Smooth 70’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

℗ & © «2018 Warner Music Group - X5 Music Group»

Countries where available (Spotify + Deezer)

(As of 2020-04-04).

  • Northern America: 🇨🇦 Canada (ca) 🇺🇸 United States (us)
Annotazione modificata l'ultima volta il 2020-04-04 12:10 UTC.

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#TitoloArtistaValutazioneDurata
1Street Life (edit)Randy Crawford4:49
2December, 1963 (Oh What a Night!)Frankie Valli & The Four Seasons3:21
3Could It Be I’m Falling in Love
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Thom Bell (keyboards, songwriter, producer)
basso :
Ron Baker (record producer, bassist, arranger and songwriter) (nel 1973)
batteria :
Earl Young (nel 1973)
percussione [vibraphone, marimba] :
Vince Montana (nel 1973)
pianoforte :
Thom Bell (keyboards, songwriter, producer) (nel 1973)
voce di accompagnamento:
Yvette Benson (nel 1973), Carla Benton (nel 1973) e Barbara Ingram (nel 1973)
voce di baritono:
Henry Fambrough (A member of the R&B quintet The Spinners) (nel 1973)
voce di basso:
Pervis Jackson (The bass singer for The Spinners) (nel 1973)
voce di tenore:
Billy Henderson (founding member of The Spinners) (nel 1973), Bobbie Smith (US R&B lead singer for The Spinners) (nel 1973) e Philippé Wynne (A lead vocalist of The Spinners) (nel 1973)
direttore d'orchestra:
Thom Bell (keyboards, songwriter, producer) (nel 1973)
remixer:
Joe Tarsia (engineer)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 221)
registrazione di:
Could It Be I’m Falling in Love (nel 1973)
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:10
4She’s Gone
registrata a:
New York, New York, Stati Uniti (nel 1973)
produttore:
Arif Mardin
basso :
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (nel 1973)
batteria :
Bernard “Pretty” Purdie (nel 1973)
chitarra :
John Oates (nel 1973)
chitarra elettrica, mellotron e sintetizzatore :
Chris Bond (producer, active circa 1970s) (nel 1973)
percussione :
Ralph MacDonald (nel 1973)
pianoforte elettrico :
Daryl Hall (nel 1973)
sassofono tenore :
Joe Farrell (nel 1973)
voce principale:
Daryl Hall (nel 1973) e John Oates (nel 1973)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1973)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 336)
registrazione di:
She’s Gone (nel 1973)
paroliere e compositore:
Daryl Hall e John Oates
editore:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
5I’d Love You to Want Me
registrazione di:
I’d Love You to Want Me
paroliere e compositore:
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
editore:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo34:04
6(Where Do I Begin) Love Story
produttore:
Johnny Harris (Scottish composer, conductor)
voce:
Shirley Bassey (Welsh singer)
direttore d'orchestra:
Johnny Harris (Scottish composer, conductor)
arrangiatore:
Johnny Harris (Scottish composer, conductor)
registrazione di:
(Where Do I Begin?) Love Story (Love Story)
paroliere:
Carl Sigman
compositore:
Francis Lai (French composer)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Melodie der Welt (publisher), Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony e Sony/ATV Music Publishing LLC (1995–2020)
sub-editore:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
versione di:
Theme From Love Story (Instrumental)
Shirley Bassey3:15
7Just When I Needed You Most
produttore:
Del Newman (British conductor, orchestrator, arranger)
diritti fonografici (℗) detenuti da:
Bearsville Records Inc. (nel 1979) e Rhino Records, Inc. (company credits only; not for release label use!) (nel 1979)
registrazione di:
Just When I Needed You Most
paroliere e compositore:
Randy VanWarmer
editore:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Randy VanWarmer4:02
8Everything I Own
voce principale:
David Gates (singer/songwriter, lead singer of Bread)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
registrazione di:
Everything I Own
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. e Sony/ATV Music Publishing (UK) Ltd.
Bread4.353:07
9Until You Come Back to Me (That’s What I’m Gonna Do)
tecnico:
Lew Hahn
produttore:
Aretha Franklin, Arif Mardin e Jerry Wexler
tecnico di missaggio:
Arif Mardin
basso :
Chuck Rainey (American bassist) (il 1973-09-07)
batteria :
Bernard “Pretty” Purdie (il 1973-09-07)
chitarra :
Hugh McCracken (il 1973-09-07)
flauto solista :
Joe Farrell (il 1973-09-07)
organo :
Richard Tee (il 1973-09-07)
pianoforte e voce principale:
Aretha Franklin (il 1973-09-07)
pianoforte elettrico :
Donny Hathaway (il 1973-09-07)
sintetizzatore :
Ken Bichel (keyboardist) (il 1973-09-07)
voce di accompagnamento:
Margaret Branch (il 1973-09-07), Ann S. Clark (il 1973-09-07) e Pat Smith (soul vocalist) (il 1973-09-07)
arrangiatore:
Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1974)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1973-09-07)
registrazione di:
Until You Come Back to Me (That’s What I’m Gonna Do) (il 1973-09-07)
autore:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul e Stevie Wonder
editore:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau e Stone Agate Music
Aretha Franklin4.353:28
10Wishing on a Star
registrazione di:
Wishing on a Star
paroliere e compositore:
Billie Calvin (Billie Rae Calvin)
editore:
Warner/Chappell North America
Rose Royce44:53
11Year of the Cat
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
Al Stewart (UK folk singer/songwriter) (nel 1976)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
mixata presso:
Davlen Sound Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 13)
registrazione di:
Year of the Cat
autore:
Al Stewart (UK folk singer/songwriter) e Peter Wood (UK keyboardist/pianist)
editore:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.456:34
12Summer Breeze
produttore:
Louie Shelton
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1972)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 10)
registrazione di:
Summer Breeze
paroliere:
James Seals
compositore:
Dash Crofts e James Seals
editore:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.353:22
13Rainy Night in Georgia
produttore:
Arif Mardin
armonica (a bocca) :
Toots Thielemans (nel 1969)
basso :
Harold Cowart (il 1969-09-11)
batteria :
Ron Ziegler (drummer) (il 1969-09-11)
chitarra :
Cornell Dupree (nel 1969) e Jim O’Rourke (US musician & producer, b. 1969) (il 1969-09-11)
organo :
Billy Carter (organ, jazz) (il 1969-09-11)
pianoforte :
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (il 1969-09-11)
strumenti:
Cold Grits (nel 1969)
voce di accompagnamento:
The Sweet Inspirations (il 1969-09-11)
arrangiatore:
Arif Mardin
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1969-09-11)
pubblicazioni successive:
Rainy Night in Georgia di Brook Benton
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 498)
registrazione cover di:
Rainy Night in Georgia (il 1969-09-11)
paroliere e compositore:
Tony Joe White
editore:
Combine Music Corp. e EMI Songs Limited
Brook Benton43:54
14Baby What a Big Surprise
assistente tecnico di registrazione e tecnico di registrazione:
Armin Steiner (archi)
assistente tecnico:
Tom Likes
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
chitarra acustica e basso :
James William Guercio (nel 1977)
voce di accompagnamento aggiuntiva:
Tim Cetera (nel 1977) e Carl Wilson (Beach Boys) (nel 1977)
orchestratore:
Peter Cetera, Dominic Frontiere e James William Guercio
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977, nel 1978), Chicago Records Inc. (nel 1977) e Rhino Entertainment Company (not for release label use!) (nel 2002, nel 2007)
registrata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti e Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti (archi)
mixata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti
registrazione di:
Baby, What a Big Surprise (nel 1977)
orchestratore:
Dominic Frontiere
paroliere e compositore:
Peter Cetera (nel 1977)
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. e Universal Music Publishing MGB Ltd.
Chicago33:06
15Supernatural Thing
Ben E. King43:24
16A Horse With No Name
tecnico:
Robin Black (engineer) e Ken Scott (UK record producer & engineer)
produttore:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) e Ian Samwell
produttore aggiunto:
America (US folk/soft rock band) e Jeff Dexter
tecnico di missaggio:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
batteria :
Kim Haworth (nel 1971)
chitarra a 12 corde :
Gerry Beckley (nel 1971)
chitarra acustica e voce principale:
Dewey Bunnell (nel 1971)
chitarra basso :
Dan Peek (nel 1971)
percussione :
Ray Cooper (percussionist) (nel 1971)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1971, nel 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (nel 1972) e Rhino Entertainment Company (not for release label use!) (nel 2011)
registrata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1971)
registrazione di:
A Horse With No Name (nel 1971)
paroliere e compositore:
Dewey Bunnell
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
America4.254:12
17Native New Yorker
registrazione cover di:
Native New Yorker
autore:
Sandy Linzer e Denny Randell
editore:
Featherbed Music, Linz Music (US work publisher), Three Wise Boys Music LLC, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Frankie Valli5:20
18Midnight at the Oasis
tecnico:
Lee Herschberg e Donn Landee
produttore:
Joe Boyd (US producer, founder of Hannibal Records) e Lenny Waronker
tecnico di missaggio:
Lee Herschberg
batteria :
Jim Gordon (US drummer with Derek and the Dominos)
chitarra acustica :
David Nichtern
chitarra basso :
Freebo
chitarra elettrica :
Amos Garrett
pianoforte :
Mark T. Jordan
voce:
Maria Muldaur
voce parlata:
Greg Prestopino
arrangiatore archi :
Nick de Caro
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Midnight at the Oasis
paroliere e compositore:
David Nichtern
editore:
Space Potato Music (nel 1974)
Maria Muldaur43:50
19Love Is the Answer
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1979)
registrazione di:
Love Is the Answer
paroliere e compositore:
Todd Rundgren
editore:
Earmark Music Inc., Fiction Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
England Dan & John Ford Coley34:45
20Rock Your Baby
registrazione di:
Rock Your Baby
autore:
Harry Wayne Casey, Richard Finch e KC (Harry Wayne Casey of the Sunshine Band)
editore:
EMI Longitude Music e Peer Music (UK) Ltd.
George McCrae6:25
21Then Came You
voce ospite:
Dionne Warwick
esecutore:
The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
registrazione cover di:
Then Came You
autore:
Sherman Marshall e Philip Pugh
editore:
Mijac Double Diamond Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Dionne Warwick4.54:01
22Breezin’
registrazione cover di:
Breezin’
compositore:
Bobby Womack
editore:
Unart Music Corp. (conclusa), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Unart Catalog Inc., Tracebob Music Co., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e 日本アブコ音楽出版 (ABKCO Japan Publishing)
George Benson5:38
23The Ghetto
registrazione di:
The Ghetto (Donny Hathaway)
autore:
Donny Hathaway e Leroy Hutson
editore:
Don‐Pow e Peer International (BMI; Peer Int'l or Peer-International)
sub-editore:
Peermusic (UK) Ltd.
Donny Hathaway6:55
24Cats in the Cradle
registrazione di:
Cat’s in the Cradle
autore:
Sandra Campbell Chapin e Harry F Chapin
editore:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin33:32
25Love Hurts
tecnico e tecnico di missaggio:
Hugh Davies (US recording engineer)
produttore:
Gram Parsons
basso :
Emory Gordy (dal 1973-05 al 1973-09)
batteria :
Ron Tutt (drummer) (dal 1973-05 al 1973-09)
chitarra [rhythm guitar] :
Herb Pedersen (nel 1973)
chitarra acustica e voce principale:
Gram Parsons (dal 1973-05 al 1973-09)
chitarra elettrica :
James Burton (guitarist) (dal 1973-05 al 1973-09)
chitarra pedal steel :
Al Perkins (Texas born guitarist esp. steel guitar) (dal 1973-05 al 1973-09)
pianoforte :
Glen D. Hardin (dal 1973-05 al 1973-09)
voce:
Emmylou Harris (dal 1973-05 al 1973-09)
registrazione cover di:
Love Hurts (nel 1973)
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. e Acuff-Rose Publications, Inc. (BMI) (il 1960-08-30)
sub-editore:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Gram Parsons53:42