Kiri: Portrait

~ Uitgave van Kiri Te Kanawa (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Nummerlijst

1▼cd
#TitelArtiestWaarderingDuur
1Chants d’Auvergne: Baïlero
sopraanvocalen:
Kiri Te Kanawa (soprano)
orkest:
English Chamber Orchestra
was dirigent:
Jeffrey Tate (conductor)
is een opname van:
Chants d'Auvergne: Première Série: No. 2. Baïlèro
tekstschrijver en componist:
[traditional] ([traditioneel], special purpose artist)
verzorgde het arrangement:
Joseph Canteloube
deel van:
Chants d'Auvergne: Première Série
Joseph Canteloube6:47
2The Beggar’s Opera: “Virgins are like the fair flow’r”
sopraanvocalen:
Kiri Te Kanawa (soprano)
orkest:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
was dirigent:
Richard Bonynge (conductor and pianist)
is een opname van:
The Beggar's Opera: Act I. Air. "Virgins are like the fair flower in its lustre" (Polly, Peachum)
componist:
Henry Purcell (Baroque composer)
librettist:
John Gay (English poet and dramatist)
deel van:
The Beggar's Opera
John Gay2:39
3The Beggar’s Opera: “Cease your funning”
sopraanvocalen:
Kiri Te Kanawa (soprano)
orkest:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
was dirigent:
Richard Bonynge (conductor and pianist)
is een opname van:
The Beggar’s Opera: “Cease your funning”
componist:
John Gay (English poet and dramatist)
deel van:
The Beggar's Opera
John Gay1:32
4Messiah: “Rejoice greatly”Georg Friedrich Händel4:25
5Messiah: “I know that my Redeemer liveth”
producent:
Ray Minshull (record producer)
sopraanvocalen:
Kiri Te Kanawa (soprano) (in 1984-10)
orkest:
Chicago Symphony Orchestra (in 1984-10)
was dirigent:
Sir Georg Solti (conductor) (in 1984-10)
balanstechnicus:
Simon Eadon (classical music engineer) (in 1984-10) en James Lock (James Locke, engineer) (in 1984-10)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
opgenomen bij:
Symphony Center: Orchestra Hall in Chicago, Illinois, Verenigde Staten (in 1984-10)
is een opname van:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1984-10)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part III
Georg Friedrich Händel5:51
6Ein deutsches Requiem: “Ihr habt nun Traurigkeit”
koor:
Chicago Symphony Chorus (in 1978-05)
sopraanvocalen:
Kiri Te Kanawa (soprano) (in 1978-05)
orkest:
Chicago Symphony Orchestra (in 1978-05)
was dirigent:
Sir Georg Solti (conductor) (in 1978-05)
opgenomen bij:
Medinah Temple in Chicago, Illinois, Verenigde Staten (in 1978-05)
is een opname van:
Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (Chor, Sopran) (in 1978-05)
componist:
Johannes Brahms (German composer)
deel van:
Ein deutsches Requiem, op. 45
Johannes Brahms8:24
7Vado, ma dove? Oh Dei!
sopraanvocalen:
Kiri Te Kanawa (soprano)
orkest:
Wiener Kammerorchester (Vienna Chamber Orchestra)
was dirigent:
György Fischer (pianist and conductor)
is een opname van:
Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto “Vado, ma dove? oh Dei!”
tekstschrijver:
Lorenzo Da Ponte
componist:
Wolfgang Amadeus Mozart (classical composer)
deel van:
Köchelverzeichnis (Köchel catalogue, original numbering) (nummer: 583) en Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (nummer: K. 583)
Wolfgang Amadeus Mozart4:10
8Le nozze di Figaro: “Dove sono”
sopraanvocalen:
Kiri Te Kanawa (soprano)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
was dirigent:
Sir Georg Solti (conductor)
is een opname van:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:58
9Carmen: “Je dis que rien ne m’épouvante”
sopraanvocalen [Micaëla]:
Kiri Te Kanawa (soprano)
orkest:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
was dirigent:
Sir Georg Solti (conductor)
is een opname van:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
componist:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) en Henri Meilhac
deel van:
Carmen : Acte III
Georges Bizet5:49
10Tosca: “Vissi d’arte”
sopraanvocalen:
Kiri Te Kanawa (soprano)
orkest:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
was dirigent:
Sir Georg Solti (conductor)
is een opname van:
Tosca: Atto II. “Vissi d’arte” (Tosca)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa en Luigi Illica
deel van:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:22
11Bachianas brasileiras No. 5: Aria (Cantilena)
instrumenten:
Lynn Harrell and Cello Ensemble (cellist)
sopraanvocalen:
Kiri Te Kanawa (soprano)
was dirigent:
Jeffrey Tate (conductor)
is een opname van:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (catch-all for arrangements)
componist:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1936)
arrangement van:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
Heitor Villa‐Lobos6:40
12Bachianas brasileiras No. 5: Dansa (Martelo)
instrumenten:
Lynn Harrell and Cello Ensemble (cellist)
sopraanvocalen:
Kiri Te Kanawa (soprano)
was dirigent:
Jeffrey Tate (conductor)
is een opname van:
Bachianas Brasileiras nº 5, W389: II. Dansa (Martelo) (catch-all for arrangements)
componist:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
arrangement van:
Bachianas Brasileiras nº 5, W389: II. Dansa (Martelo) (for voice and cellos)
Heitor Villa‐Lobos4:40