Cruisin’

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Driving Away From Home (Jim’s Tune)
tecnico di registrazione:
It’s Immaterial
tecnico di registrazione aggiunto:
Dave Bascombe
voce:
Merran Laginestra (Multi-disciplined musician and sound artist. Born in Sidney, Australia)
remixer:
David Bascombe
registrazione di:
Driving Away From Home (Jim's Tune)
autore:
John Campbell (of It's Immaterial & Yachts) e Jarvis Whitehead
It’s Immaterial53:53
2I Get Weak
tecnico di registrazione:
Steve McMillan
programmazione degli strumenti:
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
assistente tecnico:
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble e Joe Schiff
tecnico aggiunto:
Stacy Baird e Robert Feist
produttore:
Rick Nowels
produttore aggiunto:
Robert Feist (altra voce [vocal]) e Ellen Shipley (altra voce [vocal])
tecnico di missaggio:
Shelly Yakus
basso :
John Pierce (US session bassist)
batteria [drums] :
Kenny Aronoff e Curly Smith (Jo Jo Gunne musician)
chitarra [air guitar] e voce principale:
Belinda Carlisle
chitarra [guitars] aggiunto:
Michael Landau
chitarra acustica [acoustic guitars] :
Rick Nowels
chitarra aggiunto:
Tim Pierce (US session guitarist)
chitarra elettrica [electric guitars] :
Dan Huff, John McCurry e Rick Nowels
percussione aggiunto:
Jimmy Bralower e Paulinho da Costa (Brazilian percussionist)
pianoforte [acoustic piano] :
Charles Judge (American guitarist, pianist, arranger and songwriter)
sintetizzatore [Fairlight] :
Rhett Lawrence
tastiera [keyboards] :
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
tastiera [keyboards] aggiunto:
Thomas Dolby
voce:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips e Ellen Shipley
arrangiatore:
Rick Nowels
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1987) e Virgin Records Ltd (not for release label use! for company relationships only) (nel 1987)
registrata in aggiunta presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Hollywood Sound in Los Angeles, California, Stati Uniti e Music Grinder Studios in Hollywood, Los Angeles, California, Stati Uniti
registrata presso:
American Recording e Ocean Way Studio in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
I Get Weak
paroliere e compositore:
Diane Warren (US songwriter)
editore:
Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing International Ltd., Universal/MCA Music Ltd. (not for release label use!) e Realsongs (nel 1987)
Belinda Carlisle4.54:52
3Joey
produttore:
Concrete Blonde e Chris Tsangarides
basso :
James Mankey e Johnette Napolitano
batteria :
Paul Thompson (Roxy Music drummer)
chitarra :
James Mankey
voce:
Johnette Napolitano
diritti fonografici (℗) detenuti da:
International Record Syndicate, Inc. (nel 1990)
prodotta presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
registrazione di:
Joey
paroliere e compositore:
Johnette Napolitano
editore:
International Velvet Music
Concrete Blonde4.254:06
4StillVivid4:01
5No Rain
assistente tecnico:
Mr. Jon Plum
tecnico:
Rick Parashar
produttore e tecnico di missaggio:
Blind Melon e Rick Parashar
basso [1969 Fender Jazz] :
Brad Smith (Blind Melon bassist)
batteria , percussione , schiocchi di dita e shaker :
Glen Graham (Blind Melon percussionist)
chitarra acustica [Gibson J-30] :
Christopher Thorn
chitarra elettrica [Fender Stratocaster, 1962 Reissue] :
Rogers Stevens
voce di accompagnamento e voce principale:
Shannon Hoon
registrata presso:
London Bridge Studios in Seattle, Washington, Stati Uniti
video musicali:
No Rain di Blind Melon
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 14) e Indie 88: Top 500 Indie Rock Songs (numero: 414)
registrazione di:
No Rain
autore:
Glen Graham (Blind Melon percussionist), Shannon Hoon, Brad Smith (Blind Melon bassist), Rogers Stevens e Christopher Thorn
editore:
EMI April Music Inc. e Heavy Melon Music
Blind Melon4.33:38
6Tired of Toein’ the LineRocky Burnette4.53:43
7Rock & Roll
diritti fonografici (℗) detenuti da:
Bell (50s-70s US/UK pop, later became Arista) (nel 1972)
registrazione di:
Rock and Roll, Part 1
autore:
Gary Glitter e Mike Leander
editore:
MCA Music Ltd.
Gary Glitter4.152:59
8Comin’ On Strong
registrazione di:
Comin' On Strong
autore:
Steve Elson (founder of UK rock band Broken English; songwriter, producer)
editore:
Steve Elson Business
Broken English33:50
9Unbelievable
produttore e tecnico di missaggio:
Ralph Jezzard
basso elettrico :
Zac Foley (nel 1990)
batteria :
Mark Decloedt (nel 1990)
campionatore [samples] :
Derry Brownson (nel 1990)
chitarra , chitarra elettrica e tastiera :
Ian Dench (nel 1990)
voce:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (nel 1990)
voce di accompagnamento:
Claudia Fontaine (vocals, background vocals) (nel 1990)
voce principale:
James Atkin (nel 1990)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1990)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 421)
registrazione di:
Unbelievable (nel 1990)
autore:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench e Zac Foley
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Canada Ltd.
EMF3.653:31
10Forever Blue
tecnico e tecnico di missaggio:
Chris Corr
produttore:
Richard Dodd (mastering engineer, producer and engineer)
congas , percussione e tamburello :
Wayne Nelson e Alex Pertout
voce di accompagnamento:
John Farnham e Graeham Goble
voce principale:
John Farnham
arrangiatore voci:
Graeham Goble
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1986)
registrata presso e mixata presso:
Platinum Studios in Melbourne, Victoria, Australia
registrazione di:
Forever Blue
autore:
Steve Foster (song writer) e Graeham Goble
editore:
American Ragtime Music, EMI Music Publishing (do not use as a release label!), Stephen Foster Music, Warner Chappell e Words & Music P/L
Little River Band5:07
11When You Walk in the Room
produttore:
Christopher Neil
diritti fonografici (℗) detenuti da:
BMG Ariola München GmbH (nel 1987) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1987)
registrazione cover di:
When You Walk in the Room
paroliere e compositore:
Jackie DeShannon
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc., EMI United Partnership Ltd., Metric Music Company (publisher), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), SBK Songs (publisher) (nel 1987) e United Partnership Ltd. (nel 1987)
Paul Carrack2.653:31
12Supergirl
produttore:
Steve Lyon (audio recording engineer and record producer)
tecnico di missaggio:
O.l.a.f. Opal
diritti fonografici (℗) detenuti da:
Virgin Schallplatten GmbH (not for release label use! for copyrights use only, former German division of Virgin Records Ltd.) (nel 2000)
registrazione di:
Supergirl
autore:
Uwe Bossert, Rea Garvey, Mike Gommeringer, Sebastian Padotzke e Philipp Rauenbusch
editore:
Arabella Musikverlag GmbH e B612 Publishing
Reamonn4.43:53
13Close to You
registrazione di:
Close to You
autore:
Gary Benson (UK singer‐songwriter), Max Alfred Elliott (British reggae vocalist of Jamaican descent) e Winston Sela
Maxi Priest3.355:25
14Wishful Thinking
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1984)
registrazione di:
Wishful Thinking
paroliere:
Eddie Lundon (China Crisis)
compositore:
Gary Daly e Eddie Lundon (China Crisis)
editore:
EMI/Virgin Music Publishing Ltd.
China Crisis4:10
15Love & Tears
registrazione di:
Love & Tears
autore:
Raf Hernandez e Danny Palomo
Maggie’s Dream4:51
16It’s All Coming Back to Me Now
registrazione di:
It’s All Coming Back to Me Now
paroliere e compositore:
Jim Steinman
editore:
Lost Boys Music (BMI affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Pandora’s Box6:33
2▼CD
#TitoloArtistaValutazioneDurata
1Driving in My Car
video musicali:
Driving in My Car di Madness (English pop/ska band)
registrazione di:
Driving in My Car
paroliere e compositore:
Mike Barson
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness2.53:19
2Lemon TreeFools Garden4.053:12
3Senses Working Overtime
assistente tecnico:
Howard Gray (UK producer, engineer, and electronic musician)
tecnico:
Hugh Padgham
produttore:
Hugh Padgham e XTC (English rock band)
basso , basso senza tasti e voce di accompagnamento:
Colin Moulding
batteria e drum machine e batteria :
Terry Chambers
chitarra :
Dave Gregory (XTC) e Andy Partridge
chitarra a 12 corde e percussione :
Dave Gregory (XTC)
chitarra acustica e voce di accompagnamento e voce principale:
Andy Partridge
voce:
Colin Moulding e Andy Partridge
registrata presso:
The Manor in Oxfordshire, England, Regno Unito
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 35) e Indie 88: Top 500 Indie Rock Songs (numero: 339)
registrazione di:
Senses Working Overtime
paroliere e compositore:
Andy Partridge
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
XTC54:48
4Bitch
programmazione degli strumenti:
Geza X
assistente tecnico:
Husky Hoskulds, Cappy Japngie, Mauricio Iragorri e Charles Nasser
tecnico:
Jim Ebert e Geza X
produttore:
Geza X
tecnico di missaggio:
Jim Ebert
basso e basso senza tasti :
Paul Bushnell (session bassist, producer and music director)
batteria :
Josh Freese (American drummer)
chitarra acustica , chitarra elettrica e voce di accompagnamento:
Meredith Brooks (US singer/songwriter and guitarist)
tastiera [keyboards] :
David Ricketts (of David & David)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1997)
registrata presso:
City Lab Sound Design in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Bitch
autore:
Meredith Brooks (US singer/songwriter and guitarist) e Shelly Peiken
editore:
Bug Music (music publishing), Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music e Warner–Tamerlane Music Corp.
Meredith Brooks3.854:13
5All I Wanna Do Is Make Love to You
tecnico di registrazione:
Phil Kaffel (nel 1989)
produttore:
Richie Zito
tecnico di missaggio:
Phil Kaffel
basso elettrico [bass] :
Mark Andes (nel 1989)
batteria :
Denny Carmassi (nel 1989)
chitarra :
Nancy Wilson (guitarist/singer of “Heart”) (nel 1989)
tastiera aggiunto:
Kim Bullard (nel 1989)
voce di accompagnamento e voce principale:
Ann Wilson (lead singer of Heart) (nel 1989)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
registrata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1989) e One on One Studios in North Hollywood, Los Angeles, California, Stati Uniti (nel 1989)
registrazione di:
All I Wanna Do Is Make Love to You (version first recorded by Heart) (nel 1989)
paroliere e compositore:
Robert John “Mutt” Lange (Robert John Lange)
editore:
Zomba Enterprises, Inc. (conclusa), Imagem London Ltd., Out-of-Pocket Productions Ltd. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (dal 1979 al ????)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione di:
All I Want to Do Is Make Love to You (original version as recorded by Dobie Gray)
Heart3.85:09
6Every Rose Has Its Thorn
registrazione di:
Every Rose Has Its Thorn
autore:
Bobby Dall, C.C. DeVille, Bret Michaels e Rikki Rockett
compositore:
Siddhartha Khosla (American singer and score composer)
editore:
Cyanide Publishing, Sweet Cyanide Music, Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Songs Inc.
Poison3.53:56
7Kayleigh
tecnico di registrazione:
Thomas Stiehler (dal 1985-03 al 1985-05)
produttore:
Chris Kimsey
tecnico di missaggio:
Mark Freegard e Chris Kimsey
batteria e percussione :
Ian Mosley (dal 1985-03 al 1985-05)
chitarra :
Steve Rothery (dal 1985-03 al 1985-05)
chitarra basso :
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (dal 1985-03 al 1985-05)
tastiera :
Mark Kelly (Marillion keyboardist) (dal 1985-03 al 1985-05)
voce principale:
Fish (Derek William Dick, ex‐Marillion frontman) (dal 1985-03 al 1985-05)
diritti fonografici (℗) detenuti da:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (nel 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1985)
remix di:
Kayleigh (alternative mix) di Marillion (British progressive rock band)
edit di:
Kayleigh di Marillion (British progressive rock band)
registrazione di:
Kayleigh (dal 1985-03 al 1985-05)
paroliere:
Derek William Dick
compositore:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery e Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
editore:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. e Marillion Music
Marillion4.353:34
8I’d Do Anything for Love (But I Won’t Do That)
registrazione di:
I’d Do Anything for Love (but I Won’t Do That)
paroliere e compositore:
Jim Steinman
editore:
Carlin Music Corporation e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (nel 1993)
Meat Loaf11:57
9Love Walked In
tecnico di registrazione e tecnico di missaggio:
Mike Fraser (Canadian record producer, engineer and mixer)
produttore:
Andy Taylor (of Duran Duran)
batteria :
Gary 'Harry' James (drummer)
chitarra :
Ben Matthews (UK guitarist/keyboards for Thunder) e Luke Morley
chitarra basso :
Mark "Snake" Luckhurst
voce principale:
Danny Bowes
registrazione di:
Love Walked In
paroliere e compositore:
Luke Morley
editore:
Rondor Music (London) Ltd.
Thunder3.56:23
10More Than a Feeling
registrazione cover di:
More Than a Feeling
paroliere e compositore:
Tom Scholz
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Pure Songs (nel 1976)
Bad Habit4:33
11Rosalyn (re-recording)
registrazione di:
Rosalyn
paroliere e compositore:
Herman van Boeyen (Dutch drummer)
Vitesse3:27
12Pick Up the Pieces
produttore:
Arif Mardin
arrangiatore corno :
Roger Ball
arrangiatore:
AWB
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1974, nel 1975)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Pick Up the Pieces
autore:
Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh (Scottish drummer for Average White Band), Onnie McIntyre (Scottish guitarist and vocalist) e Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
editore:
Average Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Fairwood Music (USA) Inc. (affiliated to ASCAP), Fairwood Music Ltd. e Joe’s Songs Inc. (publisher, ASCAP‐affiliated)
Average White Band3.94:00
13When a Blind Man Cries
registrata a:
Montreux, Vaud (Canton Vaud), Svizzera (nel 1971-12)
produttore:
Deep Purple
basso elettrico :
Roger Glover (nel 1971-12)
batteria :
Ian Paice (nel 1971-12)
chitarra elettrica :
Ritchie Blackmore (nel 1971-12)
organo Hammond e tastiera :
Jon Lord (nel 1971-12)
voce principale:
Ian Gillan (nel 1971-12)
registrata presso:
Rolling Stones Mobile Studio in Regno Unito (nel 1971-12)
registrazione di:
When a Blind Man Cries (nel 1971-12)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Glenwood Music Corp. e Thames Overtures Ltd.
Deep Purple3.853:33
14The Angel Song
assistente tecnico:
Melissa Sewell
co-tecnico:
Eddie Ashworth
tecnico:
Michael Lardie
produttore:
Michael Lardie e Alan Niven
batteria :
Audie Desbrow
chitarra e tastiera :
Michael Lardie
chitarra [lead guitar] :
Mark Kendall
chitarra basso :
Tony Montana (US metal bassist for Great White)
voce principale:
Jack Russell (original singer for Great White)
registrata presso:
Total Access Recording in Redondo Beach, California, Stati Uniti
registrazione di:
The Angel Song
autore:
Mark Kendall e Alan Niven
Great White4:53
15Fall to Love
registrazione di:
Fall to Love
autore:
John Butler (member of Diesel Park West)
Diesel Park West4:29
16It’s a Heartache
produttore:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
basso :
Kevin Dunne
batteria e percussione :
Micky Gibbins (drummer for Badfinger)
chitarra acustica e voce di accompagnamento:
Steve Wolfe (producer, songwriter and guitar player)
voce:
Bonnie Tyler
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1977), RCA Ltd. (UK arm of RCA) (nel 1977), Sanctuary Copyrights Ltd. (nel 1977), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1977), Soundbarrier Ltd. (production company) (nel 1977, nel 1978), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1995), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
è stato produttore per:
Soundbarrier Ltd. (production company)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 24)
registrazione di:
It’s a Heartache
autore:
Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
editore:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (publisher) (nel 1977) e RAK Publishing (nel 1977)
Bonnie Tyler3.83:27
3▼CD
#TitoloArtistaValutazioneDurata
1Child in Time
tecnico:
Andy Knight (UK engineer)
produttore:
Deep Purple
basso elettrico :
Roger Glover (dal 1969-10 al 1970-04)
batteria :
Ian Paice (dal 1969-10 al 1970-04)
chitarra elettrica :
Ritchie Blackmore (dal 1969-10 al 1970-04)
organo Hammond :
Jon Lord (dal 1969-10 al 1970-04)
voce principale:
Ian Gillan (dal 1969-10 al 1970-04)
diritti fonografici (℗) detenuti da:
HEC Enterprises Ltd. (nel 1970)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (dal 1969-10 al 1970-04)
raccolta di:
Child in Time (part 1) di Deep Purple, Child in Time (part 2) di Deep Purple e Child in Time di Deep Purple
registrazione parziale di:
Child in Time (dal 1969-10 al 1970-04)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (fino al 2021-06-30), EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
si basa su:
Bombay Calling
Deep Purple4.54:14
2The House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964), Columbia Pictures Industries, Inc. (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.24:30
3Time of the Season
registrazione di:
Time of the Season
paroliere e compositore:
Rod Argent
editore:
Melodie der Welt J. Michel KG Musikverlag (renamed since 2010-01-07 as Melodie der Welt J. Michel GmbH & Co. KG), Verulam Music Co. Ltd. e Mainstay Music, Inc. (nel 1968)
The Zombies3:28
4Natural Born Boogie
produttore:
Humble Pie
arrangiatore:
Humble Pie
diritti fonografici (℗) detenuti da:
Immediate (nel 1969)
registrazione di:
Natural Born Boogie
paroliere e compositore:
Steve Marriott (English musician and songwriter)
editore:
Avakak Music e Immediate Music (BMG Production Music (Germany) label [IMCD#], [IMX#])
Humble Pie44:12
5Baby Now That I’ve Found You
registrazione di:
Baby Now That I’ve Found You (nel 1967)
paroliere e compositore:
Tony Macaulay e John MacLeod (producer & songwriter, partner of Tony Macaulay)
editore:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Music Pub. Ltd.
The Foundations42:36
6Some Kinda Wonderful
registrazione di:
Some Kind of Wonderful
paroliere e compositore:
Willie John Ellison (American/Canadian musician)
editore:
Crash Music, Dandelion Music Company e Fermata do Brasil
Grand Funk Railroad3:13
7For Your Love
produttore:
Giorgio Gomelsky
basso :
Paul Samwell-Smith (il 1965-02-01)
basso [bowed bass] :
Ron Prentice (il 1965-02-01)
batteria :
Jim McCarty (UK drummer, Yardbirds member) (il 1965-02-01)
bonghi :
Denny Piercey (il 1965-02-01)
chitarra :
Eric Clapton (il 1965-02-01) e Chris Dreja (il 1965-02-01)
clavicembalo :
Brian Auger (il 1965-02-01)
voce:
Keith Relf (il 1965-02-01)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1965)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (il 1965-02-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 22)
registrazione di:
For Your Love (il 1965-02-01)
paroliere e compositore:
Graham Gouldman
editore:
EMI Blackwood Music Inc., Francis, Day & Hunter, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Screen Gems–EMI Music Ltd.
The Yardbirds4.552:30
8Blackberry Way
registrazione di:
Blackberry Way
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Westminster Music Ltd. e Essex Music International, Inc. (nel 1968)
The Move53:33
9A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.13:59
10Easy Livin’
tecnico di registrazione:
Peter Gallen (dal 1972-03 al 1972-04)
assistente tecnico:
Ashley Howe
tecnico:
Peter Gallen
produttore:
Gerry Bron
tecnico di missaggio:
Rafe McKenna
basso elettrico :
Gary Thain (dal 1972-03 al 1972-04)
batteria :
Lee Kerslake (dal 1972-03 al 1972-04)
chitarra :
Mick Box (dal 1972-03 al 1972-04)
organo :
Ken Hensley (dal 1972-03 al 1972-04)
voce:
David Byron (dal 1972-03 al 1972-04)
arrangiatore:
Uriah Heep (British prog/hard rock)
diritti fonografici (℗) detenuti da:
Bronze (nel 1972), Bronze Records Ltd. (nel 1972), Castle Copyrights Ltd. (nel 1972), Legacy Records Ltd. (nel 1972), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1972, nel 2017), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Regno Unito (dal 1972-03 al 1972-04) e Astoria Theatre (London) in Westminster, London (Greater London), England, Regno Unito (il 2003-11-08)
prodotta presso:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Regno Unito
registrazione di:
Easy Livin’ (dal 1972-03 al 1972-04)
paroliere e compositore:
Ken Hensley
editore:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd., Sidney Bron Music (also spelled “Sydney”) e Umble Tunes Ltd.
Uriah Heep4.252:36
11I Like to Rock
registrazione di:
I Like to Rock
paroliere e compositore:
Myles Goodwyn
April Wine4:07
12Ace of Spades
produttore:
Vic Maile (dal 1980-08-04 al 1980-09-15)
basso elettrico e voce principale:
Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (dal 1980-08-04 al 1980-09-15)
batteria :
Phil 'Philthy Animal' Taylor (former Motörhead drummer) (dal 1980-08-04 al 1980-09-15)
chitarra elettrica :
'Fast' Eddie Clarke (Motörhead guitarist) (dal 1980-08-04 al 1980-09-15)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1980), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1980) e Universal Music (plain logo: “Universal Music”) (nel 1980)
registrata presso:
Jackson’s Studios in Rickmansworth, Hertfordshire, England, Regno Unito (dal 1980-08-04 al 1980-09-15)
video musicali:
Ace of Spades di Motörhead
parte di:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 3), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 10), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 33), TV Cream: Real 100 Best Singles Ever (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 442)
registrazione di:
Ace of Spades (dal 1980-08-04 al 1980-09-15)
autore:
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) e Phil Taylor (former Motörhead drummer)
editore:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.252:46
13Who Do You Love?
registrazione cover di:
Who Do You Love?
paroliere e compositore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (nel 1956)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) e Tristan Music Ltd.
Juicy Lucy3:03
14On the Road Again
tecnico:
Dino (US Music engineer) e Lanky (US recording engineer)
produttore:
Calvin Carter e Dallas Smith (producer)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1968), Liberty (a division of UMG Recordings, Inc.) (nel 1968) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2005)
registrata presso:
Liberty Studios in Hollywood, Los Angeles, California, Stati Uniti (il 1967-09-06)
registrazione di:
On the Road Again (il 1967-09-06)
paroliere e compositore:
Floyd Jones (blues performer and songwriter) e Alan Wilson (Canned Heat member)
editore:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) e United Partnership Ltd.
Canned Heat44:57
15Pictures of Matchstick Men
tecnico:
Alan Florence
produttore:
John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
basso elettrico e chitarra basso :
Alan Lancaster
batteria :
John Coghlan
chitarra e chitarra elettrica :
Rick Parfitt (UK guitarist for Status Quo) e Francis Rossi
organo e organo elettrico :
Roy Lynes
voce:
Alan Lancaster, Roy Lynes, Rick Parfitt (UK guitarist for Status Quo) e Francis Rossi
diritti fonografici (℗) detenuti da:
Castle Communications Ltd. (nel 1968), Pye Records Ltd. (company owning the label Pye Records) (nel 1968) e Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1968)
registrazione di:
Pictures of Matchstick Men
paroliere e compositore:
Francis Rossi
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Valley Music Ltd (publisher)
Status Quo3.53:09
16Locomotive Breath
tecnico:
John Burns (engineer/producer for Genesis)
produttore:
Ian Anderson (of Jethro Tull) e Terry Ellis (UK producer & band manager)
produttore esecutivo:
Terry Ellis (UK producer & band manager)
batteria e percussione :
Clive Bunker (il 1971-02-12)
chitarra acustica e flauto e voce principale:
Ian Anderson (of Jethro Tull) (il 1971-02-12)
chitarra basso e flauto dolce contralto :
Jeffrey Hammond Hammond (il 1971-02-12)
chitarra elettrica e flauto dolce soprano :
Martin Barre (il 1971-02-12)
mellotron, organo e pianoforte e organo Hammond, pianoforte, fisarmonica a piano e sintetizzatore :
John Evan (il 1971-02-12)
direttore d'orchestra:
Dee Palmer (aka David Palmer, of Jethro Tull) (il 1971-02-12)
remixer:
Robin Black (engineer)
orchestratore:
Dee Palmer (aka David Palmer, of Jethro Tull)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1971)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (il 1971-02-12)
remixata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Locomotive Breath (il 1971-02-12)
paroliere e compositore:
Ian Anderson (of Jethro Tull)
Jethro Tull4.34:25
4▼CD
#TitoloArtistaValutazioneDurata
1Smoke Gets in Your Eyes
assistente tecnico:
Rhett Davies, Mark Dobson (engineer), Gary Edwards (producer, engineer) e Sean Milligan
tecnico:
John Punter
produttore:
Bryan Ferry e John Punter
basso elettrico :
John Wetton (nel 1974)
batteria :
Paul Thompson (Roxy Music drummer) (nel 1974)
voce:
Bryan Ferry (nel 1974)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1974), Virgin EG Records Ltd. (nel 1974) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1974, nel 1999)
registrazione cover di:
Smoke Gets in Your Eyes (nel 1974)
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
Bryan Ferry32:55
2Saltwater
registrazione di:
Saltwater
autore:
Julian Lennon, Leslie Spiro e Mark Spiro
Julian Lennon3.53:47
3Alive and Kicking
produttore:
Bob Clearmountain e Jimmy Iovine
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1985)
registrazione di:
Alive and Kicking
autore:
Charlie Burchill, Jim Kerr (of Simple Minds) e Michael MacNeil
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. e Simple Minds Ltd
Simple Minds3.54:49
4Atomic
tecnico:
Republica (UK alternative rock band)
produttore:
Mike Chapman (Australian producer and songwriter)
produttore aggiunto:
Diddy (UK electronic producer/DJ Richard Dearlove)
remixer:
Diddy (UK electronic producer/DJ Richard Dearlove)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1979, nel 1994) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1994)
remix di:
Atomic (single version) di Blondie (US rock band)
registrazione di:
Atomic
autore:
Jimmy Destri e Deborah Harry
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) (conclusa), Monster Island Music Publishing Corporation (conclusa), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) e Rare Blue Music Inc
Blondie4.53:49
5Living in a Box
registrazione di:
Living in a Box
paroliere e compositore:
Steve Piggott e Marcus Vere
editore:
Brampton Music International, Brampton Music Ltd. (publisher) e Empire Music Ltd.
Living in a Box3:04
6Hit the Highway
registrazione di:
Hit the Highway
autore:
Charlie Reid e Craig Reid
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Warner Chappell Music France
The Proclaimers43:59
7No More the Fool
diritti fonografici (℗) detenuti da:
Legend Music Group Ltd. (nel 1986)
registrazione di:
No More the Fool
paroliere e compositore:
Russ Ballard
editore:
EMI Virgin Music Ltd. (do not use this as a release label!), Russell Ballard Ltd e Virgin Music (Publishers) Ltd.
Elkie Brooks34:56
8Mary’s Prayer
produttore:
Dave Bascombe
esecutore:
Danny Wilson (Scottish pop group) (nel 1987)
prodotta presso:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, Regno Unito e Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
registrazione di:
Mary’s Prayer (nel 1987)
paroliere e compositore:
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (, nel 1988)
Danny Wilson33:55
9Lost in France
produttore:
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
arrangiatore:
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), Soundbarrier Ltd. (production company) (nel 1976) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1995)
registrazione di:
Lost in France
autore:
Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
editore:
BMG Music Publishing Ltd. e Lojo Music
Bonnie Tyler2.353:51
10Someone to Love
registrazione di:
Someone to Love
autore:
Ian Allen (mainly involved with Universal (UK) artists), Gary Stevenson e Dave West (UK session keyboards)
Sean Maguire4:27
11Couldn’t Get It Right
assistente tecnico:
Colin Fairley
tecnico:
Pete Henderson (engineer)
produttore:
Mike Vernon
diritti fonografici (℗) detenuti da:
Chrysalis Copyrights Ltd.
registrazione di:
Couldn’t Get It Right
autore:
Colin Cooper, John Cuffley, Pete Haycock, Derek Holt e Richard Jones (Climax Blues Band)
editore:
AIR Music (London) Ltd., Bleu-Disque-Music Co. Inc. (publisher), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Germany GmbH (2008–today) e Neue Welt Musikverlag
Climax Blues Band3.253:10
12Heroes
programmazione degli strumenti aggiuntiva:
Bill Boydstun
chitarra :
Bob Kulick
chitarra acustica, chitarra basso, tastiera e sintetizzatore :
Jon Lyons
chitarra elettrica :
Brian May (Queen guitarist)
membranofono :
Chuck Burgi
pianoforte e sintetizzatore :
John Van Tongeren
voce di accompagnamento:
Amy Goff, Elaine Goff e Gina Ricci
voce principale:
Meat Loaf
registrazione di:
A Time for Heroes (vocal version)
autore:
Rik Emmett, Jon Lyons e M. Scott Sotebeer
si basa su:
A Time for Heroes (instrumental version)
Meat Loaf45:09
13Isn’t It Time
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1977)
registrazione di:
Isn’t It Time
autore:
Jack Conrad (producer and songwriter) e Ray Kennedy (singer, songwriter, and record producer based in L.A.)
editore:
EMI Music (do not use as release label! this is a music publisher), Jacon Music, Seven Summits Music, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd. e X‐Ray Music
The Babys44:03
14Don’t Fear the Reaper
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976, nel 1978)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 397) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 449)
registrazione di:
(Don’t Fear) The Reaper
paroliere e compositore:
Donald Roeser (singer, lead guitarist and songwriter)
editore:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP) (nel 1976)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.45:06
15Eyes of a Stranger
assistente tecnico:
Jim Campbell (engineer), Glen "The Snake" Robinson (engineer) e Paul Milner (engineer)
tecnico:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s) e Paul Northfield
produttore:
Peter Collins (producer)
assistente tecnico di missaggio:
Ronald Prent (Dutch Sound engineer and producer)
tecnico di missaggio:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
batteria e percussione :
Scott Rockenfield
chitarra a 12 corde , chitarra acustica e chitarra elettrica :
Chris DeGarmo e Michael Wilton
chitarra basso :
Eddie Jackson (US metal bassist for Queensrÿche)
tastiera , fischio e voce principale:
Geoff Tate
violoncello :
Michael Kamen (American score composer)
cori:
The Moronic Monks of Morin Heights (Operation: Mindcrime)
voce parlata [Nurse]:
Debbie Wheeler (voice over artist)
direttore d'orchestra:
Snakemeister (conductor)
maestro del coro:
Michael Kamen (American score composer)
registrata presso:
Kajem/Victory Studios (An American recording studio and production facility.) in Philadelphia, Pennsylvania, Stati Uniti e Le Studio in Morin‐Heights, Québec (Quebec), Canada
mixata presso:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
registrazione di:
Eyes of a Stranger
autore:
Chris DeGarmo e Geoff Tate
editore:
Queensrÿche Publishing Company e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Queensrÿche46:38
16Sleeping Satellite
tecnico:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
produttore:
Julian Mendelsohn (Australian record producer and engineer) e Paul Wickens
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
video musicali:
Sleeping Satellite di Tasmin Archer (British singer-songwriter)
registrazione di:
Sleeping Satellite
autore:
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) e John Hughes (Writer, Producer, Musician)
editore:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4.254:37
5▼CD
#TitoloArtistaValutazioneDurata
1Spaceman
produttore:
Jas Mann e Steve Power
tecnico di missaggio:
Clive Black
edit di:
Spaceman di Babylon Zoo
registrazione di:
Spaceman
paroliere e compositore:
Jas Mann
Babylon Zoo3.54:04
2Loser Two Times
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1980)
registrazione di:
Loser Two Times
autore:
Mike Green (older brother of Peter Green)
Peter Green4:32
3Everytime I Think of You
tecnico di registrazione e produttore:
Ron Nevison
assistente tecnico:
Mike Clink
basso :
Jack Conrad (producer and songwriter)
batteria e percussione :
Tony Brock
chitarra :
Wally Stocker
pianoforte :
Kevin Kelly (piano, organ, accordion player)
voce di accompagnamento:
Diana Lee (credited mostly for backing vocals, does soprano too), Myrna Matthews e Marti McCall (session vocalist)
voce principale:
John Waite
direttore d'orchestra:
Jimmy Haskell
arrangiatore archi e arrangiatore ottoni [horns] :
Jimmy Haskell
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978, nel 1979) e Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1979)
registrazione di:
Every Time I Think of You
autore:
Jack Conrad (producer and songwriter) (nel 1978) e Ray Kennedy (singer, songwriter, and record producer based in L.A.) (nel 1978)
editore:
Ensign Music Corporation, Hudson Bay Music, Seven Summits Music e X‐Ray Music
The Babys4.354:01
4Enola Gay
tecnico:
Laurence Diana e Max Norman
produttore:
Mike Howlett e Orchestral Manoeuvres in the Dark
basso e sintetizzatore :
Andy McCluskey
batteria e percussione :
Malcolm Holmes (drummer)
tastiera e sintetizzatore :
Paul Humphreys (Orchestral Manoeuvres in the Dark)
voce:
Paul Humphreys (Orchestral Manoeuvres in the Dark) e Andy McCluskey
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1980)
registrata presso:
Ridge Farm Studios in Dorking, Surrey, England, Regno Unito
mixata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
registrazione di:
Enola Gay
paroliere e compositore:
Andy McCluskey
editore:
Dinsong Music e Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.753:30
5The Reflex
registrazione di:
The Reflex
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
Beechwood de México, S.A. de C.V., EMI Music Publishing (do not use as a release label!) e Gloucester Place Music Ltd.
Duran Duran4:25
6Right Here, Right Now
registrazione di:
Right Here, Right Now
paroliere e compositore:
Mike Edwards (UK guitar/keyboards for Jesus Jones)
editore:
EMI Blackwood Music Inc.
Jesus Jones3:10
7Psycho Killer (live)
registrazione dal vivo di:
Psycho Killer
paroliere:
David Byrne (Talking Heads), Chris Frantz e Tina Weymouth
autore:
David Byrne (Talking Heads), Christopher Frantz e Martina Weymouth
compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Talking Heads4:20
8Election Day
produttore:
Arcadia (Duran Duran splinter group: Le Bon, Rhodes and Taylor) e Alex Sadkin
batteria :
Roger Taylor (Duran Duran drummer)
tastiera :
Nick Rhodes
voce:
Simon Le Bon (singer for Duran Duran)
voce di accompagnamento:
Grace Jones
video musicali:
Election Day di Arcadia (Duran Duran splinter group: Le Bon, Rhodes and Taylor)
parte di:
CBC Music: The Ultimate Election Day Playlist
registrazione di:
Election Day
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes e Roger Taylor (Duran Duran drummer)
Arcadia35:30
9Hey You
tecnico:
George Tutko (engineer, producer)
produttore:
Jim Cregan (producer & member of Family) e George Tutko (engineer, producer)
produttore esecutivo:
Ron Nevison
tecnico di missaggio:
Ron Nevison
registrazione di:
Hey You
autore:
Guy Bailey e Spike (UK singer/songwriter, member of Quireboys)
The Quireboys3:21
10Free Ride
registrazione cover di:
Free Ride
paroliere e compositore:
Dan Hartman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. e Silver Steed Music
Diesel3:04
11Tears Run Ring
registrazione di:
Tears Run Rings
paroliere e compositore:
Marc Almond (English pop singer and songwriter)
Marc Almond5:43
12Thinking of You
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 50)
registrazione di:
Thinking of You
autore:
Terry Hall e Toby Lyons
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
The Colourfield33:30
13China in Your Hand
registrazione di:
China in Your Hand
autore:
Carol Decker e Ron Rogers (Ronald Phillip Rogers, T'Pau)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. e Virgin Music (Publ.) Ltd. (publisher) (nel 1987)
T’Pau4:04
14Harvest for the World
tecnico e tecnico di missaggio:
Jason Corsaro (U.S. music engineer, and record producer)
tecnico aggiunto:
Rob Eaton, Steve Rinkoff e Tony Taverner
produttore:
Bernard Edwards (American bassist and record producer)
esecutore:
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Tony Thompson (drummer, best known for his work in CHIC)
mixata presso e lavorazione tecnica effettuata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione cover di:
Harvest for the World
autore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
editore:
Bovina Music Inc., EMI April Music Inc. e EMI Songs Ltd.
The Power Station33:39
15Don’t Call Us, We Call You
registrazione di:
Don’t Call Us, We’ll Call You
autore:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) e Jerry Corbetta
Sugarloaf53:22
16Lies
registrazione di:
Lies
compositore:
Ian Dench
editore:
Tusk e Warner Chappell Music Ltd. (no slash; used 1988–1996)
EMF4:16
6▼CD
#TitoloArtistaValutazioneDurata
1We Close Our Eyes
produttore:
Gary Stevenson
remixer:
Tom Lord‐Alge
diritti fonografici (℗) detenuti da:
EMI Records (UK label renamed from Virgin EMI Records in 2020) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1985)
video musicali:
We Close Our Eyes di Go West
registrazione di:
We Close Our Eyes
autore:
Peter Cox (Artist and songwriter) e Richard Drummie
editore:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing (do not use as a release label!)
Go West3.23:49
2The Loneliest Man in the World
registrazione di:
The Lonelist Man in the World
paroliere e compositore:
Steven Lindsay
The Big Dish3:34
3You’re in Love
tecnico di registrazione e tecnico di missaggio:
Francis Buckley
tecnico di registrazione aggiunto:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat e Rail Jon Rogut
assistente tecnico:
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson e Bill Malina
produttore:
Glen Ballard
basso :
Jimmy Johnson (US session bassist) e Abraham Laboriel
batteria :
John “JR” Robinson (session drummer)
chitarra :
Michael Landau
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Glen Ballard e Randy Kerber
arrangiatore percussione :
Glen Ballard
arrangiatore voci:
Glen Ballard e Wilson Phillips
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990) e SBK Records (nel 1990)
registrazione di:
You’re in Love
autore:
Glen Ballard, Chynna Phillips, Carnie Wilson e Wendy Wilson
editore:
Aerostation Corporation, EMI Blackwood Music Inc., Get Out Songs, Smooshie Music, Wendihaus Music, Willphill Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (dal 1990 al 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (dal 1990 al 2003) e Universal Music Corp. (USA, affiliated with ASCAP) (dal 2003 a oggi)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Wilson Phillips3.654:48
4Calling All the Heroes
registrazione di:
Calling All the Heroes
autore:
Francis Dunnery
It Bites55:31
5Gold
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
basso :
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (nel 1982)
batteria :
John Keeble (nel 1982)
chitarra :
Gary Kemp (nel 1982)
percussione e sassofono :
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (nel 1982)
tastiera :
Jess Bailey (nel 1982)
voce principale:
Tony Hadley (nel 1982)
esecutore:
Spandau Ballet (nel 1982)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
registrazione di:
Gold (nel 1982)
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
registrazione di:
Glow
paroliere e compositore:
Gary Kemp
Spandau Ballet3.53:52
6Sailing on the Seven Seas
tecnico:
Jeremy Allom
produttore:
Orchestral Manoeuvres in the Dark
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1991)
registrazione di:
Sailing on the Seven Seas
paroliere e compositore:
Stuart Kershaw (OMD drummer) e Andy McCluskey
editore:
Raw Unltd. Ltd. (publisher) (nel 1991) e Virgin Music (Publishers) Ltd. (nel 1991)
Orchestral Manoeuvres in the Dark33:47
7I Touch Myself
assistente tecnico:
Chris Albert (US engineer) e Vince Caro (engineer, music editor, producer)
produttore:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) e David Tickle
diritti fonografici (℗) detenuti da:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (nel 1989, nel 1990) e Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (nel 1990)
registrata presso:
BMG Recording Studios in Theater District, New York, New York, Stati Uniti
remixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 54) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 326)
registrazione di:
I Touch Myself
paroliere e compositore:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) e William Steinberg
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:48
8Still Got the Blues (for You)
assistente tecnico e assistente tecnico di missaggio:
Haydn Bendall (producer and engineer), Stuart Day, Markus Dravs, Steve Fitzmaurice (Irish mixer, songwriter and producer), Noel Harris e Greg Muden
tecnico e tecnico di missaggio:
Ian Taylor (rock producer/engineer)
produttore:
Gary Moore (Thin Lizzy, blues guitar) e Ian Taylor (rock producer/engineer)
archi ospite :
Gavyn Wright (UK violinist, conductor)
batteria :
Graham Walker (UK drummer)
chitarra e voce principale:
Gary Moore (Thin Lizzy, blues guitar)
chitarra basso :
Andy Pyle
pianoforte :
Nicky Hopkins (pianist and organist)
tastiera :
Don Airey
direttore d'orchestra:
Don Airey
arrangiatore archi :
Don Airey e Gary Moore (Thin Lizzy, blues guitar)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1990)
registrazione di:
Still Got the Blues (for You)
paroliere e compositore:
Gary Moore (Thin Lizzy, blues guitar)
editore:
BMG 10 Music Ltd., BMG Platinum Songs, BMG VM Music France, Bonuswise Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Music Publishing Scandinavia AB, Gary Moore Songs e Mushroom Music Pty. Ltd.
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Gary Moore44:12
9Heaven Is a Place on Earth
tecnico di registrazione:
Steve McMillan
programmazione degli strumenti:
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
assistente tecnico:
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble e Joe Schiff
tecnico aggiunto:
Stacy Baird e Robert Feist
produttore:
Rick Nowels
produttore aggiunto:
Robert Feist (altra voce [vocal]) e Ellen Shipley (altra voce [vocal])
tecnico di missaggio:
Shelly Yakus
basso :
John Pierce (US session bassist)
batteria [drums] :
Kenny Aronoff e Curly Smith (Jo Jo Gunne musician)
chitarra [air guitar] e voce principale:
Belinda Carlisle
chitarra [guitars] aggiunto:
Michael Landau
chitarra acustica [acoustic guitars] :
Rick Nowels
chitarra aggiunto:
Tim Pierce (US session guitarist)
chitarra elettrica [electric guitars] :
Dan Huff, John McCurry e Rick Nowels
percussione aggiunto:
Jimmy Bralower e Paulinho da Costa (Brazilian percussionist)
pianoforte [acoustic piano] :
Charles Judge (American guitarist, pianist, arranger and songwriter)
sintetizzatore [Fairlight] :
Rhett Lawrence
tastiera [keyboards] :
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
tastiera [keyboards] aggiunto:
Thomas Dolby
voce:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips e Ellen Shipley
arrangiatore:
Rick Nowels
diritti fonografici (℗) detenuti da:
Artist Management Services Ltd. (nel 1987), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1987), Virgin Records Ltd (not for release label use! for company relationships only) (nel 1987) e Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (nel 2019)
registrata in aggiunta presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Hollywood Sound in Los Angeles, California, Stati Uniti e Music Grinder Studios in Hollywood, Los Angeles, California, Stati Uniti
registrata presso:
American Recording e Ocean Way Studio in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 400)
registrazione di:
Heaven Is a Place on Earth
autore:
Rick Nowels e Ellen Shipley
editore:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (nel 1987) e Shipwreck Music (publisher) (nel 1987)
sub-editore:
Fujipacific Music, Inc.
Belinda Carlisle4.154:05
10(I Just) Died in Your Arms Tonight
tecnico:
Terry Brown (producer)
produttore:
Terry Brown (producer), Cutting Crew e John Jansen (US recording engineer and producer)
tecnico di missaggio:
Tim Palmer (British producer/mixer)
basso :
Colin Farley
batteria , percussione e tamburello :
Martin Beedle
chitarra acustica , chitarra elettrica e sintetizzatore [E-mu Emulator] :
Kevin MacMichael
pianoforte :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce di accompagnamento:
Peter Birch
voce principale:
Nick Van Eede
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) e Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1986)
registrata presso:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
mixata presso:
Utopia Studios (London) in London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 26)
registrazione di:
(I Just) Died in Your Arms
paroliere e compositore:
Nick Van Eede
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. e Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:37
11All I Want Is You
registrazione di:
All I Want Is You
autore:
Lee Brennan e John McLaughlin (guitarist)
91134:10
12Temptation
produttore:
B.E.F. e Greg Walsh (producer and engineer)
voce:
Carol Kenyon
registrazione di:
Temptation
autore:
Glenn Gregory, Ian Craig Marsh e Martyn Ware
editore:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 172.353:07
13Love Is the Drug
produttore:
Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1975), Virgin EG Records Ltd. (nel 1975) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1975, nel 1999)
registrazione di:
Love Is the Drug
paroliere:
Bryan Ferry
compositore:
Andy Mackay (of Roxy Music)
editore:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs e E.G. Music Ltd. (publisher) (nel 1975)
Roxy Music4.24:09
14Shadow on the Wall
tecnico:
Nigel Luby
produttore:
Mike Oldfield e Simon Phillips (rock drummer)
banjo, basso, chitarra e sintetizzatore :
Mike Oldfield (dal 1982-11 al 1983-04)
batteria :
Simon Phillips (rock drummer) (dal 1982-11 al 1983-04)
chitarra :
Ant (Anthony Glynne, Guitar Player) (dal 1982-11 al 1983-04)
voce:
Roger Chapman (dal 1982-11 al 1983-04)
diritti fonografici (℗) detenuti da:
Mike Oldfield (nel 2013)
registrata presso:
Denham Studios (dal 1982-11 al 1983-04)
registrazione di:
Shadow on the Wall (dal 1982-11 al 1983-04)
paroliere e compositore:
Mike Oldfield
editore:
Virgin Music (Publishers) Ltd.
Mike Oldfield3.43:09
15Our House
produttore:
Clive Langer & Alan Winstanley
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrazione di:
Our House
paroliere:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness43:12
16Golden Brown
co-produttore:
Steve Churchyard
produttore:
Steve Churchyard e The Stranglers
tecnico di missaggio:
Tony Visconti
esecutore:
The Stranglers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrazione di:
Golden Brown
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Plumbshaft-Ltd.
The Stranglers4.43:27
7▶CD
8▶CD

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Discogs:https://www.discogs.com/master/1806026 [info]