Golden Dreams

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Dream Weaver
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recording of:
Dream Weaver (Gary Wright)
Texter und Komponist(in):
Gary Wright (US singer/keyboardist) (in 1975)
publisher:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und WB Music Corp.
Gary Wright53:42
2Disappearing Into You
phonographisches Urheberrecht (℗) von:
Hearts of Space Records (in 1988)
recording of:
Disappearing Into You
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Raphael (New Age artist)
publisher:
Raphael Sharpe Productions
Raphael5:36
3Galaxies Main Theme
phonographisches Urheberrecht (℗) von:
Hearts of Space Records (in 1988)
recording of:
Galaxies Main Theme
Komponist(in):
Kevin Braheny
publisher:
Heartcall Music
Kevin Braheny2:50
4Here
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Akustikgitarre:
Dan Peek
Akustikgitarre und Bass und Sologesang:
Gerry Beckley
Schlagzeug:
Dave Atwood
vocals:
Dewey Bunnell
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Here
Texter und Komponist(in):
Gerry Beckley
publisher:
WB Music Corp. (1929–2019)
America3.85:32
5Tuesday Afternoon
recording of:
Tuesday Afternoon
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Essex Music International, Inc., The Richmond Organization und TRO Essex Music International, Inc.
The Moody Blues4:51
6The Sea Named Solaris
phonographisches Urheberrecht (℗) von:
BMG Music (in 1978)
recording of:
The Sea Named 'Solaris'
arranger:
冨田勲 (Isao Tomita)
publisher:
Public Domain (refers to works that are in the public domain)
basiert auf:
Ich ruf zu dir, Herr Jesu Christ, BWV 639
basiert auf:
Sinfonia Nr. 2 c-Moll, BWV 788
Isao Tomita3:25
7Cool Change
recorded in:
Australien und Melbourne, Victoria, Australien (in 1979-06)
produced in:
Australien
Produzent(in):
John Boylan und Little River Band
Akustikgitarre:
David Briggs (producer, guitarist of Little River Band) (in 1979-06)
Bass:
Mike Clarke (Australian bassist/producer) (in 1979-06)
Klavier und Saiteninstrumente:
Peter Jones (Australian pianist/composer) (in 1979-06)
Schlagzeug:
Derek Pellicci (in 1979-06)
Solo-Saxophon:
Bill Harrower (in 1979-06)
vocals:
Beeb Birtles (in 1979-06), Graham Goble (in 1979-06) und Glenn Shorrock (in 1979-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979)
produced for:
Tumbleweed Productions
recording of:
Cool Change (in 1979-06)
Texter und Komponist(in):
Glenn Shorrock (von 1977 bis 1978)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) und Wheatley Music Pty Ltd.
Little River Band45:08
8Sailing
assistierende(r) Techniker(in):
Stuart Gitlin
Techniker(in) und Mix:
Chet Himes
Produzent(in):
Michael Omartian
Akustikgitarre, E-Gitarre, Hintergrundgesang und Sologesang:
Christopher Cross (US singer‐songwriter)
Bassgitarre:
Andy Salmon
Hybrid-Piano und Synthesizer:
Rob Meurer
Klavier:
Michael Omartian
Perkussion:
Victor Feldman (jazz musician)
Schlagzeug:
Tommy Taylor (US drummer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979, in 1981, in 2001)
produced for:
Free Flow Productions
aufgenommen bei:
Pecan Street Studios in Austin, Texas, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Sailing
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher), Universal Music Corp. (USA, affiliated with ASCAP) und Universal Music–MGB Songs
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross4.14:17
9Return to the Homeland
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1988)
recording of:
Return to the Homeland
Komponist(in):
Jon Goin
publisher:
Elemental Music (publisher)
Jon Goin5:27
10Time
Techniker(in) und Produzent(in):
Alan Parsons (of The Alan Parsons Project)
Sologesang:
Eric Woolfson
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
Orchestrator(in):
Andrew Powell (known for contributions to Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1981, in 1983)
recording of:
Time
Verfasser(in) und Komponist(in):
Alan Parsons (of The Alan Parsons Project) und Eric Woolfson
publisher:
Careers Music, Inc., Careers–BMG Music Publishing, Inc., Irving Music, Inc. und Woolfsongs Ltd.
The Alan Parsons Project35:01
11I Want to Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.954:58
12Ringinglow
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988)
recording of:
Ringinglow
Komponist(in):
Roger Eno
publisher:
Upala Music Inc.
Roger Eno2:50
13Out in the Country
recording of:
Out in the Country
Komponist(in):
Roger Nichols (musician/songwriter) und Paul Williams (US songwriter/soft rock vocalist)
publisher:
Irving Music, Inc.
Three Dog Night4.53:10
14New World Coming
recording of:
New World Coming
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Mama Cass Elliot2:11
15Within (Choir of the Ascending Spirit)
phonographisches Urheberrecht (℗) von:
Hearts of Space Records (in 1988)
recording of:
Within: Choir of the Ascending Spirit
Komponist(in):
Michael Stearns
publisher:
Continuum Montage Publishing
Michael Stearns3:40
2▼CD
Nr.TitelKünstlerBewertungLänge
1After the Goldrush
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1973) und Castle Copyrights Ltd. (in 1974)
cover recording of:
After the Gold Rush
Texter und Komponist(in):
Neil Young (Canadian singer, songwriter & musician)
publisher:
Broken Arrow Music, Broken Arrow Music Pub, Co., Cotillion Music Inc. (BMI) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Prelude42:08
2Chariots of Fire
Techniker(in):
Raphael Preston, Raine Shine und John Walker (technical)
Produzent(in):
Vangelis (Greek composer of electronic, new age and classical)
Interpret(in):
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1981), Spheric B.V. (in 1981), Warner Bros., Inc. (not for release label use!) (in 1981) und PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1982)
aufgenommen bei:
Nemo Studios (Vangelis’ Studio) in London (Greater London), England, Vereinigtes Königreich
recording of:
Chariots of Fire (title theme of the 1981 film)
Komponist(in):
Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music Publishing (do not use as a release label!) und WB Music Corp. (1929–2019)
Vangelis3.63:32
3Legacy
recording of:
Legacy
Verfasser(in):
Larry Fast (American synthesizer player and composer)
publisher:
Semiconductor Music Publishing
Synergy2:28
4Turn! Turn! Turn! (To Everything There Is a Season)
Produzent(in):
Terry Melcher
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 95)
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season)
Texter:
[traditional] (special purpose artist)
Komponist(in):
Pete Seeger (in 1959)
publisher:
Melody Trails und TRO Essex Music Ltd.
The Byrds4.853:44
5Put a Little Love in Your Heart
recording of:
Put a Little Love in Your Heart
Verfasser(in):
Jackie DeShannon, Jimmy Holiday (American singer, songwriter, producer) und Randy James Myers
publisher:
EMI Catalogue Partnership und EMI Unart Catalog Inc.
Jackie DeShannon2:32
6Love Is the Answer
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
recording of:
Love Is the Answer
Texter und Komponist(in):
Todd Rundgren
publisher:
Earmark Music Inc., Fiction Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
England Dan & John Ford Coley34:39
7After the Sunrise
phonographisches Urheberrecht (℗) von:
Private, Inc. (related to Peter Baumann's label Private Music) (in 1987)
recording of:
After the Sunrise
Komponist(in):
Yanni (Greek new age keyboardist Yiannis Chrysomallis)
publisher:
23rd Street Publishing, Inc. und YanniWorks
Yanni4:39
8Carefree Highway
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
recording of:
Carefree Highway
Texter und Komponist(in):
Gordon Lightfoot
publisher:
Moose Music und WB Music Corp. (1929–2019)
Gordon Lightfoot3:41
9(Sittin' On) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
Komponist(in):
Steve Cropper und Otis Redding
arranger:
Oliver Lake
Arrangement von:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:42
10What's Forever For
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982)
recording of:
What’s Forever For
Texter und Komponist(in):
Rafe Van Hoy (American songwriter, musician and producer)
publisher:
Tree Publishing Co., Inc.
Michael Martin Murphey2:51
11The Widow Sky
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1988)
recording of:
The Widow Sky
Verfasser(in):
Giles Reeves
publisher:
Selig Songs und WB Music Corp. (1929–2019)
Giles Reeves4:23
12Les Preludes (excerpt)
Orchester:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Václav Neumann (Czech conductor)
teilweise recording of:
Les Préludes, S. 97
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor) (in 1848, von 1850 bis 1855)
Teil von:
The Music of Liszt (Nummer: S. 97)
Franz Liszt2:54
13We May Never Pass This Way Again
Produzent(in):
Louie Shelton
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
We May Never Pass This Way (Again)
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
publisher:
Dawnbreaker Music
Seals & Crofts34:16
14Also sprach Zarathustra
Orchester:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
teilweise recording of:
Also sprach Zarathustra, op. 30 (TrV 176)
Premiere in:
Frankfurt am Main, Hessen, Deutschland (am 1896-11-27)
Komponist(in):
Richard Strauss (German composer) (in 1896)
Teil von:
Works of Richard Strauss by opus number (Nummer: op. 30) und Werkverzeichnis (Richard Strauss TrV) (Nummer: TrV 176)
Richard Strauss5:21
15Music From the Right Stuff
phonographisches Urheberrecht (℗) von:
Telare Recods (in 1987)
recording of:
The Right Stuff (soundtrack)
Komponist(in):
Bill Conti
publisher:
WB Music Corp. (1929–2019)
Bill Conti4:41

Nennungen

Veröffentlichung

hergestellt in:Vereinigte Staaten
gedruckt in:Vereinigte Staaten
artwork:Loren D. Adams Jr.
hergestellt von:Warner Special Products
vertrieben von:Starland Music
urheberrechtlich geschützt (©) von:Starland Music (in 1993)
phonographisches Urheberrecht (℗) von:Warner Special Products (in 1993)
lizensiert von:BMG Direct Marketing, Inc. (BMG company that owned their direct marketing company/club editions)
CEMA Special Markets (a division of Capitol‐EMI Music, Inc.)
Sony Music Special Products
produced for und hergestellt für:Starland Music
Discogs:https://www.discogs.com/release/20805910 [Info]