The Woodstock Generation

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Let's Go to San Francisco
registrazione di:
Let’s Go to San Francisco
autore:
John Carter (songwriter & producer, b. 1942) e Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
editore:
Peermusic Ltd. (BMI)
The Flower Pot Men3:38
2She's Not There
produttore:
Ken Jones (British conductor & composer Kenneth Evan Jones)
diritti fonografici (℗) detenuti da:
Decca Records (nel 1964)
registrata presso:
Decca Studios: Studio 2 in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1964-06-12)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 37), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 213) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 291)
registrazione di:
She’s Not There (il 1964-06-12)
paroliere e compositore:
Rod Argent
editore:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA e Parker Music
sub-editore:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. e シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
The Zombies4.152:23
3She'd Rather Be With Me
esecutore:
The Turtles (late 60s US rock band)
registrazione di:
She’d Rather Be With Me
autore:
Garry Bonner (singer and songwriter) e Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
The Turtles3.352:19
4California Dreamin'
tecnico:
Bones Howe
produttore:
Lou Adler
chitarra :
P.F. Sloan (nel 1965)
flauto contralto solista :
Bud Shank (nel 1965)
diritti fonografici (℗) detenuti da:
Geffen Records e Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 420)
registrazione di:
California Dreamin’ (nel 1965)
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:39
5A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:03
6The Days of Pearly Spencer
registrazione di:
The Days of Pearly Spencer
paroliere e compositore:
David McWilliams
David McWilliams2:34
7Woodstock
registrazione cover di:
Woodstock
paroliere e compositore:
Joni Mitchell
editore:
Warner Bros. Music (publisher; do NOT use as release label)
Matthews’ Southern Comfort3.64:29
8Do It Again
registrazione di:
Do It Again
autore:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
editore:
Rondor Music (London) Ltd.
The Beach Boys2:29
9Here Come the Nice
tecnico:
Glyn Johns
produttore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1967) e Instant (Sublabel of Charly Records Ltd) (nel 1968)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione di:
Here Come the Nice
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
EMI United Partnership Ltd. (conclusa)
Small Faces43:03
10Over Under Sideways Down
registrazione di:
Over Under Sideways Down
autore:
Jeff Beck (English rock guitarist), Chris Dreja, Jim McCarty (UK drummer, Yardbirds member), Keith Relf e Paul Samwell-Smith
editore:
Glenwood Music Corp. e Henrees Music co.
The Yardbirds2:24
11Pictures of Matchstick Men
registrazione di:
Pictures of Matchstick Men
paroliere e compositore:
Francis Rossi
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Valley Music Ltd (publisher)
Status Quo3:09
12Going Up the Country
produttore:
Canned Heat e Skip Taylor
flauto :
Jim Horn (saxophonist, hornist, flutist and oboist) (dal 1968-08-06 al 1968-08-07)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1968) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2005)
registrata presso:
I.D. Sound in Los Angeles, California, Stati Uniti (dal 1968-08-06 al 1968-08-07)
registrazione di:
Going Up the Country (dal 1968-08-06 al 1968-08-07)
paroliere, autore e compositore:
Alan Wilson (Canned Heat member)
editore:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. e United Artists Music Ltd.
versione di:
Bull Doze Blues
Canned Heat2.52:50
13Universal Soldier
registrazione cover di:
The Universal Soldier
paroliere e compositore:
Buffy Sainte‐Marie
editore:
Peermusic (UK) Limited
Donovan2:12
14I Have to Say I Love You in a Song
basso :
Joe Macho
batteria :
Gary Chester (studio drummer and educator)
chitarra [rhythm guitar] :
Jim Croce
chitarra acustica [lead acoustic guitar] :
Maury Muehleisen
percussione :
George Devens
pianoforte elettrico :
Tommy West
voce:
Jim Croce (il 1973-06-07)
voce di accompagnamento:
Marty Nelson e Tommy West
direttore d'orchestra:
Terence Minogue
arrangiatore:
Terence Minogue
diritti fonografici (℗) detenuti da:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (nel 1973) e Lastrada Entertainment Co., Ltd. (nel 1973)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1973-06-07)
registrazione di:
I’ll Have to Say I Love You in a Song (il 1973-06-07)
paroliere e compositore:
Jim Croce
editore:
Blendingwell Music, Inc., DenJac Music Company e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.82:32
15Hello Suzie
Amen Corner2:38
16It's My Life
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 12)
registrazione cover di:
It’s My Life (The Animals)
paroliere:
Roger Atkins
compositore:
Carl D’Errico
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Animals3.353:05
17Night of Fear
The Move2:12
18He Ain't Heavy He's My Brother
produttore:
Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969) e The Hollies Ltd. (dal 1969 al 1970)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1969-06-25)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 46)
registrazione cover di:
He Ain’t Heavy, He’s My Brother (il 1969-06-25)
autore:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) e Bobby Scott (vocals, piano, US musician & producer)
editore:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies3.854:16
19Man of the World
diritti fonografici (℗) detenuti da:
Immediate (nel 1969)
video musicali:
Man of the World di Fleetwood Mac
registrazione di:
Man of the World
compositore:
Peter Green (former member of Fleetwood Mac)
editore:
Fleetwood Music Ltd. e Palan Music Publishing Ltd.
Fleetwood Mac3.52:48
20America
registrazione di:
America
compositore:
Leonard Bernstein (American conductor, composer, pianist) e Antonín Dvořák (composer)
versione di:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonia No. 9 "Dal nuovo mondo")
versione di:
West Side Story: America (Anita, Shark Girls)
The Nice6:21