Now That’s What I Call Country

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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Nr.TitelKünstlerBewertungLänge
1Take Me Home, Country Roads
recording engineer:
Ray Hall (engineer)
assistierende(r) Produzent(in):
Jean Kaplow
Produzent(in):
Milt Okun
Akustikgitarre [6-string guitar] und Sologesang:
John Denver
Banjo und Pedal-Steel-Gitarre:
Eric Weissberg
Gitarre:
Bill Danoff und Michael Taylor (Guitarist & former member of the John Denver Band)
Klavier:
Frank Owens (American pianist)
Kontrabass:
Dick Kniss
membranophone:
Gary Chester (studio drummer and educator)
Hintergrundgesang:
Bill Danoff, Taffy Nivert und Starland Vocal Band
vocals:
John Denver
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 94) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 358)
recording of:
Take Me Home, Country Roads (am 1971-02-04)
Nationalhymne von:
West Virginia, Vereinigte Staaten
Verfasser(in):
Bill Danoff, John Denver und Taffy Nivert
publisher:
BMG Ruby Songs, Cherry Lane Music Ltd., Dino Park Publishing, JD Legacy Publishing, My Pop’s Songs, Reservoir Media Music und Cherry Lane Music Publishing Company Inc. (in 1971)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
John Denver4.43:13
2Let Your Love Flow
Produzent(in):
Phil Gernhard (songwriter and producer) (in 1975-10) und Tony Scotti (in 1975-10)
Bassgitarre:
Emory Gordy (in 1975-10)
Gitarre:
David Bellamy (Bellamy Brothers) (in 1975-10), Howard Bellamy (Bellamy Brothers) (in 1975-10), Richard Bennett (American guitarist) (in 1975-10) und Doug Rhone (American guitarist, songwriter, touring and studio musician) (in 1975-10)
Perkussion:
King Errison (conguero) (in 1975-10)
Schlagzeug:
Dennis St. John (in 1975-10)
Synthesizer:
Alan Lindgren (American keyboardist, arranger, producer, studio & session musician) (in 1975-10)
Sologesang:
David Bellamy (Bellamy Brothers) (in 1975-10) und Howard Bellamy (Bellamy Brothers) (in 1975-10)
phonographisches Urheberrecht (℗) von:
Curb Records (in 1975) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1975-10)
recording of:
Let Your Love Flow (in 1975-10)
Texter und Komponist(in):
Lawrence Eugene Williams (songwriter, "Let Your Love Flow") (in 1975)
The Bellamy Brothers3.653:14
3Blanket on the Ground
recording of:
Blanket on the Ground
Texter und Komponist(in):
Roger Bowling
publisher:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Music Publishing (UK) Ltd.
Billie Jo Spears3:32
4Rose Garden
cover recording of:
Rose Garden (in 1970)
Texter und Komponist(in):
Joe South
publisher:
BMG Music Publishing Ltd. und Sony/ATV Songs LLC
Lynn Anderson4.152:55
5Wichita Lineman
Produzent(in):
Al De Lory
Sologesang:
Glen Campbell (US country singer, guitarist & actor)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968) und Capitol Records Nashville (in 2016)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-05-27)
zusätzlich aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-08-14)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 12), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 192) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 206)
recording of:
Wichita Lineman (am 1968-05-27)
Texter:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer) (in 1968)
Glen Campbell3.653:05
6Islands in the Stream
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
vocals:
Dolly Parton und Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983)
produced for:
Karlbhy Productions
recording of:
Islands in the Stream
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crompton Songs, Gibb Brothers Music, Screen Gems–EMI Music, Summerhill Songs, Unichappel Music und Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dolly Parton & Kenny Rogers44:09
7Stand by Your Man
recording of:
Stand by Your Man
Verfasser(in):
Billy Sherrill (US songwriter/producer/arranger) und Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette2:40
8Crazy
Produzent(in):
Owen Bradley
vocals:
Patsy Cline
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 85) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 195)
recording of:
Crazy (Willie Nelson song) (am 1961-08-21)
Texter und Komponist(in):
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tree Publishing
Patsy Cline4.152:43
9You Needed Me
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978) und EMI Music Canada (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 63)
recording of:
You Needed Me (in 1978)
Texter und Komponist(in):
Randy Goodrum
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Ironside Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Anne Murray4.653:36
10The Most Beautiful Girl
recording engineer:
Lou Bradley (American producer, engineer, also songwriter) (am 1973-02-09)
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Hintergrundgesang:
The Nashville Edition (am 1973-02-09)
Sologesang:
Charlie Rich (US country singer) (am 1973-02-09)
vocals:
Charlie Rich (US country singer) (am 1973-02-09)
Saiteninstrumente arranger:
Bill McElhiney
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1973-02-09)
cover recording of:
The Most Beautiful Girl (am 1973-02-09)
Verfasser(in):
Rory Bourke, Billy Sherrill (US songwriter/producer/arranger) und Norris “Norro” Wilson
publisher:
Al Gallico Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) und Gallico Music Ltd.
Version von:
Hey Mister
Charlie Rich4.352:43
11Don’t It Make My Brown Eyes Blue
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1976) und Capitol Nashville (in 1977, in 1979)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
Texter und Komponist(in):
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Crystal Gayle4.42:36
12How Do I Live
recording of:
How Do I Live
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Realsongs (vom 1997 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 2)
LeAnn Rimes4.54:25
13Need You Now
Bearbeitung von:
Need You Now (video version) von Lady Antebellum (formerly Lady Antebellum)
Teil von:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 10), Holler's Best 2000s Country Songs (Nummer: 27), Billboard Year-End Hot Country Songs of 2009 (Nummer: 48), Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 2011 winner) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 325)
recording of:
Need You Now
Verfasser(in):
Dave Haywood, Josh Kear, Charles Kelley und Hillary Scott
publisher:
Darth Buddha Music, DWHaywood Music, EMI Foray Music, Hillary Down Songs, RADIOBULLETSPUBLISHING, Round Hill Songs Josh Kear, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Year of the Dog Music
Lady A3.93:52
14You’ve Got a Way
recording of:
You’ve Got a Way
Verfasser(in):
Eilleen Regina Lange und Robert John Lange
publisher:
Out-of-Pocket Productions Ltd.
Shania Twain3:27
15Desperado
Techniker(in):
John Haeny
Produzent(in):
J.D. Souther
Mix:
Al Schmitt
Bass:
Chris Ethridge
E-Gitarre:
J.D. Souther
Klavier:
Spooner Oldham
Posaune:
Gail Martin
Schlagzeug:
Dennis St. John
Trompete:
Darrell Leonard und Mac Johnson
Hintergrundgesang:
Clydie King, Sherlie Matthews (US vocalist) und Marti McCall (session vocalist)
Horn und Saiteninstrumente arranger:
Jim Ed Norman
cover recording of:
Desperado
Verfasser(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Don Henley
publisher:
Benchmark Music, Cass County Music, Kicking Bear, Neue Welt Musikverlag GmbH (2017 – present), Red Cloud Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Warner Bros. Music GmbH (publisher) (in 1981)
Linda Ronstadt3:34
16Sylvia’s Mother
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recording of:
Sylvia’s Mother
Texter und Komponist(in):
Shel Silverstein
publisher:
Essex Music, Essex Music of Australia Pty. Ltd. und Evil Eye Music Inc.
Dr. Hook & the Medicine Show43:49
17Way Down
Techniker(in):
Mike Moran (American engineer, associated with RCA)
leitende(r) Produzent(in):
Elvis Presley (“The King of Rock and Roll”)
Bass:
Jerry Scheff (von 1976-10-29 bis 1976-10-30)
Gitarre:
James Burton (guitarist) (von 1976-10-29 bis 1976-10-30), Charlie Hodge (von 1976-10-29 bis 1976-10-30), John Wilkinson (known world-wide as the rhythm guitar player of Elvis Presley) (von 1976-10-29 bis 1976-10-30) und Chip Young (American session guitarist, bassist, producer in the genre of country) (von 1976-10-29 bis 1976-10-30)
Hybrid-Piano:
David Briggs (English organist and composer) (von 1976-10-29 bis 1976-10-30)
Klavier:
Tony Brown (US producer, pianist and keyboardist) (von 1976-10-29 bis 1976-10-30)
Moog:
Shane Keister (von 1976-10-29 bis 1976-10-30)
Schlagzeug:
Ronnie Tutt (drummer) (von 1976-10-29 bis 1976-10-30)
Steel-Gitarre:
Weldon Myrick (von 1976-10-29 bis 1976-10-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1976-10-29)
vocals:
Sherrill Nielsen (American tenor singer) (am 1976-10-29, von 1976-10-29 bis 1976-10-30), Myrna Smith (am 1976-10-29, von 1976-10-29 bis 1976-10-30), J.D. Sumner & The Stamps (am 1976-10-29, von 1976-10-29 bis 1976-10-30) und Kathy Westmoreland (am 1976-10-29, von 1976-10-29 bis 1976-10-30)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1977), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1977) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Graceland in Memphis, Tennessee, Vereinigte Staaten (am 1976-10-29, von 1976-10-29 bis 1976-10-30) und Creative Workshop in Nashville, Tennessee, Vereinigte Staaten (in 1977-01)
recording of:
Way Down (von 1976-10-29 bis 1977-01)
Texter und Komponist(in):
Layng Martine, Jr. (Nashville songwriter)
publisher:
MCS Music Ltd. und Ray Stevens Music
Elvis Presley22:37
18Ring of Fire
recording of:
Ring of Fire
Verfasser(in):
June Carter Cash (American Country singer and songwriter) und Merle Kilgore
publisher:
Painted Desert Music Corporation
Johnny Cash2:38
19Blue Bayou
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1961-11-15)
Produzent(in):
Fred Foster
Gitarre:
Fred Carter, Jr. (am 1961-11-15), Wayne Moss (am 1961-11-15) und Joe Tanner (producer, arranger and songwriter of Roy Orbison and others) (am 1961-11-15)
Kontrabass [bass]:
Bob Moore (U.S. bassist and bandleader) (am 1961-11-15)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1961-11-15)
Schlagzeug [drums]:
John Greubel (US drummer) (am 1961-11-15)
vocals:
Roy Orbison (am 1961-11-15)
phonographisches Urheberrecht (℗) von:
Monument Records (company credits for Monument; do NOT use as release label) (in 1974)
recording of:
Blue Bayou (English) (am 1961-11-15)
Texter:
Joe Melson (in 1963) und Roy Orbison (in 1963)
Komponist(in):
Joe Melson und Roy Orbison
publisher:
Acuff-Rose Publications, Inc. (BMI) (in 1961)
Roy Orbison42:30
20Always on My Mind
Produzent(in):
Chips Moman
Bass:
Mike Leech (Nashville session musician and arranger) (am 1981-10-11)
Gitarre:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician) (am 1981-10-11), Willie Nelson (am 1981-10-11) und Reggie Young (guitarist and songwriter) (am 1981-10-11)
Keyboard:
Bobby Woods (American pianist, keyboard player and songwriter) (am 1981-10-11) und Bobby Emmons (am 1981-10-11)
Mundharmonika:
Mickey Raphael (am 1981-10-11)
Schlagzeug:
Gene Chrisman (am 1981-10-11)
vocals:
Willie Nelson (am 1981-10-11)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981, in 1982, in 2003) und CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1982)
aufgenommen bei:
Moman's Recording Studio in Nashville, Tennessee, Vereinigte Staaten (am 1981-10-11)
recording of:
Always on My Mind (am 1981-10-11)
Verfasser(in):
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) und Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) und Screen Gems–EMI Music Ltd.
Willie Nelson4.73:32
21Nothing Breaks Like a Heart
recording engineer:
Beatriz Artola, Joshua Blair, Riccardo Damian (recording engineer), Martin Hollis, Barry McCready und Todd Monfalcone
assistierende(r) Techniker(in):
Tyler Beans (engineer), Rob Bisel, John Hanes (audio engineer, mixer), Rowan McIntosh (engineer), Dylan Neustadter und Josh Tyrrell
Koproduzent(in):
The Picard Brothers
Produzent(in):
Jamie XX (English DJ, record producer, and remixer) und Mark Ronson (British DJ and producer)
Mix:
Serban Ghenea
Bass und Klavier:
Mark Ronson (British DJ and producer)
Bratsche / Viola:
Nick Barr (viola player), Reiad Chibah (violist), Virginia Slater (violist) und Katie Wilkinson (violist)
Cello:
Katie Burke, Dave Daniels (cellist), Katherine Jenkinson (cellist) und Jo Knight (cellist)
Geige / Violine:
Daniel Bhattacharya, Fiona Brice, Chris Clad, Francis Grime, Marianne Haynes (violinist), Ian Humphries (violinist), Kirsty Mangan, Perry Montague‐Mason (violinist), Charles Mutter (British violinist), Amandla Stenberg, Chris Tombling (violinist), Matthew Ward (violinist), Honor Watson (violinist), Debbie Widdup (violinist) und Paul Willey (violinist)
Gitarre:
Thomas Brenneck
Kontrabass:
Roger Linley (double bassist)
Schlagzeug:
Conor Szymanski
conductor:
Chris Elliott (composer and arranger)
arranger:
Chris Elliott (composer and arranger)
phonographisches Urheberrecht (℗) von:
Mark Ronson (British DJ and producer) (in 2018)
Teil von:
TheNeedleDrop: Top 50 Singles of 2018 (Nummer: 32), Spotify: Top Hits of 2019 (Nummer: 34) und BILLIONS CLUB
recording of:
Nothing Breaks Like a Heart
Verfasser(in):
Thomas Brenneck, Miley Cyrus, Ilsey (US | pop singer), Clément Picard, Maxime Picard, Mark Ronson (British DJ and producer) und Conor Szymanski
Mark Ronson feat. Miley Cyrus3.93:37
22Dancing
phonographisches Urheberrecht (℗) von:
Kylie Minogue (in 2018)
phonographisches Urheberrecht (℗) von:
Darenote Limited (in 2018)
recording of:
Dancing
Verfasser(in):
Nathan Chapman (American producer & songwriter), Steve McEwan (Scottish-born South African songwriter, artist and musician) und Kylie Minogue
Kylie Minogue32:59
23Can’t Fight the Moonlight
sonstige Unterstützung:
Sara Lind (Aufgabe: technical assistant) und Robert Orton (Aufgabe: technical assistant)
Techniker(in) und Mix:
Steve MacMillan
zusätzliche(r) Techniker(in):
Austin Deptula, Greg Hunt (Texas based engineer), Gary Leach und Tim Weidner (engineer)
Produzent(in):
Trevor Horn
Bass:
Lee Sklar (bassist, session musician) und Jamie Muhoberac
Gitarre:
Tim Pierce (US session guitarist)
Keyboard [keyboards]:
Jamie Muhoberac
Klavier:
Alan Pasqua
Schlagzeug [drums]:
Curt Bisquera und John Robinson (session drummer)
Hintergrundgesang:
Sue Ann Carwell und Niki Harris (US singer and dancer)
Orchestrator(in):
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographisches Urheberrecht (℗) von:
Curb Records, Inc. (holding company - do not use as release label) (in 2000) und Curb Records, Inc. (holding company - do not use as release label) (in 2020)
aufgenommen bei:
Royal Tone Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sarm West Coast in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Can't Fight the Moonlight (longer version) von LeAnn Rimes (US country & pop singer)
Teil von:
Billboard Year-End Hot 100 singles of 2002 (Nummer: 56)
recording of:
Can’t Fight the Moonlight
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), Realsongs und Universal/MCA Music Ltd. (not for release label use!)
LeAnn Rimes2.853:35
24Bartender
Produzent(in):
Nathan Chapman (American producer & songwriter) und Lady A (formerly Lady Antebellum)
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 81)
recording of:
Bartender
Verfasser(in):
Rodney Clawson (American country songwriter), Dave Haywood, Charles Kelley und Hillary Scott
publisher:
Big Red Toe Music und Round Hill Works
Lady A3.53:17
25Before He Cheats
recording engineer und Mix:
Derek Bason
assistierende(r) Techniker(in):
Chris Ashburn, Mike Boden und Nick Holman
Produzent(in):
Mark Bright
Akustikgitarre:
Bryan Sutton
Bassgitarre [bass]:
Jimmie Lee Sloas
E-Gitarre:
Tom Bukovac und JT Corenflos
Fiddle:
Jonathan Yudkin
Keyboard:
Steve Nathan
Perkussion:
Eric Darken
Schlagzeug:
Lonnie Wilson (drummer, songwriter, and producer)
Steel-Gitarre:
Mike Johnson (steel guitarist)
Hintergrundgesang:
Lisa Cochran und Wes Hightower
phonographisches Urheberrecht (℗) von:
19 Recordings Ltd. (not for release label use! record company founded by Simon Fuller) (in 2005)
aufgenommen bei:
Electrokitty Recording in Seattle, Washington, Vereinigte Staaten, Starstruck Studios in Nashville, Tennessee, Vereinigte Staaten und The Plant Recording Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Starstruck Studios in Nashville, Tennessee, Vereinigte Staaten
Musikvideos:
Before He Cheats von Carrie Underwood
commentary:
Before He Cheats (commentary) von Carrie Underwood
Teil von:
Billboard Decade End Chart: Country (2000's) (Nummer: 14), Holler's Best 2000s Country Songs (Nummer: 30), Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 67) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 381)
recording of:
Before He Cheats
Verfasser(in):
Josh Kear und Chris Tompkins (American songwriter based in Nashville)
publisher:
Mighty Underdog Music, Sony/ATV Cross Keys Publishing und That Little House Music
Carrie Underwood3.93:19
26All I Wanna Do
Techniker(in):
Blair Lamb
Produzent(in):
Bill Bottrell
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1993) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 405)
recording of:
All I Wanna Do
Verfasser(in):
David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow (American singer-songwriter and musician) und Kevin Gilbert (singer‐songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Old Crow Music (Sheryl Crow’s publishing label), Reservoir One America, Sony/ATV Tunes LLC (ASCAP), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), WC Music Corp. und Zen of Iniquity
Sheryl Crow3.94:33
27Love Me Anyway
Produzent(in):
P!nk (American singer/songwriter)
zusätzliche(r) Produzent(in):
Simon Gooding und Sal Oliveri (US musician, songwriter, and producer.)
Mix:
Simon Gooding
Bass und Klavier:
Sal Oliveri (US musician, songwriter, and producer.)
Saiteninstrumente:
Stevie Blacke (British‐American producer and multi‐instrumentalist)
Gast Sologesang:
Chris Stapleton (American singer‐songwriter)
Sologesang:
P!nk (American singer/songwriter)
recording of:
Love Me Anyway (in 2019)
Verfasser(in):
Alecia Moore (American singer/songwriter), Tom Douglas und James Shamblin
P!nk feat. Chris Stapleton3.53:08
28(You Want to) Make a Memory
recording of:
(You Want to) Make a Memory
Verfasser(in):
Jon Bon Jovi, Desmond Child und Richie Sambora
publisher:
Desmobile Inc., Kobalt Music Publishing America, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Aggressive Music (in 2007), Bon Jovi Publishing (in 2007), Destonia (in 2007), Sony/ATV Tunes LLC (ASCAP) (in 2007) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 2007)
Bon Jovi4:07
29Amazed (Captain mix)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2000)
Teil von:
Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 2000)
recording of:
Amazed
Verfasser(in):
Marv Green (American country singer / songwriter and composer), Chris Lindsey (Country music songwriter) und Aimee Mayo (American songwriter)
publisher:
Careers–BMG Music Publishing, Inc., Chrysalis One Publishing UK Ltd., Kobalt Music Publishing Ltd. (UK), Reservoir Media Management, Inc., Round Hill Music, Silverkiss Music, Songs of Nashville DreamWorks, Universal Music Publishing MGB Ltd. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lonestar4:27
30Lady (remastered)
Sologesang:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographisches Urheberrecht (℗) von:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1980) und Liberty Records, Inc. (in 1980)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 67)
recording of:
Lady (in 1980)
Texter und Komponist(in):
Lionel Richie, Jr.
publisher:
Brockman Music
Kenny Rogers33:52
31Deep River Woman
phonographisches Urheberrecht (℗) von:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2003) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Deep River Woman
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music
Lionel Richie54:37
32Beautiful Crazy
assistierende(r) Techniker(in):
Dan Davis (engineer) und Seth Morton (engineer)
Techniker(in):
Alex Gilson (engineer)
Produzent(in) und Mix:
Scott Moffatt
Akustikgitarre:
Carl Miner
Bassgitarre:
Jimmie Lee Sloas
E-Gitarre:
Scott Moffatt und Sol Philcox-Littlefield
Fiddle:
Aubrey Haynie
Keyboard:
Wil Houchens
Pedal-Steel-Gitarre und Steel-Gitarre:
Gary Morse
Perkussion und Schlagzeug:
Jerry Roe (drummer)
Hintergrundgesang:
Scott Moffatt
vocals:
Luke Combs (country music singer)
phonographisches Urheberrecht (℗) von:
River House Artists LLC (in 2018)
mixed at:
Travelling Home Studios
engineered at:
Blackbird Studio in Nashville, Tennessee, Vereinigte Staaten, Gold Cassette Studios in Nashville, Tennessee, Vereinigte Staaten und Southern Ground in Nashville, Tennessee, Vereinigte Staaten
Teil von:
Billboard Year-End Hot Country Songs of 2019 (Nummer: 4), Billboard Decade End Chart: Hot Country Songs (2010's) (Nummer: 13), Billboard Year-End Hot 100 singles of 2019 (Nummer: 46) und Top Songs of 2024: Global (Nummer: 94)
recording of:
Beautiful Crazy
Verfasser(in):
Luke Combs (country music singer), Robert Williford (American singer, songwriter and guitarist) und Wyatt B. Durrette III
Luke Combs3.53:13
33The House That Built Me
Teil von:
Billboard Decade End Chart: Hot Country Songs (2010's) (Nummer: 38), Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 77), Billboard Year-End Hot 100 singles of 2010 (Nummer: 91) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 441)
recording of:
The House That Built Me
Verfasser(in):
Tom Douglas und Allen Shamblin
Miranda Lambert3.53:56
34Girl Crush
Teil von:
Billboard Decade End Chart: Hot Country Songs (2010's) (Nummer: 21), Grammy Award: Best Country Duo/Group Performance nominees (Nummer: 2016 winner), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 48), Billboard Year-End Hot 100 singles of 2015 (Nummer: 63) und Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 80)
recording of:
Girl Crush
Verfasser(in):
Hillary Lindsey, Lori McKenna (American folk singer/songwriter) und Liz Rose
Little Big Town3.93:14
35The Bones
Produzent(in):
Greg Kurstin
Schlagzeug:
Greg Kurstin
Hintergrundgesang:
Maren Morris und Laura Veltz (American country music songwriter and singer)
Teil von:
Billboard Year-End Hot 100 singles of 2020 (Nummer: 9) und Billboard Year-End Hot Country Songs of 2019 (Nummer: 25)
recording of:
The Bones
Verfasser(in):
Maren Morris, Jimmy Robbins (country music record producer / songwriter) und Laura Veltz (American country music songwriter and singer)
publisher:
Big Music Machine, Extraordinary Alien Publishing, International Dog Music, Oh Denise Publishing (BMI-affiliated), Purple Hayes Publishing Worldwide, Round Hill Songs Jimmy Robbins und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teil von:
BMI Pop Awards: Song of the Year (Nummer: 2021)
Maren Morris3.33:16
36Follow Your Arrow
Teil von:
Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 8) und Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 36)
Kacey Musgraves3.353:19
37Carry You Home
recording of:
Carry You Home
Verfasser(in):
Rebekah Powell, Glen Scott (British producer, arranger, mixing engineer, singer-songwriter, and musician), Jessica Sharman, Lizzy Ward Thomas und Catherine Ward-Thomas
Ward Thomas3:34
38Stuck Like Glue
Teil von:
Billboard Year-End Hot 100 singles of 2010 (Nummer: 81)
recording of:
Stuck Like Glue
Verfasser(in):
Kristian Bush, Shy Carter, Kevin Griffin (member of Better Than Ezra) und Jennifer Nettles
Sugarland3.954:07
39I Hope You Dance
recording engineer:
Jeff Balding
Produzent(in):
Mark Wright (country music producer & songwriter)
Mix:
Greg Droman (American producer, mixing and audio engineer)
accordion:
Michael Omartian
Akustikgitarre:
Mark Casstevens und Pat Flynn (US bluegrass/country guitarist)
Bassgitarre:
Michael Rhodes
E-Gitarre:
Brent Mason
Keyboard:
Steve Nathan
Perkussion:
Eric Darken
Saiteninstrumente:
Nashville String Machine
Schlagzeug:
Chad Cromwell (drummer)
Steel-Gitarre:
Paul Franklin (steel guitarist)
Hintergrundgesang:
Lisa Cochran, Lisa Silver und Bergen White (American arranger, producer, conductor, musician, composer and singer)
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Gast-Interpret(in):
Sons of the Desert (US country band)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
aufgenommen bei:
Javelina Recording Studio in Nashville, Tennessee, Vereinigte Staaten
mixed at:
The Sound Kitchen in Franklin, Tennessee, Vereinigte Staaten
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 75)
recording of:
I Hope You Dance
Verfasser(in):
Mark D. Sanders (American Country Music songwriter) und Tia Sillers
publisher:
Choice is Tragic Music (vom 2000 bis heute), Ensign Music Corporation (vom 2000 bis heute), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (vom 2000 bis heute) und Soda Creek Songs (vom 2000 bis heute)
Lee Ann Womack feat. Sons of the Desert4.254:55
40From a Distance
vocals:
Nanci Griffith
recording of:
From a Distance
Texter und Komponist(in):
Julie Gold (in 1985)
publisher:
Grow Your Own Music, Wing and Wheel Music, ビクターミュージックアーツ 第四事業部, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Nanci Griffith44:10
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Rhinestone Cowboy
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1975)
cover recording of:
Rhinestone Cowboy
Texter und Komponist(in):
Larry Weiss (American singer-songwriter)
publisher:
House of Weiss Music Co, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Glen Campbell4.53:13
2If I Said You Had a Beautiful Body (Would You Hold It Against Me)
Techniker(in):
Jim Crosby (engineer) (in 1978) und Michael Lloyd (US guitarist/singer producer) (in 1978)
Produzent(in):
Michael Lloyd (US guitarist/singer producer) (in 1978)
Akustikgitarre und Sologesang:
David Bellamy (Bellamy Brothers) (in 1978) und Howard Bellamy (Bellamy Brothers) (in 1978)
Bassgitarre:
Jesse Chambers (in 1978)
E-Gitarre:
Carl Chambers (in 1978)
Keyboard:
Joe LaFrandre (in 1978)
Schlagzeug:
Rodney Price (drummer) (in 1978)
Steel-Gitarre:
Danny Jones (US steel guitarist) (in 1978)
Teil von:
Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 1980)
recording of:
If I Said You Had a Beautiful Body Would You Hold It Against Me (in 1978)
Texter und Komponist(in):
David Bellamy (Bellamy Brothers)
The Bellamy Brothers33:15
3When You’re in Love With a Beautiful Woman
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
When You’re in Love With a Beautiful Woman
Texter und Komponist(in):
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:50
4Mississippi
phonographisches Urheberrecht (℗) von:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1975)
recording of:
Mississippi
Texter und Komponist(in):
Werner Theunissen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:35
5Sing Me an Old Fashioned Song
recording of:
Sing Me an Old-Fashioned Song
Verfasser(in):
Larry Henley (singer songwriter) und Johnny Slate
Billie Jo Spears3:29
6Snowbird
Produzent(in):
Brian Ahern
arranger:
Brian Ahern
phonographisches Urheberrecht (℗) von:
EMI Music Canada (in 1970)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 36)
recording of:
Snowbird
Texter und Komponist(in):
Gene MacLellan
publisher:
Beechwood Music Canada und EMI Blackwood Music Inc.
Anne Murray4.52:09
7Annie’s Song
assistierende(r) Techniker(in):
Artie Torgersen
Techniker(in):
Mickey Crofford
assistierende(r) Produzent(in) und zusätzliche(r) Produzent(in):
Kris O'Connor
Produzent(in):
Milton Okun
Bass:
Dick Kniss
Gitarre:
John Denver und Steve Weisberg
Mandoline:
John Sommers (country music songwriter and multi- instrumentalist)
Perkussion:
Jim Gordon (US drummer with Derek and the Dominos)
Sologesang:
John Denver
conductor:
Lee Holdridge
arranger:
Lee Holdridge
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
recording of:
Annie’s Song (John Denver song) (am 1974-03-08)
Texter:
John Denver (in 1973-01)
Komponist(in):
John Denver
gewidmet:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
Liedtexte geschrieben bei:
Aspen Mountain in Aspen, Colorado, Vereinigte Staaten (in 1973-01)
John Denver3.652:59
8You Light Up My Life
Produzent(in):
Joseph Brooks (US songwriter/film director)
arranger:
Joseph Brooks (US songwriter/film director)
produced for:
Mike Curb Productions
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 3) und Billboard: Greatest of All Time Hot 100 Songs (Nummer: 12)
recording of:
You Light Up My Life
Texter und Komponist(in):
Joseph Brooks (US songwriter/film director)
publisher:
Curb Songs, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 電通ミュージック・アンド・エンタテインメント PR第3事業部
Teil von:
The 50th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1977 winner)
Debby Boone53:37
9Talking in Your Sleep
phonographisches Urheberrecht (℗) von:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1978)
recording of:
Talking in Your Sleep (in 1978)
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer) und Bobby Wood (American pianist, keyboard player and songwriter)
publisher:
G.O.A.L. Music Ltd. (publisher), Roger Cook Music und The International Music Network
Crystal Gayle22:54
10Angel of the Morning
recording engineer:
Joe Chiccarelli
Partner-Produzent(in):
Otha Young
Produzent(in):
Richard Landis
Mix:
Michael Verdick
arranger:
Charles Calello
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981) und Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, Vereinigte Staaten
cover recording of:
Angel of the Morning (am 1980-09-04)
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. und Unichappell Music
Juice Newton4.354:12
11Every Which Way but Loose
Eddie Rabbitt2:51
12Ode to Billie Joe
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1967)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 51), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 191) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 412)
recording of:
Ode to Billie Joe (in 1967-03)
Texter und Komponist(in):
Bobbie Gentry (Roberta Lee Streeter - American singer-songwriter)
publisher:
Larry Shayne Music, Inc. und Universal/MCA Music Publishing Pty Ltd
Bobbie Gentry54:14
13I Can Help
Techniker(in):
Chip Young (American session guitarist, bassist, producer in the genre of country)
Produzent(in):
Billy Swan und Chip Young (American session guitarist, bassist, producer in the genre of country)
Akustikgitarre:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician) (in 1974)
Bass:
Mike Leech (Nashville session musician and arranger) (in 1974)
E-Gitarre:
Chip Young (American session guitarist, bassist, producer in the genre of country) (in 1974) und Reggie Young (guitarist and songwriter) (in 1974)
Instrumente:
Paul Richmond (engineer) (in 1974)
Schlagzeug:
Hayward Bishop (in 1974)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
aufgenommen bei:
Youngun Sound Studio in Murfreesboro, Tennessee, Vereinigte Staaten (in 1974)
recording of:
I Can Help (in 1974)
Texter und Komponist(in):
Billy Swan
publisher:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Billy Swan43:58
14I Walk the Line (stereo version)
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1964-03-04)
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Akustikgitarre und Sologesang:
Johnny Cash (country music legend) (am 1964-03-04)
Bass:
Marshall Grant (am 1964-03-04)
E-Gitarre:
Luther Perkins (am 1964-03-04)
Gitarre:
Norman Blake (bluegrass guitarist) (am 1964-03-04) und Bob Johnson (American banjo player from Chattanooga, Tennessee) (am 1964-03-04)
Schlagzeug:
W.S. Holland (am 1964-03-04)
phonographisches Urheberrecht (℗) von:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) (in 1964) und Don Law (in 1964)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1964-03-04)
recording of:
I Walk the Line (am 1964-03-04)
Texter und Komponist(in):
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) und House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash4.352:34
15King of the Road
recorded in:
Tennessee, Vereinigte Staaten (am 1964-11-03)
Produzent(in):
Jerry Kennedy
vocals:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (am 1964-11-03)
phonographisches Urheberrecht (℗) von:
Smash (in 1965)
recording of:
King of the Road (am 1964-11-03)
Texter:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
Komponist(in):
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964)
publisher:
Burlington Music Co., Ltd.
Roger Miller4.52:26
16Kiss an Angel Good Mornin’
Produzent(in):
Jack Clement
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 19)
recording of:
Kiss an Angel Good Mornin' (1971 song) (in 1971)
Texter und Komponist(in):
Ben Peters (country music songwriter)
recording of:
Kiss an Angel Good Mornin' (1971 song) (in 1994)
Texter und Komponist(in):
Ben Peters (country music songwriter)
Charley Pride4.22:02
17Behind Closed Doors
recording of:
Behind Closed Doors
Texter und Komponist(in):
Kenny O’Dell
publisher:
House of Gold Music, Inc.
Charlie Rich2:56
18D‐I‐V‐O‐R‐C‐E
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 59)
recording of:
D-I-V-O-R-C-E (1968 song) (in 1968)
Texter:
Claude “Curly” Putman, Jr.
Komponist(in):
Bobby Braddock
Tammy Wynette3.252:56
19The End of the World
Techniker(in):
Bill Porter (engineer)
Produzent(in):
Chet Atkins
vocals:
Skeeter Davis
recording of:
The End of the World (in 1962)
Texter:
Sylvia Dee (American lyricist)
Komponist(in):
Arthur Kent
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Summit Music Corp, (ASCAP-affiliated)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Skeeter Davis4.152:38
20No Charge
J.J. Barrie3:43
21The Devil Went Down to Georgia
Assistent recording engineer:
Steve Goostree (audio engineer, producer, mixer/ AV production)
recording engineer, Techniker(in) und Mix:
Paul Grupp
Produzent(in):
John Boylan
assistierende(r) Mix:
Dave Rideau (engineer) und Erik Zobler
Bassgitarre:
Charlie Hayward (Member of The Charlie Daniels Band)
Fiddle und Sologesang:
Charlie Daniels
Gitarre und Hintergrundgesang:
Tom Crain
Keyboard [keyboards]:
Joel "Taz" DiGregorio
Schlagzeug:
Fred Edwards (drummer and songwriter) und Jim Marshall (photographer)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1979), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
produced for:
Sir Charles Productions
aufgenommen bei:
Woodland Studios in Nashville, Tennessee, Vereinigte Staaten
Musikvideos:
The Devil Went Down to Georgia von The Charlie Daniels Band
recording of:
The Devil Went Down to Georgia
Verfasser(in):
Charlie Daniels, Joel "Taz" DiGregorio, Fred Edwards (drummer and songwriter), Charlie Hayward (Member of The Charlie Daniels Band), John Crain und James W. Marshall
publisher:
Songs of Universal, Inc. (BMI) und Hat Band Music (in 1979)
The Charlie Daniels Band4.73:36
22Man! I Feel Like a Woman!
assistierende Programmierung:
Jay Alvarez und James Somberg
Programmierung, Mix und Editing:
Olle Romo (Swedish music producer, songwriter, and drummer)
zusätzliche Programmierung:
Bjorn Thornsrud
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Fiddle:
Glen Duncan (bluegrass multi-instrument musician), Rob Hajacos, Aubrey Haynie und Joe Spivey
arranger:
Robert John “Mutt” Lange (Robert John Lange)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) und Mercury Records (the holding company; for use as ℗&© credits only!) (in 2022)
Musikvideos:
Man! I Feel Like a Woman! von Shania Twain
recording of:
Man! I Feel Like a Woman!
Verfasser(in):
Eilleen Regina Lange und Robert John Lange
publisher:
Out-of-Pocket Productions Ltd.
Shania Twain43:55
23Achy Breaky Heart
Produzent(in):
Jim Cotton und Joe Scaife
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 2011)
Musikvideos:
Achy Breaky Heart von Billy Ray Cyrus
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 464)
cover recording of:
Achy Breaky Heart
Texter und Komponist(in):
Donald L. Tress
Billy Ray Cyrus2.53:24
24Pontoon
Teil von:
Taste Of Country: Top Songs of 2012 (Nummer: 3), Grammy Award: Best Country Duo/Group Performance nominees (Nummer: 2013 winner) und Billboard Year-End Hot 100 singles of 2012 (Nummer: 67)
recording of:
Pontoon
Verfasser(in):
Barry Dean (US pop/country songwriter), Natalie Hemby und Luke Laird (country music songwriter)
Little Big Town2.13:31
25Redneck Woman
Assistent recording engineer:
Paul Hart (country producer)
recording engineer und Mix:
Bart Pursley
zusätzlich recording engineer:
Todd Gunnerson und Steve Marcantonio
Partner-Produzent(in):
John Rich (US country musician, Big & Rich, Lonestar)
Produzent(in):
Joe Scaife und Mark Wright (country music producer & songwriter)
assistierende(r) Mix:
Paul Hart (country producer) und Lowell Reynolds
Teil von:
Holler's Best 2000s Country Songs (Nummer: 5) und Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 197)
recording of:
Redneck Woman
Verfasser(in):
John Rich (US country musician, Big & Rich, Lonestar) und Gretchen Wilson
Gretchen Wilson53:42
26Boot Scootin’ Boogie
Produzent(in):
Don Cook (US country producer/songwriter) und Scott Hendricks (producer)
Mix:
Scott Hendricks (producer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1991)
mixed at:
Castle Recording Studios in Franklin, Tennessee, Vereinigte Staaten
Musikvideos:
Boot Scootin’ Boogie von Brooks & Dunn
Teil von:
Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 1993)
recording of:
Boot Scootin’ Boogie
Texter und Komponist(in):
Ronnie Dunn (American country music singer-songwriter and record producer)
Brooks & Dunn3.753:17
27Dance the Night Away
Produzent(in):
Don Cook (US country producer/songwriter) und Raul Malo (The Mavericks lead singer, country music)
phonographisches Urheberrecht (℗) von:
MCA Records Nashville (a division of MCA Records Inc.) (in 1997)
Teil von:
Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 1999)
recording of:
Dance the Night Away
Texter und Komponist(in):
Raul Malo (The Mavericks lead singer, country music)
publisher:
EMI Blackwood Music Inc. und Rumbalo Music
The Mavericks3.44:22
28Queen of Hearts
recording engineer:
Joe Chiccarelli
Partner-Produzent(in):
Otha Young
Produzent(in):
Richard Landis
Mix:
Michael Verdick
arranger:
Charles Calello
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, Vereinigte Staaten
cover recording of:
Queen of Hearts (am 1980-10-21)
Texter und Komponist(in):
Hank DeVito
publisher:
Bug Music (music publishing) und Drunk Monkey Music (in 1979)
Juice Newton3.83:24
29Foggy Mountain Breakdown
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Banjo:
Earl Scruggs (am 1965-09-03)
Fiddle:
Paul Warren (US fiddler) (am 1965-09-03)
Gitarre:
Lester Flatt (am 1965-09-03)
Gitarre [lead guitar]:
Grady Martin (country/rockabilly guitarist) (am 1965-09-03)
Kontrabass:
Jake Tullock (country stand-up bass) (am 1965-09-03) und Joe Zinkan (am 1965-09-03)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1965-09-03)
Resonatorgitarre:
Josh Graves (am 1965-09-03)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1965-09-03)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 57)
recording of:
Foggy Mountain Breakdown (am 1965-09-03)
Komponist(in):
Earl Scruggs
Flatt & Scruggs2:20
30Theme From “The Dukes of Hazzard” (Good Ol’ Boys)
Produzent(in):
Richie Albright
Bass:
Jerry Bridges (von 1980 bis 1980-06-23)
Gitarre:
Waylon Jennings (US country musician) (von 1980 bis 1980-06-23), Gordon Payne (von 1980 bis 1980-06-23) und Randy Scruggs (von 1980 bis 1980-06-23)
Klavier:
Clifford Barny Robertson (von 1980 bis 1980-06-23)
Resonatorgitarre:
Ralph Mooney (von 1980 bis 1980-06-23)
Schlagzeug:
Richie Albright (von 1980 bis 1980-06-23)
Hintergrundgesang:
Carter Robertson (von 1980 bis 1980-06-23)
Sologesang:
Waylon Jennings (US country musician) (von 1980 bis 1980-06-23)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1980), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1980) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
aufgenommen bei:
American Studios in Nashville, Tennessee, Vereinigte Staaten (in 1980, am 1980-06-23)
recording of:
Theme From the Dukes of Hazzard (Good Ol’ Boys) (von 1980 bis 1980-06-23)
Komponist(in):
Waylon Jennings (US country musician)
publisher:
Rich Way Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Waylon Jennings3.52:07
31Convoy
5-saitiges Banjo:
Steve Hanson (banjo player with C.W. McCall)
Bass:
Brian Sampson
Gitarre:
Ron Cooley
Schlagzeug:
Chip Davis (founder of Mannheim Steamroller)
arranger:
Chip Davis (founder of Mannheim Steamroller)
recording of:
Convoy
Texter:
C.W. McCall
Komponist(in):
Chip Davis (founder of Mannheim Steamroller)
C.W. McCall53:48
32Margaritaville
Produzent(in):
Norbert Putnam
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 106)
recording of:
Margaritaville (in 1976-11)
Texter und Komponist(in):
Jimmy Buffett
Jimmy Buffett4.654:10
33Games People Play (remastered)
vocals:
Joe South (in 1968)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Games People Play (in 1968)
Texter und Komponist(in):
Joe South
publisher:
Bike Music
sub-publisher:
Sweden Music (publisher, founded in 1960) (in 1988)
Joe South33:32
34I Recall a Gypsy Woman
Produzent(in):
Allen Reynolds und Don Williams (country singer-songwriter)
vocals:
Don Williams (country singer-songwriter)
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1973)
recording of:
I Recall a Gypsy Woman (1973 song)
Verfasser(in):
Bob McDill und Allen Reynolds
publisher:
Jack Music, Inc., Morning Music und PolyGram Music Publishing Ltd.
Don Williams33:24
35Good Year for the Roses
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Sologesang:
Elvis Costello
cover recording of:
A Good Year for the Roses
Texter und Komponist(in):
Jerry Chesnut
Elvis Costello & The Attractions4.253:07
36Labelled With Love
Produzent(in):
Roger Bechirian und Elvis Costello
Bass:
John Bentley (UK bassist, member of Squeeze)
Gitarre:
Chris Difford und Glenn Tilbrook
Keyboard:
Paul Carrack
Schlagzeug:
Gilson Lavis
Sologesang:
Glenn Tilbrook
recording of:
Labelled With Love
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
Squeeze3.54:31
37Me and Bobby McGee
Techniker(in):
Phil Macy (50s-70s engineer)
Produzent(in):
Paul Rothchild
Akustikgitarre und Sologesang:
Janis Joplin (am 1970-09-25)
Bassgitarre:
Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-09-25)
Gast-Bongos und Gast-Conga:
Bobbye Hall
Gast-Bongos und Conga:
Bobbye Hall (am 1970-09-25)
Gast-Tamburin:
Sandra Crouch (am 1970-09-25)
Gitarre:
John Till (rock guitarist) (am 1970-09-25)
Klavier:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-09-25)
Orgel:
Ken Pearson (am 1970-09-25)
Schlagzeug:
Clark Pierson (am 1970-09-25)
Hintergrundgesang:
Phil Badella (am 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-09-25), John Cooke (am 1970-09-25), Janis Joplin (am 1970-09-25), Vince Mitchell (am 1970-09-25), Ken Pearson (am 1970-09-25), Clark Pierson (am 1970-09-25) und John Till (rock guitarist) (am 1970-09-25)
Interpret(in):
Full Tilt Boogie (am 1970-09-25)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-09-25)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 31) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 148)
cover recording of:
Me and Bobby McGee (am 1970-09-25)
Texter und Komponist(in):
Fred Foster und Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:28
38Blue Eyes Crying in the Rain
Techniker(in):
Phil York
Produzent(in):
Willie Nelson
Bass:
Bee Spears (in 1975-02)
Gitarre:
Bucky Meadows (American session musician) (in 1975-02), Willie Nelson (in 1975-02) und Jody Payne (in 1975-02)
Klavier:
Bobbie Nelson (in 1975-02)
Mandoline:
Jody Payne (in 1975-02)
Mundharmonika:
Mickey Raphael (in 1975-02)
Schlagzeug:
Billy English (US drummer/percussionist for Willie Nelson) (in 1975-02) und Paul English (US drummer for Willie Nelson) (in 1975-02)
vocals:
Willie Nelson (in 1975-02)
arranger:
Willie Nelson
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
aufgenommen bei:
Autumn Sound Studios in Garland, Texas, Vereinigte Staaten (in 1975-02)
Teil von:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (Nummer: 16), Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 27), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 253) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 302)
cover recording of:
Blue Eyes Crying in the Rain (in 1975-02)
Texter und Komponist(in):
Fred Rose (songwriter)
publisher:
Campbell Connelly & Co. Ltd., Milene Music (publisher) und Sony/ATV Milene Music
Willie Nelson3.82:19
39Help Me Make It Through the Night
Techniker(in):
Tommy Strong
Produzent(in):
Fred Foster
vocals:
Kris Kristofferson
aufgenommen bei:
Monument Recording Studio in Nashville, Tennessee, Vereinigte Staaten
recording of:
Help Me Make It Through the Night (in 1969)
Texter und Komponist(in):
Kris Kristofferson
publisher:
BMG Songs Ltd., Combine Music Corp., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd. und KPM (music publisher)
sub-publisher:
Air Music Scandinavia AB
Kris Kristofferson4.52:21
40I Love You Because
Techniker(in):
Bill Porter (engineer)
Produzent(in):
Chet Atkins und Anita Kerr
arranger:
Anita Kerr
recording of:
I Love You Because (am 1962-10-12)
Texter und Komponist(in):
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1949-10-12)
Jim Reeves32:46

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:NOW That's What I Call Music LLP (British holding company) (in 2021)
Streaming-Seite:https://music.apple.com/gb/album/1552462372 [Info]

Veröffentlichungsgruppe

Teil von:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (Reihenfolge: 99)