (am 1956-08-29)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-29)
Perkussion:
Milt Holland (am 1956-08-29)
Schlagzeug:
Alvin Stoller (am 1956-08-29)
Waldhorn:
Vince DeRosa (am 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-29)
conductor:
Buddy Bregman (am 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-29)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-29)
cover recording of:
Blue Moon (am 1956-08-29)
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
3:15
16My Heart Stood Still
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-30)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-30) und Edgar Lustgarten (am 1956-08-30)
Englischhorn [English horn] und Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Harfe:
Corky Hale (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
Waldhorn:
Vince DeRosa (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
conductor:
Buddy Bregman (am 1956-08-30)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-30)
cover recording of:
My Heart Stood Still (am 1956-08-30)
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
One Dam Thing After Another
3:06
17I’ve Got Five Dollars
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Bud Shank (am 1956-08-21) und Maurice Stein (American jazz saxophonist) (am 1956-08-21)
baritone saxophone:
Chuck Gentry (am 1956-08-21)
Bass:
Joe Mondragon (am 1956-08-21)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-21)
Gitarre:
Barney Kessel (am 1956-08-21)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-21)
Posaune:
Milt Bernhart (am 1956-08-21), Joe Howard (american trombone player) (am 1956-08-21) und Lloyd Ulyate (am 1956-08-21)
Schlagzeug:
Alvin Stoller (am 1956-08-21)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-21) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-21)
Trompete:
Pete Candoli (am 1956-08-21), Maynard Ferguson (am 1956-08-21), Conrad Gozzo (am 1956-08-21) und Ray Linn (am 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-21)
conductor:
Buddy Bregman (am 1956-08-21)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-21)
cover recording of:
I’ve Got Five Dollars (am 1956-08-21)
Texter:
Lorenz Hart (in 1931)
Komponist(in):
Richard Rodgers (composer) (in 1931)
2:42
18Lover (monaural)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1956)
conductor:
Buddy Bregman (in 1956)
Orchestrator(in):
Buddy Bregman
cover recording of:
Lover (in 1956)
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:15
5▶CD: Ella Fitzgerald Sings the Duke Ellington Song Book
6▶CD: Ella Fitzgerald Sings the Duke Ellington Song Book
7▶CD: Ella Fitzgerald Sings the Duke Ellington Song Book
8▶CD: Ella Fitzgerald Sings the Irving Berlin Song Book
9▶CD: Ella Fitzgerald Sings the Irving Berlin Song Book
10▶CD: Ella Fitzgerald Sings the George and Ira Gershwin Song Book
11▶CD: Ella Fitzgerald Sings the George and Ira Gershwin Song Book
12▶CD: Ella Fitzgerald Sings the George and Ira Gershwin Song Book
13▶CD: Ella Fitzgerald Sings the Harold Arlen Song Book
14▶CD: Ella Fitzgerald Sings the Harold Arlen Song Book
15▶CD: Ella Fitzgerald Sings the Jerome Kern Song Book
16▶CD: Ella Fitzgerald Sings the Johnny Mercer Song Book