Totally 70’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

possibly released in sets of 2.
CD’s 1 & 2 (Insight / Polygram, 525 677 2)
CD’s 3 & 4 (Insight / Polygram, 525 678 2)
CD’s 5 & 6 (Insight / Polygram, 525 679 2)

Anmerkung zuletzt geändert am 2017-10-03 04:18 UTC.

Titelliste

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1▼Medium
Nr.TitelKünstlerBewertungLänge
1Crocodile Rock
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray
E-Gitarre:
Davey Johnstone
Farfisa-Orgel und Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1972, in 1973) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich
recording of:
Crocodile Rock
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.453:56
2Knowing Me, Knowing You
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bassgitarre:
Rutger Gunnarsson (am 1976-03-23)
E-Gitarre:
Lasse Wellander (am 1976-05-24)
Gitarre:
Janne Schaffer (am 1976-03-23) und Björn Ulvaeus (am 1976-03-23)
Keyboard:
Benny Andersson (ABBA) (am 1976-03-23)
Perkussion:
Malando Gassama (am 1976-03-23)
Schlagzeug [drums]:
Ola Brunkert (am 1976-03-23)
Solo vocals:
Frida (Swedish singer and member of ABBA) (am 1976-03-23)
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music AB (in 1976)
aufgenommen bei:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-03-23, am 1976-05-24)
recording of:
Knowing Me, Knowing You (in 1976)
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
EMI Grove Park Music, Inc., Union Songs AB (publisher), Union Songs Music, Universal–Songs of PolyGram International, Inc., EMI Waterford Music (vom 1976 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1976 bis heute) und Universal/Union Songs Musikförlag AB (vom 1976 bis heute)
Teil von:
Mamma Mia! (1999 musical)
ABBA3.84:03
3When You’re in Love With a Beautiful Woman
recording of:
When You’re in Love With a Beautiful Woman
Texter und Komponist(in):
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook2:54
4Son of My Father
phonographisches Urheberrecht (℗) von:
Santa Ponsa Productions (in 1972)
recording of:
Son of My Father
Texter:
Michael Holm (German musician) (in 1971) und Pete Bellotte (English lyricist and producer) (in 1972)
Komponist(in):
Giorgio Moroder (in 1971)
publisher:
IQ Music Ltd. und Sony/ATV Music Publishing (UK) Ltd.
Version von:
Nachts scheint die Sonne
Chicory Tip53:11
5Substitute
Produzent(in):
Grahame Beggs
recording of:
Substitute (in 1978)
Texter und Komponist(in):
Willie Wilson
publisher:
Discoton (German club label)
Clout43:26
6Heart of Glass
assistierende(r) Techniker(in):
Grey Russell
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison
Gitarre:
Frank Infante und Chris Stein
Keyboard:
Jimmy Destri
Schlagzeug:
Clem Burke
vocals:
Deborah Harry
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978) und Chrysalis Records, Inc. (not for release label use!) (in 1979)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 2), Indie 88: Top 500 Indie Rock Songs (Nummer: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 138) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 255)
recording of:
Heart of Glass
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Version von:
Once I Had a Love
Blondie4.33:55
7Hit Me With Your Rhythm Stick
Produzent(in):
Laurie Latham
E-Bass:
Norman Watt-Roy (in 1978)
Gitarre:
John Turnbull (in 1978)
Hammond-Orgel:
Mick Gallagher (UK hammond organ player) (in 1978)
Klavier:
Chaz Jankel (English musician and songwriter) (in 1978)
Saxophon:
Davey Payne (UK saxophonist) (in 1978)
Schlagzeug:
Charley Charles (UK drummer) (in 1978)
Sologesang:
Ian Dury (in 1978)
phonographisches Urheberrecht (℗) von:
Templemill Music Ltd (in 1979)
aufgenommen bei:
The Workhouse in London (Greater London), England, Vereinigtes Königreich (in 1978)
recording of:
Hit Me With Your Rhythm Stick (in 1978)
Texter:
Ian Dury
Komponist(in):
Chaz Jankel (English musician and songwriter)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ian Dury and the Blockheads3.93:43
8Get Down
phonographisches Urheberrecht (℗) von:
MAM Records Ltd. (in 1973)
recording of:
Get Down (in 1973)
Texter und Komponist(in):
Gilbert O’Sullivan
publisher:
M.A.M. (Music Publishing) Ltd.
Gilbert O’Sullivan4.52:41
9Dancing in the City
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (in 1978)
recording of:
Dancing in the City (in 1978)
Verfasser(in):
Kit Hain und Julian Marshall
publisher:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) und Rondor Music (London) Ltd.
Marshall Hain3:46
10If I Can’t Have You
Produzent(in):
Freddie Perren
Bass:
Scott Edwards (bassist)
Gitarre:
Bob Bowles
Keyboard und Synthesizer:
Freddie Perren
Klavier:
Sonny Burke (soul/jazz/funk keyboardist)
Perkussion:
Bob Zimmitti, Paulinho da Costa (Brazilian percussionist) und Freddie Perren
Schlagzeug:
James Gadson (American drummer)
Hintergrundgesang [additional background vocals] und Sologesang:
Yvonne Elliman
Hintergrundgesang [girl-group background vocals]:
Marti McCall (session vocalist), Julia Waters und Maxine Waters
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 19) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 343)
recording of:
If I Can’t Have You
geschrieben in:
Frankreich
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (in 1978) und Unichappell Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Yvonne Elliman4.252:59
11Love Is in the Air
Produzent(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1977, in 1978), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records) (in 1978) und Volcano Entertainment III, L.L.C. (in 1998)
recording of:
Love Is in the Air (in 1978)
Verfasser(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
John Paul Young33:28
12Don’t Let Me Be Misunderstood
cover recording of:
Don’t Let Me Be Misunderstood
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
Santa Esmeralda3:17
13Save All Your Kisses for Me
recording of:
Save Your Kisses for Me
Verfasser(in):
Tony Hiller, Martin Lee (singer, of UK pop group Brotherhood of Man) und Lee Sheriden
publisher:
ATV Music, Easy Listening Music Corp., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Tony Hiller Music (publisher), Tony Hills Music Co. Ltd. und Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
Brotherhood of Man3:04
14Dancing on a Saturday Night
Produzent(in):
Barry Blue (singer, producer, and songwriter)
phonographisches Urheberrecht (℗) von:
Bell (50s-70s US/UK pop, later became Arista) (in 1973), Crimson Copyrights Ltd. (in 1973) und Demon Music Group (in 1973)
recording of:
Dancin’ (On a Saturday Night)
Verfasser(in):
Barry Blue (singer, producer, and songwriter) und Lynsey de Paul
publisher:
ATV Music Ltd., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing Australia Pty Ltd.
Barry Blue3:11
15In the Summertime
Produzent(in):
Barry Murray (producer, associated with Mungo Jerry)
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1970) und Dawn (UK 70s 'underground and progressive' label, a subsidiary of Pye Records) (in 1970)
früheste Veröffentlichung:
In the Summertime von Mungo Jerry
Musikvideos:
In the Summertime von Mungo Jerry
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 40) und Billboard Year-End Hot 100 singles of 1970 (Nummer: 53)
recording of:
In the Summertime
Texter und Komponist(in):
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.73:30
16January
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
January
Orchestrator(in):
Andrew Powell (known for contributions to Alan Parsons Project)
Texter und Komponist(in):
David Paton (of Pilot)
publisher:
EMI Music Publishing (do not use as a release label!) und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Pilot33:30
2▼Medium
Nr.TitelKünstlerBewertungLänge
1Love Hurts
recording of:
Love Hurts
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Jim Capaldi3:32
2Living Next Door to Alice
Partner-Produzent(in):
Nicky Chinn
Produzent(in):
Mike Chapman (Australian producer and songwriter) und G. Kasper (German sound engineer & producer, “Mr. Cool”)
phonographisches Urheberrecht (℗) von:
Chinnichap Records Ltd. (in 1976) und RAK Records Ltd. (in 1976)
produced for:
Chinnichap (production company and publisher)
cover recording of:
Living Next Door to Alice
Texter:
Nicky Chinn
Komponist(in):
Mike Chapman (Australian producer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton GmbH und Universal Music Publishers MGB Australia Pty Ltd
Smokie4.153:30
3Hopelessly Devoted to You
Techniker(in) und Mix:
David J. Holman
Produzent(in):
John Farrar
arranger:
John Farrar, Michael Gibson (trombone) und Louis St. Louis (American songwriter, music arranger and singer)
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 35)
recording of:
Hopelessly Devoted to You (Grease, 1978 film)
Texter und Komponist(in):
John Farrar
Teil von:
The 51st Academy Award for Best Original Song (Nummer: 2)
Teil von:
Grease (1978 film)
Olivia Newton‐John43:06
4Mississippi
phonographisches Urheberrecht (℗) von:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1975)
recording of:
Mississippi
Texter und Komponist(in):
Werner Theunissen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:35
5Seasons in the Sun
Produzent(in):
Terry Jacks
arranger:
Terry Jacks
phonographisches Urheberrecht (℗) von:
Bell Records Inc. (record company behind the Bell Records and Mala labels) (in 1973), Arista Records, LLC (holding company - file NO releases here!) (in 1974) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980)
produced for:
Poppy Family Productions Ltd.
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 19)
cover recording of:
Seasons in the Sun
Texter und Übersetzer:
Rod McKuen
Komponist(in):
Jacques Brel
publisher:
E.B. Marks Music Corp. und Francis, Day & Hunter Ltd. (in 1973)
übersetzte Version von:
Le Moribond
recording of:
Seasons in the Sun
Texter und Übersetzer:
Rod McKuen
Komponist(in):
Jacques Brel
publisher:
E.B. Marks Music Corp. und Francis, Day & Hunter Ltd. (in 1973)
übersetzte Version von:
Le Moribond
Terry Jacks3.53:26
6American Pie
Techniker(in):
Tom Flye
Akustikgitarre und Banjo:
Don McLean (am 1971-05-26)
Bass:
Bob Rothstein (am 1971-05-26)
E-Gitarre:
David Spinozza (am 1971-05-26)
Hybrid-Piano:
Ray Colcord (am 1971-05-26)
Klavier:
Paul Griffin (American pianist, session musician) (am 1971-05-26)
Marimba und Vibraphon:
Mike Mainieri (am 1971-05-26)
Perkussion und Schlagzeug:
Roy Markowitz (am 1971-05-26)
Chorgesang:
West 44th Street Rhythm and Noise Choir (am 1971-05-26)
vocals:
Bob Rothstein (am 1971-05-26) und Don McLean (am 1971-05-26)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) und United Artists Records (for bootlegs and counterfeit) (in 1971)
teilweise recording of:
American Pie (am 1971-05-26)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:09
7I’d Love You to Want Me
recording of:
I’d Love You to Want Me
Texter und Komponist(in):
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo34:02
8Bang Bang
recording of:
Bang Bang
Verfasser(in):
Terry Britten und B.A. Robertson
publisher:
Kongride Music Ltd., Mews Music Ltd., My Axe Music Ltd. und United Artists Music Ltd.
B. A. Robertson3:21
9Why Did You Do It
recording of:
Why Did You Do It
Texter und Komponist(in):
Kirby Gregory
publisher:
BMG Platinum Songs US, Kingstreet Media Publishing Limited und Palan Music Publishing Ltd.
Stretch3:32
10Cool for Cats
recording of:
Cool for Cats
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Squeeze3:14
11Is She Really Going Out With Him?
Techniker(in):
Rod Hewison
Produzent(in):
David Kershenbaum
Bassgitarre:
Graham Maby (in 1978-08)
Gitarre:
Gary Sanford (in 1978-08)
Schlagzeug:
David Houghton (in 1978-08)
Sologesang:
Joe Jackson (English musician) (in 1978-08)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1979)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 438)
recording of:
Is She Really Going Out With Him? (in 1978-08)
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Kobalt Music (publisher) und Pokazuka Limited
Joe Jackson4.43:36
12Dreadlock Holiday
Produzent(in):
Graham Gouldman und Eric Stewart
Bassgitarre und Gitarre und Hintergrundgesang und Sologesang:
Graham Gouldman
Conga, cowbell, Marimba, Timbales und triangle:
Paul Burgess (UK rock drummer)
Gitarre und Orgel:
Rick Fenn
Hybrid-Piano, Maracas / Rumba-Rasseln und Orgel:
Eric Stewart
Schlagzeug und Tamburin:
Stuart Tosh
Synthesizer:
Duncan Mackay (UK keyboardist/synthesizerist)
Hintergrundgesang:
Rick Fenn, Eric Stewart und Stuart Tosh
recorded by:
Phonogram Ltd. (London) (company name, NOT a label!)
aufgenommen bei:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich (in 1977)
recording of:
Dreadlock Holiday (in 1977)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. und St. Anne’s Music Ltd.
10cc45:01
13In Zaire
recording of:
In Zaire
Verfasser(in):
Johnny Wakelin
Johnny Wakelin23:20
14Groovin’ With Mr. Bloe
recording of:
Groovin’ With Mr. Bloe
Komponist(in):
Bo Gentry, Ken Laguna und Paul Naumann
Mr. Bloe2:39
15New York Groove
recording of:
New York Groove
Texter und Komponist(in):
Russ Ballard
publisher:
EMI April Music Inc. (beendet), Complete Music Ltd. und EMI Virgin Music Ltd. (do not use this as a release label!)
Hello2:46
16Popcorn
phonographisches Urheberrecht (℗) von:
Musicor (American record label) (in 1972)
cover recording of:
Popcorn (in 1972)
Komponist(in):
Gershon Kingsley
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Hot Butter4.352:34
17Video Killed the Radio Star
Produzent(in):
The Buggles
E-Gitarre und Sologesang:
Trevor Horn (in 1979)
Keyboard:
Geoff Downes (English keyboardist) (in 1979)
Chorgesang:
Debi Doss (photographer and singer, Kinks) (in 1979) und Linda Jardim (in 1979)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 40)
recording of:
Video Killed the Radio Star
Verfasser(in):
Geoff Downes (English keyboardist), Trevor Horn und Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:23
18Egyptian Reggae
recording of:
Egyptian Reggae
Verfasser(in):
Earl Anthony Johnson (reggae singer Earl Zero) und Jonathan Richman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
basiert auf:
None Shall Escape the Judgement
Jonathan Richman & The Modern Lovers2:37
3▼Medium
Nr.TitelKünstlerBewertungLänge
1Rivers of Babylon
phonographisches Urheberrecht (℗) von:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1978)
cover recording of:
Rivers of Babylon (Boney M. version)
Texter:
Brent Dowe und Trevor McNaughton
Komponist(in):
Brent Dowe, Frank Farian, Trevor McNaughton und George Reyam
publisher:
Blue Mountain Music und FAR Music (publisher for Frank Farian)
basiert auf:
Rivers of Babylon
Boney M.3.54:02
2You Sexy Thing
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. und RAK Publishing Ltd
Hot Chocolate3.854:06
3Can’t Give You Anything (but My Love)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1975)
recording of:
I Can’t Give You Anything (But My Love)
Verfasser(in):
Luigi Creatore, Hugo Peretti und George David Weiss
publisher:
Abilene Music Inc. und Music Sales Corporation (American copyright holder in both popular and classical music)
The Stylistics23:13
4Rock the Boat
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974)
recording of:
Rock the Boat
Texter und Komponist(in):
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation4.43:06
5Now That We’ve Found Love
cover recording of:
Now That We Found Love
Texter:
Heavy D. (US rapper)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Blue Mountain Music Ltd, Mighty Three Music 301 /373, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Third World3:44
6Rock Your Baby
recording of:
Rock Your Baby
Verfasser(in):
Harry Wayne Casey, Richard Finch und KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music und Peer Music (UK) Ltd.
George McCrae5:35
7Car Wash
recording of:
Car Wash
Texter und Komponist(in):
Norman Whitfield
publisher:
Universal/MCA Music Ltd. (not for release label use!) und USI B Music Publishing
Rose Royce4.63:21
8Barbados
recording of:
Barbados
Verfasser(in):
Jeffrey Calvert und Max West
publisher:
Castle (publisher)
Typically Tropical44:11
9Knock on Wood
phonographisches Urheberrecht (℗) von:
Ariola America, Inc. (in 1978)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 6)
cover recording of:
Knock on Wood
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
adaptations:
Potkraj na les
Amii Stewart53:45
10Kissin in the Back Row of the Movies
Baritongesang:
Grant Kitchings
Sologesang:
Johnny Moore (soul/rnb vocalist for The Drifters)
Tenor-Gesang:
Butch Leake
vocals:
Bill Fredericks und Butch Mann
arranger:
Tony King (songwriter, arranger)
recording of:
Kissin’ in the Back Row of the Movies
Komponist(in):
Roger Greenaway und Tony Macaulay
The Drifters3.653:33
11Love’s Theme
Techniker(in):
Paul Elmore (engineer) und Frank Kegmer (engineer)
Produzent(in):
Barry White
Orchester:
Love Unlimited Orchestra
conductor:
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) und Barry White
phonographisches Urheberrecht (℗) von:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (in 1973)
recording of:
Love’s Theme (instrumental version) (in 1973)
Komponist(in):
Barry White
publisher:
January Music Corp. und Sa‐Vette Music Inc.
Love Unlimited Orchestra4.654:07
12Papa Was a Rollin’ Stone
Produzent(in):
Norman Whitfield
Sologesang:
Dennis Edwards (US soul & R’n’B singer) (in 1972), Damon Harris (in 1972) und Richard Street (in 1972)
conductor:
Paul Riser (in 1972)
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Record Corporation (company credits only; do NOT use as release label) (in 1972)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 168) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 333)
cover recording of:
Papa Was a Rollin’ Stone (in 1972)
Texter und Komponist(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations3.46:57
13I Can’t Stand the Rain
cover recording of:
I Can’t Stand the Rain
Verfasser(in):
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) und Ann Peebles
publisher:
Irving Music, Inc. und JEC Publishing (in 1977)
Eruption2:52
14Float On
recording of:
Float On
Verfasser(in):
Arnold Ingram, James Mitchell (Singer, composer and producer, member of Detroit Emeralds) und Marvin Willis (Marvin Lee Willis, member of Detroit Emeralds)
The Floaters4:12
15Na Na Hey Hey Kiss Him Goodbye
recording of:
Na Na Hey Hey Kiss Him Goodbye (in 1969)
Verfasser(in):
Gary DeCarlo, Dale Frashuer, Mark Hall (2 for Joy), Paul Leka, Daz Sampson und Graham Turner
publisher:
Warner Chappell North America und Warner/Chappell North America
Teil von:
Goodbye
Steam34:13
16Softly Whispering I Love You
Techniker(in):
Peter Vince (engineer, producer)
Interpret(in):
Brian Keith und Alan Parker (guitarist & composer)
arranger:
Ken Woodman (British trumpeter, music director, arranger and composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
cover recording of:
Softly Whispering I Love You
Verfasser(in):
Roger Frederick Cook (US‐based British singer, songwriter and producer) und Roger John Reginald Greenaway
publisher:
Cookaway Music Ltd. (publisher, likely UK-based), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
The Congregation23:00
4▼Medium
Nr.TitelKünstlerBewertungLänge
1Get Up (I Feel Like Being a) Sex Machine
recording of:
Get Up (I Feel Like Being Like a) Sex Machine
Verfasser(in):
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) und Ron Lenhoff
publisher:
Dynatone Publishing Co. und Intersong Music Ltd.
James Brown3:23
2That’s The Way (I Like It)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band5:04
3Get Dancing
recording of:
Get Dancin’
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Songs Ltd., Kenny Nolan Publishing Co., Sony/ATV Music Publishing (UK) Ltd. und Warner/Chappell Artemis Music
Disco Tex & the Sex‐O‐Lettes3:50
4The Hustle
recording of:
The Hustle
Texter und Komponist(in):
Van McCoy
publisher:
Van McCoy Music, Warner Bros. Music Co. Ltd. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Van McCoy & The Soul City Symphony4:06
5I Will Survive
Partner-Produzent(in):
Freddie Perren
Produzent(in):
Dino Fekaris
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) und Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
Bearbeitung von:
I Will Survive (12″ single version) von Gloria Gaynor
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 251) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 489)
recording of:
I Will Survive
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:18
6I Feel Love
recording of:
I Feel Love
Texter:
Pete Bellotte (English lyricist and producer)
Komponist(in):
Pete Bellotte (English lyricist and producer), Giorgio Moroder und Donna Summer (soul/disco diva)
arranger:
Thor Baldursson
publisher:
Budde Music Inc. (US publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rick’s Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music und Warner Chappell (Warner/Chappell Music, Inc.)
Donna Summer43:51
7Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
Texter und Komponist(in):
Carl Douglas
publisher:
Carren Music (publisher) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
basiert auf:
[Oriental Riff]
Carl Douglas4.23:09
8More Than a Woman
Produzent(in):
Freddie Perren
Gitarre:
Bob Bowles
Klavier:
Sonny Burke (soul/jazz/funk keyboardist)
Perkussion:
Bob Zimmitti und Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
James Gadson (American drummer)
phonographisches Urheberrecht (℗) von:
POLYGRAM International Music (not for release label use!) (in 1977)
cover recording of:
More Than a Woman
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music und Stigwood Music, Inc.
recording of:
More Than a Woman
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music und Stigwood Music, Inc.
Tavares4.53:17
9Tragedy
assistierende(r) Techniker(in):
John Blanche und Dennis Hetzendorfer
Techniker(in):
Karl Richardson
Produzent(in):
Bee Gees, Albhy Galuten und Karl Richardson
Horn:
Boneroo Horns (von 1978-03 bis 1978-11), Peter Graves (trombonist) (von 1978-03 bis 1978-11), Kenny Faulk (trumpet player) (von 1978-03 bis 1978-11), Neil Bonsanti (von 1978-03 bis 1978-11), Bill Purse (songwriter, keyboard player, producer and horn chart arranger) (von 1978-03 bis 1978-11), Whit Sidener (von 1978-03 bis 1978-11) und Stan Webb (US jazz saxophone, flute) (von 1978-03 bis 1978-11)
conductor:
Albhy Galuten
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1979), Maurice Gibb (in 1979), Robin Gibb (in 1979) und Yvonne Gibb (in 1979)
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1979), PolyGram International Music B.V. (not for release label use!) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1979) und The Estate of Robin Gibb (in 1979)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (von 1978-03 bis 1978-11)
recording of:
Tragedy (von 1978-03 bis 1978-11)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Music For Unicef, R.S.O. Publishing Ltd., Stigwood Music, Inc., UNICEF (United Nations Children's Fund) und Warner/Chappell (Warner/Chappell Music, Inc.)
Bee Gees4.25:03
10Yes Sir, I Can Boogie
Produzent(in):
Rolf Soja
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1977) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
Texter:
Frank Dostal
Komponist(in):
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music und Peermusic (UK) Ltd.
Baccara4.754:34
11We Are Family
recording of:
We Are Family
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge3:22
12Ring My Bell
recording of:
Ring My Bell (Anita Ward song) (in 1979)
Texter und Komponist(in):
Frederick Knight
publisher:
Peermusic Pty. Ltd. (Australia), Two Knight Publishing Co. und Universal Music Publishers MGB Australia Pty Ltd
Anita Ward2.54:09
13Disco Stomp
recording of:
Disco Stomp
Texter und Komponist(in):
Hamilton Bohannon
Hamilton Bohannon45:13
14Now Is the Time
recording of:
Now Is the Time
Texter und Komponist(in):
Biddu (composer, songwriter, producer and musician)
publisher:
Chappell und Subiddu Music (publisher)
Jimmy James & the Vagabonds3:38
15You to Me Are Everything
Produzent(in):
Ken Gold
phonographisches Urheberrecht (℗) von:
Pye Records (in 1976) und Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
You to Me Are Everything
Verfasser(in):
Michael Denne und Ken Gold
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Screen Gems–EMI Music Ltd.
The Real Thing3.653:25
16You’re the First, the Last, My Everything
Techniker(in):
Frank Kejmar (engineer)
Produzent(in):
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) und Barry White
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You’re the First, the Last, My Everything
Verfasser(in):
Peter Sterling Radcliffe, Tony Sepe und Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. und World Song Publishing Inc.
Barry White43:24
5▼Medium
Nr.TitelKünstlerBewertungLänge
1Resurrection Shuffle
recording of:
Resurrection Shuffle
Texter und Komponist(in):
Tony Ashton (British pianist, singer, composer and producer)
publisher:
EMI Music Publishing (do not use as a release label!)
Ashton, Gardner & Dyke3:19
2Bad Bad Boy
Produzent(in):
Roger Glover
phonographisches Urheberrecht (℗) von:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1973)
recording of:
Bad Bad Boy
Verfasser(in):
Pete Agnew (singer-songwriter and bassist), Manny Charlton (singer-songwriter and guitarist), Dan McCafferty (singer, songwriter) und Darrell Sweet (drummer and songwriter)
publisher:
Carlin Music Corporation, Intersong Music und Mountain Music Ltd.
Nazareth43:58
3Milk and Alcohol
recording of:
Milk and Alcohol
Verfasser(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer) und Gypie Mayo
publisher:
Plangent Visions Music Ltd. und Rock Music Co., Ltd.
Dr. Feelgood2:49
4Down Down
recording of:
Down Down
geschrieben in:
Los Angeles, California (Kalifornien), Vereinigte Staaten
Texter:
Francis Rossi
Komponist(in):
Robert Keith Young (UK musician & author, Young & Moody; Status Quo) und Francis Rossi
publisher:
Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton, Shawbury Music Ltd. (publisher), Status Quo Publishing und Valley Music Ltd (publisher)
Status Quo3:43
5You Ain’t Seen Nothing Yet
Techniker(in):
Mark Smith (Canadian engineer)
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
Solo-Gitarre und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
You Ain’t Seen Nothing Yet
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. und Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:33
6Nutbush City Limits
Produzent(in):
Ike Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973), United Artists (in 1973) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
Ike & Tina Turner3.752:56
7Spirit in the Sky
Produzent(in):
Erik Jacobsen
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969), Transtone Productions (in 1970) und Craft Recordings (US jazz label; reissue division of Concord) (in 2023)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 5), Billboard Year-End Hot 100 singles of 1970 (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 333)
recording of:
Spirit in the Sky (in 1969)
Texter und Komponist(in):
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) und Westminster Music Ltd.
Norman Greenbaum4.053:58
8'5.7.0.5'
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
recording of:
5.7.0.5.
Texter:
Lol Mason
Komponist(in):
Steve Broughton (drummer, with Edgar Broughton Band & Mike Oldfield)
City Boy53:14
9I Hear You Knocking
cover recording of:
I Hear You Knocking
Texter und Komponist(in):
Dave Bartholomew und Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier und World Music (publisher)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds2:50
10Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:25
11One and One Is One
Produzent(in):
Tony Ashton (British pianist, singer, composer and producer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1973)
recording of:
One and One Is One (in 1973)
Texter und Komponist(in):
John Fiddler (British singer and guitarist)
publisher:
Biscuit Music Ltd. (publisher) (in 1973)
Medicine Head4.53:29
12My Brother Jake
recording of:
My Brother Jake
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Paul Rodgers
Free2:52
13Maggie May
Produzent(in):
Rod Stewart
Akustikgitarre:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
Bassgitarre, E-Gitarre und zwölfsaitige Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
Becken und membranophone:
Micky Waller (in 1971)
Celesta:
Pete Sears (in 1971)
Hammond-Orgel:
Ian McLagan (in 1971)
Mandoline:
Ray Jackson (in 1971) und David Lindley (in 1971)
Sologesang:
Rod Stewart (in 1971)
phonographisches Urheberrecht (℗) von:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.25:15
14Sultans of Swing
Techniker(in):
Rhett Davies
Produzent(in):
Muff Winwood (bass player, songwriter, producer)
Bassgitarre:
John Illsley (in 1978-02)
Gitarre:
David Knopfler (in 1978-02) und Mark Knopfler (in 1978-02)
Schlagzeug:
Pick Withers (in 1978-02)
Sologesang:
Mark Knopfler (in 1978-02)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1978), Phonogram Ltd. (London) (company name, NOT a label!) (in 1978, in 1988), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022) und Mercury Records Ltd. (London) (for copyrights use only) (in 1996)
aufgenommen bei:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1978-02)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 33) und Cachitos Nochevieja 2022 (Nummer: 156)
recording of:
Sultans of Swing (in 1978-02)
Texter und Komponist(in):
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music und Straitjacket Songs
Dire Straits4.25:49
15Message in a Bottle
Techniker(in):
Nigel Gray (UK producer)
Produzent(in):
Nigel Gray (UK producer) und The Police (British rock band)
E-Bass:
Sting (singer, songwriter & member of The Police)
E-Gitarre:
Andy Summers
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer)
vocals:
Sting (singer, songwriter & member of The Police)
arranger:
The Police (British rock band)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1979), A&M Records, Ltd. (in 1979), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1979) und A&M Records, Inc. (in 1997)
aufgenommen bei:
Surrey Sound Studios in Leatherhead, Surrey, England, Vereinigtes Königreich
recording of:
Message in a Bottle
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., GM Sumner und Virgin Music, Inc. (US arm of Virgin’s publishing company)
The Police3.84:52
16Lola
recording of:
Lola
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1970-04)
publisher:
Carlin Music Corporation, Carlin (in 1970, in 1984) und Davray (publisher) (in 1970, in 1984)
The Kinks4:11
17Darlin’
cover recording of:
Darlin’
Texter und Komponist(in):
Oscar Stewart Blandamer
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Frankie Miller3:10
18Wuthering Heights
Techniker(in):
Jon Kelly (engineer at Air London Studios)
Produzent(in):
Andrew Powell (known for contributions to Alan Parsons Project)
Klavier, Hintergrundgesang und Sologesang:
Kate Bush (von 1977-07 bis 1977-08)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel) (von 1977-07 bis 1977-08)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977, in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977, in 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (in 1977, in 1978), EMI America Records, Inc. (holding – file NO releases here!) (in 1982) und EMI France (in 1995)
aufgenommen bei:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (von 1977-07 bis 1977-08)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 18)
recording of:
Wuthering Heights (von 1977-07 bis 1977-08)
publisher:
Kate Bush (vom 1978 bis heute)
Texter und Komponist(in):
Kate Bush (am 1977-03-05)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated) (vom 1978 bis heute)
Kate Bush3.84:30
6▼Medium
Nr.TitelKünstlerBewertungLänge
1Ballroom Blitz
Techniker(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Phil Wainman
arranger:
Sweet (UK glam rock band)
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei und engineered at:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
The Ballroom Blitz
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. und Universal Music Publishing MGB Australia
The Sweet4.64:04
2Tiger Feet
Koproduzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Interpret(in):
Mud (UK glam rock band)
phonographisches Urheberrecht (℗) von:
RAK (in 1974)
recording of:
Tiger Feet
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) und BMG Music Publishing Ltd.
Mud53:52
3Mama Weer All Crazee Now
recording of:
Mama Weer All Crazee Now
Verfasser(in):
Jim Lea und Neville Holder
publisher:
Barn Publishing (Slade) Ltd. und Warner Chappell
Slade3:45
4All Because of You
recording of:
All Because of You
Texter und Komponist(in):
Vic Malcolm (Geordie Guitarist)
Geordie2:47
5Can the Can
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973), RAK Records Ltd. (in 1973) und RAK Records (copyrights holder) (in 1975)
aufgenommen bei:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Can the Can
Texter:
Nicky Chinn
Komponist(in):
Mike Chapman (Australian producer and songwriter)
publisher:
BMG Music, Chinnichap (production company and publisher) und Universal Music Publishing MGB Australia
Suzi Quatro4.23:35
6Lay Your Love on Me
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), RAK Records (copyrights holder) (in 1978) und RAK (in 1979)
recording of:
Lay Your Love on Me
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music und Universal Music Publishing MGB Australia
Racey3:15
7Bye Bye Baby
Techniker(in):
Barry Hammond und Peter Tattersall
Produzent(in):
Phil Wainman
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1974)
cover recording of:
Bye, Bye, Baby (Baby Goodbye) (in 1974)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. und Seasons’ Four Music Inc.
recording of:
Bye, Bye, Baby (Baby Goodbye)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. und Seasons’ Four Music Inc.
Bay City Rollers4.52:48
8Sugar Baby Love
Techniker(in):
John Mackswith (English sound engineer)
Produzent(in):
Wayne Bickerton
recording of:
Sugar Baby Love (The Rubettes)
Texter:
Wayne Bickerton
Komponist(in):
Tony Waddington
uraufgeführt von:
The Rubettes (in 1974-01)
publisher:
Arlovol Music, Budde Music Inc. (US publisher) und WB Music Corp. (1929–2019)
The Rubettes3:32
9Angel Face
recording of:
Angel Face
Texter:
Gerry Shephard
Komponist(in):
John Rossall (The Glitter Band)
publisher:
EMI Tunes Ltd
The Glitter Band3:00
10Make Me Smile (Come Up and See Me)
Produzent(in):
Steve Harley und Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 18)
recording of:
Make Me Smile (Come Up and See Me)
Texter und Komponist(in):
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Trigram Music Management Ltd.
Steve Harley & Cockney Rebel44:00
11This Town Ain’t Big Enough for Both of Us
Produzent(in):
Muff Winwood (bass player, songwriter, producer)
Mix:
Bill Price (UK producer/engineer)
Bass:
Martin Gordon
Gitarre:
Adrian Fisher
Keyboard [keyboards]:
Ron Mael
Schlagzeug:
Dinky Diamond
vocals:
Russell Mael
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1974)
Musikvideos:
This Town Ain’t Big Enough for the Both of Us (silent film version) von Sparks (US rock and pop duo, The Mael Brothers) und This Town Ain’t Big Enough for the Both of Us (version 2) von Sparks (US rock and pop duo, The Mael Brothers)
recording of:
This Town Ain’t Big Enough for Both of Us
Texter und Komponist(in):
Ron Mael
arranger:
Tony Visconti
publisher:
Island Music Ltd.
Sparks3.853:05
12My Coo Ca Choo
Produzent(in):
Peter Shelley (British 1970s pop singer/songwriter)
Sologesang:
Peter Shelley (British 1970s pop singer/songwriter)
recording of:
My Coo Ca Choo
Texter und Komponist(in):
Peter Shelley (British 1970s pop singer/songwriter)
Alvin Stardust22:50
13Rock & Roll, Part II
recording of:
Rock & Roll, Part 2
Texter und Komponist(in):
Gary Glitter und Mike Leander
publisher:
Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) und Songs of Universal, Inc. (BMI)
basiert auf:
Rock and Roll, Part 1
Gary Glitter3:06
14Metal Guru
recording of:
Metal Guru
Texter und Komponist(in):
Marc Bolan
publisher:
Westminster Music und Wizard (Bahamas) Ltd.
T. Rex2:29
15See My Baby Jive
Produzent(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972, in 1973)
recording of:
See My Baby Jive
Texter und Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Belinda Music, EMI Belinda Music Australia Pty. Ltd. und Roy Wood Music Ltd.
Wizzard55:00
16The Laughing Gnome
Techniker(in):
Gus Dudgeon
Produzent(in):
Mike Vernon
Bass:
Derek Fearnley (bassist) (von 1967-01-26 bis 1967-03-08)
Cembalo:
Derek Boyes (pianist) (von 1967-01-26 bis 1967-03-08)
Gitarre:
Pete Hampshire (guitarist) (von 1967-01-26 bis 1967-03-08)
Schlagzeug:
John Eager (drummer) (von 1967-01-26 bis 1967-03-08)
Sologesang:
David Bowie (English singer‐songwriter) (von 1967-01-26 bis 1967-03-08)
Sprecher:
David Bowie (English singer‐songwriter) (von 1967-01-26 bis 1967-03-08) und Gus Dudgeon (von 1967-01-26 bis 1967-03-08)
arranger:
David Bowie (English singer‐songwriter) und Derek Fearnley (bassist)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1967)
aufgenommen bei:
Decca Studios: Studio 2 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1967-01-26, am 1967-02-07, am 1967-02-10, am 1967-03-08)
recording of:
The Laughing Gnome (von 1967-01-26 bis 1967-03-08)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
David Bowie3.652:58