The Greatest Love, Volume III

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1Nights in White Satin
registrazione di:
Nights in White Satin
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues4:30
2Sorry Seems to Be the Hardest Word
tecnico:
Gus Dudgeon e Mark Howlett
produttore:
Gus Dudgeon e John Stewart (UK music producer/recording engineer)
basso elettrico :
Kenny Passarelli (Bass, piano)
fisarmonica :
Carl Fortina
pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
pianoforte elettrico :
James Newton Howard (American score composer)
vibrafono :
Ray Cooper (percussionist)
direttore d'orchestra:
James Newton Howard (American score composer)
arrangiatore fisarmonica e archi :
James Newton Howard (American score composer)
diritti fonografici (℗) detenuti da:
Happenstance Limited (record and publishing company) (nel 1976)
registrata presso:
Eastern Sound in Toronto, Ontario, Canada e Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (nel 1976-03)
registrazione di:
Sorry Seems to Be the Hardest Word
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Big Pig Music Ltd (publisher), Chappell & Co Inc. (USA), Happenstance Limited (record and publishing company), Intersong U.S.A. Inc. (publisher), Muziekuitgeverij Artemis B.V., Rouge Booze, Inc., Universal–Songs of PolyGram International, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.353:46
3I Go to Sleep
produttore:
Chris Thomas (UK record producer / remixer)
mixata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
registrazione cover di:
I Go to Sleep
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Edward Kassner Music Co. Ltd. e Sony/ATV
The Pretenders2:57
4Everything Must Change
registrazione di:
Everything Must Change
autore:
Ian Kewley e Paul Young (English pop singer and musician)
editore:
Bright Music Ltd. (publisher)
Paul Young4:41
5Happy Ever After
registrazione di:
Happy Ever After
paroliere e compositore:
Julia Fordham
Julia Fordham53:45
6Amoureuse
registrazione di:
Amoureuse (English version)
autore:
Véronique Sanson
traduttore:
Gary Osborne
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
versione tradotta di:
Amoureuse
Kiki Dee4:07
7Summer (The First Time)
registrazione di:
Summer (The First Time)
paroliere e compositore:
Bobby Goldsboro
Bobby Goldsboro4:40
8Golden Brown
co-produttore:
Steve Churchyard
produttore:
Steve Churchyard e The Stranglers
tecnico di missaggio:
Tony Visconti
esecutore:
The Stranglers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrazione di:
Golden Brown
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Plumbshaft-Ltd.
The Stranglers4.43:28
9Jealous Guy
produttore:
Rhett Davies, Bryan Ferry e Roxy Music
tecnico di missaggio:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1981), Virgin EG Records Ltd. (nel 1981) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1981, nel 2000)
registrazione cover di:
Jealous Guy
paroliere e compositore:
John Lennon (The Beatles)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-editore:
Fujipacific Music, Inc. Division 2
revisione di:
Child of Nature
Roxy Music4.54:52
10Arthur's Theme
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
produttore:
Michael Omartian
tecnico di missaggio:
Chet Himes
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981, nel 1983)
registrata presso e mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 19)
registrazione di:
Arthur’s Theme (Best That You Can Do)
autore:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager e Christopher Cross (US singer‐songwriter)
editore:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America e Woolnough Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 54th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1981 winner)
Christopher Cross53:54
11Don't It Make My Brown Eyes Blue
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (nel 1976) e Capitol Nashville (nel 1977, nel 1979)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 71)
registrazione cover di:
Don’t It Make My Brown Eyes Blue
paroliere e compositore:
Richard Leigh (American country music songwriter and singer)
editore:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) e EMI United Partnership Ltd.
Crystal Gayle4.42:32
12Will You
produttore:
Tony Visconti
voce:
Hazel O’Connor
arrangiatore:
Tony Visconti
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1980)
registrata presso e mixata presso:
Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Will You?
paroliere e compositore:
Hazel O’Connor
editore:
Albion Music Ltd.
Hazel O’Connor4:51
13A House Is Not a Home
tecnico di registrazione e tecnico di missaggio:
Michael H. Brauer (engineer)
assistente tecnico:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) e Don Wershba (engineer)
tecnico:
Carl Beatty (engineer)
produttore:
Luther Vandross
produttore esecutivo:
Larkin Arnold
arrangiatore voci:
Luther Vandross
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1981, nel 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981, nel 1989)
registrata presso:
Mediasound Studios in New York, New York, Stati Uniti
registrazione cover di:
A House Is Not a Home
paroliere:
Hal David (nel 1964)
compositore:
Burt Bacharach (nel 1964)
editore:
Diplomat Music (conclusa), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (conclusa), Famous Chappell, Famous Music (UK) Ltd. e Sony/ATV Harmony
Luther Vandross7:09
14Saturday Love
registrazione di:
Saturday Love
autore:
Jimmy Jam (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Alexander O’Neal & Cherrelle43:49
15When I Fall in Love
voce:
Nat King Cole (il 1956-12-28)
direttore d'orchestra:
Gordon Jenkins (il 1956-12-28)
arrangiatore:
Gordon Jenkins
registrazione cover di:
When I Fall in Love (il 1956-12-28)
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole1.53:11

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parte di:The Greatest Love (numero: 3) (ordine: 3)