Easy ’70s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼Supporto
#TitoloArtistaValutazioneDurata
1Summer Breeze
produttore:
Louie Shelton
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1972)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 10)
registrazione di:
Summer Breeze
paroliere:
James Seals
compositore:
Dash Crofts e James Seals
editore:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.353:24
2Sister Golden Hair
assistente tecnico:
Tom Anderson (engineer)
tecnico:
Geoff Emerick (British recording engineer)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
altri strumenti :
America (US folk/soft rock band)
batteria e percussione :
Willie Leacox
chitarra basso :
David Dickey (U.S. drummer and bassist)
voce:
America (US folk/soft rock band)
arrangiatore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1975), Warner Music H.K. Ltd. (nel 1997) e Rhino Entertainment Company (not for release label use!) (nel 2011)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 12) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 264)
registrazione di:
Sister Golden Hair
paroliere e compositore:
Gerald Beckley
editore:
Warner/Chappell Music Australia Pty. Ltd.
America4.13:20
3Without You
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
batteria :
Jim Keltner (nel 1971-06)
chitarra acustica :
John Uribe (nel 1971-06)
chitarra basso :
Klaus Voormann (nel 1971-06)
pianoforte :
Gary Wright (US singer/keyboardist) (nel 1971-06)
voce:
Harry Nilsson (US singer-songwriter) (nel 1971-06)
direttore d'orchestra:
Paul Buckmaster (nel 1971-06)
arrangiatore ottoni e archi :
Paul Buckmaster
diritti fonografici (℗) detenuti da:
BMG Music (nel 1971, nel 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1972) e RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1989)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 496)
registrazione cover di:
Without You (nel 1971-06)
autore:
Tom Evans (UK guitarist for Badfinger) e W. Peter Ham
editore:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, dal 1970 a oggi), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:19
4Reason to Believe
produttore:
Rod Stewart
basso :
Andy Pyle (nel 1971-01)
batteria :
Micky Waller (nel 1971-01)
chitarra acustica :
Martell Brandy (nel 1971-01), Martin Quittenton (guitarist for Steamhammer) (nel 1971-01) e Rod Stewart (nel 1971-01)
chitarra basso, chitarra e chitarra pedal steel :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (nel 1971-01)
chitarra slide :
Sam Mitchell (nel 1971-01)
contrabbasso :
Danny Thompson (English double bass player) (nel 1971-01)
organo :
Ian McLagan (nel 1971-01)
pianoforte :
Pete Sears (nel 1971-01)
violino :
Dick Powell (Violinist and double-bass player) (nel 1971-01)
voce:
Madeline Bell (nel 1971-01)
voce principale:
Rod Stewart (nel 1971-01)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1971)
registrazione cover di:
Reason to Believe (nel 1971-01)
paroliere e compositore:
Tim Hardin
editore:
Allen Stanton Productions, Alley Music Corp., EMI Music (do not use as release label! this is a music publisher), Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. e Trio Music Co., Inc.
registrazione di:
Reason to Believe
paroliere e compositore:
Tim Hardin
editore:
Allen Stanton Productions, Alley Music Corp., EMI Music (do not use as release label! this is a music publisher), Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. e Trio Music Co., Inc.
Rod Stewart3.154:09
5That’s the Way I Hear It Should Always Be
produttore:
Eddie Kramer (engineer)
tecnico di missaggio:
Eddie Kramer (engineer) e Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes)
archi :
Ed Freeman (producer, arranger, musician, and photographer)
basso :
Gerry Jemmott, David Givens, Tony Levin (US rock bassist/Chapman stick player), Doug Rauch e Jim Wilkins
batteria :
John Siomos
chitarra :
David Bromberg (American multi-instrumentalist, singer, and songwriter), Jimmy Johnson (Chicago blues guitarist James Earl Thompson) e Jimmy Ryan (American guitarist and singer/songwriter)
chitarra acustica e pianoforte :
Carly Simon
chitarra pedal steel :
Jeff Baxter
tastiera :
Paul Griffin (American pianist, session musician), Mark “Moogy” Klingman (American musician and songwriter) e Billy Mernit (American singer-songwriter, composer, lyricist, author and actor)
violoncello :
Harvey Shapiro (cellist)
voce:
Carly Simon
arrangiatore archi e arrangiatore archi [string arrangement] :
Ed Freeman (producer, arranger, musician, and photographer)
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 2015)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
registrazione di:
That’s the Way I’ve Always Heard It Should Be
paroliere:
Jacob Brackman
compositore:
Carly Simon
editore:
C’est Music, Kensho Music, Maya Productions Ltd., Quackenbush Music e Universal Music Corp. (USA, affiliated with ASCAP)
Carly Simon3.654:17
6Hello It’s Me
tecnico di registrazione e tecnico di missaggio:
Billy Sherwood
produttore:
Bob Kulick e Billy Sherwood
chitarra :
Edgar Winter
chitarra [rhythm guitar] :
Bob Kulick
chitarra basso , membranofono , percussione e voce di accompagnamento:
Billy Sherwood
voce:
Todd Rundgren
voce principale:
Todd Rundgren
registrata presso e mixata presso:
Office Studios in Van Nuys, California, Stati Uniti
registrazione di:
Hello, It’s Me
paroliere e compositore:
Todd Rundgren
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren44:21
7Everything I Own
voce principale:
David Gates (singer/songwriter, lead singer of Bread)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
registrazione di:
Everything I Own
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. e Sony/ATV Music Publishing (UK) Ltd.
Bread4.353:07
8Cat’s in the Cradle
produttore:
Paul Leka
arrangiatore:
Paul Leka
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1974)
registrata presso:
Connecticut Recording Studios in Connecticut, Stati Uniti
registrazione di:
Cat’s in the Cradle
autore:
Sandra Campbell Chapin e Harry F Chapin
editore:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:46
9Alone Again (Naturally)
produttore:
Gordon Mills (60s/70s UK producer and songwriter)
diritti fonografici (℗) detenuti da:
O.S.M. Inc. (nel 1972)
registrazione di:
Alone Again (Naturally)
paroliere e compositore:
Gilbert O’Sullivan
editore:
Grand Upright Music Ltd. e 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Gilbert O’Sullivan53:38
10You Are So Beautiful
registrazione cover di:
You Are So Beautiful
autore:
Bruce Fisher e Billy Preston
editore:
Almo Music Corporation (USA, affiliated with ASCAP) e Preston Songs (ASCAP)
sub-editore:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker2:41
11Midnight Blue
tecnico di registrazione:
Bob Schaper
produttore:
Vini Poncia
tecnico di missaggio:
Bill Schnee
batteria e percussione :
Kirk Bruner
chitarra acustica e chitarra elettrica :
David Wolfert
chitarra basso [bass] :
Cooker LoPresti
pianoforte e voce principale:
Melissa Manchester
pianoforte elettrico :
James Newton Howard (American score composer)
voce di accompagnamento:
Melissa Manchester e Vini Poncia
arrangiatore archi :
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1975)
mixata presso:
Sound Labs in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Midnight Blue
paroliere:
Carole Bayer Sager
compositore:
Melissa Manchester
editore:
New York Times Music Corp. (publisher) (conclusa), Rumanian Pickleworks Company (conclusa), Alley Music Corp., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) e Trio Music Company
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Melissa Manchester43:51
12Wishing You Where Here
tecnico di registrazione:
Armin Steiner (archi)
tecnico:
Jeff Guercio e Wayne Tarnowski
produttore:
James William Guercio
tecnico di missaggio:
Phil Ramone
chitarra :
James William Guercio (dal 1973-08 al 1973-12)
sintetizzatore :
David Wolinski (dal 1973-08 al 1973-12)
voce di accompagnamento:
Al Jardine (guitarist and singer) (dal 1973-08 al 1973-12), Carl Wilson (Beach Boys) (dal 1973-08 al 1973-12) e Dennis Wilson (Beach Boys) (dal 1973-08 al 1973-12)
voce principale:
Terry Kath (member of Chicago) (dal 1973-08 al 1973-12)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1974) e Rhino Entertainment Company (not for release label use!) (nel 2002)
registrata presso:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti e Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1973-08 al 1973-12)
registrazione di:
Wishing You Were Here (dal 1973-08 al 1973-12)
paroliere e compositore:
Peter Cetera (nel 1973)
editore:
Big Elk Music e Polish Prince Music
Chicago4:35
13I’d Love You to Want Me
registrazione di:
I’d Love You to Want Me
paroliere e compositore:
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
editore:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo33:56
14The Night They Drove Old Dixie Down
produttore:
Norbert Putnam
registrazione cover di:
The Night They Drove Old Dixie Down
paroliere e compositore:
Robbie Robertson
editore:
Canaan Music Inc, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Joan Baez53:22
15Dancing in the Moonlight
voce principale:
Dave Robinson (King Harvest)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1972)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 30)
registrazione di:
Dancing in the Moonlight
paroliere e compositore:
Sherman Kelly
editore:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., St. Nathanson Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
King Harvest52:50
16The Morning After
tecnico:
Arnie Rosenberg
produttore:
Carl Maduri
arrangiatore:
Joe Hudson (US composer, string arranger and conductor)
diritti fonografici (℗) detenuti da:
20th Century-Fox Record Corporation (nel 1972) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1973)
registrazione di:
The Morning After (from "The Poseidon Adventure")
autore:
Joel Hirschhorn (songwriter) e Al Kasha (composer, songwriter and arranger)
editore:
Fox Fanfare Music e Twentieth Century Music Corp.
parte di:
The 45th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1972 winner)
Maureen McGovern52:20
2▼Supporto
#TitoloArtistaValutazioneDurata
1Vincent (Starry, Starry Night)
tecnico:
Tom Flye
produttore:
Ed Freeman (producer, arranger, musician, and photographer)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1971-05 al 1971-06)
registrazione di:
Vincent (Starry Starry Night)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) e Universal/MCA Music Ltd. (not for release label use!)
versione tradotta di:
Wim
Don McLean4.44:01
2Operator
produttore:
Terry Cashman e Tommy West
voce:
Jim Croce (il 1971-10-11)
diritti fonografici (℗) detenuti da:
R2M Music (BMI) (nel 1972)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1971-10-11)
registrazione di:
Operator (That’s Not the Way It Feels) (il 1971-10-11)
paroliere e compositore:
Jim Croce
editore:
DenJac Music Company e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.753:48
3At Seventeen
edit di:
At Seventeen di Janis Ian
registrazione di:
At Seventeen
paroliere e compositore:
Janis Ian (nel 1974)
editore:
EMI Blackwood Music Inc. e Mine Music Ltd.
Janis Ian4.53:57
4I'm Not in Love
basso e chitarra :
Graham Gouldman (nel 1975)
effetti [musical effects] :
Eric (nel 1975)
moog :
Kevin Godley (nel 1975)
pianoforte :
Lol Creme (nel 1975)
pianoforte elettrico e voce principale:
Eric Stewart (nel 1975)
synclavier [control desk] :
Eric (nel 1975), Graham (nel 1975), Kevin (nel 1975) e Lol (nel 1975)
voce di accompagnamento:
Lol Creme (nel 1975), Kevin Godley (nel 1975) e Graham Gouldman (nel 1975)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!)
edit di:
I’m Not in Love (album version) di 10cc
registrazione di:
I’m Not in Love (nel 1975)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc4.23:46
5Danny's Song
tecnico di registrazione:
John Fiore (engineer)
tecnico di missaggio:
Alex Kazanegras
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1971, nel 1976)
registrazione di:
Danny’s Song
paroliere e compositore:
Kenny Loggins
editore:
Gnossos Music
Loggins & Messina4.354:15
6Miracles
tecnico di registrazione:
Jeffrey Husband e Steve Mantoani
tecnico:
Larry Cox (US engineer/producer)
produttore:
Larry Cox (US engineer/producer) e Jefferson Starship
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1975)
registrata presso e mixata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti
registrazione di:
Miracles (Jefferson Starship song)
paroliere e compositore:
Marty Balin
Jefferson Starship46:53
7The Air That I Breathe
tecnico:
Mike Jarratt (recording, mixing and lacquer cutting engineer) e Alan Parsons (of The Alan Parsons Project)
produttore:
The Hollies e Ron Richards
voce:
Allan Clarke (of The Hollies) (dal 1973-11-15 al 1973-11-22), Tony Hicks (dal 1973-11-15 al 1973-11-22) e Terry Sylvester (singer and guitarist) (dal 1973-11-15 al 1973-11-22)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1973), The Hollies Ltd. (nel 1973, nel 1974, nel 2008) e Polydor International GmbH (not for release label use!) (nel 1974)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1973-11-15 al 1973-11-22)
registrazione cover di:
The Air That I Breathe (dal 1973-11-15 al 1973-11-22)
autore:
Albert Hammond e Mike Hazlewood
editore:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies3.84:10
8Please Come to Boston
edit di:
Please Come to Boston di Dave Loggins
registrazione di:
Please Come to Boston
paroliere e compositore:
Dave Loggins
Dave Loggins4:08
9Precious and Few
registrazione di:
Precious and Few
paroliere e compositore:
Walter Nims
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Climax42:43
10Poetry Man
assistente tecnico:
Glen Berger
tecnico:
Phil Ramone
co-produttore:
Phil Ramone
produttore:
Dino Airali
arpa [harpist] :
Margaret Ross (harp)
basso acustico [acoustic bass] :
Chuck Delmonico (American bassist)
chitarra acustica [ld. acoustic guiitar] :
Phoebe Snow
organo :
Bob James (US jazz keyboardist, arranger and producer)
percussione :
Ralph MacDonald
sassofono tenore :
John "Zoot" Sims (US jazz saxophonist)
voce:
Phoebe Snow
diritti fonografici (℗) detenuti da:
Shelter Recording Company Inc. (nel 1974)
prodotta presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti
registrazione di:
Poetry Man
paroliere e compositore:
Phoebe Snow
editore:
Almo Music Corp. (USA, affiliated with ASCAP)
Phoebe Snow54:37
11Drift Away
registrazione di:
Drift Away
paroliere e compositore:
Mentor Williams (songwriter & producer)
editore:
Rondor Music (London) Ltd.
Dobie Gray3:56
12Behind Closed Doors
tecnico di registrazione:
Lou Bradley (American producer, engineer, also songwriter) (il 1972-11-12)
produttore:
Billy Sherrill (US songwriter/producer/arranger)
voce di accompagnamento:
The Nashville Edition (il 1972-11-12)
voce principale:
Charlie Rich (US country singer) (il 1972-11-12)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1973) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1974)
registrata presso:
Columbia Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1972-11-12)
registrazione di:
Behind Closed Doors (il 1972-11-12)
paroliere e compositore:
Kenny O’Dell
editore:
House of Gold Music, Inc.
Charlie Rich52:54
13Delta Dawn
produttore:
Tom Catalano
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1973)
registrazione cover di:
Delta Dawn
autore:
Larry Collins e Alex Harvey (American country singer of the early 70s)
editore:
Big Ax Music, EMI April Music Inc., EMI Catalogue, EMI U Catalog Inc. (publisher; do NOT use as release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Helen Reddy3:05
14Mr. Bojangles
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1974)
registrazione cover di:
Mr. Bojangles
paroliere e compositore:
Jerry Jeff Walker
editore:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell Music Australia Pty. Ltd.
The Nitty Gritty Dirt Band53:35