Alle 40 goed: Feest!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Cotton Eye Joe
recording engineer und Mix:
Lee Monteverde
Techniker(in) und Produzent(in):
Pat Reiniz
Banjo:
Ken Tacky
vocals:
Billy Ray (stage name of Jonas Nilsson, violinist of Swedish novelty act Rednex), Mary Joe, Bobby Sue und Ken Tacky
zusätzliche(r) Interpret(in):
Goran Danielsson (Rednex singer Ken Tacky), Annika Ljungberg und Bosse Nilsson
phonographisches Urheberrecht (℗) von:
Zomba Records (in 1994) und Zomba Records Ltd (not strictly a label - avoid adding releases here) (in 1994)
aufgenommen bei und mixed at:
Future Crew Studios, Idaho in Stockholms län (Stockholm county), Schweden
Musikvideos:
Cotton‐Eye Joe von Rednex (Swedish Euro-House group)
Teil von:
A.Side: 10 Songs That Have Their Own Dance Moves (Nummer: 7)
recording of:
Cotton-Eye Joe (Rednex version)
Verfasser(in):
Jan Ericsson (Swedish producer), Örjan Öberg (Örjan “Öban” Öberg, Swedish producer) und Pat Reiniz
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Version von:
Cotton‐Eyed Joe (traditional song)
Rednex4.13:11
2Boten Anna
Produzent(in):
Jonas Altberg, Scott Simons (UK techno producer, member of Ultra DJ's) und Robert Uhlmann (Swedish media executive and composer)
vocals:
Jonas Altberg
recording of:
Boten Anna
Texter und Komponist(in):
Jonas Altberg
Basshunter3.53:26
3Desenchantee
zusätzliche(r) Produzent(in):
Zip Productions
remixer:
Zip Productions
phonographisches Urheberrecht (℗) von:
Antler-Subway (in 2002)
cover recording of:
Désenchantée
Texter:
Mylène Farmer
Komponist(in):
Laurent Boutonnat und Mylène Farmer
arranger:
Laurent Boutonnat
publisher:
Requiem Publishing
Kate Ryan2.53:38
4Don’t Leave Me This Way
Produzent(in):
Mike Thorne (UK producer & keyboardist)
vocals:
Sarah Jane Morris
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards3.44:30
5Cha Cha Slide
Produzent(in):
Hudson Beaudy und Men on Business
zusätzliche(r) Produzent(in):
Hardino
vocals:
DJ Casper
zusätzlich remixer:
Hardino
recording of:
Cha Cha Slide
Verfasser(in):
Marvel Thompson und Willie Perry
DJ Casper2.653:41
6Relight My Fire
recording of:
Relight My Fire (in 1979)
Texter und Komponist(in):
Dan Hartman
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Dan Hartman4.653:43
7You’re the First, the Last, My Everything
Techniker(in):
Frank Kejmar (engineer)
Produzent(in):
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) und Barry White
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You’re the First, the Last, My Everything
Verfasser(in):
Peter Sterling Radcliffe, Tony Sepe und Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. und World Song Publishing Inc.
Barry White43:22
8That’s the Way (I Like It)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) und T.K. Records (Miami‐based disco label) (in 1975)
Bearbeitung von:
That’s the Way (I Like It) von KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.43:01
9I Will Survive
Partner-Produzent(in):
Freddie Perren
Produzent(in):
Dino Fekaris
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) und Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
Bearbeitung von:
I Will Survive (12″ single version) von Gloria Gaynor
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 251) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 489)
recording of:
I Will Survive
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:15
10You’re the Greatest Lover
Produzent(in):
Hans van Hemert
recording of:
You’re the Greatest Lover
Texter und Komponist(in):
Hans van Hemert und Piet Souer (composer)
Luv’2:50
11Rasputin
recording of:
Rasputin
Texter und Komponist(in):
Frank Farian, Fred Jay und George Reyam
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Boney M.3.253:41
12Nutbush City Limits
Produzent(in):
Ike Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973), United Artists (in 1973) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
Ike & Tina Turner3.752:57
13We Will Rock You
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
assistierende(r) Produzent(in) und Koproduzent(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
Queen (UK rock group)
E-Gitarre und Gitarre:
Brian May (Queen guitarist) (von 1977-08 bis 1977-09)
foot stomps [footstomps] und Händeklatschen:
John Deacon (von 1977-08 bis 1977-09), Brian May (Queen guitarist) (von 1977-08 bis 1977-09), Freddie Mercury (von 1977-08 bis 1977-09) und Roger Taylor (Queen drummer) (von 1977-08 bis 1977-09)
Hintergrundgesang:
Brian May (Queen guitarist) (von 1977-08 bis 1977-09), Freddie Mercury (von 1977-08 bis 1977-09) und Roger Taylor (Queen drummer) (von 1977-08 bis 1977-09)
Sologesang:
Freddie Mercury (von 1977-08 bis 1977-09)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2001, in 2011)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich (von 1977-08 bis 1977-09)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 338)
recording of:
We Will Rock You (von 1977-08 bis 1977-09)
Texter und Komponist(in):
Brian May (Queen guitarist)
publisher:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. und Sony/ATV
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.82:02
14Ik wil je
recording of:
Ik wil je
Verfasser(in):
Berre Bergen (Belgian bassist and songwriter), Ben Crabbé (Belgian drummer & TV personality), Walter Grootaers (Belgian singer & media personality), Jan Van Eyken (Belgian guitar player) und Erik Wauters (guitarist and songwriter)
publisher:
EMI Publishing
De Kreuners3:08
15The Final Countdown
recording engineer und Mix:
Wally Buck und Kevin Elson
Produzent(in):
Kevin Elson
Bassgitarre [bass]:
John Levén
Gitarre:
John Norum
Keyboard:
Mic Michaeli
Schlagzeug [drums]:
Ian Haugland
Hintergrundgesang:
Ian Haugland, Mic Michaeli und John Norum
Sologesang:
Joey Tempest (Swedish singer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
produced for:
Elson Music Vision, Inc.
aufgenommen bei und mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz und Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Schweden
Musikvideo für:
The Final Countdown von Europe (Swedish band)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 66) und Cachitos Nochevieja 2022 (Nummer: 155)
recording of:
The Final Countdown
Texter und Komponist(in):
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Seven Doors Music
Europe4.055:08
16One Way
Produzent(in):
Al Scott (Oysterband, engineer, song writer) (von 1991-07-15 bis 1991-08-05)
Mix:
Al Scott (Oysterband, engineer, song writer) (von 1991-07-15 bis 1991-08-05)
Bassgitarre:
Jeremy Cunningham (UK bassist for the Levellers)
Geige / Violine:
Jon Sevink
Gitarre:
Mark Chadwick (singer/songwriter/guitarist for the Levellers) und Simon Friend
Schlagzeug:
Charlie Heather
Sologesang:
Mark Chadwick (singer/songwriter/guitarist for the Levellers)
mixed at:
Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich (von 1991-07-15 bis 1991-08-05)
recording of:
One Way
Verfasser(in):
Mark Chadwick (singer/songwriter/guitarist for the Levellers), Jeremy Cunningham (UK bassist for the Levellers), Simon Friend, Charlie Heather und Jon Sevink
publisher:
Universal Music (plain logo: “Universal Music”)
Levellers4:09
17As the Bottle Runs Dry
The Wolf Banes3:41
18La Bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) und Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.152:53
19Demasiado Corazon
recording of:
Demasiado Corazón
Texter und Komponist(in):
Willy DeVille
Mink DeVille3:36
20The Hucklebuck
cover recording of:
The Hucklebuck
Texter:
Roy Alfred (Tin Pan Alley lyricist and composer)
zusätzliche(r) Verfasser(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Komponist(in):
Andy Gibson (trumpet, arranger, composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal/MCA Music Publishing Pty Ltd
Chubby Checker2:26
2▼CD
Nr.TitelKünstlerBewertungLänge
1Lambada
cover recording of:
Chorando se foi (The Lambada)
Texter und Komponist(in):
Gonzalo Hermosa und Ulises Hermosa
Übersetzer:
José Ari, Márcia Ferreira und Alberto Maravi
übersetzte Version von:
Llorando se fue
Kaoma3:24
2Macarena
phonographisches Urheberrecht (℗) von:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 1995)
recording of:
Macarena
Texter und Komponist(in):
Antonio Romero Monge und Rafael Ruiz
publisher:
Canciones del Mundo (publisher), Discorama, S. L. (Used on (p), (c) and as publishing company) und Editorial Discorama
Los del Río3:42
3De vogeltjesdans
recording of:
Chicken Dance (original tune, no lyrics) (in 1980)
Komponist(in):
Werner Thomas (in 1957)
recording of:
De vogeltjesdans
Verfasser(in):
Henk Bemboom, Jan Bloemsma, Koos Bloemsma, Terry Rendall (Belgian 1950-80s label manager, record producer) und Werner Thomas
De Electronica’s2:33
4Laat de zon in je hart
The Sunsets3:31
5Lief klein konijntje
Henkie2:44
6Tele-Romeo
Produzent(in):
Peter Gillis (Belgian songwriter, drummer, producer, engineer) und Miguel Wiels (Belgian producer, keyboardist, songwriter)
vocals:
K3 (Flemish all girl pop group)
aufgenommen bei und mixed at:
Top Studio in Ghent (Gent), Oost-Vlaanderen (Provinz Ostflandern), Flanders (Flämische Region), Belgien
Teil von:
Radio 2 Zomerhit (Nummer: 2001)
recording of:
Tele‐Romeo
Verfasser(in):
Peter Gillis (Belgian songwriter, drummer, producer, engineer), Alain Vande Putte (Belgian songwriter) und Miguel Wiels (Belgian producer, keyboardist, songwriter)
publisher:
Studio 100 Publishing
K33:17
7De kabouterdans
Produzent(in):
Johan Vanden Eede (Belgian producer, composer & arranger)
remixer:
Phil Wilde (Belgian producer Filip De Wilde)
arranger:
Johan Vanden Eede (Belgian producer, composer & arranger)
recording of:
Kabouterdans
Texter:
Hans Bourlon (Belgian entrepreneur & children's music lyricist), Danny Verbiest (TV presenter and voice actor) und Gert Verhulst (Belgian television personality)
Komponist(in):
Johan Vanden Eede (Belgian producer, composer & arranger)
publisher:
Studio 100 Publishing
Kabouter Plop3:33
8Hé lekker beest
recording of:
Hé lekker beest
Verfasser(in):
Peter Bauwens, Pia Bliss und Peter Gillis (Belgian songwriter, drummer, producer, engineer)
Isabelle A3:25
9Jij doet de wolken verdwijnen
recording of:
Jij doet de wolken verdwijnen
Texter:
Lov Cook (Belgian lyricist, aka Lov Cook)
Komponist(in):
Phil Sterman (Belgian producer, songwriter Filip Martens)
Laura Lynn3:16
10Zeven zonden
recording of:
Zeven zonden
Verfasser(in):
Uwe Busse (singer, songwriter, producer)
Übersetzer:
Christoff De Bolle (Flemish pop vocalist)
Version von:
Sieben Sünden
Christoff3:31
11Diep
Get Ready!3:37
12De allereerste keer
recording of:
De allereerste keer
Texter:
Peter Loland (aka Nico Gomez, Joseph van het Groenewoud)
Komponist(in):
Nicola Di Bari und Gian Franco Reverberi
Version von:
Giramondo
Rita Deneve2:59
13Heb je even voor mij
recording of:
Heb je even voor mij
Texter und Komponist(in):
Emile Hartkamp
Frans Bauer3:17
14Zondag
recording of:
Zondag
Verfasser(in):
Tineke Beishuizen, Bill van Dijk (singer, musical performer) und Gerard Stellaard
Rob de Nijs2:59
15De Marie-Louise
recording of:
De Marie-Louise
Texter und Komponist(in):
Armath (Belgian producer Roland Verlooven)
Bart Kaëll2:53
16Ik hou van u / Je t’aime tu sais
recording of:
Ik hou van u / Je t’aime tu sais (2005 bilingual version)
Texter:
Stijn Meuris (Belgian singer, journalist, conferencier)
Komponist(in):
Wim De Wilde (Belgian keyboardist, composer) und Lars Van Bambost (Belgian guitarist and composer)
übersetzte Version von:
Ik hou van u (original 1995 version)
Monza & Marie Daulne4:04
17Les Filles du bord de mer
vocals:
Arno (Belgian rock vocalist Arno Hintjens)
arranger:
Arno Hintjens (Belgian rock vocalist Arno Hintjens) und Ad Cominotto (Belgian accordion player, producer)
aufgenommen bei:
Sanctuary Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Castle Recording Studios in Franklin, Tennessee, Vereinigte Staaten
cover recording of:
Les Filles du bord de mer
Texter und Komponist(in):
Adamo (Belgian singer Salvatore Adamo)
Arno4:58
18Een beetje verliefd
Techniker(in):
Jan van Vrijaldenhoven (NL Recording and Mixing Engineer)
Produzent(in):
Tim Griek
vocals:
André Hazes (singer, songwriter)
arranger:
John van de Ven (Dutch songwriter) und Jacques Verburgt (Dutch producer, songwriter, musician)
aufgenommen bei:
EMI Studios (Former Bovema Studio, since 1971) in Heemstede, Utrecht, Niederlande, Kingdom of the Netherlands
recording of:
Een beetje verliefd (André Hazes)
Texter:
André Hazes (singer, songwriter)
Komponist(in):
Cees Bergman, Geertjan Hessing, Aart Mol (bassist, songwriter), Erwin van Prehn und Elmer Veerhoff
André Hazes4:10
19Les Lacs du ConnemaraMichel Sardou6:00
20Always Look at the Bright Side of Life
recording of:
Always Look on the Bright Side of Life
Texter und Komponist(in):
Eric Idle
publisher:
Oops Publishing Ltd.
sub-publisher:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000)
Version von:
Look on the Bright Side of Life (All Things Dull and Ugly)
Teil von:
Part Five: Miserere Loves Company
Monty Python3:32

Nennungen

Veröffentlichungsgruppe

Teil von:Alle 40 goed (Reihenfolge: 24)