Classic Gala

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro
Sound-Engineering:
Bernhard Mahne (Classical music producer) (von 1986-04-22 bis 1986-04-24) und Lutz Wildner (von 1986-04-22 bis 1986-04-24)
Orchester:
Camerata Academica (Austrian chamber orchestra), Camerata Academica Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra), Mainz Chamber Orchestra (Mainzer Kammerorchester), Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym), The Northstar Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) und Camerata Labacensis (Slovenian chamber orchestra) (von 1986-04-22 bis 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz und Alexander von Pitamic (Alfred Scholz pseudonym) (von 1986-04-22 bis 1986-04-24)
aufgenommen bei:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slowenien (von 1986-04-22 bis 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade Nr. 13 für Streicher G-Dur, KV 525 "Eine kleine Nachtmusik": I. Allegro) (von 1986-04-22 bis 1986-04-24)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:30
2Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante
Sound-Engineering:
Bernhard Mahne (Classical music producer) (von 1986-04-22 bis 1986-04-24) und Lutz Wildner (von 1986-04-22 bis 1986-04-24)
Orchester:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra (Mainzer Kammerorchester), Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) und Camerata Labacensis (Slovenian chamber orchestra) (von 1986-04-22 bis 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Libor Pešek (conductor), Alfred Scholz und Alexander von Pitamic (Alfred Scholz pseudonym) (von 1986-04-22 bis 1986-04-24)
aufgenommen bei:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slowenien (von 1986-04-22 bis 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (von 1986-04-22 bis 1986-04-24)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:45
3Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto & Trio
Sound-Engineering:
Bernhard Mahne (Classical music producer) (von 1986-04-22 bis 1986-04-24) und Lutz Wildner (von 1986-04-22 bis 1986-04-24)
Orchester:
Camerata Academia Salzburg (Austrian chamber orchestra), Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra (Mainzer Kammerorchester), Philharmonic Orchestra London (Alfred Scholz pseudonym) und Camerata Labacensis (Slovenian chamber orchestra) (von 1986-04-22 bis 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz und Alexander von Pitamic (Alfred Scholz pseudonym) (von 1986-04-22 bis 1986-04-24)
aufgenommen bei:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slowenien (von 1986-04-22 bis 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (von 1986-04-22 bis 1986-04-24)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:20
4Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro
Sound-Engineering:
Bernhard Mahne (Classical music producer) (von 1986-04-22 bis 1986-04-24) und Lutz Wildner (von 1986-04-22 bis 1986-04-24)
Orchester:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Academica of Salzburg (Austrian chamber orchestra), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra (Mainzer Kammerorchester), Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) und Camerata Labacensis (Slovenian chamber orchestra) (von 1986-04-22 bis 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz und Alexander von Pitamic (Alfred Scholz pseudonym) (von 1986-04-22 bis 1986-04-24)
aufgenommen bei:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slowenien (von 1986-04-22 bis 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (von 1986-04-22 bis 1986-04-24)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:26
5Symphony no. 29 for Orchestra in A major, K. 186a / 201: I. Allegro moderato
Sound-Engineering:
Bernhard Mahne (Classical music producer) (von 1986-04-22 bis 1986-04-24) und Lutz Wildner (von 1986-04-22 bis 1986-04-24)
Orchester:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym) und Camerata Labacensis (Slovenian chamber orchestra) (von 1986-04-22 bis 1986-04-24)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym) (von 1986-04-22 bis 1986-04-24)
aufgenommen bei:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slowenien (von 1986-04-22 bis 1986-04-24)
recording of:
Symphony no. 29 in A major, K. 186a / 201: I. Allegro moderato (von 1986-04-22 bis 1986-04-24)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1774 bis 1774-04-06)
Teil von:
Symphony no. 29 in A major, K. 186a / 201
Wolfgang Amadeus Mozart8:31
6Symphony no. 29 for Orchestra in A major, K. 186a / 201: II. Andante
Sound-Engineering:
Bernhard Mahne (Classical music producer) (von 1986-04-22 bis 1986-04-24) und Lutz Wildner (von 1986-04-22 bis 1986-04-24)
Orchester:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym) und Camerata Labacensis (Slovenian chamber orchestra) (von 1986-04-22 bis 1986-04-24)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym) (von 1986-04-22 bis 1986-04-24)
aufgenommen bei:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slowenien (von 1986-04-22 bis 1986-04-24)
recording of:
Symphony no. 29 in A major, K. 186a / 201: II. Andante (von 1986-04-22 bis 1986-04-24)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1774 bis 1774-04-06)
Teil von:
Symphony no. 29 in A major, K. 186a / 201
Wolfgang Amadeus Mozart10:07
7Symphony no. 29 for Orchestra in A major, K. 186a / 201: III. Minuetto & Trio
Sound-Engineering:
Bernhard Mahne (Classical music producer) (von 1986-04-22 bis 1986-04-24) und Lutz Wildner (von 1986-04-22 bis 1986-04-24)
Orchester:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Salzburg (Austrian chamber orchestra), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym) und Camerata Labacensis (Slovenian chamber orchestra) (von 1986-04-22 bis 1986-04-24)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym) (von 1986-04-22 bis 1986-04-24)
aufgenommen bei:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slowenien (von 1986-04-22 bis 1986-04-24)
recording of:
Symphony no. 29 in A major, K. 186a / 201: III. Minuetto & Trio (von 1986-04-22 bis 1986-04-24)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1774 bis 1774-04-06)
Teil von:
Symphony no. 29 in A major, K. 186a / 201
Wolfgang Amadeus Mozart3:48
8Symphony no. 29 for Orchestra in A major, K. 186a / 201: IV. Allegro con spirito
Sound-Engineering:
Bernhard Mahne (Classical music producer) (von 1986-04-22 bis 1986-04-24) und Lutz Wildner (von 1986-04-22 bis 1986-04-24)
Orchester:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym) und Camerata Labacensis (Slovenian chamber orchestra) (von 1986-04-22 bis 1986-04-24)
conductor:
Walter Scholz und Alexander von Pitamic (Alfred Scholz pseudonym) (von 1986-04-22 bis 1986-04-24)
aufgenommen bei:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slowenien (von 1986-04-22 bis 1986-04-24)
recording of:
Symphony no. 29 in A major, K. 186a / 201: IV. Allegro con spirito (von 1986-04-22 bis 1986-04-24)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1774 bis 1774-04-06)
Teil von:
Symphony no. 29 in A major, K. 186a / 201
Wolfgang Amadeus Mozart5:56
9Symphony no. 1 in E-flat major, K. 16: I. Allegro molto
Orchester:
Camerata Labacensis (Slovenian chamber orchestra)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Symphony no. 1 in E-flat major, K. 16: I. Allegro molto
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1764)
Teil von:
Symphony no. 1 in E-flat major, K. 16
Wolfgang Amadeus Mozart5:20
10Symphony no. 1 in E-flat major, K. 16: II. Andante
Orchester:
Camerata Labacensis (Slovenian chamber orchestra)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Symphony no. 1 in E-flat major, K. 16: II. Andante
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1764)
Teil von:
Symphony no. 1 in E-flat major, K. 16
Wolfgang Amadeus Mozart4:54
11Symphony no. 1 in E-flat major, K. 16: III. Presto
Orchester:
Camerata Labacensis (Slovenian chamber orchestra)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Symphony no. 1 in E-flat major, K. 16: III. Presto
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1764)
Teil von:
Symphony no. 1 in E-flat major, K. 16
Wolfgang Amadeus Mozart2:34
2▼CD
Nr.TitelKünstlerBewertungLänge
1Der fliegende Holländer, WWV 63: Ouvertüre
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) und Slovenská filharmónia (Slowakische Philharmonie)
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Bystrík Režucha (conductor) und Alfred Scholz
recording of:
Der fliegende Holländer, WWV 63: Ouvertüre (The Flying Dutchman: Overture)
Komponist(in):
Richard Wagner (composer) (von 1840 bis 1841)
Teil von:
Der fliegende Holländer, WWV 63 (The Flying Dutchman)
Richard Wagner10:40
2Rienzi, der letzte der Tribunen, WWV 49: Ouvertüre
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slavonica (Alfred Scholz pseudonym) und Slowakische Philharmonie
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Bystrík Režucha (conductor) und Alfred Scholz
recording of:
Rienzi, der letzte der Tribunen, WWV 49: Ouvertüre
Komponist(in):
Richard Wagner (composer) (von 1838-07 bis 1840-11)
Librettist:
Richard Wagner (composer)
Teil von:
Rienzi, der letzte der Tribunen, WWV 49
Richard Wagner11:39
3Lohengrin, WWV 75: Vorspiel
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) und Slovenská filharmónia (Slowakische Philharmonie)
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Bystrík Režucha (conductor) und Alfred Scholz
recording of:
Lohengrin, WWV 75: Vorspiel (prelude to Act I)
Komponist(in):
Richard Wagner (composer) (von 1846 bis 1848)
Teil von:
Lohengrin, WWV 75
Richard Wagner3:49
4Die Meistersinger von Nürnberg, WWV 96: Vorspiel
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) und Slovenská filharmónia (Slowakische Philharmonie)
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym), Bystrík Režucha (conductor) und Alfred Scholz
recording of:
Die Meistersinger von Nürnberg, WWV 96: Vorspiel
Komponist(in):
Richard Wagner (composer) (von 1863 bis 1867)
Teil von:
Die Meistersinger von Nürnberg, WWV 96
Richard Wagner9:59
5Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Ouvertüre
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), National Symphony Orchestra Olsztyn (probably a fake artist by Alfred Scholz), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), Royal Danish Symphony Orchestra (Royal Danish Orchestra) und Sofia Philharmonic Orchestra (Philharmonisches Orchester Sofia)
conductor:
Igor Gogol (conductor, probably a pseudonym for Alfred Scholz), Vassil Kazandjiev, George Richter (conductor, probably fictitious, or Alfred Scholz pseudonym) und Alfred Scholz
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Ouvertüre
Komponist(in):
Richard Wagner (composer) (von 1843 bis 1845-04-13)
Teil von:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70
Teil von:
Tannhäuser: Ouverture and Venusberg Music (ouverture and venusberg music (Act 1, scene 1) from Tannhäuser by Wagner)
Richard Wagner14:40
3▼CD
Nr.TitelKünstlerBewertungLänge
1Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso
Klavier:
Ida Černecká (pianist) und Peter Toperczer (Slavic pianist)
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Slovak Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Anton Nanut (conductor), Bystrík Režucha (conductor) und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1874-11 bis 1875-02)
Teil von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский20:23
2Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice
Klavier:
Ida Černecká (pianist) und Peter Toperczer (Slavic pianist)
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Slovak Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Anton Nanut (conductor), Bystrík Režucha (conductor) und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1888 version, most often performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1874-11 bis 1875-02)
Teil von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1879 version, rarely performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский7:13
3Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
Klavier:
Ida Černecká (pianist) und Peter Toperczer (Slavic pianist)
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Slovak Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Anton Nanut (conductor), Bystrík Režucha (conductor) und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1888 version, most often performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1874-11 bis 1875-02)
Teil von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1879 version, rarely performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский7:09
4The Year 1812, Festival Overture in E-flat major, op. 49
Orchester:
National Symphony Orchestra (unidentified orchestra, supposedly of Canada), Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra), Royal Promenade Orchestra (possibly fictitious by association with Alfred Gehardt) und Slovak National Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alfred Gehardt (fictitious conductor), Anton Nanut (conductor), Libor Pešek (conductor), Bystrík Režucha (conductor) und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
Interpret(in):
Slovak Philharmonic (Alfred Scholz pseudonym)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
Premiere in:
Moscow (Moskau), Russland (am 1882-08-20)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1880-09 bis 1880-11)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 46) und Works of Pyotr Ilyich Tchaikovsky by opus number (Nummer: op. 49)
basiert auf:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Пётр Ильич Чайковский15:41
5Capriccio Italien, op. 45
Orchester:
Slovak National Philharmonic Orchestra (Slovak State Philharmonic Orchestra, Košice) und Slovakian Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Bystrík Režucha (conductor)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (von 1980 bis 1992)
recording of:
Capriccio italien, op. 45 (Italienisches Capriccio, Op. 45)
Premiere in:
Moscow (Moskau), Russland (am 1880-12-18)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1880-01 bis 1880-05)
gewidmet:
Карл Юльевич Давыдов (Karl Davydov)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 44) und Works of Pyotr Ilyich Tchaikovsky by opus number (Nummer: op. 45)
Пётр Ильич Чайковский16:02
4▼CD
Nr.TitelKünstlerBewertungLänge
1Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso
Orchester:
Festivalový orchestr Praha (Prager Festivalorchester), Great Festival Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) und Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) und Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso
Komponist(in):
Ludwig van Beethoven (German composer) (von 1822 bis 1824)
Teil von:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven14:17
2Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto
Orchester:
Festivalový orchestr Praha (Prager Festivalorchester), Great Festival Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) und Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) und Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto (Symphonie Nr. 9 d-Moll, op. 125 "Ode an die Freude": II. Molto vivace)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1822 bis 1824)
Teil von:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven11:44
3Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo
Orchester:
Festivalový orchestr Praha (Prager Festivalorchester), Great Festival Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) und Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) und Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo
Komponist(in):
Ludwig van Beethoven (German composer) (von 1822 bis 1824)
Teil von:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven13:40
4Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai
Bass-Gesang:
Josef Bacek (operatic bass, an Alfred Scholz pseudonym)
Chorgesang:
Bratislava Opera Chorus (Alfred Scholz related), Great Festival Choir und London Festival Chorus
Hochgesang:
Eva Bandova (alto, an Alfred Scholz pseudonym)
Soprangesang:
Magdalena Paloczaj (soprano, an Alfred Scholz pseudonym)
Tenor-Gesang:
Peter Kottwald (tenor, an Alfred Scholz pseudonym)
Orchester:
Festivalový orchestr Praha (Prager Festivalorchester), Great Festival Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym) und Symphonic Festival Orchestra and Choir
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) und Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
Kompilation von:
Symphony no. 9 in D minor: IVa. Presto von Philharmonia Slavonica (Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym) und Symphony no. 9 in D minor: IVb. O Freunde, nicht diese Töne! von Philharmonia Slavonica (Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1822 bis 1824)
Librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
Teil von:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven23:39
5▼CD
Nr.TitelKünstlerBewertungLänge
1Dorfschwalben aus Österreich, op. 164
Orchester:
Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Peter Falk
recording of:
Dorfschwalben aus Österreich, op. 164 (Village Swallows from Austria, Op. 164)
Komponist(in):
Josef Strauss (Austrian composer) (in 1864)
Teil von:
Works of Josef Strauss by opus number (Nummer: op. 164)
Josef Strauss9:22
2Künstlerleben, op. 316
recording of:
Künstlerleben, op. 316 (Künstlerleben, Op. 316)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1867)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 316)
Johann Strauss II9:34
3Liebeslieder, op. 114
recording of:
Liebeslieder, op. 114 (Liebeslieder, Op. 114)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 114)
Johann Strauss II8:51
4Frühlingsstimmen, op. 410
Orchester:
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) und Wiener Johann Strauss Orchester
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of:
Frühlingsstimmen, op. 410 (Voices of Spring)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1882)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 410)
Johann Strauss II6:56
5Wiener Bonbons, op. 307
Orchester:
People's Opera Orchestra, Vienna und Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Alfred Scholz
recording of:
Wiener Bonbons, op. 307 (Wiener Bonbons, Op. 307)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 307)
Johann Strauss II9:37
6An der schönen blauen Donau, op. 314
Orchester:
Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Alfred Scholz
recording of:
An der schönen blauen Donau, op. 314
Premiere in:
Wien, Österreich (am 1867-02-15)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 314)
Johann Strauss II410:01
6▼CD
Nr.TitelKünstlerBewertungLänge
1Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: I. Largo maestoso – Vivace
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: I. Largo maestoso – Vivace
Komponist(in):
Joseph Haydn (composer)
Teil von:
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”
Joseph Haydn7:36
2Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: II. Andante
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: II. Andante
Komponist(in):
Joseph Haydn (composer)
Teil von:
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”
Joseph Haydn6:36
3Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: III. Menuetto and Trio
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: III. Menuetto and Trio
Komponist(in):
Joseph Haydn (composer)
Teil von:
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”
Joseph Haydn3:52
4Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: IV. Finale. Capriccio, presto
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”: IV. Finale. Capriccio, presto
Komponist(in):
Joseph Haydn (composer)
Teil von:
Symphony no. 53 in D major, Hob. I:53 “L'Impériale”
Joseph Haydn5:04
5Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio cantabile. Vivace assai
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Slowakische Philharmonie) und Wiener Kammerorchester (Wiener KammerOrchester)
conductor:
Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Alfred Scholz
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio cantabile. Vivace assai
Komponist(in):
Joseph Haydn (composer) (in 1791)
Teil von:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn9:05
6Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Slowakische Philharmonie), Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra) und Wiener Kammerorchester (Wiener KammerOrchester)
conductor:
Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Alfred Scholz
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante (Symphonie Nr. 94 G-Dur "3. Londoner (Mit dem Paukenschlag - The Surprise)", Hob. I:94: II. Andante)
Komponist(in):
Joseph Haydn (composer) (in 1791)
Teil von:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn5:57
7Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet. Allegro molto – Trio – Menuet
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Slowakische Philharmonie) und Wiener Kammerorchester (Wiener KammerOrchester)
conductor:
Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Alfred Scholz
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet. Allegro molto – Trio – Menuet
Komponist(in):
Joseph Haydn (composer) (in 1791)
Teil von:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn5:08
8Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale. Allegro di molto
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym), Philharmonic Orchestra (probably another Alfred Scholz pseudonym), Slovenská filharmónia (Slowakische Philharmonie) und Wiener Kammerorchester (Wiener KammerOrchester)
conductor:
Istvan Cohen (probably another Alfred Scholz), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Alfred Scholz
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale. Allegro di molto
Komponist(in):
Joseph Haydn (composer) (in 1791)
Teil von:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn4:16
9Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio – Allegro
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Slovenská filharmónia (Slowakische Philharmonie) und Wiener Kammerorchester (Wiener KammerOrchester)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Alfred Scholz
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio - Allegro
Komponist(in):
Joseph Haydn (composer) (in 1795)
Teil von:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn8:21
10Symphony no. 104 in D major, Hob. I:104 “London”: II. Andante
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Slovenská filharmónia (Slowakische Philharmonie) und Wiener Kammerorchester (Wiener KammerOrchester)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Alfred Scholz
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: II. Andante
Komponist(in):
Joseph Haydn (composer) (in 1795)
Teil von:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn7:12
11Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuetto & Trio. Allegro
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Slovenská filharmónia (Slowakische Philharmonie) und Wiener Kammerorchester (Wiener KammerOrchester)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Alfred Scholz
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuetto & Trio. Allegro
Komponist(in):
Joseph Haydn (composer) (in 1795)
Teil von:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn5:17
12Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale. Spiritoso
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Slovenská filharmónia (Slowakische Philharmonie) und Wiener Kammerorchester (Wiener KammerOrchester)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Alfred Scholz
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale. Spiritoso
Komponist(in):
Joseph Haydn (composer) (in 1795)
Teil von:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn4:57
7▼CD
Nr.TitelKünstlerBewertungLänge
1Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), I Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti), Musici di San Marco (an Alfred Scholz pseudonym), I Solisti Napoli (probably a pseudonym of Alfred Sholtz), Salzburger Kammerorchester (Salzburg Chamber Orchestra), Slovak Chamber Orchestra und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (Alfred Scholz pseudonym) und Bohdan Warchal (violinist, conductor)
teilweise recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (Nummer: F. I/22) und Ryom-Verzeichnis (Nummer: RV 269)
Teil von:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
Teil von:
Le quattro stagioni (Die vier Jahreszeiten, “The Four Seasons”)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi13:24
2Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:16
3Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi54:00
4Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi5:14
5Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:10
6Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto “L’estate” (“Summer”), op. 8 no. 2, RV 315: III. Presto: Tempo impetuoso d’estate (arr: Jeannette Sorrell)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Jeannette Sorrell (conductor and harpsichordist)
Arrangement von:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:54
7Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi5:07
8Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:07
9Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:19
10Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name) und Nils‐Erik Sparf (Swedish viol(in)ist)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Drottningholms Barockensemble (Drottningholm Baroque Ensemble), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi53:35
11Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo (catch-all for arrangements)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Arrangement von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (catch-all for arrangements)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi1:46
12Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:27
13Sinfonia in C major, RV 116: I. Allegro
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) und I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Anton Nanut (Alfred Scholz pseudonym)
recording of:
Sinfonia in C major, RV 116: I. Allegro
Komponist(in):
[anonymous] (special purpose artist)
vorher zugeschrieben zu:
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Sinfonia in C major, RV 116
Antonio Vivaldi5:20
14Sinfonia in C major, RV 116: II. Andante
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) und I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Anton Nanut (conductor)
recording of:
Sinfonia in C major, RV 116: II. Andante
Komponist(in):
[anonymous] (special purpose artist)
vorher zugeschrieben zu:
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Sinfonia in C major, RV 116
Antonio Vivaldi3:10
15Sinfonia in C major, RV 116: III. Allegro
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) und I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Anton Nanut (conductor)
recording of:
Sinfonia in C major, RV 116: III. Allegro
Komponist(in):
[anonymous] (special purpose artist)
vorher zugeschrieben zu:
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Sinfonia in C major, RV 116
Antonio Vivaldi1:34
8▼CD
Nr.TitelKünstlerBewertungLänge
1Boléro, op. 81
Klavier:
Mee Chou Lee (pianist)
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Samo Hubad (conductor), Anton Nanut (conductor) und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Boléro
Komponist(in):
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) und Soc. Arima (rights society?)
Premiere bei:
Palais Garnier in Paris, Île-de-France, Frankreich (am 1928-11-22)
Teil von:
Classic 100: Music of France (2012) (Nummer: 9) und Catalogue Marcel Marnat des œuvres de Maurice Ravel (Nummer: M. 81)
Maurice Ravel13:53
2Piano Concerto in G major: I. Allegramente
Klavier:
Mee Chou Lee (pianist)
Orchester:
Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
Interpret(in):
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
recording of:
Piano Concerto in G major: I. Allegramente
Komponist(in):
Maurice Ravel (French composer) (von 1929 bis 1931)
Teil von:
Piano Concerto in G major
Maurice Ravel8:46
3Piano Concerto in G major: II. Adagio assai
Klavier:
Mee Chou Lee (pianist)
Orchester:
Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
Interpret(in):
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
recording of:
Piano Concerto in G major: II. Adagio assai
Komponist(in):
Maurice Ravel (French composer) (von 1929 bis 1931)
Teil von:
Piano Concerto in G major
Maurice Ravel8:44
4Piano Concerto in G major: III. Presto
Klavier:
Mee Chou Lee (pianist)
Orchester:
Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
Interpret(in):
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
recording of:
Piano Concerto in G major: III. Presto
Komponist(in):
Maurice Ravel (French composer) (von 1929 bis 1931)
Teil von:
Piano Concerto in G major
Maurice Ravel4:09
5Le Tombeau de Couperin: I. Prélude
Orchester:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Le Tombeau de Couperin: I. Prélude (for orchestra) (beendet)
Orchestrator(in):
Maurice Ravel (French composer) (in 1919)
Komponist(in):
Maurice Ravel (French composer) (von 1914 bis 1917)
Orchestrierung von:
Le tombeau de Couperin: I. Prélude (for solo piano)
Teil von:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel3:18
6Le Tombeau de Couperin: II. Forlane
Orchester:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Le Tombeau de Couperin: II. Forlane (for orchestra) (beendet)
Orchestrator(in):
Maurice Ravel (French composer) (in 1919)
Komponist(in):
Maurice Ravel (French composer) (von 1914 bis 1917)
Orchestrierung von:
Le tombeau de Couperin: III. Forlane (for solo piano)
Teil von:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel5:45
7Le Tombeau de Couperin: III. Menuet
Orchester:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Le Tombeau de Couperin: III. Menuet (for orchestra) (beendet)
Orchestrator(in):
Maurice Ravel (French composer) (in 1919)
Komponist(in):
Maurice Ravel (French composer) (von 1914 bis 1917)
Orchestrierung von:
Le tombeau de Couperin: V. Menuet (for solo piano)
Teil von:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel4:47
8Le Tombeau de Couperin: IV. Rigaudon. Assez vif
Orchester:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Le Tombeau de Couperin: IV. Rigaudon. Assez vif (for orchestra) (beendet)
Orchestrator(in):
Maurice Ravel (French composer) (in 1919)
Komponist(in):
Maurice Ravel (French composer) (von 1914 bis 1917)
Orchestrierung von:
Le tombeau de Couperin: IV. Rigaudon (for solo piano)
Teil von:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel3:06
9▼CD
Nr.TitelKünstlerBewertungLänge
1Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto
Orchester:
Slowakische Philharmonie
conductor:
Libor Pešek (conductor)
phonographisches Urheberrecht (℗) von:
Mediaphon (this is the one to use as a release label) (in 1989)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": I. Adagio - Allegro molto)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
Antonín Dvořák8:58
2Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo
Orchester:
Slovak National Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Libor Pešek (conductor)
phonographisches Urheberrecht (℗) von:
Mediaphon (this is the one to use as a release label) (in 1989)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": II. Largo)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
Antonín Dvořák11:49
3Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto
Orchester:
Slowakische Philharmonie
conductor:
Libor Pešek (conductor)
phonographisches Urheberrecht (℗) von:
Mediaphon (this is the one to use as a release label) (in 1989)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": III. Scherzo. Molto vivace)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
Antonín Dvořák8:03
4Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco
Orchester:
Slowakische Philharmonie
conductor:
Libor Pešek (conductor)
phonographisches Urheberrecht (℗) von:
Mediaphon (this is the one to use as a release label) (in 1989)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": IV. Allegro con fuoco)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
Antonín Dvořák11:35
5Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso
Orchester:
Slovenská filharmónia (Slowakische Philharmonie)
conductor:
Libor Pešek (conductor)
recording of:
Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso (for orchestra)
Komponist(in):
Antonín Dvořák (composer) (von 1886-11 bis 1887-01-05)
Premiere bei:
[concert] (1887-01-06)
Orchestrierung von:
Slawische Tänze, op. 72 no. 2 e-Moll (Slavonic Dance, op. 72 no. 2 in E minor, for Piano, four hands)
Teil von:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák5:56
6Slavonic Dances, op. 72: No. 8 in A-flat major: Grazioso e lento, ma non troppo, quasi tempo di Valse
Orchester:
Slovenská filharmónia (Slowakische Philharmonie)
conductor:
Libor Pešek (conductor)
recording of:
Slavonic Dances, op. 72: No. 8 in A-flat major: Grazioso e lento, ma non troppo, quasi tempo di Valse (for orchestra)
Komponist(in):
Antonín Dvořák (composer) (von 1886-11 bis 1887-01-05)
Teil von:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák6:50
7Slavonic Dances, op. 72: No. 7 in C major: Allegro vivace
Orchester:
Slovenská filharmónia (Slowakische Philharmonie)
conductor:
Libor Pešek (conductor)
recording of:
Slavonic Dances, op. 72: No. 7 in C major: Allegro vivace (for orchestra)
Komponist(in):
Antonín Dvořák (composer) (von 1886-11 bis 1887-01-05)
Premiere bei:
[concert] (1887-01-06)
Teil von:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák3:16
8Stabat Mater, op. 58, B. 71: I. Andante con moto "Stabat Mater dolorosa" (Quartetto e Coro)
Orchester:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Marko Munih (conductor)
recording of:
Stabat Mater, op. 58, B. 71: I. Andante con moto “Stabat Mater dolorosa” (Quartetto e Coro)
Texter:
Jacopone da Todi
Komponist(in):
Antonín Dvořák (composer) (von 1876-02-19 bis 1876-05-07, von 1877-10 bis 1877-11-13)
Teil von:
Stabat Mater, op. 58, B. 71
Antonín Dvořák19:09
10▼CD
Nr.TitelKünstlerBewertungLänge
1Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1808)
Teil von:
Symphony no. 5 in C minor, op. 67 (Symphonie Nr. 5 in C-dur, Op. 67)
Ludwig van Beethoven7:20
2Symphony no. 5 in C minor, op. 67: II. Andante con moto
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1808)
Teil von:
Symphony no. 5 in C minor, op. 67 (Symphonie Nr. 5 in C-dur, Op. 67)
Ludwig van Beethoven11:01
3Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro / IV. Allegro
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1808)
Teil von:
Symphony no. 5 in C minor, op. 67 (Symphonie Nr. 5 in C-dur, Op. 67)
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1808)
Teil von:
Symphony no. 5 in C minor, op. 67 (Symphonie Nr. 5 in C-dur, Op. 67)
Ludwig van Beethoven14:15
4Ouvertüre Coriolan, op. 62: Allegro con brio
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Berliner Festspielorchester (likely another Alfred Scholz orchestra pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) und Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor), Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) und Alfred Scholz
recording of:
Ouvertüre Coriolan, op. 62 (Coriolan Overture, Op. 62)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1807)
gewidmet:
Heinrich Joseph von Collin
Premiere bei:
Palais Lobkowitz in Innere Stadt, Wien, Österreich (in 1807-03)
Teil von:
Works of Ludwig van Beethoven by opus number (Nummer: op. 62)
Ludwig van Beethoven7:34
5Egmont, op. 84: Overture. Sostenuto, ma non troppo – Allegro
Orchester:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), London Philharmonic Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) und Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor), Alfred Scholz und Peter Wohlert (conductor, Alfred Scholz related)
recording of:
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro
Premiere in:
Wien, Österreich (am 1810-06-15)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1809-10 bis 1810-06)
Teil von:
Egmont, op. 84
Ludwig van Beethoven8:19

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ASIN:DE: B0000057G9 [Info]