Exclusively for My Friends, Volume 4: My Favorite Instrument

~ Veröffentlichung von Oscar Peterson (alle Versionen dieser Veröffentlichung ansehen, 6 vorhanden)

Anmerkung

Notes

Oscar Peterson (p)
Hans Georg Brunner-Schwer Studio, Villingen, West Germany, circa April, 1968

Other Catalog Numbers

MPS 15181
MPS/BASF CRM 671
MPS/BASF 21 20671-8
MPS/Metronome 68076
Polydor 821 843-1/-2
MPS (GB) BAP 5011
MPS (F) 15031
MPS (US) MB-20671
MPS (J) POCJ-2501
MPS (J) UPS-2116-P
PAUSA PR 7069
PRESTIGE PR 7595
MPS BMPS 20671-8
POLYDOR 583.721

- Source: http://discog.piezoelektric.org/saba/mps-all.html#15181

Anmerkung zuletzt geändert am 2008-02-26 06:14 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Someone to Watch Over Me
recording engineer:
Hans Georg Brunner‐Schwer
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
aufgenommen bei:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1968-04)
recording of:
Someone to Watch Over Me (Oh, Kay!)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
4:18
2Perdido
recording engineer:
Hans Georg Brunner‐Schwer
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
aufgenommen bei:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1968-04)
6:17
3Body and Soul
recording engineer:
Hans Georg Brunner‐Schwer
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
aufgenommen bei:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1968-04)
recording of:
Body and Soul
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:36
4Who Can I Turn To
recording engineer:
Hans Georg Brunner‐Schwer
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
aufgenommen bei:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1968-04)
5:02
5Bye, Bye Blackbird
recording engineer:
Hans Georg Brunner‐Schwer
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
aufgenommen bei:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1968-04)
live recording of:
Bye Bye Blackbird
Texter:
Mort Dixon (in 1926)
Komponist(in):
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) und Warner Bros., Inc. (not for release label use!)
recording of:
Bye Bye Blackbird
Texter:
Mort Dixon (in 1926)
Komponist(in):
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) und Warner Bros., Inc. (not for release label use!)
4:56
6I Should Care
recording engineer:
Hans Georg Brunner‐Schwer
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
aufgenommen bei:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1968-04)
4:48
7Lulu's Back in Town
recording engineer:
Hans Georg Brunner‐Schwer
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
aufgenommen bei:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1968-04)
live recording of:
Lulu’s Back in Town
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
recording of:
Lulu’s Back in Town
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
2:10
8Little Girl Blue
recording engineer:
Hans Georg Brunner‐Schwer
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
aufgenommen bei:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1968-04)
6:07
9Take the "A" Train
recording engineer:
Hans Georg Brunner‐Schwer
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1968-04)
aufgenommen bei:
Hans Georg Brunner-Schwer, private studio in Villingen-Schwenningen, Baden-Württemberg, Deutschland (in 1968-04)
recording of:
Take the “A” Train (version with lyrics by Sherrill)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
2:39