Seventies Complete, Volume 1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Australian 1 of 5 disc release by EMI 8148362

Australian 5 of 5 disc release by EMI 8148402

Australian 4 of 5 disc release by EMI 8148392

Australian 3 of 5 disc release by EMI 8148382

Australian 2 of 5 disc release by EMI 8148372

Anmerkung zuletzt geändert am 2005-08-26 16:38 UTC.

Titelliste

| |
1▼CD: 1970-1974
Nr.TitelKünstlerBewertungLänge
1I’m the Leader of the Gang (I Am)
phonographisches Urheberrecht (℗) von:
Bell (50s-70s US/UK pop, later became Arista) (in 1973), Snapper Music (in 1973) und Snapper Music plc (parent company of Snapper Music) (in 1973)
recording of:
I’m the Leader of the Gang (I Am!) (in 1973)
Komponist(in):
Gary Glitter und Mike Leander
publisher:
Dutchess (BMI, started c. 1949), MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Ltd. (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Gary Glitter3.53:30
2Angel Face
Produzent(in):
Mike Leander
Bassgitarre:
John Springate
Gitarre und Sologesang:
Gerry Shephard
Schlagzeug:
Pete Phipps
phonographisches Urheberrecht (℗) von:
Crimson Copyrights Ltd. (in 1974)
recording of:
Angel Face
Texter:
Gerry Shephard
Komponist(in):
John Rossall (The Glitter Band)
publisher:
EMI Tunes Ltd
The Glitter Band43:00
3I Hear You Knockin’
Produzent(in):
Dave Edmunds
phonographisches Urheberrecht (℗) von:
EMI Records UK (company credits only; file no releases here!) (in 1970) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
cover recording of:
I Hear You Knocking
Texter und Komponist(in):
Dave Bartholomew und Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier und World Music (publisher)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:50
4Love Grows (Where My Rosemary Goes)
Produzent(in):
Tony Macaulay
vocals:
Tony Burrows (in 1970)
phonographisches Urheberrecht (℗) von:
Bell (50s-70s US/UK pop, later became Arista) (in 1970) und Demon Music Group (in 1970)
Musikvideos:
Love Grows (Where My Rosemary Goes) von Edison Lighthouse
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 40) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 416)
recording of:
Love Grows (Where My Rosemary Goes) (in 1970)
Verfasser(in):
Tony Macaulay und Barry Mason (English songwriter)
publisher:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. und Universal Music Publishing MGB Australia
Edison Lighthouse3.82:49
5Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
Texter und Komponist(in):
Carl Douglas
publisher:
Carren Music (publisher) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
basiert auf:
[Oriental Riff]
Carl Douglas4.23:11
6Spirit in the Sky
Produzent(in):
Erik Jacobsen
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969), Transtone Productions (in 1970) und Craft Recordings (US jazz label; reissue division of Concord) (in 2023)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 5), Billboard Year-End Hot 100 singles of 1970 (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 333)
recording of:
Spirit in the Sky (in 1969)
Texter und Komponist(in):
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) und Westminster Music Ltd.
Norman Greenbaum4.054:00
7The Locomotion
Produzent(in):
Todd Rundgren
cover recording of:
The Loco‐Motion (aka Locomotion) (in 1974)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (vom 1962 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Grand Funk Railroad52:47
8Draggin’ the Line
recording of:
Draggin’ the Line
Verfasser(in):
Tommy James (American musician, singer, songwriter and record producer) und Bob King (US vocalist/guitarist for The Soul Stirrers)
publisher:
Big Seven Music (in 1971)
Tommy James and the Shondells2:48
9I Can See Clearly Now
Produzent(in):
Johnny Nash (US reggae/pop singer-songwriter)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1972) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1972)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 165)
recording of:
I Can See Clearly Now (in 1972)
Texter und Komponist(in):
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Nash4.152:42
10Sacha
recording of:
Sacha
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway und Jerry Lordan
publisher:
PolyGram Music Publishing
Hank Marvin3:19
11American Pie, Part 1
Techniker(in):
Tom Flye
Akustikgitarre und Banjo:
Don McLean (am 1971-05-26)
Bass:
Bob Rothstein (am 1971-05-26)
E-Gitarre:
David Spinozza (am 1971-05-26)
Hybrid-Piano:
Ray Colcord (am 1971-05-26)
Klavier:
Paul Griffin (American pianist, session musician) (am 1971-05-26)
Marimba und Vibraphon:
Mike Mainieri (am 1971-05-26)
Perkussion und Schlagzeug:
Roy Markowitz (am 1971-05-26)
Chorgesang:
West 44th Street Rhythm and Noise Choir (am 1971-05-26)
vocals:
Bob Rothstein (am 1971-05-26) und Don McLean (am 1971-05-26)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) und United Artists Records (for bootlegs and counterfeit) (in 1971)
teilweise recording of:
American Pie (am 1971-05-26)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:13
12Venus
Produzent(in):
Shocking Blue
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 33)
recording of:
Venus (Shocking Blue (I’m Your Venus)) (in 1969)
Texter und Komponist(in):
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) und The International Music Network
basiert auf:
The Banjo Song
Shocking Blue4.153:04
13Melting Pot
recording of:
Melting Pot (Blue Mink Song)
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und Polygram Island Music Publishing
Blue Mink3:48
14I Did What I Did for Maria
recording of:
I Did What I Did for Maria
Verfasser(in):
Peter Callander und Mitch Murray
publisher:
Dick James Music (renamed Universal/Dick James Music Ltd. since 1999‐07‐30)
Tony Christie3:28
15Tom Tom Turnaround
recording of:
Tom Tom Turnaround
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
Universal Music Publishing MGB Australia
New World3:20
16You Won’t Find Another Fool Like Me
recording of:
You Won’t Find Another Fool Like Me
Verfasser(in):
Tony Macaulay und Geoff Stephens
The New Seekers3:13
17I Am Woman
Blechblasinstrumente und Saiteninstrumente arranger:
Jim Horn (saxophonist, hornist, flutist and oboist)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2006)
recording of:
I Am Woman (in 1970)
Texter:
Helen Reddy
Komponist(in):
Ray Burton (Australian singer/songwriter)
publisher:
Rondor Music und Rondor Music (Australia) Pty Ltd
Helen Reddy53:19
18Too Young to Be Married
recording of:
Too Young to Be Married
Texter und Komponist(in):
Tony Hicks
The Hollies3:54
19You’re So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (The Rolling Stones) (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.554:19
20Ma belle amie
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 81)
recording of:
Ma belle amie
Verfasser(in):
Hans van Eijck und Peter Tetteroo (Dutch singer and composer)
publisher:
Hebbes Music Group Pty. Ltd.
Tee Set3:19
21Dancing on a Saturday Night
Produzent(in):
Barry Blue (singer, producer, and songwriter)
phonographisches Urheberrecht (℗) von:
Bell (50s-70s US/UK pop, later became Arista) (in 1973), Crimson Copyrights Ltd. (in 1973) und Demon Music Group (in 1973)
recording of:
Dancin’ (On a Saturday Night)
Verfasser(in):
Barry Blue (singer, producer, and songwriter) und Lynsey de Paul
publisher:
ATV Music Ltd., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing Australia Pty Ltd.
Barry Blue3:06
2▼CD: 1975-1977
Nr.TitelKünstlerBewertungLänge
1The Wild One
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
The Wild One
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal Music–MGB Songs und シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
Suzi Quatro4.52:53
2Nutbush City Limits
Produzent(in):
Ike Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973), United Artists (in 1973) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
Ike and Tina Turner3.752:58
3Shame Shame Shame
recording of:
Shame, Shame, Shame
Texter und Komponist(in):
Sylvia Robinson
publisher:
IQ Music Ltd.
Shirley and Company4:13
4Magic Man
Techniker(in):
Mike Flicker und Rolf Hennemann
assistierende(r) Produzent(in):
Howard Leese
Produzent(in):
Mike Flicker
Akustikgitarre und E-Gitarre:
Roger Fisher (US rock guitarist) und Nancy Wilson (guitarist/singer of “Heart”)
Bassgitarre:
Steve Fossen
Conga:
Ray Ayotte
E-Gitarre und Synthesizer:
Howard Leese
Perkussion:
Mike Flicker
Schlagzeug:
Dave Wilson (Canadian drummer)
Sologesang:
Ann Wilson (lead singer of Heart)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976)
aufgenommen bei und mixed at:
Mushroom Studios in Vancouver, British Columbia, Kanada
recording of:
Magic Man
Verfasser(in):
Ann Wilson (lead singer of Heart) und Nancy Wilson (guitarist/singer of “Heart”)
publisher:
How About Music, Sony/ATV Tunes LLC (ASCAP), Universal Music Corp. (USA, affiliated with ASCAP) und Universal/MCA Music Publishing Pty Ltd
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart4.65:31
5Gotta Be the One
recording of:
Gotta Be the One
Verfasser(in):
Pierre Tubbs
Maxine Nightingale2:56
6I Hate the Music
recording of:
I Hate the Music
Verfasser(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
John Paul Young3:54
7Jump in My Car
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1974, in 1975)
recording of:
Jump in My Car
Texter und Komponist(in):
Ted Mulry
publisher:
J. Albert & Son Pty. Ltd.
The Ted Mulry Gang3:06
8January
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
January
Orchestrator(in):
Andrew Powell (known for contributions to Alan Parsons Project)
Texter und Komponist(in):
David Paton (of Pilot)
publisher:
EMI Music Publishing (do not use as a release label!) und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Pilot33:31
9The Way You Do It
phonographisches Urheberrecht (℗) von:
Mick Flinn (in 1976)
recording of:
The Way That You Do It
Verfasser(in):
Mick Flinn
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Pussyfoot3:08
10Living Next Door to Alice
Partner-Produzent(in):
Nicky Chinn
Produzent(in):
Mike Chapman (Australian producer and songwriter) und G. Kasper (German sound engineer & producer, “Mr. Cool”)
phonographisches Urheberrecht (℗) von:
Chinnichap Records Ltd. (in 1976) und RAK Records Ltd. (in 1976)
produced for:
Chinnichap (production company and publisher)
cover recording of:
Living Next Door to Alice
Texter:
Nicky Chinn
Komponist(in):
Mike Chapman (Australian producer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton GmbH und Universal Music Publishers MGB Australia Pty Ltd
Smokie4.153:30
11Movie Star
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1976)
recording of:
Movie Star
Texter und Komponist(in):
Harpo (Swedish pop singer) (in 1975)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), RAK Publishing Ltd. und Warner/Chappell Music Scandinavia AB
Harpo53:22
12Black Superman (Muhammed Ali)
recording of:
Black Superman ‘Muhammed Ali’
Verfasser(in):
Johnny Wakelin
Johnny Wakelin3:37
13Paloma blanca
recording of:
Paloma blanca
Texter und Komponist(in):
Hans Bouwens
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) und EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (in 1975)
The George Baker Selection3:25
14Lady in Blue
recording of:
Lady in Blue
Verfasser(in):
Robert Danova (producer and songwriter) und Peter Yellowstone
publisher:
Associated Music International Ltd.
Joe Dolan3:04
15Help Is on Its Way
assistierende(r) Techniker(in):
John Hodge (engineer)
Techniker(in):
Ross Cockle und Paul Grupp
Produzent(in):
John Boylan und Little River Band
Bass:
George McArdle (in 1977-03)
Gitarre:
Beeb Birtles (in 1977-03) und David Briggs (producer, guitarist of Little River Band) (in 1977-03)
Klavier:
Peter Sullivan (in 1977-03)
Schlagzeug:
Derek Pellicci (in 1977-03)
vocals:
Beeb Birtles (in 1977-03), Graham Goble (in 1977-03) und Glenn Shorrock (in 1977-03)
phonographisches Urheberrecht (℗) von:
EMI Music Australia (defunct holding company, not for release label use!) (in 1972, in 1977, in 2002), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1976, in 1977), EMI Music Australia Pty. Limited (not for release label use!) (in 1976, in 1977), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1977) und Capitol Records Ltd. (not for release label use; UK company) (in 1989)
produced for:
Tumbleweed Productions
aufgenommen bei:
Armstrong Audio/Video (later renamed AAV Studios) in Melbourne, Victoria, Australien und Armstrong Audio Video (later renamed AAV Studios) in Melbourne, Victoria, Australien (in 1977-03)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Help Is on Its Way (in 1977-03)
Texter und Komponist(in):
Glenn Shorrock
publisher:
Australian Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) und Wheatley Music Pty Ltd.
Little River Band3.354:03
16Bye Bye Baby
recording of:
Bye, Bye, Baby (Baby Goodbye)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. und Seasons’ Four Music Inc.
Bay City Rollers2:43
17Mississippi
phonographisches Urheberrecht (℗) von:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1975)
recording of:
Mississippi
Texter und Komponist(in):
Werner Theunissen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:37
18Only Sixteen
Produzent(in):
Ron Haffkine
cover recording of:
Only Sixteen
Verfasser(in):
Barbara Campbell (collective songwriter pseudonym for Sam Cooke, Lou Adler and Herb Alpert)
publisher:
ABKCO Music und Ardmore and Beechwood Ltd.
Dr Hook2:47
19You to Me Are Everything
Produzent(in):
Ken Gold
phonographisches Urheberrecht (℗) von:
Pye Records (in 1976) und Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
You to Me Are Everything
Verfasser(in):
Michael Denne und Ken Gold
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Screen Gems–EMI Music Ltd.
The Real Thing3.653:24
20Kiss and Say Goodbye
Instrumente:
MFSB (Mother Father Sister Brother)
Hintergrundgesang:
Carla Benson, Evette Benton, Barbara Ingram und The Manhattans (New Jersey vocal group, notable for “Kiss and Say Goodbye”)
Sologesang [singing voice on 1st lead]:
Gerald Alston
Sprecher [spoken voice on 2nd lead]:
Winfred Lovett (Lovett Winfred Lorenzo)
recording of:
Kiss and Say Goodbye
Texter und Komponist(in):
Winfred Lovett (Lovett Winfred Lorenzo)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. und EMI Songs Ltd.
The Manhattans3.54:28
3▼CD: The Disco Era
Nr.TitelKünstlerBewertungLänge
1Y.M.C.A.
leitende(r) Produzent(in):
Henri Belolo
Produzent(in):
Jacques Morali
Bearbeitung von:
Y.M.C.A. (album version) von Village People
recording of:
Y.M.C.A.
Texter:
Victor Edward Willis (member of the Village People)
Komponist(in):
Jacques Morali
publisher:
Can’t Stop Music (US work publisher, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), Harlem West Music Group, Scorpio Music (work publisher of "Scorpio Music") und Zomba Music Publishing Ltd.
The Village People4.153:43
2I Love to Love
cover recording of:
I Love to Love
Texter:
Philo Jack Robinson (disco songwriter, producer, composer)
Komponist(in):
James Bolden (French singer and songwriter)
publisher:
Mautoglade Music, Robin Song Music (affiliated to SACEM) und Rolf Baierle Music
Tina Charles3:10
3That’s the Way I Like It
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) und T.K. Records (Miami‐based disco label) (in 1975)
Bearbeitung von:
That’s the Way (I Like It) von KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.43:08
4Disco Inferno
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1977)
recording of:
Disco Inferno
Verfasser(in):
Leroy Green (disco/soul songwriter) und Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. und Six Strings Music
The Trammps53:37
5Rock Your Baby
vocals:
George McCrae
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
Verfasser(in):
Harry Wayne Casey, Richard Finch und KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music und Peer Music (UK) Ltd.
George McCrae3.253:18
6We Are Family
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 444)
recording of:
We Are Family
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge43:34
7Pop Muzik
recording of:
Pop Muzik
Texter und Komponist(in):
Robin Scott
publisher:
BMG Music Publishing Ltd., Pop Muzik Limited und Union Square Music Publishing Ltd.
M3.53:22
8Boogie Wonderland
Produzent(in):
Al McKay und Maurice White (Earth, Wind & Fire)
vocals:
The Emotions (Chicago soul, disco and R&B female vocal group) (in 1979)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
Samples von:
I Am von Earth, Wind & Fire (in 1979)
recording of:
Boogie Wonderland (in 1979)
Texter:
Allee Willis
Komponist(in):
Jon Lind
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) und Rondor Music (London) Ltd.
Earth Wind and Fire4.24:54
9Car Wash
recording of:
Car Wash
Texter und Komponist(in):
Norman Whitfield
publisher:
Universal/MCA Music Ltd. (not for release label use!) und USI B Music Publishing
Rose Royce4.63:18
10Boogie Oogie Oogie
Produzent(in):
Fonce Mizell und Larry Mizell
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2002)
recording of:
Boogie Oogie Oogie
Verfasser(in):
Janice Marie Johnson (Member of "A Taste of Honey") und Perry L. Kibble
publisher:
Conducive Music, Inc. und On Time Music, Inc.
A Taste of Honey2.653:37
11Knock on Wood
phonographisches Urheberrecht (℗) von:
Ariola America, Inc. (in 1978)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 6)
cover recording of:
Knock on Wood
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
adaptations:
Potkraj na les
Amii Stewart53:46
12The Best Disco in Town
recording of:
The Best Disco in Town (single version)
Verfasser(in):
Henri Belolo, Phil Hurtt, Jacques Morali und Richie Rome (Richard V. Di Cicco (Producer, arranger, orchestra conductor & songwriter))
Medley von:
Aquarela do Brasil
Medley von:
Bad Luck
Medley von:
Fly, Robin, Fly
Medley von:
I Love Music
Medley von:
Reach Out, I’ll Be There
Medley von:
TSOP (The Sound of Philadelphia)
The Ritchie Family2:43
13Make Love to Me
recording of:
Make Love to Me
Verfasser(in):
Mike Tinsley, Steve Voice und Peter Yellowstone
Kelly Marie4:17
14Get Up and Boogie
recording of:
Get Up and Boogie
Texter:
Stephan Prager (songwriter, aka Michael Kunze)
Komponist(in):
Sylvester Levay
Silver Convention4:02
15Le Freak
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 10) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 391)
recording of:
Le Freak
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic3.25:32
16Play That Funky Music
Mix:
Ken Hamann (engineer), Carl Maduri und Robert Parissi (Rob Parissi)
E-Bass und Synthesizer:
Allen Wentz (Bass player for wild cherry)
E-Gitarre:
Bryan Bassett (guitarist for Wild Cherry, Molly Hatchet and Foghat) und Robert W. Parissi (Rob Parissi)
membranophone:
Ronald Beitle (drummer for Wild Cherry)
Sologesang:
Robert W. Parissi (Rob Parissi)
zusätzlich vocals:
Bryan Bassett (guitarist for Wild Cherry, Molly Hatchet and Foghat), Ronald Beitle (drummer for Wild Cherry) und Allen Wentz (Bass player for wild cherry)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 2002)
recording of:
Play That Funky Music (in 1976)
Texter und Komponist(in):
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. und Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry44:59
17Boogie Fever
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recording of:
Boogie Fever
Verfasser(in):
Freddie Perren und Keni St. Lewis
publisher:
PolyGram Music Publishing und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Sylvers43:31
18Heaven Must Be Missing an Angel
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1976)
Bearbeitung von:
Heaven Must Be Missing an Angel von Tavares (US R&B, funk and soul music)
recording of:
Heaven Must Be Missing an Angel
Verfasser(in):
Freddie Perren und Keni St. Lewis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares43:37
19Disco Queen
Produzent(in):
Mickie Most (English record producer)
recording of:
Disco Queen
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3:09
4▼CD: 1978-1979
Nr.TitelKünstlerBewertungLänge
1Heart of Glass
Produzent(in):
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1978, in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979) und EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1981)
recording of:
Heart of Glass
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Version von:
Once I Had a Love
Blondie53:21
2My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.24:02
3Macho Man
leitende(r) Produzent(in):
Henri Belolo
Produzent(in):
Jacques Morali
Glocken:
Felipe Rose
Sologesang:
Victor Willis (Victor Edward Willis, member of the Village People)
vocals:
Alex Briley, David "Scar" Hodo, Glenn Hughes (singer for Village People), Randy Jones (Village People) und Felipe Rose
conductor:
Horace Ott
Blechblasinstrumente und Saiteninstrumente arranger:
Horace Ott
phonographisches Urheberrecht (℗) von:
Casablanca Record and FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1978)
produced for:
Can’t Stop Productions, Inc.
recording of:
Macho Man
Verfasser(in):
Henri Belolo, Jacques Morali, Peter Whitehead und Victor Willis (Victor Edward Willis, member of the Village People)
publisher:
Can’t Stop Music (US work publisher, affiliated with BMI) und EMI Music (do not use as release label! this is a music publisher)
Village People3:28
4Hot Child in the City
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1976, in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 22)
recording of:
Hot Child in the City
Verfasser(in):
Nick Gilder und Jim McCulloch (Canadian guitarist for Sweeney Todd/Nick Gilder)
publisher:
Beechwood Music Canada und Beechwood Music Corp.
Nick Gilder53:11
5Free Me
Techniker(in):
Peter Gallen
Produzent(in):
Gerry Bron und Ken Hensley
assistierende(r) Mix:
Julian Cooper (engineer) und John Gallen (UK music producer, recording & mix engineer.)
Mix:
Peter Gallen und Robert M. Corich (remastering engineer and record producer,) (von 1990 bis 2004-05)
arranger:
Uriah Heep (British prog/hard rock)
phonographisches Urheberrecht (℗) von:
Bronze Records Ltd. (in 1977), Castle Copyrights Ltd. (in 1977) und Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
aufgenommen bei:
Roundhouse Studios in London (Greater London), England, Vereinigtes Königreich (von 1977-07 bis 1977-09)
recording of:
Free Me (von 1977-07 bis 1977-09)
Texter und Komponist(in):
Ken Hensley
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Umble Tunes Ltd.
Uriah Heep23:32
62 4 6 8 Motorway
Produzent(in):
Vic Maile
Bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
Gitarre:
Danny Kustow (am 1977-09-14)
Klavier und Orgel:
Mark Ambler (am 1977-09-14)
Schlagzeug:
Dolphin Taylor (am 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
Berwick Street Studios in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (am 1977-09-14)
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:21
7Lay Your Love on Me
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), RAK Records (copyrights holder) (in 1978) und RAK (in 1979)
recording of:
Lay Your Love on Me
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music und Universal Music Publishing MGB Australia
Racey3:15
8It’s a Heartache
Produzent(in):
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
Akustikgitarre und Hintergrundgesang:
Steve Wolfe (producer, songwriter and guitar player)
Bass:
Kevin Dunne
Perkussion und Schlagzeug:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Soundbarrier Ltd. (production company)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 24)
recording of:
It’s a Heartache
Verfasser(in):
Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (publisher) (in 1977) und RAK Publishing (in 1977)
Bonnie Tyler3.83:32
9Isn’t It Time
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1977)
recording of:
Isn’t It Time
Verfasser(in):
Jack Conrad (producer and songwriter) und Ray Kennedy (singer, songwriter, and record producer based in L.A.)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jacon Music, Seven Summits Music, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd. und X‐Ray Music
The Babys44:01
10Baker Street
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
Gitarre [lead guitar]:
Hugh Burns (in 1977)
Gitarre [rhythm guitar]:
Nigel Jenkins (in 1977)
Keyboard:
Tommy Eyre (in 1977)
Perkussion:
Glen LeFleur (in 1977)
Saxophon:
Raphael Ravenscroft (in 1977)
Schlagzeug:
Henry Spinetti (in 1977)
Sologesang:
Gerry Rafferty (in 1977)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (in 1977)
Bearbeitung von:
Baker Street von Gerry Rafferty
recording of:
Baker Street (in 1977)
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) und Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:09
11Jack and Jill
recording of:
Jack & Jill
Texter und Komponist(in):
Ray Parker Jr.
publisher:
EMI Music Publishing (do not use as a release label!) und Raydiola Music
Raydio4:32
12Baby It’s You
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978)
recording of:
Baby It’s You (Promises song)
Verfasser(in):
Benny Knauer (member of Promises) und Leslie Knauer
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
Promises3:53
13Computer Games
Bass:
Don Martin (bassist and vocalist)
Gitarre:
Kevin Stanton
Keyboard:
Murray Burns
Schlagzeug:
Richard Hodgkinson
vocals:
Steve Gilpin
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1979), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1979), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1979) und Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1980)
recording of:
Computer Games
Texter:
Steve Gilpin und Kevin Stanton
Komponist(in):
Murray Burns und Kevin Stanton
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), BMG Music, BMG Music Ltd., BMG Music Publishing Australia Pty Ltd, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, EMI Songs Australia Pty. Ltd. und Universal Music Publishers MGB Australia Pty Ltd
MiSex4:02
14Dancing in the City
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (in 1978)
recording of:
Dancing in the City (in 1978)
Verfasser(in):
Kit Hain und Julian Marshall
publisher:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) und Rondor Music (London) Ltd.
Marshall Hain3:49
15Stumblin’ In
Gast vocals:
Suzi Quatro (US rock singer‐songwriter, multi‐instrumentalist & actress)
phonographisches Urheberrecht (℗) von:
Chinnichap Records Ltd. (in 1978)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 4) und Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 8)
recording of:
Stumblin’ In
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Songs, Inc. und Musik-Edition Discoton GmbH
Suzi Quatro and Chris Norman4.653:58
16If I Had Words
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 45)
cover recording of:
If I Had Words
Komponist(in):
Camille Saint‐Saëns (composer)
arranger:
Jonathan Hodge
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
basiert auf:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro
Scott Fitzgerald and Yvonne Keeley23:55
17Are You Old Enough
Bass:
Todd Hunter (Todd Stuart Hunter of Dragon)
Gitarre:
Robert Taylor (singer-songwriter and guitarist)
Keyboard:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
Schlagzeug:
Kerry Jacobson
vocals:
Marc Hunter
phonographisches Urheberrecht (℗) von:
Sony Music Productions Pty. Ltd. (for copyrights use only) und Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1976, in 1978)
recording of:
Are You Old Enough
Texter und Komponist(in):
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
publisher:
EMI Songs und EMI Songs Australia Pty. Ltd.
Dragon4:04
18Ebony Eyes
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 96)
recording of:
Ebony Eyes
Texter und Komponist(in):
Bob Welch (early member of Fleetwood Mac)
publisher:
Cigar Music, EMI Music Publishing Australia Pty Ltd (not for release label use!) und Glenwood Music Corp.
Bob Welch3:33
19Sad Eyes
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1979) und EMI Records (a J-Pop division of Universal Music Japan, 2014–present. Do not use for American/European music!) (in 2002)
recording of:
Sad Eyes
Texter und Komponist(in):
Robert John (US singer‐songwriter)
publisher:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John4:14
5▼CD: Australia
Nr.TitelKünstlerBewertungLänge
1Love Is in the Air
Produzent(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1977, in 1978), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records) (in 1978) und Volcano Entertainment III, L.L.C. (in 1998)
recording of:
Love Is in the Air (in 1978)
Verfasser(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
John Paul Young33:28
2Eagle Rock
Bass:
Wayne Duncan (Australian musician)
Gitarre:
Ross Hannaford und Ross Wilson (Australian singer-songwriter, guitarist and producer)
Schlagzeug:
Gary Young (Australian drummer)
vocals:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1971), Sparmac (in 1971), Wizard (Australian rock) (in 1971), Wizard Records (in 1971) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1998)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 45)
recording of:
Eagle Rock
Verfasser(in):
Ross Wilson (Australian singer-songwriter, guitarist and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Pty. Ltd.
Daddy Cool4:11
3Evie (Part 1)
teilweise recording of:
Evie, Parts 1, 2 & 3
Verfasser(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
Boomerang Investments Pty Limited und J. Albert & Son Pty. Ltd.
Stevie Wright4:03
4Most People I Know Think That I’m Crazy
phonographisches Urheberrecht (℗) von:
Festival Records (Australian) (in 1976)
recording of:
Most People I Know Think That I’m Crazy
Texter und Komponist(in):
Billy Thorpe
publisher:
Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Publishing
The Aztecs54:14
5I Just Want to Be Your Everything
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
Hintergrundgesang:
Barry Gibb
phonographisches Urheberrecht (℗) von:
Peta Gibb (in 1977)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1977) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1977)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 33)
recording of:
I Just Want to Be Your Everything
Texter und Komponist(in):
Barry Gibb
publisher:
Stigwood Music, Inc.
Andy Gibb43:45
6Howzat
phonographisches Urheberrecht (℗) von:
Festival Records (Australian) (in 1976), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1976) und Sherbet Record Productions (in 1976)
recording of:
Howzat
Verfasser(in):
Tony Mitchell (bass, songwriter, Australia) und Garth Porter
publisher:
Heath Levy Music Ltd. (publisher), Rondor Music und Rondor Music (Australia) Pty Ltd
Sherbet23:47
7You
phonographisches Urheberrecht (℗) von:
Wizard (Australian rock) (in 1977) und Wizard Records (in 1977)
recording of:
You
Verfasser(in):
Tim Snow
publisher:
EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty. Limited (not for release label use!)
Marcia Hines3:14
8In the Summertime
cover recording of:
In the Summertime
Texter und Komponist(in):
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) und Universal Music Publishing (use ONLY if no country‐specific information is available)
The Mixtures2:39
9Boppin’ the Blues
phonographisches Urheberrecht (℗) von:
Festival Records (Australian) (in 1972)
cover recording of:
Boppin’ the Blues
Komponist(in):
Curley Griffin (1950s rockabilly artist) (in 1956) und Carl Perkins (American pioneer of rockabilly music) (in 1956)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Hi-Lo Music Inc. (BMI-affiliated), MPL Music Publishing Inc., MPL UK Publishing, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Wren Music Co.
Blackfeather3:15
10Yellow River
cover recording of:
Yellow River
Texter und Komponist(in):
Jeff Christie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Jigsaw2:33
11Hey St Peter
Produzent(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
E-Bass:
Les Karski (in 1976)
E-Gitarre:
Harry Vanda (Australian musician) (in 1976) und George Young (Australian musician and producer) (in 1976)
Klavier:
Warren Morgan (in 1976)
Schlagzeug:
Ray Arnott (Australian drummer) (in 1976)
Synthesizer und Sologesang:
George Young (Australian musician and producer) (in 1976)
vocals:
Harry Vanda (Australian musician) (in 1976)
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1977, in 1978) und J. Albert & Son Pty. Ltd. (in 1977)
aufgenommen bei:
Albert Studios (Australian studio, original King Street location, until 1985) in Sydney, New South Wales, Australien (in 1976)
recording of:
Hey, St. Peter (in 1976)
Verfasser(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
Flash and the Pan44:19
12Emotion
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
Synthesizer [synthesizers]:
James Newton Howard (American score composer)
Hintergrundgesang:
Barry Gibb und Robin Gibb
vocals:
Samantha Sang
phonographisches Urheberrecht (℗) von:
Private Stock Records (not for release label use, for copyrights relationships only; “Private Stock Records™ a division of 43 North Broadway, LLC”) (in 1977) und Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1978)
produced for:
CAM Productions (US)
aufgenommen bei und remixed at:
Criteria Sound in Miami, Florida, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 14)
cover recording of:
Emotion
Verfasser(in):
Barry Gibb und Robin Gibb
publisher:
Barry Gibb Music, Gibb Brothers Music, Stigwood Music, Unichappell Music, Universal Music Publishing MGB Australia und Warner/Chappell Music Australia Pty. Ltd.
Samantha Sang3.53:57
13Bony Moronie
cover recording of:
Boney Maroney
Texter und Komponist(in):
Lawrence E. Williams (1950s rocker)
publisher:
ATV Music Ltd., EMI Music (do not use as release label! this is a music publisher), Sony/ATV Music Publishing (UK) Ltd. und Venice Music
Hush3:11
14My Little Angel
recording of:
My Little Angel (William Shakespeare song)
Verfasser(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
William Shakespeare3:33
15Daddy Cool
cover recording of:
Daddy Cool
Verfasser(in):
Bob Crewe und Frank Slay Jr.
publisher:
Campbell Connelly
Drummond2:42
16Knock Knock Who’s There
cover recording of:
Knock Knock Who’s There
Verfasser(in):
John Carter (songwriter & producer, b. 1942) und Geoff Stephens
Liv Maessen2:29
17Raindrops Keep Falling on My Head
Produzent(in):
Howard Gable (Australian producer)
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) (in 1969)
cover recording of:
Raindrops Keep Fallin’ on My Head
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Teil von:
The 42nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1969 winner)
John Farnham2:32
18The Banks of the Ohio
recording of:
Banks of the Ohio
Verfasser(in):
[traditional] (special purpose artist)
publisher:
Bienstock Publishing Company (ASCAP affiliated), Blue Gum Music, Ltd und John Farrar Music
Teil von:
Roud Folk Song Index (Nummer: 157)
Olivia Newton‐John3:19
19I Am Pegasus
recording of:
I Am Pegasus
Verfasser(in):
Ross Ryan
Ross Ryan3:49
20Two Little Boys
cover recording of:
Two Little Boys
Texter:
Edward Madden
Komponist(in):
Theodore F. Morse
Rolf Harris53:20
21Redback on the Toilet Seat
recording of:
The Redback on the Toilet Seat
Texter und Komponist(in):
Slim Newton
publisher:
Yeldah Music
Slim Newton2:19

Nennungen

Veröffentlichung

gedruckt in:Australien
hergestellt von und vertrieben von:The EMI Music Group Australasia (not for release label use! manufacturer and distributor)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:EMI Music Australasia (in 1997)
Discogs:https://www.discogs.com/release/4952953 [Info]