My Perfect List: 60 titres annees 80

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Robert De Niro’s Waiting
voce:
Bananarama
diritti fonografici (℗) detenuti da:
London Records Ltd. (not release label) (nel 1984)
registrazione di:
Robert De Niro's Waiting
compositore:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) e Keren Woodward
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), In a Bunch Music (publisher), J&S Music e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama2.353:31
2Josephine
Chris Rea3:50
3SallyCarmel3:47
4Johnny, Johnny Come Home
registrazione di:
Johnny, Johnny Come Home
autore:
Vinton Hoover e Kjetil Røsnes
editore:
Chappell e Edition Dagobert (publisher)
Avalanche4:15
5Peter Gunn
produttore:
Art of Noise, Anne Dudley (English score composer), J.J. Jeczalik e Gary Langan
chitarra ospite :
Duane Eddy
arrangiatore:
Anne Dudley (English score composer), J.J. Jeczalik e Gary Langan
registrazione strumentale cover di:
Peter Gunn
paroliere e compositore:
Henry Mancini (US composer, conductor & arranger)
parte di:
Peter Gunn (American TV series 1958–1961)
registrazione di:
Peter Gunn
paroliere e compositore:
Henry Mancini (US composer, conductor & arranger)
parte di:
Peter Gunn (American TV series 1958–1961)
The Art of Noise feat. Duane Eddy43:48
6Black Velvet
produttore:
David Tyson (Canadian producer/songwriter)
tecnico di missaggio:
Kevin Doyle (award-winning sound engineer, producer)
voce principale:
Alannah Myles
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 6)
registrazione di:
Black Velvet
autore:
David Tyson (Canadian producer/songwriter) e Christopher Ward (Canadian songwriter & veejay)
editore:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP e Zomba Music Publishing Ltd.
Alannah Myles4.54:47
7I Feel for You (remastered)
armonica cromatica :
Stevie Wonder (nel 1984)
basso , chitarra e drum machine :
Reggie Griffin (nel 1984)
batteria :
Steve Ferrone (nel 1984)
sintetizzatore e tastiera :
Robbie Buchanan (Canadian producer) (nel 1984), David Frank (American keyboardist, producer, writer; The System) (nel 1984), Reggie Griffin (nel 1984) e Philippe Saisse (nel 1984)
voce di accompagnamento e voce principale:
Chaka Khan (nel 1984)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1984)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 395)
registrazione cover di:
I Feel for You (nel 1984)
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music
Chaka Khan3.755:49
8Venus
registrazione cover di:
Venus (Shocking Blue (I’m Your Venus))
paroliere e compositore:
Robbie van Leeuwen
editore:
ATV Music Ltd., Dayglow Music (publisher) e The International Music Network
si basa su:
The Banjo Song
Bananarama33:38
9On the Beach
registrazione di:
On the Beach (Chris Rea)
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea5:02
10Ride Like the Wind (2001 remaster)
assistente tecnico:
Stuart Gitlin
tecnico e tecnico di missaggio:
Chet Himes
produttore:
Michael Omartian
batteria :
Tommy Taylor (US drummer)
chitarra acustica , chitarra elettrica , chitarra solista e voce principale:
Christopher Cross (US singer‐songwriter)
chitarra basso :
Andy Salmon
percussione :
Lenny Castro
pianoforte e pianoforte elettrico :
Michael Omartian
sintetizzatore :
Rob Meurer
voce di accompagnamento:
Christopher Cross (US singer‐songwriter) e Michael McDonald (R&B & soul singer)
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
diritti fonografici (℗) detenuti da:
Warner Bros. (holding: file NO releases) (nel 1979) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1979)
è stato produttore per:
Free Flow Productions
registrata presso:
Pecan Street Studios in Austin, Texas, Stati Uniti e Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Ride Like the Wind
paroliere e compositore:
Christopher Cross (US singer‐songwriter)
editore:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) e Universal Music–MGB Songs
sub-editore:
Shinko Music Entertainment Co., Ltd. e Universal Music Publishing, Synch Division
Christopher Cross4.24:29
11Nougayork
registrata a:
New York, New York, Stati Uniti (nel 1987)
programmazione:
Philippe Saisse
chitarra [guitars] :
Nick Moroch (US guitarist) (nel 1987)
sassofono contralto :
Lou Marini (nel 1987)
tastiera :
Philippe Saisse (nel 1987)
tromba :
Alan Rubin (nel 1987)
trombone :
Birch Johnson (nel 1987)
voce:
Claude Nougaro (nel 1987)
arrangiatore:
Philippe Saisse
diritti fonografici (℗) detenuti da:
WEA Music (not for release label use! this was the FR distributor fka WEA Filipacchi Music) (nel 1987)
registrazione di:
Nougayork (nel 1987)
paroliere:
Claude Nougaro
compositore:
Philippe Saisse
editore:
Éditions du chiffre neuf e Sen‐Saisse‐tional Music
Claude Nougaro3.53:30
12Don’t Leave Me This Way
produttore:
Mike Thorne (UK producer & keyboardist)
voce:
Sarah Jane Morris
registrazione cover di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards with Sarah Jane Morris3.44:31
13Groove Is in the Heart
assistente tecnico:
Derek Lategan e Eddie Sancho
tecnico:
Mike Rogers (US producer/engineer, aka Tweekin')
tecnico aggiunto:
Bob Power
produttore:
Deee‐Lite
produttore aggiunto e tecnico di missaggio aggiunto:
Mike Rogers (US producer/engineer, aka Tweekin')
sassofono :
Maceo Parker (US funk/jazz saxophonist)
trombone :
Fred Wesley
voce:
Q‐Tip (American rapper)
voce di accompagnamento:
Bootsy Collins (US funk musician & songwriter)
arrangiatore:
Deee‐Lite
arrangiatore aggiunto:
Mike Rogers (US producer/engineer, aka Tweekin')
campionamenti:
Bring Down the Birds di Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) e Get Up di Vernon Burch
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 68), TV Cream: Real 100 Best Singles Ever (numero: 83) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 233)
registrazione di:
Groove Is in the Heart
autore:
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) e Kier Kirby
compositore:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.23:53
14Never Can Say Goodbye
produttore:
Stephen Hague
produttore aggiunto e tecnico di missaggio aggiunto:
Shep Pettibone
tecnico di missaggio:
Steve Peck (producer and engineer)
mixata per:
Master Mix Productions Ltd.
registrazione cover di:
Never Can Say Goodbye
paroliere e compositore:
Clifton Davis (musical theatre actor, singer and songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. e Portable Music Co., Inc.
The Communards34:25
15Aviateur
registrazione di:
Aviateur
paroliere:
Alain Souchon
compositore:
Laurent Voulzy
adattamenti:
Aviateur
Véronique Jannot4:23
16Plus près des étoiles
registrazione di:
Plus près des étoiles
paroliere e compositore:
Jean Garcia
Gold3:58
17Gimme All Your Lovin’ (2003 remaster)
tecnico:
Terry Manning (US recording engineer)
produttore:
Bill Ham (manager of ZZ Top)
basso elettrico :
Dusty Hill
batteria e percussione :
Frank Beard (ZZ Top drummer)
chitarra elettrica e voce principale:
Billy Gibbons
voce:
Dusty Hill
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1983) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 1984)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti
registrazione di:
Gimme All Your Lovin’
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three e Songs of Mosaic
ZZ Top4.053:58
18Paris Latino
registrazione di:
Paris Latino
paroliere:
José Perez (The Perez Brothers)
compositore:
Carlos Pérez (member of Bandolero)
Bandolero34:09
19Les divas du dancing
registrazione di:
Les Divas du dancing
paroliere:
Jean Schultheis
compositore:
Philippe Cataldo
Philippe Cataldo4:01
20Chacun fait (C’qui lui plait)Chagrin d’amour4:09
21Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
22Twist in My Sobriety
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) e WEA Records Ltd. (holding company based in the UK) (nel 1988)
registrazione di:
Twist in My Sobriety (nel 1988)
paroliere e compositore:
Tanita Tikaram
editore:
Brogue Music, Warner Basart (publisher) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tanita Tikaram4.74:52
23Two of Hearts
produttore:
Jon St. James (American guitarist, songwriter, and producer) e William J. Walker (US executive producer William J. Walker)
produttore associato:
Jeff C. Fishman (producer)
batteria [drum system] :
Karl Moet (drummer and songwriter)
tastiera [keyboard system] :
Skip Hahn
tastiera [keyboard systems] :
Jon St. James (American guitarist, songwriter, and producer) e Rich West
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1986) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1986)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 4)
registrazione di:
Two of Hearts
autore:
Sue Gatlin, Tim Greene e John Dixon Mitchell
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), On The Note Publishing (nel 1986) e Tim Green Music (publisher) (nel 1986)
Stacey Q43:58
24Temple of Love (remastered)
produttore:
Andrew Eldritch
chitarra :
Ben Gunn e Gary Marx
chitarra basso :
Craig Adams (bass player for Sisters of Mercy/The Mission)
drum machine :
Doktor Avalanche
voce principale:
Andrew Eldritch
parte di:
Pitchfork: The Story of Goth in 33 Songs
registrazione di:
Temple of Love
paroliere e compositore:
Andrew Eldritch
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sisters of Mercy4.257:42
25It’s Only Love
Simply Red4:56
26Baby, Come to Me
voce ospite:
Patti Austin
registrazione di:
Baby, Come to Me
paroliere e compositore:
Rod Temperton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Rodsongs (publisher) e Rondor Music (London) Ltd.
Patti Austin & James Ingram3:35
27Don’t Stop… Planet Rock
registrazione di:
Planet Rock
autore:
Afrika Bambaataa (US DJ singer, songwriter & producer), Robert Darrell Allen, Arthur Baker (American record producer and DJ), John Miller (MC G.L.O.B.E. (Soulsonic Force)), John Robie e Ellis Williams
editore:
Bambaataa Music, No Hassle Music, Shakin’ Baker Music, Sony/ATV Songs (SOCAN) e T-Girl Music LLC
cita la musica di:
Trans Europa Express
Afrika Bambaataa & Soulsonic Force5:21
28Nuit de folieDébut de Soirée4:13
29The Sun Always Shines on T.V.
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 11) e The Downloader’s Music Source Book (numero: 283)
registrazione di:
The Sun Always Shines on T.V.
paroliere e compositore:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e Sony ATV Publishing
a‐ha3.95:02
30Stars de La Pub
Écran Total 803:28
31Thaï na na
registrazione di:
Thaï nana (sometimes written Thaï Na Na)
paroliere:
Erick Casero (a.k.a. Éric Casero and Jean Dupont)
compositore:
Véronique Segaud
Kazero3:12
32Coeur de loupPhilippe Lafontaine3:41
33J’aurais voulu te dire
Caroline Legrand3:49
34Ce mec est too much
Les Coco Girls2:53
35Rap Folie
Marcel Fobert & Folie Club3:55
36Gym Tonic (Toutoutouyoutou)
Moving On 80’s4:53
37Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 Steve Barron version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.43:45
38Self Control
produttore:
Robbie Buchanan (Canadian producer) e Jack White (German producer Horst Nußbaum)
produttore esecutivo:
Jack White (German producer Horst Nußbaum)
arrangiatore:
Robbie Buchanan (Canadian producer) e Harold Faltermeier
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
video musicali:
Self Control di Laura Branigan
registrazione cover di:
Self Control (nel 1984)
paroliere:
Steve Piccolo
autore aggiunto:
Harro Steffen
compositore:
Giancarlo Bigazzi e Raffaele Riefoli (Italian pop singer)
editore:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) e Sugarmusic Spa (publisher, do NOT use as label)
Laura Branigan4.24:07
39More Than I Can Bear
tecnico e tecnico di missaggio:
Phil Harding (engineer, producer and remixer)
produttore:
Mark Reilly (guitarist, vocalist, producer, songwriter) e Danny White (keyboardist)
flicorno soprano :
Guy Barker
percussione :
Robin Jones (latin jazz percussionist)
tastiera :
Danny White (keyboardist)
voce:
Mark Reilly (guitarist, vocalist, producer, songwriter)
arrangiatore voci:
Basia
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1984)
registrazione di:
More Than I Can Bear
autore:
Mark Reilly (guitarist, vocalist, producer, songwriter) e Danny White (keyboardist)
editore:
Matt Music Ltd. (PRS) e WC Music Corp.
Matt Bianco44:18
40When Sly Calls (Don’t Touch That Phone) (remastered)
Michael Franks5:50
41I Keep Forgettin’ (Every Time You’re Near) (remastered)
produttore:
Ted Templeman e Lenny Waronker
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
Louis Johnson (bass, member of Brothers Johnson)
clavinet :
Greg Phillinganes
piano Rhodes , sintetizzatore e voce principale:
Michael McDonald (R&B & soul singer)
voce di accompagnamento:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1982)
registrazione di:
I Keep Forgettin’ (Every Time You’re Near)
autore:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford e Mike Stoller
editore:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) e Yellow Dog Music Inc
versione di:
I Keep Forgettin’
Michael McDonald43:38
42Each Time You Break My Heart
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1986)
registrazione di:
Each Time You Break My Heart
autore:
Stephen Bray e Madonna Louise Veronica Ciccone (“Queen of Pop”)
editore:
Warner Bros. (holding: file NO releases)
Nick Kamen3.54:30
43I Can’t Wait
produttore:
John Smith (Nu Shooz) e Rick Waritz (producer)
diritti fonografici (℗) detenuti da:
Injection (Netherlands) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 60)
registrazione di:
I Can’t Wait
paroliere e compositore:
John Smith (Nu Shooz)
editore:
Poolside Music
Nu Shooz43:40
44Forget Me Nots (remastered version)Patrice Rushen3.654:43
45Johnny Come Home
produttore:
Andy Cox (Composer) e David Steele (UK musician, member of The Beat and Fine Young Cannibals)
diritti fonografici (℗) detenuti da:
London Records (UK, 1947–1999, re-launched 2011–present) (nel 1985)
video musicali:
Johnny Come Home di Fine Young Cannibals
registrazione di:
Johnny Come Home
autore:
Roland Gift e David Steele (UK musician, member of The Beat and Fine Young Cannibals)
editore:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (nel 1985)
Fine Young Cannibals3.73:32
46Waiting for a Girl Like You
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981) e Warner Music International (trademark of Warner Music International the company) (nel 1981)
registrazione di:
Waiting for a Girl Like You
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Evansongs Ltd. (publisher) (nel 1981), Somerset Songs Publishing Inc. (nel 1981) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner3.54:48
47Message personnel
produttore:
Michel Berger
voce:
Françoise Hardy
registrazione di:
Message personnel (nel 1973)
paroliere:
Michel Berger e Françoise Hardy
compositore:
Michel Berger
editore:
Apache (SARL)
Françoise Hardy34:17
48Où est ma ch’mise grise (You’re The One That I Want)
Patrick Topaloff & Sim3:02
49Laissez‐nous chanter
registrazione di:
Laissez‐nous chanter
paroliere:
Jacques Cardona
compositore:
Lucien Crémadès, Francis Delmas, Alain Llorca, Bernard Mazauric, Étienne Salvador e Émile Wandelmer
editore:
droits réservés (maybe not a valid publisher; the term "droits réservés" means "rights reserved")
Gold4:16
50Owner of a Lonely Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
batteria :
Alan White (Yes drummer) (nel 1983)
chitarra :
Trevor Rabin (South African musician and score composer) (nel 1983)
chitarra basso :
Chris Squire (Yes bassist) (nel 1983)
tastiera :
Tony Kaye (nel 1983)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (nel 1983)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983, nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 2003)
registrata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1983)
registrazione di:
Owner of a Lonely Heart (nel 1983)
autore:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) e Chris Squire (Yes bassist)
editore:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Yes3.94:28
51What Is Love?
tecnico:
Stephen W. Tayler (UK engineer)
produttore:
Rupert Hine
voce principale:
Howard Jones (English singer, songwriter)
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1983) e Warner Music UK Ltd. (not for release label use!) (nel 1984)
registrazione di:
What Is Love?
paroliere:
William Bryant (UK lyricist, writer and speaker) e Howard Jones (English singer, songwriter)
compositore:
Howard Jones (English singer, songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Howard Jones Music Ltd., Kobalt Music Group e Warner Chappell Publishing
Howard Jones4.53:38
52Comment te dire adieu
tecnico:
Stephen W. Tayler (UK engineer)
produttore:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter)
tecnico di missaggio:
Avril MacKintosh (producer/engineer)
archi :
David Emanuel (violinist), Wilfred Gibson (UK violinist) e Gavyn Wright (UK violinist, conductor)
piatto (giradischi) :
DJ D-Zire
tromba :
Luke Tunney
voce:
June Miles-Kingston (singer / drummer) e Jimmy Somerville
esecutore ospite:
June Miles-Kingston (singer / drummer)
arrangiatore:
Luke Tunney
diritti fonografici (℗) detenuti da:
FFRR Records Ltd. (company name, NOT a label!) (dal 1989 a oggi)
registrazione cover di:
Comment te dire adieu ?
paroliere:
Serge Gainsbourg
compositore:
Arnold Goland e Jack Gold
editore:
CBS U Catalog Inc. e EMI United Partnership Ltd. (dal 1968 a oggi)
versione tradotta di:
It Hurts to Say Goodbye
Jimmy Somerville with June Miles Kingston23:34
53Falling
tecnico di registrazione:
Art Polhemus
co-produttore:
Angelo Badalamenti (American score composer) e David Lynch (filmmaker)
produttore:
Angelo Badalamenti (American score composer) e David Lynch (filmmaker)
tecnico di missaggio:
Jay Healy
batteria :
Grady Tate
chitarra elettrica :
Vinnie Bell e Eddie Dixon
clarinetto e flauto :
Eddie Daniels (US jazz/classical saxophonist, clarinetist & flutist) e Al Regni
pianoforte :
Angelo Badalamenti (American score composer)
sassofono tenore :
Al Regni
sintetizzatore :
Angelo Badalamenti (American score composer) e Kinny Landrum
voce:
Julee Cruise (US singer and actress)
arrangiatore e orchestratore:
Angelo Badalamenti (American score composer)
diritti fonografici (℗) detenuti da:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (nel 1990)
registrata presso:
Excalibur Sound in New York, New York, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
registrazione di:
Falling (Twin Peaks theme song)
paroliere:
David Lynch (filmmaker)
compositore:
Angelo Badalamenti (American score composer)
editore:
Anlon Music Co. (Anlon Music Company), O.K. Paul Music e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
versione di:
Theme from Twin Peaks
parte di:
Twin Peaks (original soundtrack of the TV series)
Julee Cruise4.355:22
54Elle imagine…Nacash4:04
55Tu dis que tu l’m
Dennis’ Twist3:07
56Mise au point
registrazione di:
Mise au point
paroliere:
Jakie Quartz (Jacqueline Cuchet)
compositore:
Gérard Anfosso (composer & arranger)
editore:
Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing MGB France
Jakie Quartz4:43
57Capitaine abandonnéGold3:51
58Jamais j’oublierai ça jamais
Natali Kaufmann3:24
59Tout pour la danse
registrazione di:
Tout pour la danse
paroliere:
William Picard
compositore:
Claude Mainguy e Guy Mattéoni (Matt Hoggy)
Début de Soirée3:16
60Tequila Bar
Jean Schultheis3:32

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