NOW Yearbook 1980-1984: Vinyl Extra

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

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1▼12"-Vinyl: Yearbook 1980: Vinyl Extra
Nr.TitelKünstlerBewertungLänge
A1Call Me (remastered 2002)
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Blondie4.23:33
A2My Girl (2009 remaster)
Produzent(in):
Clive Langer & Alan Winstanley
baritone saxophone und Tenorsaxophon:
Lee “Kix” Thompson (Madness)
Bass:
Mark Bedford
Gitarre:
Chris Foreman (UK musician, aka “Chrissy Boy”)
Keyboard:
Mike Barson
Schlagzeug und Perkussion:
Daniel Woodgate
Hintergrundgesang:
Chas Smash
vocals:
Suggs und Lee “Kix” Thompson (Madness)
recording of:
My Girl
Texter und Komponist(in):
Mike Barson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.752:45
A3Army Dreamers (2018 remaster)
Produzent(in):
Kate Bush und Jon Kelly (engineer at Air London Studios)
Akustikgitarre:
Brian Bath (am 1980-09-22)
Bassgitarre:
Alan Murphy (UK session guitarist) (am 1980-09-22)
Bodhrán:
Stuart Elliott (session drummer, member of Cockney Rebel) (am 1980-09-22)
Mandoline:
Paddy Bush (am 1980-09-22)
Synthesizer:
Duncan Mackay (UK keyboardist/synthesizerist) (am 1980-09-22)
Hintergrundgesang:
Brian Bath (am 1980-09-22), Paddy Bush (am 1980-09-22) und Alan Murphy (UK session guitarist) (am 1980-09-22)
Sologesang:
Kate Bush (am 1980-09-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-09 bis 1980-05)
Bearbeitung von:
Army Dreamers (hard ending) von Kate Bush
Teil von:
Songs banned by the BBC (Nummer: Gulf War ban)
recording of:
Army Dreamers
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Kate Bush Music Ltd.
Kate Bush4.052:54
A4Oh Yeah! (2003 digital remaster)
recording of:
Oh Yeah (Roxy Music)
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Songs Ltd., Careers–BMG Music Publishing, Inc., E.G. Music Inc. und E.G. Music Ltd. (publisher) (in 1980)
Roxy Music4:51
A5Private Life (single version)
cover recording of:
Private Life
Texter und Komponist(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Hynde House of Hits Music und Modern Music Publishing Co., Inc.
Grace Jones4:37
A6Christine
Produzent(in):
Nigel Gray (UK producer) und Siouxsie and the Banshees
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (vom 1980 bis heute)
recording of:
Christine
Texter:
Steven Severin
Komponist(in):
Steven Severin und Siouxsie Sioux (Susan Janet Ballion)
publisher:
Chappell (vom 1980 bis heute) und Pure Noise (Siouxsie and the Banshees publisher) (vom 1980 bis heute)
Siouxsie and the Banshees4.652:59
A7Breaking the Law
Techniker(in):
Lou Austin (engineering)
Produzent(in):
Tom Allom
E-Bass:
Ian Hill (UK bassist for Judas Priest) (von 1980-01 bis 1980-02)
E-Gitarre:
Kenneth Downing (von 1980-01 bis 1980-02) und Glenn Tipton (von 1980-01 bis 1980-02)
Schlagzeug:
Dave Holland (British rock drummer) (von 1980-01 bis 1980-02)
Sologesang:
Rob Halford (von 1980-01 bis 1980-02)
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1980), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1980), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1980) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2026)
aufgenommen bei:
Startling Studios (Tittenhurst Park) in Ascot, Windsor and Maidenhead, England, Vereinigtes Königreich (von 1980-01 bis 1980-02)
Musikvideos:
Breaking the Law (music video) von Judas Priest
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 4), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 12) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Breaking the Law (von 1980-01 bis 1980-02)
Verfasser(in):
Kenneth Downing, Rob Halford und Glenn Tipton
publisher:
Crewglen Ltd., Ebonytree Ltd, EMI April Music Inc., EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Geargate Ltd. (publishing for K. K. Downing), Reach Global (UK) Limited, Reach Music Publishing, Inc., Round Hill Songs II und Warner Chappell Music France
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Judas Priest4.152:34
A8Ace of Spades
Produzent(in):
Vic Maile (von 1980-08-04 bis 1980-09-15)
E-Bass und Sologesang:
Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (von 1980-08-04 bis 1980-09-15)
E-Gitarre:
'Fast' Eddie Clarke (Motörhead guitarist) (von 1980-08-04 bis 1980-09-15)
Schlagzeug:
Phil 'Philthy Animal' Taylor (former Motörhead drummer) (von 1980-08-04 bis 1980-09-15)
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1980), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1980) und Universal Music (plain logo: “Universal Music”) (in 1980)
aufgenommen bei:
Jackson’s Studios in Rickmansworth, Hertfordshire, England, Vereinigtes Königreich (von 1980-08-04 bis 1980-09-15)
Musikvideos:
Ace of Spades von Motörhead
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 3), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 10), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 33), TV Cream: Real 100 Best Singles Ever (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 442)
recording of:
Ace of Spades (von 1980-08-04 bis 1980-09-15)
Verfasser(in):
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) und Phil Taylor (former Motörhead drummer)
publisher:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.252:46
B1On the Radio
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
recording of:
On the Radio (Foxes)
Verfasser(in):
Giorgio Moroder und Donna Summer (soul/disco diva)
publisher:
Budde Music Inc. (US publisher), Edition Intro Meisel GmbH, Neue Welt Musikverlag GmbH (2017 – present), Rick S. Music (publishing company associated with Casablanca), Sweet Summer Night Music, Warner/Chappell Music GmbH & Co. KG Germany, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Teil von:
Foxes (1980 film soundtrack)
Donna Summer4.754:05
B2I’m Coming Out (single version)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1980)
recording of:
I’m Coming Out
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Diana Ross43:56
B3Searching (single edit)
Produzent(in):
Jacques Fred Petrus
Sologesang:
Luther Vandross
conductor:
David Romani und Paolo Gianolio
arranger:
David Romani und Paolo Gianolio
recording of:
Searching
Texter:
Paul Slade
Komponist(in):
Mauro Malavasi
Change8:03
B4Never Knew Love Like This Before (single version)
Produzent(in):
Reggie Lucas und James Mtume (jazz/funk musician)
recording of:
Never Knew Love Like This Before
Verfasser(in):
Reggie Lucas und James Mtume (jazz/funk musician)
publisher:
Frozen Butterfly Publishing Co.
Stephanie Mills3:32
B5If You’re Lookin’ for a Way Out (7″ single version)
Odyssey4:22
B6Everybody’s Got to Learn Sometime
phonographisches Urheberrecht (℗) von:
Action Replay Records (in 1990)
recording of:
Everybody’s Got to Learn Sometime
Texter und Komponist(in):
James Warren (English singer and guitarist)
publisher:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (in 1980) und Warner Bros. Ltd. (publisher) (in 1980)
The Korgis4.054:19
B7Take That Look Off Your Face - “Tell Me on a Sunday” (original cast recording)
Sologesang:
Marti Webb (actress and singer)
vocals:
Marti Webb (actress and singer)
recording of:
Take That Look Off Your Face
Texter:
Don Black (English lyricist)
zusätzlicher Texter:
Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und The Really Useful Company Ltd. (The Really Useful Company Limited)
Teil von:
Song & Dance (Andrew Lloyd Webber musical)
Teil von:
Tell Me on a Sunday (full musical)
Andrew Lloyd Webber & Marti Webb2:59
B8Stop the Cavalry
Produzent(in):
Bob Andrews (keyboardist and producer), Bob Andrews (UK keyboardist/producer) und Jona Lewie
vocals und Interpret(in):
Jona Lewie
phonographisches Urheberrecht (℗) von:
Stiff Records (in 1980) und Stiff Records Ltd. (in 1980)
recording of:
Stop the Cavalry
Texter und Komponist(in):
Jona Lewie
publisher:
Zomba Music Productions Ltd., Zomba Music Publishing Ltd. und Street Music Ltd. (in 1980)
Jona Lewie3.83:02
2▼12"-Vinyl: Yearbook 1981: Vinyl Extra
Nr.TitelKünstlerBewertungLänge
A1Antmusic
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Akustikgitarre, Klavier, Mundharmonika und Sologesang:
Adam Ant (English new wave singer and actor)
Bassgitarre:
Kevin Mooney
E-Gitarre:
Marco Pirroni (British musician and producer)
Schlagzeug:
Merrick (producer, aka “Merrick”) und Terry Lee Miall
vocals:
Kevin Mooney
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1980, in 2004), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1980)
Musikvideos:
Antmusic von Adam and the Ants (English new wave band)
Teil von:
The Downloader’s Music Source Book (Nummer: 139)
recording of:
Antmusic
Verfasser(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) und Universal Music Publishing MGB Ltd.
Adam & the Ants43:37
A2I Want to Be Free
recording of:
I Want to Be Free
Texter:
Toyah Willcox
Komponist(in):
Joel Bogen
Toyah43:10
A3Chequered Love
Kim Wilde3:22
A4Open Your Heart
Musikvideos:
Open Your Heart von The Human League
recording of:
Open Your Heart
Texter:
Philip Oakey
Komponist(in):
Jo Callis und Philip Oakey
The Human League3:56
A5Mind of a Toy
Produzent(in):
Midge Ure und Visage (new romantic band from London)
recording of:
Mind of a Toy
Verfasser(in):
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) und Midge Ure
Visage3:33
A6I Could Be Happy
recording of:
I Could Be Happy
Texter und Komponist(in):
Tich Anderson, Clare Grogan, Tony McDaid, Johnny McElhone und Jim McKinven
Altered Images53:31
A7The Lunatics (Have Taken Over the Asylum)
Produzent(in):
Fun Boy Three und Dave Jordan (UK producer/remixer)
recording of:
The Lunatics (Have Taken Over the Asylum)
Texter und Komponist(in):
Lynval Golding, Terry Hall und Neville Staple
Fun Boy Three43:15
A8Green Door
cover recording of:
Green Door
Texter:
Marvin Moore (songwriter, best known for “Four Walls” and “The Green Door”)
Komponist(in):
Bob Davie
Shakin’ Stevens3:12
B1Invisible Sun (remastered 2003)
Techniker(in):
Hugh Padgham
Koproduzent(in):
Hugh Padgham
Produzent(in):
The Police (British rock band)
E-Bass:
Sting (singer, songwriter & member of The Police)
E-Gitarre:
Andy Summers
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer)
vocals:
Sting (singer, songwriter & member of The Police)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1981)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat
recording of:
Invisible Sun
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
The Police3.53:44
B2Message of Love
Pretenders3:26
B3Reward
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
recording of:
Reward
Komponist(in):
Julian Cope und Alan Gill
The Teardrop Explodes4.52:45
B4Joan of Arc (remastered 2019)
Orchestral Manoeuvres in the Dark3:48
B5She’s Got Claws
Techniker(in):
Nick Smith (British producer & engineer)
Produzent(in):
Gary Numan
Bassgitarre und Saxophon und Saxophon:
Mick Karn
Bratsche / Viola:
Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis)
Händeklatschen:
John Webb (Gary Numan’s brother)
Klavier, Synthesizer und Sologesang:
Gary Numan
Schlagzeug:
Cedric Sharpley
phonographisches Urheberrecht (℗) von:
Beggars Banquet (in 1981)
recording of:
She’s Got Claws
Texter und Komponist(in):
Gary Numan
publisher:
Numan Music Ltd.
Gary Numan4:56
B6Southern Freeez
recording of:
Southern Freeez
Verfasser(in):
Peter Maas, John Rocca und Andy Stennett
Freeez5:44
B7Star
recording of:
Star
Texter und Komponist(in):
Doreen Chanter
publisher:
Eaton Music Limited
Kiki Dee3:17
B8Wired for Sound
Produzent(in):
Alan Tarney
vocals:
Cliff Richard
recording of:
Wired for Sound
Texter und Komponist(in):
B.A. Robertson und Alan Tarney
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Cliff Richard53:41
3▼12"-Vinyl: Yearbook 1982: Vinyl Extra
Nr.TitelKünstlerBewertungLänge
A1Hungry Like the Wolf
Techniker(in) und Produzent(in):
Colin Thurston
Interpret(in):
Duran Duran (English rock band) (in 1982)
phonographisches Urheberrecht (℗) von:
Tritec Music Ltd. (publisher and copyrights holder) (in 1982) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 398)
recording of:
Hungry Like the Wolf
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd. und Tritec Music Ltd. (publisher and copyrights holder)
adaptations:
Hungry Like a Pig
Duran Duran3.353:30
A2Fantastic Day
Produzent(in):
Bob Sargeant
recording of:
Fantastic Day
Texter und Komponist(in):
Nick Heyward
Haircut 1002.53:13
A3Friend or Foe (single version)
Adam Ant3:23
A4Torch (original 7″ single version)
recording of:
Torch
Texter:
Marc Almond (English pop singer and songwriter)
Komponist(in):
Dave Ball (UK electronic musician, part of Soft Cell)
publisher:
Arto Music Ltd.
Soft Cell4:07
A5Wishing (If I Had a Photograph of You)
recording of:
Wishing (If I Had a Photograph of You)
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Zomba Enterprises, Inc. und Zomba Management Ltd. (Don’t confuse with Zomba Management and Publishers Ltd.)
A Flock of Seagulls4:56
A6Nightporter (remix)
Japan6:48
A7All of My Heart (edit)
ABC4:49
B1Should I Stay or Should I Go
Techniker(in):
Bob Clearmountain
Produzent(in):
Guy Stevens
Mix:
Glyn Johns
Bassgitarre:
Paul Simonon
Gitarre:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
Schlagzeug:
Topper Headon
Gast vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 42), Indie 88: Top 500 Indie Rock Songs (Nummer: 183) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 228)
recording of:
Should I Stay or Should I Go
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
publisher:
Nineden Ltd. und Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.43:09
B2Beat Surrender
Produzent(in):
Peter Wilson (UK Producer)
Trompete:
Martin Drover und Luke Tunney
Hintergrundgesang:
Afrodiziac, Claudia Fontaine (vocals, background vocals), Tracie (80s UK pop singer Tracie Young) und Caron Wheeler (English singer, songwriter, and record producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
aufgenommen bei:
Phonogram Studios in London (Greater London), England, Vereinigtes Königreich (in 1982-10)
recording of:
Beat Surrender (in 1982-10)
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd. und Stylist Music Ltd.
The Jam3:27
B3The Land of Make Believe
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1981)
recording of:
The Land of Make Believe
sonstige Unterstützung:
Andy Hill (English producer & songwriter)
Verfasser(in):
Andy Hill (English producer & songwriter) und Peter Sinfield
publisher:
BMG Music Publishing Ltd., Concord Copyrights London Limited, EMI Virgin Music Ltd. (do not use this as a release label!), Paper Music Ltd., Universal Music Publishing MGB Limited, Universal Music–MGB Songs und Universal Music–Z Tunes LLC
Bucks Fizz3.353:45
B4Fantasy Island
cover recording of:
Fantasy Island (english version)
Verfasser(in):
Martin Duiser und Piet Souer (composer)
publisher:
ROBA Music Verlag GmbH
Tight Fit3:25
B5Videotheque
recording of:
Videotheque
Dollar5:00
B6Just an Illusion (radio edit)
Imagination4:57
B7There It Is
sonstige Unterstützung:
Gene Dozier (Pianist, keyboardist, songwriter, arranger, and producer) (Aufgabe: arranged by [horns, strings] / uncredited)
Gitarre [uncredited]:
Richard Randolph (Guitarist) und Ricky Sylvers (Joseph Richard "Ricky" Sylvers; member of The Sylvers)
Keyboard [uncredited]:
Leon Sylvers
Perkussion [uncredited]:
Wayne Milstein
Schlagzeug [uncredited]:
Wardell Potts
Hintergrundgesang:
Jeffrey Daniel (soul singer), Howard Hewett und Jody Watley
Sologesang:
Howard Hewett
arranger:
Ricky Sylvers (Joseph Richard "Ricky" Sylvers; member of The Sylvers)
recording of:
There It Is
Verfasser(in):
Nidra Beard, Dana Meyers und Charmaine Sylvers
Shalamar4:25
B8I Can’t Go for That (No Can Do)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1981)
recording of:
I Can’t Go for That (No Can Do)
Texter:
Sara Allen, Daryl Hall und John Oates
Komponist(in):
Daryl Hall
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Geomantic Music, Hot Cha Music Co., Primary Wave Brian, Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Daryl Hall & John Oates4.53:54
4▼12"-Vinyl: Yearbook 1983: Vinyl Extra
Nr.TitelKünstlerBewertungLänge
A1Wham Rap! (Enjoy What You Do?)
Musikvideos:
Wham Rap! (Enjoy What You Do) von Wham! (British pop-duo)
recording of:
Wham Rap! (Enjoy What You Do?)
Texter und Komponist(in):
George Michael und Andrew Ridgeley
publisher:
Morrison Leahy Music Ltd.
Wham!3:34
A2Gold
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
Gitarre:
Gary Kemp (in 1982)
Keyboard:
Jess Bailey (in 1982)
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
Schlagzeug:
John Keeble (in 1982)
Sologesang:
Tony Hadley (in 1982)
Interpret(in):
Spandau Ballet (in 1982)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
recording of:
Glow
Texter und Komponist(in):
Gary Kemp
Spandau Ballet3.53:51
A3Cruel Summer
recording of:
Cruel Summer
Texter:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) und Keren Woodward
Komponist(in):
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) und Keren Woodward
publisher:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama3:35
A4Tell Her About It
assistierende(r) Techniker(in):
Scott James (US recording engineer) und Mike Mairé
Techniker(in) und Mix:
Jim Boyer (producer/engineer)
Produzent(in):
Phil Ramone
E-Bass:
Doug Stegmeyer (bass player, aka Slug Douglas)
E-Gitarre:
Russell Javors (in 1983)
Gast-baritone saxophone:
Ronnie Cuber (in 1983)
Gast-Klavier [acoustic piano]:
Richard Tee (in 1983)
Gast-Tenorsaxophon:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (in 1983)
Gast-Trompete:
John Gatchell (in 1983) und Joe Shepley (in 1983)
Schlagzeug:
Liberty DeVitto (US drummer) (in 1983)
Sologesang:
Billy Joel (American singer‐songwriter and pianist) (in 1983)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Tell Her About It von Billy Joel (American singer‐songwriter and pianist)
recording of:
Tell Her About It (in 1983)
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
CBS Songs Ltd. (in 1983) und Joelsongs (in 1983)
Billy Joel3.653:49
A5Wherever I Lay My Hat (That’s My Home)
Produzent(in):
Laurie Latham
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) und Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
cover recording of:
Wherever I Lay My Hat (That’s My Home)
Verfasser(in):
Marvin Gaye, Barrett Strong und Norman Whitfield
publisher:
Jobete Music (UK) Ltd.
Parodieversion von:
Wherever I Lay
Paul Young54:10
A6Bad Day
recording of:
Bad Day
Verfasser(in):
Gerry Darby, Carmel McCourt und Jim Paris (Jim Parris)
Carmel3:41
A7Victims
recording of:
Victims
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
Culture Club4:56
B1Say Say Say (remastered 2015)
Assistent recording engineer:
Jon Jacobs (UK producer/engineer) (von 1981-05 bis 1982-04) und Teri Reed (von 1981-05 bis 1982-04)
recording engineer:
Geoff Emerick (British recording engineer) (von 1981-05 bis 1982-04) und Jon Kelly (engineer at Air London Studios) (von 1981-05 bis 1982-04)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistierende(r) Mix:
Jon Jacobs (UK producer/engineer) (am 1983-02-15)
Mix:
Geoff Emerick (British recording engineer) (am 1983-02-15)
Bass:
Nathan Watts (von 1981-05 bis 1982-04)
E-Gitarre:
David Williams (session guitarist and songwriter) (von 1981-05 bis 1982-04)
Horn:
Gary Grant (brass) (von 1981-05 bis 1982-04), Gary Herbig (von 1981-05 bis 1982-04), Jerry Hey (von 1981-05 bis 1982-04) und Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (von 1981-05 bis 1982-04)
Keyboard und Synthesizer:
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA) (von 1981-05 bis 1982-04)
Mundharmonika:
Chris Smith (Harmonica player) (von 1981-05 bis 1982-04)
Schlagzeug:
Ricky Lawson (von 1981-05 bis 1982-04)
Hintergrundgesang:
Michael Jackson (“King of Pop”) (von 1981-05 bis 1982-04), Linda McCartney (von 1981-05 bis 1982-04), Paul McCartney (The Beatles) (von 1981-05 bis 1982-04) und Eric Stewart (von 1981-05 bis 1982-04)
Sologesang:
Michael Jackson (“King of Pop”) (von 1981-05 bis 1982-04) und Paul McCartney (The Beatles) (von 1981-05 bis 1982-04)
vocals:
Michael Jackson (“King of Pop”)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Paul McCartney (The Beatles)
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1983) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1983)
aufgenommen bei:
Odyssey Studio (London) in London (Greater London), England, Vereinigtes Königreich und Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1981-05, in 1982-04)
zusätzlich aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sigma Sound Studios (New York) in New York, New York, Vereinigte Staaten
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1983-02-15)
recording of:
Say Say Say (von 1981-05 bis 1982-04)
geschrieben in:
England, Vereinigtes Königreich
Verfasser(in):
Michael Jackson (“King of Pop”) und Paul McCartney (The Beatles)
publisher:
Mijac Music und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
Paul McCartney & Michael Jackson3.653:55
B2Give It Up
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
recording of:
Give It Up
Verfasser(in):
Deborah Carter (writer, backing vocalist) und Harry Wayne Casey
publisher:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und Harrick Music, Inc. (BMI)
KC & the Sunshine Band4.254:13
B3The Walk (album version)
Programmierung:
Lol Tolhurst
Produzent(in):
Steve Nye (producer, engineer and pianist), Chris Parry und Phil Thornalley
Mix:
Steve Nye (producer, engineer and pianist)
drum machine und Keyboard:
Lol Tolhurst
Gitarre und Keyboard:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographisches Urheberrecht (℗) von:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
Musikvideos:
The Walk von The Cure
recording of:
The Walk (in 1983-04)
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Lol Tolhurst
publisher:
APB Music Co.
The Cure3.33:30
B4Change (radio edit)
recording of:
Change
Texter und Komponist(in):
Roland Orzabal (UK musician, songwriter and producer)
publisher:
Roland Orzabal Ltd.
Tears for Fears3:58
B5Come Live With Me
recording of:
Come Live With Me
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
Heaven 174:19
B6I Guess That’s Why They Call It the Blues (remastered 2016)
recording engineer:
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Akustikgitarre und E-Gitarre:
Davey Johnstone
E-Bass:
Dee Murray
Klavier, Synthesizer und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Mundharmonika:
Stevie Wonder
Schlagzeug:
Nigel Olsson
Hintergrundgesang:
Davey Johnstone, Dee Murray und Nigel Olsson
phonographisches Urheberrecht (℗) von:
Happenstance Ltd. (record and publishing company) (in 1983)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat (am 1983-03-07)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Musikvideos:
I Guess That’s Why They Call It the Blues von Elton John (English singer, songwriter, pianist, and composer)
recording of:
I Guess That’s Why They Call It the Blues
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer) und Davey Johnstone
publisher:
Big Pig Music Ltd. (publisher) und Universal–Songs of PolyGram International, Inc.
Elton John3.54:43
B7Big Log
recording of:
Big Log
Komponist(in):
Robbie Blunt, Robert Plant (of Led Zeppelin) und Gerald Woodruffe
publisher:
Bay Music Co., Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) und Talk Time Music, Inc.
Robert Plant5:05
5▼12"-Vinyl: Yearbook 1984: Vinyl Extra
Nr.TitelKünstlerBewertungLänge
A1Radio Ga Ga (remastered 2011)
Assistent recording engineer:
Eddie DeLena (engineer) (von 1983-08 bis 1984-01) und Stephan Wissnet (von 1983-08 bis 1984-01)
recording engineer und Programmierung:
Mack (German rock producer/engineer Reinhold Mack) (von 1983-08 bis 1984-01)
zusätzlich recording engineer:
Mike Beiriger (von 1983-08 bis 1984-01)
Synthesizer-Programmierung:
Fred Mandel (von 1983-08 bis 1984-01)
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Queen (UK rock group)
Bassgitarre:
John Deacon (von 1983-08 bis 1984-01)
drum machine, Schlagzeug, Vocoder und Hintergrundgesang:
Roger Taylor (Queen drummer) (von 1983-08 bis 1984-01)
Gast-Sampler und Gast-Synthesizer:
Fred Mandel (von 1983-08 bis 1984-01)
Gitarre:
Brian May (Queen guitarist) (von 1983-08 bis 1984-01)
Sampler:
Freddie Mercury (von 1983-08 bis 1984-01) und Roger Taylor (Queen drummer) (von 1983-08 bis 1984-01)
Sologesang:
Freddie Mercury (von 1983-08 bis 1984-01)
Synthesizer arranger:
Fred Mandel
phonographisches Urheberrecht (℗) von:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1984, in 2011) und Raincloud Productions Ltd. (in 1984)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1983-08 bis 1984-01) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1984-01)
produced at:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1983-08 bis 1984-01) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1984-01)
recording of:
Radio Ga Ga (von 1983-08 bis 1984-01)
Texter und Komponist(in):
Roger Taylor (Queen drummer)
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.85:43
A2Doctor! Doctor!
recording engineer, Techniker(in) und Mix:
Phil Thornalley
Schlagzeug-Programmierung:
Tom Bailey (Thompson Twins)
Produzent(in):
Tom Bailey (Thompson Twins) und Alex Sadkin
Conga und Synthesizer [Prophet V]:
Joe Leeway
Gitarre, Klavier, Kontrabass [contrabass], Mundharmonika und Synthesizer:
Tom Bailey (Thompson Twins)
Marimba, Perkussion, Schlagzeug und xylophone:
Alannah Currie
Hintergrundgesang:
Alannah Currie und Joe Leeway
vocals:
Tom Bailey (Thompson Twins)
phonographisches Urheberrecht (℗) von:
Arista Records Ltd. (not for release label use!) (in 1984) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
Musikvideos:
Doctor! Doctor! von Thompson Twins
recording of:
Doctor! Doctor!
Verfasser(in) und vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
publisher:
Point Music Ltd.
Thompson Twins2.54:37
A3I Won’t Let the Sun Go Down on Me (album version)
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
zusätzlich Bass:
Paul Westwood (bassist) (in 1983)
Sologesang:
Nik Kershaw (in 1983)
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1983) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
I Won’t Let the Sun Go Down on Me (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal und Rondor Music (London) Ltd.
Nik Kershaw3.53:17
A4Like to Get to Know You Well
recording engineer und Mix:
Stephen W. Tayler (UK engineer)
Programmierung:
Howard Jones (English singer, songwriter)
Produzent(in):
Rupert Hine
Instrumente:
Howard Jones (English singer, songwriter)
Sologesang:
Howard Jones (English singer, songwriter)
phonographisches Urheberrecht (℗) von:
Cherry Red Records (UK indie label; for copyrights, use Cherry Red Records Ltd. instead, with an alias if needed) (in 1983)
aufgenommen bei und mixed at:
Farmyard Studios in Amersham, Buckinghamshire, England, Vereinigtes Königreich
recording of:
Like to Get to Know You Well
Texter und Komponist(in):
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd.
Howard Jones54:00
A5Hand in Glove (original single version / remastered 2004)
Sandie Shaw3:00
A6All Cried Out
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
Bearbeitung von:
All Cried Out (album version) von Alison Moyet
recording of:
All Cried Out
Verfasser(in):
Steve Jolley, Alison Moyet und Tony Swain (songwriter, producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), J&S Music, Mega Music Ltd., Rondor Music (London) Ltd., Sonet Publishing Ltd. und Sony/ATV Music Publishing Ltd.
Alison Moyet43:41
A7Private Dancer (single edit)
Produzent(in):
Carter
Solo-Gitarre:
Jeff Beck (English rock guitarist)
Sologesang:
Tina Turner
remixer:
Humberto Gatica
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Private Dancer
Texter und Komponist(in):
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) und Universal Music Publishing, Synch Division
Tina Turner3.54:00
B1Stuck on You (album version)
Produzent(in):
James Anthony Carmichael und Lionel Richie
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Stuck on You
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lionel Richie43:14
B2Ain’t Nobody
alto saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Bass:
Bobby Watson (bassist)
flute:
Gary Herbig, Ernie Watts (Ernest James Watts, jazz and blues saxophonist) und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Gitarre:
Tony Maiden
Keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) und David “Hawk” Wolinski
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Tenorsaxophon:
Gary Herbig und Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
Trompete:
Jerry Hey
zusätzlich Synthesizer:
James Newton Howard (American score composer)
vocals:
Chaka Khan und Tony Maiden
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 88) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 403)
recording of:
Ain’t Nobody
Texter und Komponist(in):
David Wolinski
publisher:
Overdue Music
Rufus and Chaka Khan3.74:45
B3Caribbean Queen (No More Love on the Run)
Produzent(in):
Keith Diamond
Mix:
Nigel Green (engineer)
phonographisches Urheberrecht (℗) von:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1984)
recording of:
Caribbean Queen
Verfasser(in):
Keith Diamond und Billy Ocean
Billy Ocean4.154:04
B4Whatever I Do (Wherever I Go) (radio edit)
recording of:
Whatever I Do (Wherever I Go)
Verfasser(in):
Matt Aitken und Mike Stock (of Stock Aitken Waterman)
Hazell Dean3:41
B5Down on the Street
recording of:
Down on the Street
Verfasser(in):
Roger Odell und Bill Sharpe
publisher:
Skratch Music Publishing Ltd.
Shakatak3:22
B6The Power of Love
Techniker(in):
Stuart Bruce und Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luís Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
Saiteninstrumente arranger und zusätzlich arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:33
B7Do They Know It’s Christmas? (1984 version)
recording of:
Do They Know It’s Christmas?
Verfasser(in):
Bob Geldof und Midge Ure
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Band Aid3:43

Nennungen

Veröffentlichungsgruppe

Teil von:Now Yearbook (UK Now subseries) (Nummer: 1980-84) (Reihenfolge: 14)