AOR Light Mellow: BMG Edition

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Single, Solo
Produzent(in):
Phil Galdston
recording of:
Single, Solo
Verfasser(in):
Phil Galdston und Robert Kraft
publisher:
Kazzoom Music, Inc., Sony/ATV Melody und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Robert Kraft?:??
2If You Believe
Produzent(in):
Jerry Fuller
Bassgitarre und Hintergrundgesang:
Joseph Chemay
E-Gitarre und Sologesang:
Balde Silva
Gitarre:
Billy Joe Walker
Schlagzeug:
Steve Turner (Country music studio drummer)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
produced for:
Moonchild Productions
recording of:
If You Believe
Texter und Komponist(in):
Balde Silva
publisher:
Bomass Music, Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Toby Beau?:??
3Waiting for a Star to Fall
drum machine-Programmierung:
George Merrill
Produzent(in):
Arif Mardin
assistierende(r) Mix:
Jim Dineen
Mix:
David Leonard (US producer and engineer)
alto saxophone:
Andy Snitzer
Bassgitarre, Klavier und Synthesizer:
George Merrill
Gitarre:
John Goux
Schlagzeug:
Denny Fongheiser und Michael Jochum
Synthesizer [Crowning touch]:
Joe Mardin
vocals:
George Merrill und Shannon Rubicam
zusätzlich vocals:
Susan Boyd
phonographisches Urheberrecht (℗) von:
BMG Music (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
The Grey Room in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Waiting for a Star to Fall
Verfasser(in):
George Merrill und Shannon Rubicam
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (vom 1987 bis heute) und Irving Music (BMI) (vom 1987 bis heute)
Boy Meets Girl3.4?:??
4Broken Wings
phonographisches Urheberrecht (℗) von:
BMG Music (in 1985) und RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1985)
recording of:
Broken Wings
Verfasser(in):
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister5?:??
5Lazy Nina
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters)
Synthesizer-Programmierung:
Michael Boddicker
zusätzliche(r) Techniker(in):
Jeremy Smith (producer/engineer) und John Vigran
Produzent(in):
Richard Perry (producer)
Händeklatschen:
Howard Dresden, Shyra Mason, Greg Phillinganes und Cherron Taylor‐Phillinganes
Keyboard und Sologesang:
Greg Phillinganes
Schlagzeug:
John Robinson (session drummer)
Hintergrundgesang:
Phillip Perry (US R&B/jazz singer, songwriter & musician)
zusätzlich Hintergrundgesang:
Gwen Matthews, Maxi Anderson (70s US funk/soul artist Maxi Anderson) und Darryl Phinnessee
arranger:
Donald Fagen und Greg Phillinganes
phonographisches Urheberrecht (℗) von:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1985)
aufgenommen bei und mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Lazy Nina
Texter und Komponist(in):
Donald Fagen
publisher:
Freejunket Music und 日音 Synch事業部 (NICHION, INC. Synch Division)
Greg Phillinganes?:??
6When You Smiled at Me
recording of:
When You Smiled at Me
Texter und Komponist(in):
Michael Franks
publisher:
Mississippi Mud Music Co. und 大洋音楽 (Taiyō Music)
Michael Franks?:??
7I Wanna Be Where You Are
assistierende(r) Techniker(in):
Tom Bush
Techniker(in):
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Galen Senogles
Bassgitarre [bass]:
Tony Levin (US rock bassist/Chapman stick player)
flute:
Leo Worth Potts, Michael P. Carnahan und Tom Saviano
Gitarre:
Jeff Mironov und David Spinozza
Keyboard:
Don Grolnick
Perkussion:
Lenny Castro
Schlagzeug:
Steve Gadd (drummer)
Hintergrundgesang:
Claudia Cagan, Wendy Haas, Brie Howard und Gail Kantor
Hintergrundgesang und Sologesang:
Melissa Manchester
Holzblasinstrumente arranger:
Tom Saviano
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
produced for:
Mad Vincent Productions
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
I Wanna Be Where You Are
Texter:
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
Komponist(in):
Arthur “T‐Boy” Ross
publisher:
Jobete Music Co., Inc.
sub-publisher:
EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Melissa Manchester4?:??
8Cool Night
Produzent(in):
Paul Davis (American singer) und Ed Seay
vocals:
Paul Davis (American singer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1981)
aufgenommen bei und mixed at:
Web IV Recording Studio in Atlanta, Georgia, Vereinigte Staaten
recording of:
Cool Night
Texter und Komponist(in):
Paul Davis (American singer)
publisher:
Paul and Jonathan Songs, Sony/ATV Songs LLC, Web IV Music Inc. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Paul Davis5?:??
9All Out of Love
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Robie Porter
assistierende(r) Mix:
Linda Corbin
Mix:
Jim Hilton
Bassgitarre:
Criston Barker
Gitarre [lead guitar]:
David Moyse
Gitarre [rhythm guitar]:
Graham Russell (Air Supply)
Keyboard:
Frank Esler‐Smith und Sam McNally
Schlagzeug:
Ralph Cooper (drummer)
Hintergrundgesang:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, Marcy Levy, David Moyse und Graham Russell (Air Supply)
Sologesang:
Russell Hitchcock
vocals:
Graham Russell (Air Supply)
arranger:
Air Supply und Robie Porter
Orchestrator(in):
Frank Esler‐Smith und Robie Porter
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980), Arista Records, LLC (holding company - file NO releases here!) (in 1980), Big Time Phonograph Recording Co. (in 1980), Big Time Phonograph Recording Co. Pty Ltd. (in 1980) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
aufgenommen bei:
Paradise Studios (Sydney) in Sydney, New South Wales, Australien und Studios 301 (Byron Bay) in Byron Bay, New South Wales, Australien
mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California (Kalifornien), Vereinigte Staaten
Teil von:
The Downloader’s Music Source Book (Nummer: 290)
recording of:
All Out of Love
Verfasser(in):
Clive Davis (record producer, A&R executive and music industry chief executive) und Graham Russell (Air Supply)
publisher:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply4.45?:??
10Take a Little Love
recording of:
Take a Little Love
Verfasser(in):
Evie Sands (singer, songwriter and guitarist) und Ben Weisman
publisher:
Bandier Family Music, EMI Jemaxal Music Inc., H & R Lastrada Music, Koppelman Family Music, R2M Publishing H. & R. Lastrada Music, フジパシフィックミュージック (Fujipacific Music, Inc.), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Evie Sands?:??
11It Only Hurts When I Breathe
Assistent recording engineer und assistierende(r) Mix:
Rick Clifford
recording engineer und Mix:
Jay Lewis (producer/engineer/guitarist)
Produzent(in):
Dennis Lambert
Bassgitarre:
Rusty Buchanan
Gitarre:
Peter Beckett (lead singer of Player) und Miles Joseph
Perkussion und Schlagzeug:
John Friesen (drummer)
Sologesang:
Peter Beckett (lead singer of Player)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982)
produced for:
Tuneworks Records
aufgenommen bei und mixed at:
Jennifudy Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
It Only Hurts When I Breathe
Verfasser(in):
Peter Beckett (lead singer of Player) und Dennis Lambert
publisher:
Tuneworks Music Co. (beendet), Big Stick Music, Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Player?:??
12Take It to the Limit
cover recording of:
Take It to the Limit
Verfasser(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles), Don Henley und Randy Meisner
publisher:
Cass County Music, Nebraska Music, Red Cloud Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Frank Weber?:??
13Nothin’ You Can Do About It
Produzent(in):
David Foster (Canadian music producer, arranger and composer) und Jay Graydon
Mix:
Jay Graydon
Bassgitarre:
David Hungate
Gitarre:
Jay Graydon
Keyboard:
David Foster (Canadian music producer, arranger and composer)
Posaune:
Bill Reichenbach (jazz trombonist), Charles Loper (American trombonist) und Lew McCreary
Trompete:
Gary Grant (brass), Jerry Hey und Steve Madaio
Hintergrundgesang:
David Foster (Canadian music producer, arranger and composer), Tommy Funderburk und Jay Graydon
Sologesang:
Tommy Funderburk und Jay Graydon
Blechblasinstrumente [horns] arranger:
David Foster (Canadian music producer, arranger and composer)
arranger:
David Foster (Canadian music producer, arranger and composer) und Jay Graydon
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Nothin’ You Can Do About It
Verfasser(in):
David Foster (Canadian music producer, arranger and composer), Jay Graydon und Steve Kipner
publisher:
EMI April Music Inc., Foster Frees Music Inc., Garden Rake Music, Inc., Irving Music (BMI) und Stephen A. Kipner Music
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 大洋音楽 (Taiyō Music), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Airplay?:??
14I Won’t Change
recording of:
I Won’t Change
Verfasser(in):
Gary Goetzman und Mike Piccirillo (songwriter and producer)
publisher:
Chardax Music und George Tobin Music Inc. (publisher)
sub-publisher:
大洋音楽 (Taiyō Music)
John Valenti?:??
15Let the Love On Through
Produzent(in):
Clayton Ivey (American producer, pianist, keyboardist and composer) und Terry Woodford (American songwriter, producer, music publisher, recording engineer)
Bassgitarre [bass]:
Lonnie “Butch” Ledford
Conga:
Wayne Chaney
flute und Tenorsaxophon:
Guy Higginbotham
Gitarre:
Dennis Clifton und Steve “Wichita” Gooch (guitarist for Funky Communication Committee)
Keyboard:
J.B. Christman und Clayton Ivey (American producer, pianist, keyboardist and composer)
Perkussion:
Wayne Chaney und Jim “Be‐Bop” Evans (drummer)
Schlagzeug:
Jim “Be‐Bop” Evans (drummer)
vocals:
Wayne Chaney, J.B. Christman, Dennis Clifton und Steve “Wichita” Gooch (guitarist for Funky Communication Committee)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
produced for:
Wishbone, Inc.
recording of:
Let the Love On Through
Verfasser(in):
Dennis Clifton und John F. Ingram (songwriter?)
publisher:
Alan Cartee Music, Song Tailors Music Co. und Universal Music Careers
FCC?:??
16Georgy Porgy (remixed version)
cover recording of:
Georgy Porgy
Texter und Komponist(in):
D. Paich
publisher:
Hudmar Publishing Co. Inc. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
basiert auf:
Georgie Porgie (nursery rhyme)
Charme?:??
17Boats Against the Current
recording of:
Boats Against the Current
Texter und Komponist(in):
Eric Carmen
publisher:
Round Hill Works, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und Campbell Connelly & Co. Ltd. (vom 1977 bis ????)
Eric Carmen?:??

Nennungen

Veröffentlichungsgruppe

Teil von:Light Mellow (Reihenfolge: 4)