Up-Up and Away

~ Veröffentlichung von The 5th Dimension (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Go Where You Wanna Go
cover recording of:
Go Where You Wanna Go
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
Trousdale Music
2:25
2Up-Up and Away
Techniker(in):
“Bones” Howe
Produzent(in):
Johnny Rivers (Singer, songwriter, and guitarist) und Marc Gordon (soul songwriter, producer, and manager)
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
conductor:
Jim Webb (US songwriter, composer, producer, pianist & singer)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Marty Paich
arranger:
Jim Webb (US songwriter, composer, producer, pianist & singer)
aufgenommen bei:
Sound Recorders, Hollywood (founded by Armin Steiner, 1965-1971) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Up, Up and Away
Texter und Komponist(in):
Jim Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Johnny Rivers Music
2.52:39
3Stoned Soul Picnic
Sound-Engineering und Techniker(in):
Bones Howe
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone und Perkussion:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue, LaMont McLemore, Marilyn McCoo und Ron Townson
cover recording of:
Stoned Soul Picnic
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
3:28
4Sweet Blindness
Sound-Engineering und Techniker(in):
Bones Howe
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone und Perkussion:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue, LaMont McLemore, Marilyn McCoo und Ron Townson
cover recording of:
Sweet Blindness
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
3:24
5Wedding Bell Blues
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Produzent(in):
Ann McClelland
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo und Ron Townson
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
cover recording of:
Wedding Bell Blues
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
32:44
6(Last Night) I Didn't Get to Sleep at All
Sound-Engineering und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Ed Barton (engineer) und John Golden (mastering engineer)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Solo vocals:
Marilyn McCoo
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore und Ron Townson
arranger:
Bill Holman und Bones Howe
phonographisches Urheberrecht (℗) von:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
aufgenommen bei:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
(Last Night) I Didn’t Get to Sleep at All
Texter und Komponist(in):
Tony Macaulay
publisher:
PolyGram Music Publishing
33:12
7One Less Bell to Answer
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Techniker(in):
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) und Rik Pekkonen
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
Solo vocals:
Marilyn McCoo Davis (in 1970)
Interpret(in):
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis und Ron Townson
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
One Less Bell to Answer (in 1970)
Texter:
Hal David (in 1967)
Komponist(in):
Burt Bacharach (in 1967)
publisher:
Blue Seas Music, Inc. (beendet), JAC Music Co., Inc. (beendet), BMG Rights Management (UK) Ltd. (Hal David), New Hidden Valley Music Co., PW Arrangements und Universal Music Corp. (USA, affiliated with ASCAP)
3:30
8Worst That Could Happen
Produzent(in):
Bones Howe
vocals:
Billy Davis, Jr., Florence LaRue, Lamont McLemore, Marilyn McCoo und Ron Townson
conductor:
Jim Webb (US songwriter, composer, producer, pianist & singer)
arranger:
Jim Webb (US songwriter, composer, producer, pianist & singer)
recording of:
The Worst That Could Happen
Texter und Komponist(in):
Jim Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Johnny Rivers Music
2:39
9Ticket to Ride
Produzent(in):
Bones Howe
vocals:
Billy Davis, Jr., Florence LaRue, Lamont McLemore, Marilyn McCoo und Ron Townson
conductor:
Jim Webb (US songwriter, composer, producer, pianist & singer)
arranger:
Jim Webb (US songwriter, composer, producer, pianist & singer)
cover recording of:
Ticket to Ride
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
übersetzte Version von:
Boleto para pasear
4:01
10Time and Love
assistierende(r) Techniker(in):
John Golden (mastering engineer), Larry Cox (US engineer/producer) und Rik Pekkonen
Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Produzent(in):
John Golden (mastering engineer)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
Hintergrundgesang:
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo und Ron Townson
Solo vocals:
Florence La Rue Gordon und Marilyn McCoo
arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist), Bones Howe und Gary Illingworth
mixed at und engineered at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
recording of:
Time and Love
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc.
cover recording of:
Time and Love
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc.
3:29

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Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/1443628 [Info]