80’s Generation

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
2Sexcrime
Techniker(in):
Eric Thorngren
zusätzliche(r) Techniker(in):
Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
Mix:
Dave Stewart (UK guitarist/singer for Eurythmics) und Eric Thorngren
Interpret(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1984)
recording of:
Sexcrime (Nineteen Eighty-Four)
Verfasser(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
RCA Music Ltd. (publisher) und Universal Music Careers
Eurythmics2.43:58
3Love Action (I Believe in Love)
Produzent(in):
The Human League und Martin Rushent
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981)
Musikvideos:
Love Action (I Believe In Love) von The Human League
recording of:
Love Action (I Believe in Love)
Texter und Komponist(in):
Ian Burden und Philip Oakey
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), April Musikverlag GmbH (publisher) (in 1981), Dinsong Ltd. (in 1981), Sound Diagrams (publisher) (in 1981) und Virgin Music (Publishers) Ltd. (in 1981)
The Human League33:46
4It’s My Life
Programmierung und Produzent(in):
Tim Friese‐Greene
Akustikgitarre:
Mark Hollis
drum machine und Synthesizer:
Tim Friese‐Greene
Fretless Bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Gitarre:
Robbie McIntosh (English guitarist for The Pretenders)
Keyboard:
Ian Curnow
Klavier:
Tim Friese‐Greene und Phil Ramocon (soul/R&B/reggae songwriter)
Perkussion:
Morris Pert
Schlagzeug:
Tim Friese‐Greene und Lee Harris (singer-songwriter & musician)
Hintergrundgesang:
Mark Hollis und Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.853:53
5Rio
Techniker(in) und Produzent(in):
Colin Thurston
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
Rio
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Duran Duran4.154:45
6Church of the Poison Mind
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre und Klavier:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Mundharmonika:
Judd Lander
Orgel:
Phil Pickett (songwriter, producer, keyboard player)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Saxophon:
Steve Grainger (saxophonist)
Trompete:
Terry Bailey (trumpeter)
Hintergrundgesang:
Helen Terry (UK singer)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (vom 1983 bis heute, in 1983, in 2003) und Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1983)
produced for:
Do Not Erase Productions
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Church of the Poison Mind von Culture Club (English pop group)
recording of:
Church of the Poison Mind (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd. (vom 1983 bis heute)
Culture Club3.53:32
7Many Rivers to Cross
Techniker(in):
Howard Gray (UK producer, engineer, and electronic musician)
Produzent(in):
Ray “Pablo” Falconer und UB40
Bass:
Earl Falconer
drum machine und Schlagzeug:
Jim Brown (UB40 drummer)
Gitarre:
Ali Campbell (UB40’s former vocalist) und Robin Campbell
Keyboard:
Michael Virtue (keyboardist)
Perkussion:
Astro (UB40 toast, trumpet & percussion) und Norman Hassan
Saxophon:
Brian Travers
zusätzlich Keyboard:
Jackie Mittoo
sonstiger Gesang:
Astro (UB40 toast, trumpet & percussion)
vocals:
Ali Campbell (UB40’s former vocalist), Robin Campbell und Norman Hassan
zusätzlich vocals:
Mo Birch, Jaki Graham und Ruby Turner
cover recording of:
Many Rivers to Cross
Texter und Komponist(in):
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Ackee Music Inc., Island Music (Island Music Ltd.), Polygram Music, Universal–Songs of PolyGram International, Inc. und Island Music Ltd. (vom 1992 bis heute)
UB4054:31
8Some People
Produzent(in):
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson), Pete Schwier (producer, mixing and recording engineer) und Steve Thompson (producer)
recording of:
Some People
Texter und Komponist(in):
Neville Keighley
publisher:
Tritec Music (publisher and copyrights holder) (in 1986)
Belouis Some4:00
9I’ll Fly for You
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
recording of:
I’ll Fly for You
Texter und Komponist(in):
Gary Kemp
Spandau Ballet25:10
10I Could Be So Good for You
recording of:
I Could Be So Good for You
Verfasser(in):
Gerard Kenny und Patricia Maynard
publisher:
Chappell Music Ltd.
Dennis Waterman3:17
11Rush Hour
Produzent(in):
Stephen Hague
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988)
recording of:
Rush Hour
Verfasser(in):
Peter Rafelson und Jane Wiedlin
publisher:
BMG Music Publishing Ltd., Palan Music Publishing Ltd. und Universal Music–MGB Songs
Jane Wiedlin4:02
12Warning
Teil von:
The Downloader’s Music Source Book (Nummer: 207)
recording of:
Warning!
Verfasser(in):
Roderick Goode, Debbie Parkin und Rico Tyler
Aveda4:41
13They Don’t Know
Produzent(in):
Peter Collins (producer)
Musikvideos:
They Don't Know von Tracey Ullman
cover recording of:
They Don’t Know
Texter und Komponist(in):
Kirsty MacColl
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
recording of:
They Don’t Know
Texter und Komponist(in):
Kirsty MacColl
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Tracey Ullman2:59
14Water on Glass
recording of:
Water on Glass
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde3:35
15The Power of Love
recording engineer:
Jim Gaines und Robert Missbach
assistierende(r) Techniker(in):
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) und Jim “Watts” Vereecke
zusätzliche(r) Techniker(in):
Michael Christopher (engineer), Phil Kaffel und Malcolm Pollack
Produzent(in):
Bob Clearmountain, Jellybean (US producer John Benitez) und Huey Lewis and the News (American pop rock band)
Mix:
Robert Missbach
Bassgitarre:
Mario Cipollina
Gitarre:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) und Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
Keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
Mundharmonika:
Huey Lewis
Perkussion und Schlagzeug:
Bill Gibson (US drummer for Huey Lews & the News)
Saxophon:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) und Huey Lewis
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) und Chrysalis (in 1985)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Studio D Recording in Sausalito, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
The Power of Love (full length) von Huey Lewis and the News (American pop rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 108)
recording of:
The Power of Love (Back to the Future)
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) und WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
Teil von:
Back to the Future: the Musical
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Huey Lewis and the News43:51
16Is This Love
Produzent(in):
Keith Olsen (US producer and engineer) und Mike Stone (producer and engineer, 1960s–80s)
Mix:
Keith Olsen (US producer and engineer)
Bassgitarre:
Neil Murray (British bass guitar player)
Gast-Keyboard:
Don Airey und Bill Cuomo
Gitarre und Hintergrundgesang:
John Sykes
Keyboard:
Don Airey
Perkussion und Schlagzeug:
Aynsley Dunbar
Sologesang:
David Coverdale
phonographisches Urheberrecht (℗) von:
Whitesnake Productions (Overseas) Ltd. (in 1987, in 2008) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2008)
mixed at:
Goodnight LA Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
Is This Love (Whitesnake song)
Verfasser(in):
David Coverdale und John Sykes
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB, WB Music Corp. (1929–2019), Whitesnake Music Ltd., Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake4.24:47
17Calling All the Heroes
recording of:
Calling All the Heroes
Verfasser(in):
Francis Dunnery
It Bites55:30
18Love Missile F1-11
recording of:
Love Missile F1‐11
Texter und Komponist(in):
Martin Degville, Tony James (UK bassist/guitarist) und Neal Whitmore
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Sigue Sigue Sputnik23:51
2▼CD
Nr.TitelKünstlerBewertungLänge
1Our House
Produzent(in):
Clive Langer & Alan Winstanley
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recording of:
Our House
Texter:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness43:12
2I’ll Tumble 4 Ya
Schlagzeug-Programmierung:
Jon Moss
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
E-Sitars, Gitarre, Keyboard und Klavier:
Roy Hay (Member of Culture Club and composer for film and television)
flute, Mundharmonika und Saxophon:
Nick Payne (Production music composer)
membranophone und Perkussion, Perkussion und Schlagzeug:
Jon Moss
Trompete:
Terry Bailey (trumpeter)
zusätzlich Keyboard:
Phil Pickett (songwriter, producer, keyboard player)
Bass-Gesang:
Mikey Craig (Culture Club bassist) und Michael Craig (Production music composer)
Hintergrundgesang:
Colin Campsie, Phil Pickett (songwriter, producer, keyboard player) und Denise Spooner
Sologesang:
Boy George
Musikvideos:
I'll Tumble 4 Ya! von Culture Club (English pop group)
recording of:
I’ll Tumble 4 Ya
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
Virgin Music (Publishers) Ltd.
Culture Club4.52:35
3Grandpa’s Party
Monie Love3:20
4Lifeline
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
recording of:
Lifeline
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet33:22
5The Politics of Dancing
recording of:
The Politics of Dancing
Texter und Komponist(in):
Paul Fishman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited und Metric Music Ltd.
Re‐Flex4:15
6The Power of Love
Techniker(in):
Stuart Bruce und Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luís Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
Saiteninstrumente arranger und zusätzlich arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:28
7Love Like Blood
Produzent(in):
Chris Kimsey
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Love Like Blood
Verfasser(in):
Jaz Coleman, Paul Ferguson, Paul Raven (UK bassist) und Geordie Walker
publisher:
BMG Africa Music Publishing, BMG Songs Ltd. und E.G. Music Ltd. (publisher)
Killing Joke3.654:22
8Call Me
Produzent(in):
Gary Stevenson
recording of:
Call Me
Verfasser(in):
Peter Cox (Artist and songwriter) und Richard Drummie
Go West3.654:05
9White Wedding
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bass:
Phil Feit (in 1982)
Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1982) und Steve Stevens (US guitarist and songwriter) (in 1982)
Schlagzeug:
Steve Missal (in 1982)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1982)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982)
Bearbeitung von:
White Wedding, Part 1 von Billy Idol (English rock singer‐songwriter)
Musikvideos:
White Wedding, Pt. 1 von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 53)
recording of:
White Wedding (in 1982)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rare Blue Music Inc
Billy Idol2.653:33
10I’m Gonna Be 500 Miles
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
11I’ve Done Everything for You
recording of:
I've Done Everything for You
Verfasser(in):
Sammy Hagar
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sammy Hagar3:02
12Ride Like the Wind
recording of:
Ride Like the Wind
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) und Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. und Universal Music Publishing, Synch Division
Saxon4:19
13Stock With You
recording of:
Stuck with You
Texter und Komponist(in):
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hulex Music (publisher) (in 1986)
Huey Lewis and the News4:28
14I Shot the Sheriff
Light of the World4:02
15Dancing Tight
recording of:
Dancing Tight
Texter und Komponist(in):
Phil Fearon
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Handle Music Ltd. und Imagem Songs Ltd.
Phil Fearon & Galaxy6:12
16Watching You, Watching Me
David Grant3:33
17What Kinda Boy You’re Lookin’ For (Girl)
recording of:
What Kinda Boy You’re Lookin For (Girl)
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
Hot Chocolate3:47
18View From a Bridge
Produzent(in):
Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
Cherry Pop (a division of Cherry Red Records Ltd.), RAK, EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996, in 2001) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recording of:
View From a Bridge
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde43:28
3▼CD
Nr.TitelKünstlerBewertungLänge
1Cherry Oh Baby
Techniker(in):
Howard Gray (UK producer, engineer, and electronic musician)
Produzent(in):
Ray “Pablo” Falconer und UB40
Bass:
Earl Falconer
drum machine und Schlagzeug:
Jim Brown (UB40 drummer)
Gitarre:
Ali Campbell (UB40’s former vocalist) und Robin Campbell
Keyboard:
Michael Virtue (keyboardist)
Perkussion:
Astro (UB40 toast, trumpet & percussion) und Norman Hassan
Saxophon:
Brian Travers
sonstiger Gesang:
Astro (UB40 toast, trumpet & percussion)
vocals:
Ali Campbell (UB40’s former vocalist), Robin Campbell und Norman Hassan
cover recording of:
Cherry Oh Baby
Texter und Komponist(in):
Eric Donaldson
UB403.43:17
2Baggy Trousers
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
aufgenommen bei:
Hammersmith Palais (not to be confused with Hammersmith Apollo aka Hammersmith Odeon) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (am 1981-12-19)
recording of:
Baggy Trousers
Texter:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness42:36
3Blow the House Down
Produzent(in):
Dan Hartman und Tom Lord‐Alge
Mix:
Tom Lord‐Alge
recording of:
Blow the House Down
Verfasser(in):
Albert Hammond und Marcus Vere
Living in a Box24:18
4Is There Something I Should Know
Koproduzent(in):
Duran Duran (English rock band) und Ian Little (producer, engineer, songwriter)
Produzent(in):
Duran Duran (English rock band) und Ian Little (producer, engineer, songwriter)
Mix:
Ian Little (producer, engineer, songwriter) und Alex Sadkin
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
Is There Something I Should Know?
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Duran Duran3.14:08
5So This Is Romance
recording of:
So This Is Romance
Verfasser(in):
David Grant (pop singer) und Peter Martin (aka Sketch Martin, bass guitarist, songwriter)
Linx43:57
6The Real Thing
recording of:
The Real Thing
Verfasser(in):
Toni C. und Arnie Roman
publisher:
House of Fun Music, Inc und Jobete Music Ltd
Jellybean7:42
7Breaking Away
recording of:
Breaking Away
Texter und Komponist(in):
Derek Bramble
Jaki Graham3:37
8Sun Street
recording of:
Sun Street
Texter und Komponist(in):
Vince de la Cruz
publisher:
Megasongs Limited und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3:10
9If This Is It
recording engineer:
Jim Gaines
Produzent(in):
Huey Lewis and the News (American pop rock band)
Mix:
Bob Clearmountain
Bassgitarre:
Mario Cipollina
Gitarre [lead]:
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
Keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
Schlagzeug:
Bill Gibson (US drummer for Huey Lews & the News)
Sologesang:
Huey Lewis
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1999) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
If This Is It
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News) und Huey Lewis
publisher:
Hulex Music (publisher)
Huey Lewis and the News3.83:50
10Here I Go Again
Produzent(in):
Kevin Elson, Keith Olsen (US producer and engineer) und Mike Stone (producer and engineer, 1960s–80s)
Mix:
Keith Olsen (US producer and engineer)
E-Bass:
Neil Murray (British bass guitar player)
E-Gitarre und Hintergrundgesang:
John Sykes
Gast-Keyboard und Keyboard:
Don Airey und Bill Cuomo
Perkussion und Schlagzeug:
Aynsley Dunbar
Solo-E-Gitarre:
Adrian Vandenberg
Sologesang:
David Coverdale
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1987) und Whitesnake Productions (Overseas) Ltd. (in 1987)
mixed at:
Goodnight LA Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Here I Go Again ’87 von Whitesnake
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 17)
recording of:
Here I Go Again
Verfasser(in):
David Coverdale und Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (beendet), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Whitesnake4.054:34
11It Ain’t What You Do It’s the Way That You Do It
Produzent(in):
Fun Boy Three und Dave Jordan (UK producer/remixer)
cover recording of:
It Ain’t What You Do (It’s the Way That You Do It)
Verfasser(in):
Sy Oliver und Trummy Young
Fun Boy Three & Bananarama3.652:50
12The Wizzard
Paul Hardcastle3:22
13I Thank You
Teil von:
The Downloader’s Music Source Book (Nummer: 205)
recording of:
I Thank You
Verfasser(in):
Kevin Lewis (House music keyboardist, songwriter) und Troy Patterson
publisher:
MCA Music Ltd. (in 1989)
Adeva3:44
14You Are My Lady
recording of:
You Are My Lady
Verfasser(in):
Barry Eastmond
publisher:
Zomba Enterprises, Inc.
Freddie Jackson54:37
15Something’s Gotten Hold of My Heart
Produzent(in):
Bob Kraushaar
Interpret(in):
Gene Pitney
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
Musikvideos:
Something’s Gotten Hold of My Heart von Marc Almond (English pop singer and songwriter) feat. Gene Pitney
cover recording of:
Something’s Gotten Hold of My Heart
Texter und Komponist(in):
Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und PolyGram Music Publishing
Marc Almond & Gene Pitney2.654:42
16The Promise
Produzent(in):
Arcadia (Duran Duran splinter group: Le Bon, Rhodes and Taylor) und Alex Sadkin
Bass:
Mark Egan (US jazz bassist & trumpeter)
Gitarre:
David Gilmour (Pink Floyd)
Keyboard:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Nick Rhodes
Schlagzeug:
Roger Taylor (Duran Duran drummer)
Hintergrundgesang:
Sting (singer, songwriter & member of The Police)
vocals:
Simon Le Bon (singer for Duran Duran)
recording of:
The Promise
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes und Roger Taylor (Duran Duran drummer)
Arcadia7:30
17Pacific
Techniker(in):
Graham Massey
Produzent(in):
808 State
recording of:
Pacific 707
Komponist(in):
Graham Massey, Martin Price und Gerald Simpson
Arrangement von:
Pacific State
808 State4.63:52
18Moments in Love
Produzent(in):
Trevor Horn
Gast vocals:
Camilla Pilkington
vocals:
Camilla Pilkington
arranger:
Trevor Horn
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
Samples:
Boogie Woogie Bugle Boy von The Andrews Sisters
recording of:
Moments in Love
Komponist(in):
Anne Dudley (English score composer), Trevor Horn, J.J. Jeczalik, Gary Langan und Paul Morley
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS), SPZ Music, Inc. (BMI affiliated) und Unforgettable Songs Ltd.
Art of Noise4.654:35
4▼CD
Nr.TitelKünstlerBewertungLänge
1Two Tribes
produced in:
London (Greater London), England, Vereinigtes Königreich (in 1984-03)
Techniker(in):
Steve Lipson
Produzent(in):
Trevor Horn
vocals:
Holly Johnson und Paul Rutherford (member of Frankie Goes to Hollywood)
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
Two Tribes (in 1983)
geschrieben in:
Liverpool, Merseyside, England, Vereinigtes Königreich (von 1982 bis 1983)
Texter und Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood3.653:54
2She Blinded Me With Science
drum machine und andere Instrumente [wave computer]-Programmierung:
Thomas Dolby
Produzent(in):
Thomas Dolby und Tim Friese‐Greene
Gast-Moog [Moog bass]:
Matthew Seligman (in 1982-08)
Geige / Violine:
Simon House (in 1982-08)
Hintergrundgesang:
Robert John “Mutt” Lange (Robert John Lange) (in 1982-08) und Miriam Stockley (in 1982-08)
Sprecher:
Magnus Pyke (in 1982-08)
vocals:
Thomas Dolby (in 1982-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
aufgenommen bei:
Odyssey Studio (London) in London (Greater London), England, Vereinigtes Königreich (in 1982-08)
mixed at:
Odyssey Studio (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 76)
recording of:
She Blinded Me With Science (in 1982-08)
Texter:
Thomas Dolby und Tim Kerr (songwriter working with Thomas Dolby)
Komponist(in):
Thomas Dolby
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Participation Music Inc.
Thomas Dolby43:38
3Locomotion
Techniker(in):
Steve Jackson (recording engineer), Ronald Prent (Dutch Sound engineer and producer) und Brian Tench
Produzent(in):
Orchestral Manoeuvres in the Dark und Brian Tench
Klavier:
Gordian Troeller (band manager)
Interpret(in):
Orchestral Manoeuvres in the Dark
Blechblasinstrumente arranger:
Tony Visconti
recording of:
Locomotion (OMD)
Verfasser(in):
Paul Humphreys (Orchestral Manoeuvres in the Dark), Andy McCluskey und Gordian Troeller (band manager)
publisher:
Virgin Music, Inc. (US arm of Virgin’s publishing company)
Orchestral Manoeuvres in the Dark33:54
4Everlasting Love
cover recording of:
Everlasting Love
Verfasser(in):
James “Buzz” Cason und Mac Gayden
publisher:
Alberts, J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd. und Rising Sons Music Inc. (in 1967)
Sandra3:56
5Incommunicado
Assistent recording engineer:
Richard Sullivan (engineer)
recording engineer:
Nick Davis (producer, engineer)
Produzent(in):
Chris Kimsey
assistierende(r) Mix:
Avril Macintosh
Mix:
David Jacob
E-Bass:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
Gitarre:
Steve Rothery
Keyboard:
Mark Kelly (Marillion keyboardist)
Perkussion und Schlagzeug:
Ian Mosley
Hintergrundgesang:
Chris Kimsey
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman)
phonographisches Urheberrecht (℗) von:
Charisma Music Publishing Ltd
aufgenommen bei:
Westside Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Incommunicado
publisher:
Marillion (British progressive rock band)
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
The Charisma Music Publishing Co Ltd
Marillion5:14
6Modern Girl
recording of:
Modern Girl
Verfasser(in):
Dominic Bugatti und Frank Musker
Sheena Easton3:34
7Thinking of You
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 50)
recording of:
Thinking of You
Verfasser(in):
Terry Hall und Toby Lyons
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
The Colourfield33:28
8Black Man Ray
Produzent(in):
Walter Becker
recording of:
Black Man Ray
Verfasser(in):
Gary Daly, Gazza Johnson und Eddie Lundon (China Crisis)
China Crisis33:29
9Mony Mony
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bass:
Kenny Aaronson
Gitarre:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
Keyboard:
Susan Davis
Schlagzeug:
Thommy Price
zusätzlich Keyboard:
Michael Klvana
Sologesang:
Billy Idol (English rock singer‐songwriter)
remixer:
Tom Lord‐Alge
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1987) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2009)
live cover recording of:
Mony Mony (in 1985)
Verfasser(in):
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry und Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Planetary Nom (London) Ltd.
Billy Idol24:11
10The Telephone Always Rings
recording of:
The Telephone Always Rings
Verfasser(in):
Lynval Golding, Terry Hall und Neville Staple
Fun Boy Three3:30
11Intuition
recording of:
Intuition
Verfasser(in):
David Grant (pop singer) und Peter Martin (aka Sketch Martin, bass guitarist, songwriter)
publisher:
RSM Music Ltd. und Solid Music Ltd.
Linx43:22
12There, There, My Dear
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
There, There My Dear
Verfasser(in):
Al Archer und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners3:15
13After the Love
Jesus Loves You7:41
14Hang on Now
recording of:
Hang on Now
Texter:
Nick Beggs und Christopher Hamill
Komponist(in):
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale und Jez Strode
publisher:
Infinite Music Ltd.
Kajagoogoo3:22
15Love Blonde
Techniker(in):
Keith Fernley, Will Gosling, Simon Schofield (Engineer) und Pete Schwier (producer, mixing and recording engineer)
Produzent(in):
Ricky Wilde
Bassgitarre:
Mark Heyward-Chaplin und Ricky Wilde
E-Gitarre [lead guitar]:
Steve Byrd
Gitarre, Keyboard und Synclavier:
Ricky Wilde
Saxophon:
Gary Barnacle
Schlagzeug:
Trevor Murrell
Hintergrundgesang:
Steve Byrd, Mark Heyward-Chaplin und Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
Nivram Studios, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
mixed at:
RAK Studios in London (Greater London), England, Vereinigtes Königreich und Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
Bearbeitung von:
Love Blonde von Kim Wilde
recording of:
Love Blonde
Verfasser(in):
Marty Wilde und Ricky Wilde
Kim Wilde33:34
16What Do I Do?
recording of:
What Do I Do
Texter und Komponist(in):
Phil Fearon
Phil Fearon & Galaxy53:29
17F.L.M.
Produzent(in):
Stock Aitken Waterman
arranger:
Stock Aitken Waterman
produced for:
PWL
recording of:
F.L.M.
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music (in 1987) und Hammer Musik GmbH (in 1987)
Mel & Kim13:56
18Hangin’ on a String
Loose Ends3:37
5▼CD
Nr.TitelKünstlerBewertungLänge
1Back to Life (However Do You Want Me)
recording of:
Back to Life
Verfasser(in):
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo und Caron Wheeler (English singer, songwriter, and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul3:44
2In Private
Produzent(in):
Julian Mendelsohn (Australian record producer and engineer) und Pet Shop Boys
recording of:
In Private
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys) und Neil Tennant
Dusty Springfield44:16
3Who’s Leaving Who
recording of:
Who's Leaving Who
Verfasser(in):
Mark Spiro und Jack White (German producer Horst Nußbaum)
Hazell Dean3:42
4Ghost Town
recording of:
Ghost Town
Texter und Komponist(in):
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3:28
5Our Lips Are Sealed
Produzent(in):
David Byrne (Talking Heads)
remixer:
Fun Boy Three und Jeremy Green
cover recording of:
Our Lips Are Sealed
Verfasser(in):
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall und Jane Wiedlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music und Plangent Visions Music
Fun Boy Three3.22:50
6I’m Not Your Steppin’ Stone
Produzent(in):
Paul Cook (drummer for the Sex Pistols), Dave Goodman (punk producer), Steve Jones (Sex Pistols member) und Jamie Thraves
cover recording of:
(I’m Not Your) Steppin’ Stone
Verfasser(in):
Tommy Boyce (US songwriter of Boyce and Hart) und Bobby Hart
Sex Pistols3:07
7Never Take Me Alive
Techniker(in):
Neill King (sound engineer)
Produzent(in):
Zeus B. Held (Bernd Held)
recording of:
Never Take Me Alive
Texter und Komponist(in):
Kirk Brandon
Spear of Destiny4.54:15
8Babooshka
assistierende(r) Techniker(in):
John Barratt (British audio engineer) (von 1979-09 bis 1980-05)
Techniker(in):
Jon Kelly (engineer at Air London Studios) (von 1979-09 bis 1980-05)
Produzent(in):
Kate Bush und Jon Kelly (engineer at Air London Studios)
Analoger Synthesizer [CS 80] und Sologesang:
Kate Bush (von 1979-09 bis 1980-05)
Balalaika:
Paddy Bush (von 1979-09 bis 1980-05)
E-Bass:
John Giblin (von 1979-09 bis 1980-05)
E-Gitarre:
Brian Bath (von 1979-09 bis 1980-05) und Alan Murphy (UK session guitarist) (von 1979-09 bis 1980-05)
Rhodes Piano [Fender Rhodes]:
Max Middleton (von 1979-09 bis 1980-05)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel) (von 1979-09 bis 1980-05)
Hintergrundgesang:
Paddy Bush (von 1979-09 bis 1980-05) und Gary Hurst (von 1979-09 bis 1980-05)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980), Novercia Ltd. (in 1980) und EMI America Records, Inc. (holding – file NO releases here!) (in 1982)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-09 bis 1980-05) und Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-09 bis 1980-05)
recording of:
Babooshka (von 1979-09 bis 1980-05)
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Kate Bush Music Ltd.
Kate Bush3.43:29
9Tears Run Rings
Produzent(in):
Marc Almond (English pop singer and songwriter), Annie Hogan und Billy McGee (double bassist and strings arranger)
remixer:
Justin Strauss
recording of:
Tears Run Rings
Texter und Komponist(in):
Marc Almond (English pop singer and songwriter)
Marc Almond5:41
10Right Here Waiting
Techniker(in) und Mix:
David Cole (American recording engineer and producer)
Produzent(in):
David Cole (US musician/producer, member of C+C Music Factory), David Cole (American recording engineer and producer) und Richard Marx
Gitarre:
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
Keyboard:
Jeffery (C. J.) Vanston
Sologesang:
Richard Marx
arranger:
Jeffery CJ Vanston und Richard Marx
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1989)
Musikvideos:
Right Here Waiting von Richard Marx
recording of:
Right Here Waiting
Texter:
Richard Marx
Komponist(in):
Bruce Gaitsch (American guitarist, producer, engineer and arranger) und Richard Marx
publisher:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. und EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx3.84:25
11Be My Twin
Techniker(in):
Mark Stent (producer, engineer)
Produzent(in):
Brother Beyond
Mix:
Stephen Hague
recording of:
Be My Twin
Komponist(in):
Carl Fysh (songwriter, keyboardist) und David White (80s UK pop vocalist for Brother Beyond)
publisher:
Songs Outside Ltd., Universal Music Publishing MGB Ltd. und Universal Music–MGB Songs
Brother Beyond3:27
12Better Love Next Time
Produzent(in):
Ron Haffkine
recording of:
Better Love Next Time
Komponist(in):
Larry Keith (American songwriter in AOR Rock, Country, R&B), Steve Pippin (American songwriter, session singer and actor) und Johnny Slate
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Dr. Hook3.653:02
13Satisfaction
recording of:
Satisfaction
Verfasser(in):
Lisa Coleman (US pianist/keyboardist & composer), Jesse Woods Johnson (original guitarist for The Time) und Wendy Melvoin
Wendy & Lisa4:54
14Jingo
cover recording of:
Jin‐go‐lo‐ba (Drums of Passion) (Jingo)
Texter und Komponist(in):
Babatunde Olatunji
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc. und EMI Songs Ltd.
Jellybean3:20
15The Sound of Music
Dayton3:38
16Atomic Dog
Produzent(in):
George Clinton (US funk musician) und Ted Currier
arranger:
David Chong, Garry Shider und David Spradley
recording of:
Atomic Dog
Verfasser(in):
George Clinton (US funk musician), Garry Shider und David Spradley
Teil von:
10 Things I Hate About You
George Clinton4.24:46
17Stutter Rap (No Sleep Till Bedtime)
recording of:
Stutter Rap (No Sleep Til Bedtime)
Texter und Komponist(in):
Geoffrey Grange (Stutter rap) und Tony Hawks (British comedian and author)
Morris Minor & the Majors3:48
18Close (To the edit)
Produzent(in):
Trevor Horn
elektronische Instrumente:
Anne Dudley (English score composer), Trevor Horn, J.J. Jeczalik und Gary Langan
arranger:
Trevor Horn
recording of:
Close (to the Edit)
Komponist(in):
Anne Dudley (English score composer), Trevor Horn, J.J. Jeczalik, Gary Langan und Paul Morley
Art of Noise4.255:41
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Nennungen