Great Love Themes

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Elenco tracce

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#TitoloArtistaValutazioneDurata
1Cannon in D
orchestra:
Collegium Aureum, The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) e London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym)
registrazione di:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
compositore:
Johann Pachelbel (composer)
parte di:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel4:49
2Solveig's Song From "Peer Gynt"
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Slowakische Staatsphilharmonie (Slovak Philharmonic) e Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
direttore d'orchestra:
Sven Bengtson (conductor, an Alfred Scholz pseudonym) e Libor Pesek (conductor)
registrazione di:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer) (nel 1984)
compositore:
Edvard Grieg (composer) (nel 1875)
rivista da:
Edvard Grieg (composer) (nel 1891)
versione di:
Peer Gynt, op. 23: 4. akt: Solveigs sang
parte di:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg55:21
3Polovtsian Dance No. 17, "Stranger in Paradise"
orchestra:
Ljubljana Radio Symphony (RTV Slovenia Symphony Orchestra)
direttore d'orchestra:
Laurenc Siegel (fictitious conductor, Alfred Scholz pseudonym)
Александр Порфирьевич Бородин3:55
4Air on a G String
orchestra:
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) e Philharmonic Orchestra London (Alfred Scholz pseudonym)
direttore d'orchestra:
Simon Addison (probably an Alfred Scholz pseudonym)
registrazione di:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1730)
parte di:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:19
5Elegie From Serenade for Strings
orchestra:
Kammerorchester Pro Arte München, Orchestre de Festival Belgique (Belgian Festival Orchestra, fake name - probably invented by the trickster Alfred Scholz), Philharmonia Slavonica (Alfred Scholz pseudonym) e Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
direttore d'orchestra:
Anton Nanut (conductor), Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz), Kurt Redel (German flautist and conductor) e Alfred Scholz
registrazione di:
Serenade for Strings in C major, op. 48: III. Élégie. Larghetto elegiaco (Serenata per orchestra d'archi in Do maggiore, Op. 48: III. Elegia. Larghetto elegiaco)
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer) (nel 1880)
parte di:
Serenade for Strings in C major, op. 48 (Serenata per orchestra d'archi in Do maggiore, Op. 48)
Пётр Ильич Чайковский6:41
6Jesu, Joy of Man's Desiring
ottoni :
St. Louis Brass Quintet
orchestra:
St. Louis Brass Quintet
registrazione di:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:55
7Andante from Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan"
pianoforte :
Martha Bergerich (pseudonym used on budget recordings – not Martha Argerich)
orchestra:
Academica Salzburg (Austrian chamber orchestra)
registrazione di:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
compositore:
Wolfgang Amadeus Mozart (classical composer) (dal 1785 al 1785-03-09)
parte di:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:52
8Romeo and Juliet Fantasy Overture
orchestra:
Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
direttore d'orchestra:
Laurenc Siegel (fictitious conductor, Alfred Scholz pseudonym)
registrazione parziale di:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer) (nel 1869)
rivista da:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer) (nel 1870, nel 1880)
dedicata a:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
parte di:
The Tchaikovsky Handbook (numero: TH 42) e Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (numero: ČW 39)
revisione di:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский3:01
9Adagio sostenuto from Piano Sonata No. 14, Op. 27 No. 2 "Moonlight"
tecnico audio:
Südwest Tonstudio (engineering)
pianoforte :
Silvia Čápová (pianist), Debra Ruth Zobel e Dubravka Tomšič (pianist) (nel 1986-04)
pianoforte a coda e pianoforte solista :
Dubravka Tomšič (pianist)
registrazione di:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (nel 1986-04)
compositore:
Ludwig van Beethoven (German composer) (nel 1801)
parte di:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:04
10Slavonic Dance. No.2, Op. 46
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) e London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO)
direttore d'orchestra:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym), Alfred Scholz, Thomas Waldham e George Ralph Warren
diritti fonografici (℗) detenuti da:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (nel 1984)
registrazione di:
Slavonic Dances, op. 46, B. 83: No. 2 in E minor (Dumka)
compositore:
Antonín Dvořák (composer) (dal 1878-04 al 1878-08-22)
parte di:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák5:36
11Barcarolle From the Tales of Hoffmann
orchestra:
Royal Philharmonic Orchestra London (Royal Philharmonic Orchestra)
direttore d'orchestra:
Frank Shipway (British conductor)
registrazione di:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
compositore:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangiamento di:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach3:20
12The Young Prince and the Young Princess From "Scheherazade"
orchestra:
Slovak Philharmonic
direttore d'orchestra:
Bystrík Režucha (conductor)
registrazione parziale di:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (Andantino quasi allegretto)
compositore:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (nel 1888)
parte di:
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков3:36
13Sarabande From Holberg Suite
orchestra:
Philharmonique des Festivals (an Alfred Scholz pseudonym)
direttore d'orchestra:
Istvan Cohen (probably another Alfred Scholz)
registrazione di:
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (Holberg Suite, Op. 40: II. Sarabande (Andante), for piano)
compositore:
Edvard Grieg (composer) (nel 1884)
parte di:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, original for piano)
registrazione di:
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (Suite Holberg, Op. 40: II. Sarabande (Andante), for string orchestra)
compositore:
Edvard Grieg (composer) (nel 1884)
parte di:
Fra Holbergs tid, op. 40 (Suite Holberg, Op. 40, for string orchestra)
Edvard Grieg4:11
14Boléro (finale)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
direttore d'orchestra:
Laurenc Siegel (fictitious conductor, Alfred Scholz pseudonym)
registrazione parziale di:
Boléro
compositore:
Maurice Ravel (French composer) (nel 1928)
editore:
Ed. Durand & Cie (1909–1947) e Soc. Arima (rights society?)
eseguita per la prima volta presso:
Palais Garnier in Paris, Île-de-France, Francia (il 1928-11-22)
parte di:
Classic 100: Music of France (2012) (numero: 9) e Catalogue Marcel Marnat des œuvres de Maurice Ravel (numero: M. 81)
Maurice Ravel5:13

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ASIN:US: B000BOGEDW [info]