Stax 50th Anniversary Celebration

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Gee Whiz (Look at His Eyes)
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1960) und Nashville, Tennessee, Vereinigte Staaten (in 1960)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Carla Thomas (in 1960)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 29)
recording of:
Gee Whiz (Look at His Eyes) (in 1960)
Texter und Komponist(in):
Carla Thomas
publisher:
Irving Music, Inc.
Carla Thomas2:21
2Last Night
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1961-09)
Produzent(in):
Chips Moman und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
Gitarre:
Steve Cropper (in 1961-09)
Orgel:
Booker T. Jones (in 1961-09)
Schlagzeug:
Terry Johnson (drums) (in 1961-09)
Tenorsaxophon:
Charles Axton (in 1961-09)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 28)
recording of:
Last Night (in 1961-09)
Verfasser(in):
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith und Floyd Newman
Komponist(in):
The Mar‐Keys
The Mar‐Keys42:39
3You Don't Miss Your Water
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1961)
Produzent(in):
Chips Moman
Bassgitarre [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961)
Klavier:
Marvell Thomas (in 1961)
Orgel:
Spooky Butler (in 1961)
Schlagzeug [drums]:
Howard Grimes (in 1961)
Tenorsaxophon und Trompete:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1961)
vocals:
William Bell (in 1961)
recording of:
You Don’t Miss Your Water
Texter und Komponist(in):
William Bell
publisher:
Irving Music, Inc.
William Bell3:02
4Green Onions
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1962-06)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre [bass]:
Lewie Steinberg (in 1962-06)
Gitarre:
Steve Cropper (in 1962-06)
Hammond-Orgel:
Booker T. Jones (in 1962-06)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 181) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 418)
recording of:
Green Onions (in 1962-06)
Komponist(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones und Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. und Irving Music (BMI)
Booker T. & the MG’s3.852:55
5Walking the Dog
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Rufus Thomas (US blues & funk singer & songwriter)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 24)
recording of:
Walking the Dog (in 1963)
Texter und Komponist(in):
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und East/Memphis Music
Rufus Thomas32:37
6I've Been Loving You Too Long (to Stop Now)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 25)
recording of:
I’ve Been Loving You Too Long
Verfasser(in):
Jerry Butler (soul singer) (in 1965) und Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) und Wildwood Music Ltd.
Otis Redding32:57
7Candy
The Astors3:01
8Respect
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1965-07-09)
recording engineer:
Tom Dowd
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (am 1965-07-09)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1965-07-09)
Gitarre:
Steve Cropper (am 1965-07-09)
Keyboard:
Booker T. Jones (in 1965-07) und Isaac Hayes (am 1965-07-09)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1965-07-09)
Tenorsaxophon:
Andrew Love (am 1965-07-09)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (in 1965-07) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1965-07-09)
Hintergrundgesang:
Earl Sims (am 1965-07-09)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (von 1965-07-09 bis 1965-07-10)
recording of:
Respect (in 1965-07)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Otis Redding3.852:09
9You Don't Know Like I Know
recording of:
You Don’t Know Like I Know
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Rondor Music und Warner Chappell
Sam & Dave2:39
10I Want Someone
The Mad Lads2:43
11Hold On I'm Comin'
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-03-08)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Sam & Dave (am 1966-03-08)
recording of:
Hold On, I’m Comin’ (am 1966-03-08)
Verfasser(in):
Isaac Hayes, Hayes, Porter und David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:35
12Let Me Be Good to You
recording of:
Let Me Be Good to You
Verfasser(in):
Isaac Hayes, David Porter (US soul musician, producer & songwriter) und Carl Wells
Carla Thomas2:42
13Your Good Thing (Is About to End)
recording of:
Your Good Thing (Is About to End)
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Cotton Picking Soul Music, Irving Music, Inc., Primary Wave 3 Songs (BMI) und East/Memphis Music (in 1967)
Mable John2:58
14Knock on Wood
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-07-13)
Produzent(in):
Steve Cropper
baritone saxophone:
probably Floyd Newman
Bassgitarre [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1966-07-13)
Gitarre:
Steve Cropper (am 1966-07-13)
Klavier:
Isaac Hayes (am 1966-07-13) und Booker T. Jones (am 1966-07-13)
Orgel:
Booker T. Jones (am 1966-07-13)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (am 1966-07-13)
Tenorsaxophon:
probably Andrew Love (am 1966-07-13)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1966-07-13)
vocals:
Eddie Floyd (am 1966-07-13)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recording of:
Knock on Wood (am 1966-07-13)
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
adaptations:
Potkraj na les
Eddie Floyd43:05
15B-A-B-Y
recording of:
B-A-B-Y (in 1966)
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner/Chappell North America
Carla Thomas4.252:56
16Tramp
recorded in:
Memphis, Tennessee, Vereinigte Staaten (von 1967-01 bis 1967-02)
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-01 bis 1967-02)
Gitarre:
Steve Cropper (von 1967-01 bis 1967-02)
Keyboard:
Isaac Hayes (von 1967-01 bis 1967-02) und Booker T. Jones (von 1967-01 bis 1967-02)
Klavier:
Booker T. Jones (von 1967-01 bis 1967-02)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (von 1967-01 bis 1967-02)
Tenorsaxophon:
Joe Arnold (von 1967-01 bis 1967-02) und Andrew Love (von 1967-01 bis 1967-02)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-01 bis 1967-02)
Hintergrundgesang:
Carla Thomas (von 1967-01 bis 1967-02)
vocals:
Otis Redding (von 1967-01 bis 1967-02) und Carla Thomas (von 1967-01 bis 1967-02)
Interpret(in):
Carla Thomas (von 1967-01 bis 1967-02)
cover recording of:
Tramp (von 1967-01 bis 1967-02)
Verfasser(in):
Lowell Fulson und Jimmy McCracklin (blues singer, songwriter)
publisher:
Budget Music, Careers–BMG Music Publishing, Inc. und Powerforce Music
Otis Redding & Carla Thomas3.853:01
17Soul Finger
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1967)
Produzent(in):
The Stax Staff
E-Bass [electric bass]:
James Alexander (US soul bassist, singer and songwriter) (in 1967)
Gitarre:
Jimmy King (US guitarist for The Bar‐Kays) (in 1967)
Orgel:
Ronnie Caldwell (in 1967)
Schlagzeug:
Carl Cunningham (drummer for The Bar‐Kays) (in 1967)
Tenorsaxophon:
Phalon Jones (in 1967)
Trompete:
Ben Cauley (in 1967)
recording of:
Soul Finger (in 1967)
Verfasser(in):
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar‐Kays), James Alexander (US soul bassist, singer and songwriter), Phalon Jones und Jimmy King (US guitarist for The Bar‐Kays)
The Bar‐Kays4.52:21
18Born Under a Bad Sign
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1967)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1967)
Gitarre:
Steve Cropper (in 1967) und Albert King (well‐known US blues guitarist & singer) (in 1967)
Horn:
Joe Arnold (in 1967), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1967) und Andrew Love (in 1967)
Klavier:
Isaac Hayes (in 1967) und Booker T. Jones (in 1967)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1967)
Sologesang:
Albert King (well‐known US blues guitarist & singer) (in 1967)
Interpret(in):
Booker T. & the MG’s (in 1967) und The Memphis Horns (in 1967)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1988)
recording of:
Born Under a Bad Sign (in 1967)
Texter:
William Bell
Komponist(in):
Booker T. Jones
publisher:
Cotillion Music Inc. (BMI), Irving Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music, Inc.
Albert King32:47
19Soul Man
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1967-08-10)
Produzent(in):
Isaac Hayes, David Porter (US soul musician, producer & songwriter) und Jim Stewart (US producer, founder for Stax & Volt Records)
Instrumente:
Booker T. & the MG’s (in 1967) und The Mar‐Keys Horns (in 1967)
Sologesang:
Sam Moore (singer, ex “Sam and Dave”) (in 1967) und David Prater (soul artist) (in 1967)
phonographisches Urheberrecht (℗) von:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 458)
recording of:
Soul Man (am 1967-08-10)
Verfasser(in):
Isaac Hayes (in 1967) und David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) und Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:40
20(Sittin' on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
Komponist(in):
Steve Cropper und Otis Redding
arranger:
Oliver Lake
Arrangement von:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:42
21I Got a Sure Thing
Produzent(in):
Booker T. Jones
Ollie & The Nightingales2:39
22Soul Limbo
Produzent(in):
Booker T. Jones
recording of:
Soul Limbo
Verfasser(in):
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) und Booker T. Jones
publisher:
Al Jackson Jr. Music und Irving Music (BMI)
Booker T. & the MG’s4.52:23
23I've Never Found a Girl (to Love Me Like You Do)
Produzent(in):
Steve Cropper
recording of:
I’ve Never Found a Girl (to Love Me Like You Do) (in 1968)
Verfasser(in):
Eddie Floyd, Alvertis Isbell und Booker T. Jones
publisher:
East/Memphis Music, Irving Music, Inc., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eddie Floyd42:47
24What a Man
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
recording of:
What a Man
Texter und Komponist(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Linda Lyndell4.252:43
25Private Number
Produzent(in):
Booker T. Jones
Interpret(in):
Judy Clay (American soul and gospel singer)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (in 1968)
recording of:
Private Number (in 1968)
Verfasser(in):
William Bell und Booker T. Jones
publisher:
Irving Music, Inc. und Music for Africa (South Africa)
Judy Clay & William Bell22:41
26Who's Making Love
Produzent(in):
Donald Davis (American record producer) und Al Jackson, Jr. (Booker T & The MGs drummer)
Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1968)
Gitarre:
Steve Cropper (in 1968)
Klavier:
Isaac Hayes (in 1968) und Allen Jones (producer/songwriter/musician/engineer) (in 1968)
membranophone:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1968)
Orgel und Hintergrundgesang:
Booker T. Jones (in 1968)
Sologesang:
Johnnie Taylor (in 1968)
recording of:
Who’s Making Love? (in 1968)
Verfasser(in):
Homer Banks (soul singer and songwriter), Bettye Crutcher, Don Davis (American record producer) und Raymond Jackson (songwriter, guitarist and producer)
Johnnie Taylor2:49
27I Forgot to Be Your Lover
Produzent(in):
Booker T. Jones
recording of:
I Forgot to Be Your Lover
Verfasser(in):
William Bell und Booker T. Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), East Memphis Music Corp., Irving Music, Inc., Rondor Music (London) Ltd. und Universal Music Publishing Group
William Bell52:20
28I Like What You're Doing (to Me)
Carla Thomas2:55
2▼CD
Nr.TitelKünstlerBewertungLänge
1Time Is Tight
recording of:
Time Is Tight
Komponist(in):
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) und Booker T. Jones
publisher:
Al Jackson Jr. Music und Irving Music (BMI)
Booker T. & the MG’s33:17
2So I Can Love You
The Emotions2:52
3Walk On By
cover recording of:
Walk On By
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Isaac Hayes4:35
4Do the Funky Chicken
recording of:
Do the Funky Chicken
Texter und Komponist(in):
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Rufus Thomas3:18
5Jody's Got Your Girl and Gone
recording of:
Jody’s Got Your Girl and Gone
Verfasser(in):
Kent Barker, Don Davis (American record producer) und James Skeet Wilson
Johnnie Taylor3:02
6Mr. Big Stuff
recording of:
Mr. Big Stuff
Verfasser(in):
Joseph Broussard, Carrol Washington und Ralph Williams (US soul composer)
publisher:
Caraljo Music Inc., Malaco Music Company und Peermusic III, Ltd. (BMI)
Jean Knight2:34
7Never Can Say Goodbye
cover recording of:
Never Can Say Goodbye
Texter und Komponist(in):
Clifton Davis (musical theatre actor, singer and songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. und Portable Music Co., Inc.
Isaac Hayes3:39
8Whatcha See Is Whatcha Get
Bearbeitung von:
Whatcha See Is Whatcha Get (album version) von The Dramatics (US soul music vocal group)
recording of:
Whatcha See Is Whatcha Get (in 1971)
Texter und Komponist(in):
Tony Hester
publisher:
Groovesville Music (publishing) (beendet), EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Dramatics53:36
9Respect Yourself
Bearbeitung von:
Respect Yourself von The Staple Singers
recording of:
Respect Yourself
Texter und Komponist(in):
Luther Ingram und Sir Mack Rice
publisher:
Irving Music (BMI) (in 1988) und Klondike Enterprises (publisher) (in 1988)
The Staple Singers53:31
10Theme From Shaft
Bearbeitung von:
Theme From ‘Shaft’ von Isaac Hayes
recording of:
Theme From Shaft (Shaft, 1971)
Texter und Komponist(in):
Isaac Hayes
publisher:
Irving Music, Inc.
Teil von:
The 44th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1971 winner)
Teil von:
Shaft (1971 film soundtrack)
Isaac Hayes3.353:18
11Son of Shaft
The Bar‐Kays3:14
12That's What Love Will Make You Do
Little Milton3:58
13I've Been Lonely for So Long
recording of:
I've Been Lonely for So Long
Verfasser(in):
Jerry Weaver und Posie Knight
publisher:
Irving Music, Inc. (in 1972), Lowery Music (in 1972, in 1988) und Irving Music (BMI) (in 1988)
Frederick Knight33:23
14Hearsay
recording of:
Hearsay
Verfasser(in):
John Colbert und Norman West
The Soul Children3:32
15In the Rain
recording of:
In the Rain
Verfasser(in):
Tony Hester
publisher:
Groovesville Music (publishing) (beendet) und EMI Longitude Music
The Dramatics3:26
16I'll Take You There
Bearbeitung von:
I’ll Take You There von The Staple Singers
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 186) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 276)
recording of:
I’ll Take You There
Texter und Komponist(in):
Alvertis Isbell
publisher:
Music for Africa (South Africa)
The Staple Singers53:16
17Starting All Over Again
recording of:
Starting All Over Again
Texter und Komponist(in):
Phillip Mitchell
publisher:
Muscle Shoals Sound Publishing und Peermusic III, Ltd. (BMI)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Mel & Tim3:52
18Dedicated to the One I Love
cover recording of:
Dedicated to the One I Love
Verfasser(in):
Ralph Bass und Lowman Pauling
publisher:
Carlin Music Corporation, Duchess Music Corporation (BMI-affiliated), Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Temprees3:37
19If You're Ready (Come Go With Me)
Bearbeitung von:
If You’re Ready (Come Go With Me) von The Staple Singers
recording of:
If You’re Ready (Come Go with Me)
Verfasser(in):
Homer Banks (soul singer and songwriter), Carl Hampton (pianist, songwriter and producer) und Raymond Jackson (songwriter, guitarist and producer)
The Staple Singers3:22
20Cheaper to Keep Her
recording of:
Cheaper to Keep Her
Texter und Komponist(in):
Sir Mack Rice
publisher:
Dleif Music, Inc. und Irving Music (BMI)
Johnnie Taylor3:30
21I'll Be the Other Woman
The Soul Children3:38
22Woman to Woman
Techniker(in):
William Brown (engineer)
Produzent(in):
Al Jackson, Jr. (Booker T & The MGs drummer) und Jim Stewart (US producer, founder for Stax & Volt Records)
Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
Gitarre:
Bobby Manuel
Horn:
The Memphis Horns
Klavier:
Marvell Thomas
membranophone:
Al Jackson, Jr. (Booker T & The MGs drummer)
Orgel:
Lester Snell (Pianist/keyboardist, songwriter and producer)
Saiteninstrumente:
Memphis Symphony Orchestra
Hintergrundgesang:
Charles Chalmers Singers
arranger:
James Mitchell (US saxophonist/arranger) und Lester Snell (Pianist/keyboardist, songwriter and producer)
cover recording of:
Woman to Woman
Verfasser(in):
James Banks, Eddie Marion und Henderson Thigpen
publisher:
Irving Music (BMI) und Irving Music, Inc.
Shirley Brown3:55

Nennungen

Veröffentlichung

art direction:Larissa Collins (art director / designer)
liner notes:Rob Bowman (ethnomusicologist and music writer)
Produzent(in):Rob Bowman (ethnomusicologist and music writer)
Cheryl Pawelski
mastering:Dave Schultz
Zusammensteller:Rob Bowman (ethnomusicologist and music writer)
Cheryl Pawelski
design:David Gorman (art director and designer)
Arthur Nakata
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2007)
mastered at:DigiPrep in Los Angeles, California (Kalifornien), Vereinigte Staaten
Discogs:https://www.discogs.com/release/4229933 [Info]
ASIN:US: B000KP62UM [Info]
Allmusic:https://www.allmusic.com/album/release/mr0001247865 [Info]

Veröffentlichungsgruppe

Teil von:Music Genre Tree (canonical album list from musicgenretree.org – one representative release per genre)
Allmusic:https://www.allmusic.com/album/mw0000452604 [Info]