Disco Double

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
A1Native New Yorker
recording of:
Native New Yorker
Verfasser(in):
Sandy Linzer und Denny Randell
publisher:
Featherbed Music, Linz Music (US work publisher), Three Wise Boys Music LLC, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Odyssey?:??
A2What’s Your Name
phonographisches Urheberrecht (℗) von:
Buddah Records, Inc. (in 1978)
recording of:
What’s Your Name, What’s Your Number
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer) und Bobby Wood (American pianist, keyboard player and songwriter)
Andrea True Connection?:??
A3Every 1’s a Winner
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Infinity Records Inc. (in 1978)
recording of:
Every 1’s a Winner
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated) und RAK Music Publishing Ltd.
Hot Chocolate4.15?:??
A4Ms Grace
recording of:
Ms. Grace
Verfasser(in):
Johanna Hall und John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Tymes?:??
A5Emotions
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
Synthesizer [synthesizers]:
James Newton Howard (American score composer)
Hintergrundgesang:
Barry Gibb und Robin Gibb
vocals:
Samantha Sang
phonographisches Urheberrecht (℗) von:
Private Stock Records (not for release label use, for copyrights relationships only; “Private Stock Records™ a division of 43 North Broadway, LLC”) (in 1977) und Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1978)
produced for:
CAM Productions (US)
aufgenommen bei und remixed at:
Criteria Sound in Miami, Florida, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 14)
cover recording of:
Emotion
Verfasser(in):
Barry Gibb und Robin Gibb
publisher:
Barry Gibb Music, Gibb Brothers Music, Stigwood Music, Unichappell Music, Universal Music Publishing MGB Australia und Warner/Chappell Music Australia Pty. Ltd.
Samantha Sang3.5?:??
A6Don’t Leave Me This Way
recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes?:??
A7Whenever You Want My Love
recording of:
Whenever You Want My Love
Verfasser(in):
Michael Denne und Ken Gold
The Real Thing?:??
B1Sorry, I’m a Lady
Baccara?:??
B2On Fire
recording of:
On Fire
Texter und Komponist(in):
Theophilus Coakley
T-Connection?:??
B3A 5th of Beethoven
Produzent(in):
Thomas J. Valentino
Gitarre:
Mike Caruso (EP and manager)
conductor:
Walter Murphy (American score composer)
phonographisches Urheberrecht (℗) von:
Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976)
recording of:
A Fifth of Beethoven
Komponist(in):
Ludwig van Beethoven (German composer)
arranger:
Walter Murphy (American score composer)
publisher:
Boosey & Hawkes (Aust.) und R.F.T. Music Publishing Corp.
basiert auf:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Walter Murphy & the Big Apple Band3.8?:??
B4Nice & Slow
recording of:
Nice and Slow
Texter und Komponist(in):
Ken Gibson (orchestrator, arranger and record producer)
Jesse Green?:??
B5More, More, More
recording of:
More, More, More
Texter und Komponist(in):
Gregg Diamond
publisher:
Buddah Music, MRI Music, Buddah (ffor company credits related to the US label Buddah Records) (in 1976) und Gee Diamond Music (in 1976)
Andrea True Connection?:??
B6Choosing You
Lenny Williams?:??
B7Hi-Tension
Hi‐Tension?:??
2▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
C1Figaro
Brotherhood of Man?:??
C2The Crunch
recording of:
The Crunch
Komponist(in):
Richard Hewson
RAH Band?:??
C3Move Your Body
Gene Farrow & The GF Band?:??
C4I Got to Sing
J.A.L.N. Band?:??
C5Yes Sir, I Can Boogie
Produzent(in):
Rolf Soja
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1977) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
Texter:
Frank Dostal
Komponist(in):
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music und Peermusic (UK) Ltd.
Baccara4.75?:??
C6Star Wars / Cantina Band
Meco?:??
C7Float On
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977)
Bearbeitung von:
Float On (long version) von Floaters
recording of:
Float On
Verfasser(in):
Arnold Ingram, James Mitchell (Singer, composer and producer, member of Detroit Emeralds) und Marvin Willis (Marvin Lee Willis, member of Detroit Emeralds)
The Floaters4.5?:??
C8Let’s All Chant
Michael Zager Band?:??
D1Dancing Queen
recording of:
Dancing Queen
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (vom 1976 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1976 bis heute) und Universal/Union Songs Musikförlag AB (vom 1976 bis heute)
Premiere bei:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-06-18)
Teil von:
Mamma Mia! (1999 musical)
ABBA?:??
D2Keep It Coming Love
KC and the Sunshine Band?:??
D3Get Up and Boogie
recording of:
Get Up and Boogie
Texter:
Stephan Prager (songwriter, aka Michael Kunze)
Komponist(in):
Sylvester Levay
Silver Convention?:??
D4You’re the First, the Last, My Everything
Techniker(in):
Frank Kejmar (engineer)
Produzent(in):
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) und Barry White
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You’re the First, the Last, My Everything
Verfasser(in):
Peter Sterling Radcliffe, Tony Sepe und Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. und World Song Publishing Inc.
Barry White4?:??
D5Put Your Love in Me
Produzent(in):
Mickie Most (English record producer)
recording of:
Put Your Love in Me
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated)
Hot Chocolate?:??
D6That’s What Friends Are For
recording of:
That’s What Friends Are For (Deniece Williams song)
Verfasser(in):
Fritz Baskett (singer-songwriter), Lani Groves, Clarence McDonald und Deniece Williams (US soul/funk vocalist/songwriter)
publisher:
Logo Songs Ltd., VIP Bagaroses Music (ascap) und VIP New Bag Music
Deniece Williams?:??
D7I Believe You
recording of:
I Believe You
Verfasser(in):
Dick Addrisi und Don Addrisi
publisher:
Flying Addrisi Music, MusicWays, Inc. (BMI-affiliated) und The Music Force
Dorothy Moore?:??
D8I Will
Ruby Winters?:??

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