New Wave Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1This Is Not a Love Song
Produzent(in) und Mix:
Martin Atkins (UK drummer) und John Lydon (Johnny Rotten of the Sex Pistols)
arranger:
Martin Atkins (UK drummer) und John Lydon (Johnny Rotten of the Sex Pistols)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
recording of:
This Is Not a Love Song
Verfasser(in):
Martin Atkins (UK drummer), Keith Levene und John Lydon (Johnny Rotten of the Sex Pistols)
publisher:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing und Warner/Chappell Music Ltd. (1996–2019)
Version von:
Love Song
Public Image Ltd.44:12
2Love Like Blood
Produzent(in):
Chris Kimsey
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Love Like Blood
Verfasser(in):
Jaz Coleman, Paul Ferguson, Paul Raven (UK bassist) und Geordie Walker
publisher:
BMG Africa Music Publishing, BMG Songs Ltd. und E.G. Music Ltd. (publisher)
Killing Joke3.654:24
3She Blinded Me With Science
drum machine und andere Instrumente [wave computer]-Programmierung:
Thomas Dolby
Produzent(in):
Thomas Dolby und Tim Friese‐Greene
Gast-Moog [Moog bass]:
Matthew Seligman (in 1982-08)
Geige / Violine:
Simon House (in 1982-08)
Hintergrundgesang:
Robert John “Mutt” Lange (Robert John Lange) (in 1982-08) und Miriam Stockley (in 1982-08)
Sprecher:
Magnus Pyke (in 1982-08)
vocals:
Thomas Dolby (in 1982-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
aufgenommen bei:
Odyssey Studio (London) in London (Greater London), England, Vereinigtes Königreich (in 1982-08)
mixed at:
Odyssey Studio (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 76)
recording of:
She Blinded Me With Science (in 1982-08)
Texter:
Thomas Dolby und Tim Kerr (songwriter working with Thomas Dolby)
Komponist(in):
Thomas Dolby
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Participation Music Inc.
Thomas Dolby43:42
4Christian
assistierende(r) Techniker(in):
Steve Cooksey
Techniker(in) und Produzent(in):
Peter Walsh (UK producer)
Akustikgitarre und E-Gitarre:
Eddie Lundon (China Crisis)
Fretless Bass:
Andy Pask
Hybrid-Piano [Chord Organ]:
Peter Walsh (UK producer)
Keyboard, Synthesizer und Sologesang:
Gary Daly
Perkussion:
Dave Reilly (China Crisis)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Christian
Texter:
Gary Daly
Komponist(in):
Gary Daly, Eddie Lundon (China Crisis) und Dave Reilly (China Crisis)
publisher:
Virgin Music (Publishers) Ltd.
China Crisis5:41
5I Ran
recording engineer:
Mike Score
Techniker(in):
Mike Shipley (audio engineer, mixer, producer)
Produzent(in):
Mike Howlett
Bassgitarre und Hintergrundgesang:
Frank Maudsley
Gitarre:
Paul Reynolds (UK guitarist, in A Flock of Seagulls) und Mike Score
Keyboard und Sologesang:
Mike Score
Schlagzeug:
Ali Score
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982), Zomba Productions Limited (in 1982) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
I Ran von A Flock of Seagulls
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 55)
recording of:
I Ran
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls4.35:05
6Unbelievable
Produzent(in) und Mix:
Ralph Jezzard
E-Bass:
Zac Foley (in 1990)
E-Gitarre, Gitarre und Keyboard:
Ian Dench (in 1990)
Sampler [samples]:
Derry Brownson (in 1990)
Schlagzeug:
Mark Decloedt (in 1990)
Hintergrundgesang:
Claudia Fontaine (vocals, background vocals) (in 1990)
Sologesang:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 421)
recording of:
Unbelievable (in 1990)
Verfasser(in):
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench und Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Canada Ltd.
EMF3.653:30
7Trouble
recording of:
Trouble
Texter:
Glenn Gregory
Komponist(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Sound Diagrams Ltd. (publisher), Textime Ltd. (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 174:02
8Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.43:28
9The War Song
Produzent(in):
Steve Levine (producer)
recording of:
The War Song
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
Virgin Music (Publishers) Ltd.
Culture Club3:58
10Reap the Wild Wind
recording of:
Reap the Wild Wind
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox3:46
11And She Was
recording engineer und Mix:
Eric “E.T.” Thorngren
assistierende(r) Techniker(in):
Melanie West (engineer) (Aufgabe: second engineer)
Produzent(in):
Talking Heads
Bass-Synthesizer [synth bass] und Bassgitarre:
Tina Weymouth
Gitarre:
David Byrne (Talking Heads) und Jerry Harrison (Talking Heads & producer)
Schlagzeug:
Chris Frantz
Hintergrundgesang:
Jerry Harrison (Talking Heads & producer) und Tina Weymouth
Sologesang:
David Byrne (Talking Heads)
arranger:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1985) und Talking Heads Tours Inc. (in 1985)
aufgenommen bei und mixed at:
Sigma Sound (New York) in New York, New York, Vereinigte Staaten
Musikvideos:
And She Was (video) von Talking Heads
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 453)
recording of:
And She Was
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Talking Heads4.153:39
12Really Saying Something
vocals und Interpret(in):
Bananarama
phonographisches Urheberrecht (℗) von:
London Records Ltd. (not release label) (in 1982)
cover recording of:
He Was Really Sayin’ Somethin’
Verfasser(in):
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team), William Stevenson (Motown songwriter) und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music (appears also as: Jobete Msc.)
Fun Boy Three & Bananarama32:43
13On My Radio
Produzent(in):
Roger Lomas
recording of:
On My Radio
Texter und Komponist(in):
Neol Davies (British musician and founder of The Selecter)
publisher:
Fairwood Music Ltd.
The Selecter3:18
14No Rest
recording of:
No Rest
Verfasser(in):
Robert Heaton, Stuart Morrow und Justin Sullivan
New Model Army55:21
15Suedehead
Produzent(in):
Stephen Street (famous producer, songwriter)
recording of:
Suedehead
Texter:
Morrissey (English singer‐songwriter)
Komponist(in):
Stephen Street (famous producer, songwriter)
Morrissey4.13:51
2▼CD
Nr.TitelKünstlerBewertungLänge
1The Worker
Produzent(in):
Mike Howlett
arranger:
John Watts
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
The Worker
Texter und Komponist(in):
John Watts
publisher:
Rondor Music UK
Fischer‐Z3:35
2Wishing (If I Had a Photograph of You)
Techniker(in):
Dave Hutchins (UK engineer)
Produzent(in):
Mike Howlett
Bassgitarre:
Frank Maudsley
Gitarre:
Paul Reynolds (UK guitarist, in A Flock of Seagulls)
Keyboard und Sologesang:
Mike Score
Schlagzeug:
Ali Score
phonographisches Urheberrecht (℗) von:
Zomba Productions Limited (in 1983) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
aufgenommen bei:
Conny Plank's Studio in Neunkirchen, Nordrhein-Westfalen, Deutschland
mixed at:
Union Studios (Established in 1963 as 'Studio Allach') in München, Bayern, Deutschland
recording of:
Wishing (If I Had a Photograph of You)
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Zomba Enterprises, Inc. und Zomba Management Ltd. (Don’t confuse with Zomba Management and Publishers Ltd.)
A Flock of Seagulls4.25:32
3Vienna
Produzent(in):
Conny Plank (German producer and sound engineer) und Ultravox
Bass:
Chris Cross (UK bassist for Ultravox) (in 1980-04)
Gitarre:
Midge Ure (in 1980-04)
Keyboard und Geige / Violine:
Billy Currie (in 1980-04)
Schlagzeug:
Warren Cann (in 1980-04)
vocals:
Midge Ure (in 1980-04)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981, in 2025)
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich (in 1980-04)
mixed at:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen, Deutschland (in 1980-05)
Bearbeitung von:
Vienna (original album mix) von Ultravox
Musikvideos:
Vienna (music video) von Ultravox und Vienna (uncut) von Ultravox
recording of:
Vienna (in 1980-04)
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox3.354:38
4Cloudbusting
assistierende(r) Techniker(in):
Pearse Dunne
Techniker(in):
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench und Nigel Walker (UK producer/engineer/guitarist)
Produzent(in):
Kate Bush
Mix:
Brian Tench
Saiteninstrumente:
The Medici Sextet
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel) und Charlie Morgan (British drummer and percussionist)
Hintergrundgesang:
Brian Bath, John Carder Bush, Paddy Bush und Del Palmer
vocals:
Kate Bush
Saiteninstrumente arranger:
Dave Lawson (UK keyboardist & composer)
phonographisches Urheberrecht (℗) von:
EMI America Records (holding – file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) und Noble & Brite Ltd (in 2018)
aufgenommen bei:
Wickham Farm Home Studio in Welling, Bexley (London Borough of Bexley), London (Greater London), England, Vereinigtes Königreich
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
Cloudbusting
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Kate Bush45:10
5Wunderbar
Tenpole Tudor3:00
6White Wedding
assistierende(r) Techniker(in):
Steve Bates (engineer)
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bassgitarre:
Phil Feit
Gitarre:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
Schlagzeug:
Steve Missal
Sologesang:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
aufgenommen bei und mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
White Wedding, Pt. 1 von Billy Idol (English rock singer‐songwriter)
recording of:
White Wedding
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rare Blue Music Inc
Billy Idol4.154:11
7Lucky Number
Produzent(in):
The Stateless (possibly Lene Lovich and Les Chappell)
Mix:
Roger Bechirian
Sologesang:
Lene Lovich
remixer:
Roger Bechirian
phonographisches Urheberrecht (℗) von:
Oval Records (in 1978) und Oval Sounds LLP (in 1979)
recording of:
Lucky Number
Verfasser(in):
Les Chappell und Lene Lovich
publisher:
Oval Music
Lene Lovich42:49
8Psycho Killer
recording engineer:
Allen Chinowsky (in 1983-12)
Mastering:
Ted Jensen (American mastering engineer) und Jack Skinner (engineer)
assistierende(r) Techniker(in):
Nick Delre, Robin Laine, Linda Randazzo und Glenn Rosenstein
Techniker(in):
Joel Moss und Mark Wolfson
Produzent(in):
Talking Heads
Mix:
Eric Thorngren
zusätzliche(r) Mix:
Chris Frantz und Jerry Harrison (Talking Heads & producer)
vocals:
David Byrne (Talking Heads) (in 1983-12)
aufgenommen bei:
Hollywood Pantages Theatre in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983-12)
live recording of:
Psycho Killer (in 1983-12)
Texter:
David Byrne (Talking Heads), Chris Frantz und Tina Weymouth
Verfasser(in):
David Byrne (Talking Heads), Christopher Frantz und Martina Weymouth
Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Talking Heads4.54:30
9Black Man Ray
Produzent(in):
Walter Becker
recording of:
Black Man Ray
Verfasser(in):
Gary Daly, Gazza Johnson und Eddie Lundon (China Crisis)
China Crisis33:37
10Penthouse and Pavement
recording of:
Penthouse and Pavement
Texter:
Glenn Gregory
Komponist(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 176:22
11I Am the Beat
Techniker(in):
Martin Russell (recording engineer, producer, composer & musician)
Produzent(in):
Alan Shacklock
Bassgitarre:
Gus Goad
Gitarre [lead] und Keyboard:
Mick Bass
Gitarre [rhythm] und Sologesang:
Jonny Whetstone
Pauke, Perkussion, Saxophon und Schlagzeug:
Trevor Walter
Hintergrundgesang:
The Look (UK new wave band)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
engineered at:
The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich
recording of:
I Am the Beat
Verfasser(in):
Mick Bass und Jonny Whetstone
The Look3:05
12Girls on Film
Techniker(in) und Produzent(in):
Colin Thurston
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Gloucester Place Music Ltd.
Version von:
Girls on Film (Pre-Le Bon version)
Duran Duran3.73:30
13Hyperactive!
recorded in:
Brussels (Region Brüssel-Hauptstadt), Belgien (in 1983-06)
engineered in:
Brussels (Region Brüssel-Hauptstadt), Belgien
Techniker(in):
Dan Lacksman (Belgian musician & producer)
Produzent(in):
Thomas Dolby
Mix:
Alan Douglas (Scottish born engineer)
Bass:
Matthew Seligman (in 1983-06)
drum machine:
Justin Hildreth (in 1983-06)
elektronisches Schlagzeug / E-Drums und Perkussion:
Clif Brigden (in 1983-06)
Gitarre:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06)
Klavier:
Thomas Dolby (in 1983-06)
Perkussion:
Matthew Salt (in 1983-06)
Posaune:
Peter Thoms (trombone) (in 1983-06)
Hintergrundgesang:
Kevin Armstrong (UK guitarist, producer & songwriter) (in 1983-06) und Adele Bertei (in 1983-06)
vocals:
Thomas Dolby (in 1983-06)
zusätzlich vocals:
Louise Ulfstedt (in 1983-06)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Hyperactive! (in 1983-06)
Texter und Komponist(in):
Thomas Dolby
publisher:
Scale Music, Smash Ltd. und Street Music Ltd.
Thomas Dolby54:12
14Hans von Stoffeln
Komtur3:58
15Hit Me With Your Rhythm Stick
Produzent(in):
Laurie Latham
E-Bass:
Norman Watt-Roy (in 1978)
Gitarre:
John Turnbull (in 1978)
Hammond-Orgel:
Mick Gallagher (UK hammond organ player) (in 1978)
Klavier:
Chaz Jankel (English musician and songwriter) (in 1978)
Saxophon:
Davey Payne (UK saxophonist) (in 1978)
Schlagzeug:
Charley Charles (UK drummer) (in 1978)
Sologesang:
Ian Dury (in 1978)
phonographisches Urheberrecht (℗) von:
Templemill Music Ltd (in 1979)
aufgenommen bei:
The Workhouse in London (Greater London), England, Vereinigtes Königreich (in 1978)
recording of:
Hit Me With Your Rhythm Stick (in 1978)
Texter:
Ian Dury
Komponist(in):
Chaz Jankel (English musician and songwriter)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ian Dury and the Blockheads3.93:42

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Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/395865 [Info]