Time in a Bottle: Great Original Hits of the '70s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: All-Time Favorites
2▶CD: No. 1 Hits / Lite 'n' Easy
3▼CD: The Great Singer/Songwriter / Super Groups of the '70s
Nr.TitelKünstlerBewertungLänge
1Hello, It's Me
recording engineer und Mix:
Billy Sherwood
Produzent(in):
Bob Kulick und Billy Sherwood
Bassgitarre, membranophone, Perkussion und Hintergrundgesang:
Billy Sherwood
Gitarre:
Edgar Winter
Gitarre [rhythm guitar]:
Bob Kulick
Sologesang:
Todd Rundgren
vocals:
Todd Rundgren
aufgenommen bei und mixed at:
Office Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
Hello, It’s Me
Texter und Komponist(in):
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren44:22
2Sunshine (Go Away Today)
recording of:
Sunshine
Texter und Komponist(in):
Jonathan Edwards (American singer-songwriter/musician)
Jonathan Edwards2:17
3Maggie May
Produzent(in):
Rod Stewart
Akustikgitarre:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
Bassgitarre, E-Gitarre und zwölfsaitige Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
Becken und membranophone:
Micky Waller (in 1971)
Celesta:
Pete Sears (in 1971)
Hammond-Orgel:
Ian McLagan (in 1971)
Mandoline:
Ray Jackson (in 1971) und David Lindley (in 1971)
Sologesang:
Rod Stewart (in 1971)
phonographisches Urheberrecht (℗) von:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.25:16
4Vincent
Techniker(in):
Tom Flye
Produzent(in):
Ed Freeman (producer, arranger, musician, and photographer)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1971-05 bis 1971-06)
recording of:
Vincent (Starry Starry Night)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) und Universal/MCA Music Ltd. (not for release label use!)
übersetzte Version von:
Wim
Don McLean4.44:02
5Cat’s in the Cradle
Produzent(in):
Paul Leka
arranger:
Paul Leka
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1974)
aufgenommen bei:
Connecticut Recording Studios in Connecticut, Vereinigte Staaten
recording of:
Cat’s in the Cradle
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:47
6Morning Has Broken
Produzent(in):
Paul Samwell-Smith
Bass und Conga:
Larry Steele (British bassist, percussionist, guitarist & vocalist) (in 1971-03)
Bouzouki:
Angelos Hatzipavli (in 1971-03) und Ανδρέας Τουμαζής (Andreas Toumazis) (in 1971-03)
Gitarre:
Alun Davies (in 1971-03) und Cat Stevens (now known as Yusuf Islam) (in 1971-03)
Keyboard und Sologesang:
Cat Stevens (now known as Yusuf Islam) (in 1971-03)
Klavier:
Rick Wakeman (in 1971-03)
Saiteninstrumente:
Del Newman (British conductor, orchestrator, arranger) (in 1971-03)
Schlagzeug:
Harvey Burns (in 1971-03) und Gerry Conway (in 1971-03)
phonographisches Urheberrecht (℗) von:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970) und Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1971)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1971-03)
recording of:
Morning Has Broken (Cat Stevens arrangement) (in 1971-03)
Texter:
Eleanor Farjeon
Komponist(in):
[traditional] (special purpose artist)
arranger:
Cat Stevens (now known as Yusuf Islam)
Arrangement von:
Morning Has Broken
Cat Stevens4.253:17
7Me and You and a Dog Named Boo
recording of:
Me and You and a Dog Named Boo
Texter und Komponist(in):
Lobo (American singer-songwriter Roland Kent LaVoie)
Lobo4.52:59
8Sometimes When We Touch
recording of:
Sometimes When We Touch
Texter:
Dan Hill (Canadian singer/songwriter)
Komponist(in):
Barry Mann
publisher:
Anthem Entertainment A (work publisher), Dyad Music Ltd., Mann and Weil Songs, Inc., McCauley Music Ltd., Ole Media Management LP II, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック (Fujipacific Music, Inc.)
Dan Hill3:33
9I'll Have to Say I Love You in a Song
Akustikgitarre [lead acoustic guitar]:
Maury Muehleisen
Bass:
Joe Macho
Gitarre [rhythm guitar]:
Jim Croce
Hybrid-Piano:
Tommy West
Perkussion:
George Devens
Schlagzeug:
Gary Chester (studio drummer and educator)
Hintergrundgesang:
Marty Nelson und Tommy West
vocals:
Jim Croce (am 1973-06-07)
conductor:
Terence Minogue
arranger:
Terence Minogue
phonographisches Urheberrecht (℗) von:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973) und Lastrada Entertainment Co., Ltd. (in 1973)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1973-06-07)
recording of:
I’ll Have to Say I Love You in a Song (am 1973-06-07)
Texter und Komponist(in):
Jim Croce
publisher:
Blendingwell Music, Inc., DenJac Music Company und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.82:34
10Could It Be I’m Falling in Love
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
Bass-Gesang:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) und Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
Verfasser(in):
Melvin Steals und Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:15
11Black Water
recording engineer:
Donn Landee
zusätzlich recording engineer:
Lee Herschberg
sonstige Unterstützung:
Benita Brazier (Aufgabe: production coordinator)
Produzent(in):
Ted Templeman
autoharp:
Arlo Guthrie (American folk singer-songwriter)
Bratsche / Viola:
Novi
Conga und Timbales:
Eddie Guzman
Keyboard:
Bill Payne
Marimba, Rahmentrommel [pandeiro] und tabla:
Milt Holland
Pedal-Steel-Gitarre:
Jeff “Skunk” Baxter
arranger:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns), Andrew Love und The Memphis Horns
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1974)
recording of:
Black Water
Texter, Verfasser(in) und Komponist(in):
Patrick Simmons
publisher:
Lansdowne Music Publishers, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.24:15
12Rock and Roll Music
Techniker(in):
Stephen Moffitt
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
autoharp:
Carol Lee Miller
Gitarre:
Ed Carter und Billy Hinsche
Klarinette und Saxophon:
Mike Altschol, Dennis Dreith, John J. Kelson, Jr. und Jack Nimitz (American saxophonist and clarinet player)
Moog, Orgel, Klavier und Synthesizer:
Brian Wilson (Beach Boys co‐founder)
Perkussion:
Gene Estes
Saxophon:
Steve Douglas (American saxophonist, flautist and clarinetist)
Schlagzeug:
Dennis Wilson (Beach Boys)
Hintergrundgesang:
Al Jardine (guitarist and singer), Brian Wilson (Beach Boys co‐founder), Carl Wilson (Beach Boys), Dennis Wilson (Beach Boys) und Marilyn Wilson
Hintergrundgesang und Sologesang:
Mike Love (Beach Boys)
arranger:
Brian Wilson (Beach Boys co‐founder)
cover recording of:
Rock and Roll Music
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
The Beach Boys2.82:32
13My Best Friend’s Girl
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer), Jay Faires und Tricia Holloway
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978, in 1979)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
recording of:
My Best Friend’s Girl (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc., Universal/MCA Music Publishing Pty Ltd und Lido Music (not for release label use!) (in 1978)
The Cars4.353:47
14If You Leave Me Now
recording engineer:
Armin Steiner (von 1976-03 bis 1976-04: Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (von 1976-03 bis 1976-04)
Sologesang:
Peter Cetera (von 1976-03 bis 1976-04)
Saiteninstrumente arranger und Waldhorn arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Rhino Entertainment Company (not for release label use!) (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente) und Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
recording of:
If You Leave Me Now (von 1976-03 bis 1976-04)
Texter:
Peter Cetera
Komponist(in):
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music und Spirit Music Publishing Ltd.
Chicago4.23:58
15Ain’t No Woman (Like the One I’ve Got)
Produzent(in):
Steve Barri, Dennis Lambert und Brian Potter (US songwriter & producer)
Saiteninstrumente arranger:
Don Hockett und Dennis Lambert
recording of:
Ain't No Woman (Like the One I've Got)
Verfasser(in):
Dennis Lambert und Brian Potter (US songwriter & producer)
publisher:
Songs of Universal, Inc. (BMI)
The Four Tops3:09
16One Less Bell to Answer
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) und Rik Pekkonen
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
Solo vocals:
Marilyn McCoo Davis (in 1970)
Interpret(in):
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis und Ron Townson
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
One Less Bell to Answer (in 1970)
Texter:
Hal David (in 1967)
Komponist(in):
Burt Bacharach (in 1967)
publisher:
Blue Seas Music, Inc. (beendet), JAC Music Co., Inc. (beendet), BMG Rights Management (UK) Ltd. (Hal David), New Hidden Valley Music Co., PW Arrangements und Universal Music Corp. (USA, affiliated with ASCAP)
The 5th Dimension3:31
17Clap for the Wolfman
recording engineer:
Brian Christian
Produzent(in):
Jack Richardson
Sprecher:
Wolfman Jack (US disc jockey)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1974)
recording of:
Clap for the Wolfman
Verfasser(in):
Burton Cummings, Bill Wallace (of The Guess Who) und Kurt Winter
publisher:
Wee Mac Music, B.L.C. Ltd (in 1974) und Walrus-Moore Music Ltd (in 1974)
The Guess Who34:19
18I’ll Be There
Produzent(in):
Nickolas Ashford, Hal Davis und Valerie Simpson
arranger:
Bob West (US session bassist, producer & songwriter)
recording of:
I’ll Be There (in 1970-06)
Verfasser(in):
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy und Willie Hutch
publisher:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. und Stone Diamond Music Corporation
Teil von:
MJ: The Musical
The Jackson 54.353:58
4▶CD: Romantic Hits of the '70s / By Request