The Return of Super 70’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

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#TitoloArtistaValutazioneDurata
1Crazy Little Thing Called Love
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
co-produttore:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) e Roger Taylor (Queen drummer)
basso , chitarra , chitarra basso e tastiera :
John Deacon (dal 1979-06 al 1979-07)
batteria :
Roger Taylor (Queen drummer) (dal 1979-06 al 1979-07)
battimani :
John Deacon (dal 1979-06 al 1979-07), Brian May (Queen guitarist) (dal 1979-06 al 1979-07), Freddie Mercury (dal 1979-06 al 1979-07) e Roger Taylor (Queen drummer) (dal 1979-06 al 1979-07)
chitarra acustica [acoustic rhythm guitar] e voce principale:
Freddie Mercury (dal 1979-06 al 1979-07)
chitarra elettrica e chitarra solista :
Brian May (Queen guitarist) (dal 1979-06 al 1979-07)
voce di accompagnamento:
Brian May (Queen guitarist) (dal 1979-06 al 1979-07), Freddie Mercury (dal 1979-06 al 1979-07) e Roger Taylor (Queen drummer) (dal 1979-06 al 1979-07)
diritti fonografici (℗) detenuti da:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (nel 1979, nel 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (nel 1979, nel 2011) e Raincloud Productions Ltd. (nel 1979, nel 2014)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (dal 1979-06 al 1980-05)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 371)
registrazione di:
Crazy Little Thing Called Love (dal 1979-06 al 1979-07)
paroliere e compositore:
Freddie Mercury (nel 1979)
editore:
EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. (, nel 1979), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), Beechwood Music Corp. (nel 1979) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
compresa in:
We Will Rock You (German version of the Queen musical)
Queen3.452:44
2Waterloo
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
batteria :
Ola Brunkert (il 1973-12-17, il 1974-02-20)
chitarra :
Janne Schaffer (il 1973-12-17, il 1974-02-20)
chitarra acustica :
Björn Ulvaeus (il 1973-12-17)
chitarra basso :
Rutger Gunnarsson (il 1973-12-17)
moog, mellotron e pianoforte :
Benny Andersson (ABBA) (il 1973-12-17)
sassofono tenore :
Christer Eklund (il 1974-01-04)
diritti fonografici (℗) detenuti da:
Polar Music AB (nel 1974) e Polar Music International AB (nel 2014)
registrata presso:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Svezia (il 1973-12-17, il 1974-01-04, il 1974-02-20)
parte di:
Sweden in the Eurovision Song Contest (Svezia all'Eurovision Song Contest) (numero: 1974) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1974)
registrazione di:
Waterloo (English version) (dal 1973-12-17 al 1974-01)
autore:
Stig Anderson (Stikkan), Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Overseas Songs (conclusa), Polar Music AB (conclusa), Bocu Music Ltd., EMI Grove Park Music, Inc., Union Songs Music, Universal–Songs of PolyGram International, Inc., EMI Waterford Music (dal 1974 a oggi), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (dal 1974 a oggi) e Universal/Union Songs Musikförlag AB (dal 1974 a oggi)
versione tradotta di:
Waterloo (Swedish version)
parte di:
Mamma Mia! (1999 musical)
ABBA3.752:48
3See My Baby Jive
registrazione di:
See My Baby Jive
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Belinda Music, EMI Belinda Music Australia Pty. Ltd. e Roy Wood Music Ltd.
Wizzard55:00
4Can’t Give You Anything (But My Love)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1975)
registrazione di:
I Can’t Give You Anything (But My Love)
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
Abilene Music Inc. e Music Sales Corporation (American copyright holder in both popular and classical music)
The Stylistics23:16
5When Will I See You Again
voce:
Sheila Ferguson, Valerie Holiday e Fayette Pinkney
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1973) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1974)
edit di:
When Will I See You Again (Ferguson, Holiday, Pinkney) di The Three Degrees
registrazione di:
When Will I See You Again
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees2:37
6Billy Don’t Be a Hero
co-produttore:
Peter Callander (nel 1974) e Mitch Murray (nel 1974)
basso :
Cliff Fish (bassist for Paper Lace) (nel 1974)
batteria e voce principale:
Phil Wright (Lead singer and drummer of Paper Lace) (nel 1974)
chitarra :
Chris Morris (Member of Paper Lace) (nel 1974) e Mick Vaughan (nel 1974)
voce di accompagnamento:
Cliff Fish (bassist for Paper Lace) (nel 1974), Chris Morris (Member of Paper Lace) (nel 1974) e Mick Vaughan (nel 1974)
registrata presso:
Majestic Studios in Clapham, Lambeth, London (Greater London), England, Regno Unito (nel 1974)
registrazione di:
Billy, Don’t Be a Hero
autore:
Peter Callander e Mitch Murray
editore:
Universal–Songs of PolyGram International, Inc.
sub-editore:
Imudico AB
Paper Lace4:01
7Gonna Make You a Star
produttore:
Jeff Wayne (musician)
registrazione di:
Gonna Make You a Star
paroliere e compositore:
David Essex
editore:
April (publisher) e Rock On Music
David Essex43:40
8Substitute
produttore:
Grahame Beggs
registrazione di:
Substitute (nel 1978)
paroliere e compositore:
Willie Wilson
editore:
Discoton (German club label)
Clout43:26
9Love Train
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Love Train (nel 1972)
paroliere e compositore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Mijac Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:57
10When You’re in Love With a Beautiful Woman
registrazione di:
When You’re in Love With a Beautiful Woman
paroliere e compositore:
Even Stevens (singer / songwriter)
editore:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr Hook2:47
11Mississippi
diritti fonografici (℗) detenuti da:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (nel 1975)
registrazione di:
Mississippi
paroliere e compositore:
Werner Theunissen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:37
12Devil Woman
produttore:
Bruce Welch (English guitarist, singer, songwriter and producer)
voce:
Cliff Richard
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1976, nel 2001)
registrazione cover di:
Devil Woman
autore:
Terry Britten e Kristine Sparkle (UK singer and songwriter)
editore:
Mushroom Music Pty. Ltd. e Warner/Chappell Music Australia Pty. Ltd.
Cliff Richard53:34
13Free Electric Band
produttore:
Albert Hammond
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973)
registrazione di:
The Free Electric Band
autore:
Albert Hammond e Mike Hazlewood
editore:
Imagem Songs Ltd. e Landers‐Roberts Music
Albert Hammond3.53:25
14Beach Baby
diritti fonografici (℗) detenuti da:
Peermusic Ltd. (BMI) (nel 1974)
registrazione di:
Beach Baby
autore:
John Carter (songwriter & producer, b. 1942) e Gillian Shakespeare (songwriter)
editore:
Image Music (Australian) e Peermusic Pty. Ltd. (Australia)
First Class4.54:48
15Make Me Smile (Come Up and See Me)
produttore:
Steve Harley e Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 18)
registrazione di:
Make Me Smile (Come Up and See Me)
paroliere e compositore:
Steve Harley
editore:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:56
16I Hear You Knocking
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
EMI Records UK (company credits only; file no releases here!) (nel 1970) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971)
registrazione cover di:
I Hear You Knocking
paroliere e compositore:
Dave Bartholomew e Pearl King
editore:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier e World Music (publisher)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:48
17California Man
produttore:
Jeff Lynne e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
basso :
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (il 1971-12-19)
batteria e percussione :
Bev Bevan (English rock drummer) (il 1971-12-19)
chitarra e voce principale:
Jeff Lynne (il 1971-12-19) e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (il 1971-12-19)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972, nel 2005)
registrazione di:
California Man (il 1971-12-19)
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Anne-Rachel Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI U Catalog Inc. (publisher; do NOT use as release label), Intersong Music, Jet Music Ltd. (British branch), United Artists Music Co., Inc. e United Artists Music Ltd.
The Move53:38
18Dyna-Mite
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
RAK Records Ltd. (nel 1973)
registrazione di:
Dyna-Mite
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
Mud52:58
19Can the Can
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1973), RAK Records Ltd. (nel 1973) e RAK Records (copyrights holder) (nel 1975)
registrata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
Can the Can
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
BMG Music, Chinnichap (production company and publisher) e Universal Music Publishing MGB Australia
Suzi Quatro4.23:35
20I Love to Boogie
esecutore:
T. Rex (UK band)
registrazione di:
I Love to Boogie
paroliere e compositore:
Marc Bolan
editore:
Wizard (Bahamas) Ltd.
T-Rex2:15
21Every 1’s a Winner
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Infinity Records Inc. (nel 1978)
registrazione di:
Every 1’s a Winner
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
EMI Music Publishing (PRS‐affiliated) e RAK Music Publishing Ltd.
Hot Chocolate4.154:04
22Whole Lotta Love (theme from Top of the Pops)
produttore:
Mickie Most (English record producer)
arrangiatore:
John Cameron (British composer, arranger and conductor)
registrazione strumentale cover di:
Whole Lotta Love
paroliere aggiunto:
Willie Dixon
autore:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page e Robert Plant (of Led Zeppelin)
editore:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB e WB Music Corp. (1929–2019)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
You Need Love
CCS53:35
23Theme From MagpieMurgatroyd Band2:25
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