30th Anniversary Collection: 1963-1993 (club edition)

~ Veröffentlichung von The Hollies (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1(Ain’t That) Just Like Me
cover recording of:
Ain’t That Just Like Me
Verfasser(in):
Earl Carroll (r&b vocalist) und Billy Guy (r&b vocalist)
2:55
2Hey What’s Wrong With Me
recording of:
Hey What’s Wrong With Me
Verfasser(in):
Allan Clarke (of The Hollies) und Graham Nash
1:52
3Searchin’
Produzent(in):
Ron Richards
cover recording of:
Searchin’
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Chappell & Co., Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC und Tiger (publisher)
2:25
4Whole World Over
recording of:
Whole World Over
Verfasser(in):
Allan Clarke (of The Hollies) und Graham Nash
2:01
5Stay
Produzent(in):
Ron Richards
recording of:
Stay
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. und Cherio Corp. (in 1960)
cover recording of:
Stay
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. und Cherio Corp. (in 1960)
2:13
6Now’s the Time
recording of:
Now’s the Time
Verfasser(in):
Allan Clarke (of The Hollies) und Graham Nash
2:03
7I Understand
cover recording of:
I Understand
Texter:
Kim Gannon
Komponist(in):
Mabel Wayne
2:43
8Just One Look
Produzent(in):
The Hollies und Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1964-01-27)
cover recording of:
Just One Look (am 1964-01-27)
Verfasser(in):
Gregory Carroll und Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
12:31
9Keep Off That Friend of Mine
recording of:
Keep Off That Friend of Mine
Verfasser(in):
Bobby Elliott und Tony Hicks
2:10
10Here I Go Again
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2003) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1964)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1964-04-13)
recording of:
Here I Go Again (Shuman/Westlake; The Hollies) (am 1964-04-13)
Komponist(in):
Mort Shuman (US singer, pianist & songwriter) und Clive Westlake (British songwriter)
cover recording of:
Here I Go Again (Shuman/Westlake; The Hollies)
Komponist(in):
Mort Shuman (US singer, pianist & songwriter) und Clive Westlake (British songwriter)
42:19
11Baby That’s All
recording of:
Baby That’s All
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
2:18
12We’re Through
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1964-08-25)
recording of:
We're Through (am 1964-08-25)
Komponist(in):
L. Ransford (songwriting alias used by Allan Clarke, Graham Nash & Tony Hicks of The Hollies)
12:15
13Come on Back
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1964-06-30)
recording of:
Come On Back (am 1964-06-30)
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
2:12
14(I’ll Be True to You) Yes I Will
cover recording of:
Yes I Will
Texter:
Gerry Goffin
Komponist(in):
Russ Titelman
publisher:
Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:29
15Nobody
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1964-12-15)
recording of:
Nobody (am 1964-12-15)
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
2:39
16I Can’t Get Nowhere With You
recording of:
I Can't Get Nowhere With You
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
1:50
17I’m Alive
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
cover recording of:
I’m Alive
Texter und Komponist(in):
Clint Ballard, Jr.
2:23
18You Know He Did
recording of:
You Know He Did
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
2:03
19She Gives Me Everything I Want
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2011)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-09-14)
recording of:
She Gives Me Everything I Want (am 1965-09-14)
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
2:20
2▼CD
Nr.TitelBewertungLänge
1Look Through Any Window
Produzent(in):
The Hollies und Ron Richards
recording of:
Look Through Any Window (Hollies)
Verfasser(in):
Graham Gouldman und Charles Silverman
12:16
2So Lonely
recording of:
So Lonely
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
2:36
3If I Needed Someone
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1965)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-11-17)
cover recording of:
If I Needed Someone (am 1965-11-17)
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
2:21
4I’ve Got a Way of My Own
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965, in 2003)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-10-13)
recording of:
I've Got a Way of My Own (am 1965-10-13)
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
vorher zugeschrieben zu:
L. Ransford (songwriting alias used by Allan Clarke, Graham Nash & Tony Hicks of The Hollies)
2:21
5You in My Arms
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2011)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-10-13)
recording of:
You in My Arms (am 1965-10-13)
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
2:01
6I Can’t Let Go
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2011)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-01-13, am 1966-01-18)
cover recording of:
I Can't Let Go (von 1966-01-13 bis 1966-01-18)
Verfasser(in):
Al Gorgoni (guitarist, composer, arranger, and producer) und Chip Taylor (US singer/songwriter)
publisher:
April Music AB (Swedish subsidiary of April Music), EMI Blackwood Music Inc., M. Carey Songs, Sony Songs Inc., Wallyworld Music und WB Music Corp. (1929–2019)
recording of:
I Can't Let Go
Verfasser(in):
Al Gorgoni (guitarist, composer, arranger, and producer) und Chip Taylor (US singer/songwriter)
publisher:
April Music AB (Swedish subsidiary of April Music), EMI Blackwood Music Inc., M. Carey Songs, Sony Songs Inc., Wallyworld Music und WB Music Corp. (1929–2019)
2.52:26
7Bus Stop
Produzent(in):
The Hollies und Ron Richards
Bass:
Bernie Calvert (am 1966-05-18)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2003) und Parlophone (Parlophon) (in 1966)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-05-18)
recording of:
Bus Stop (am 1966-05-18)
Texter und Komponist(in):
Graham Gouldman
publisher:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited und Music Sales Corporation (American copyright holder in both popular and classical music)
4.752:56
8Don’t Run and Hide
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2011)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-05-17)
recording of:
Don’t Run and Hide (am 1966-05-17)
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
2:38
9After the Fox
Bass:
Jack Bruce (in 1966-05)
vocals:
The Hollies und Peter Sellers (English actor and comedian)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2011)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-05-10)
recording of:
After the Fox (in 1966-05)
Texter und Komponist(in):
Burt Bacharach
52:19
10Stop Stop Stop
recording of:
Stop Stop Stop
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
publisher:
Gralto Music Ltd.
3:00
11Pay You Back With Interest
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1999)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-08-22)
recording of:
Pay You Back With Interest (am 1966-08-22)
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
2:43
12Kill Me Quick
recording of:
Kill Me Quick
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
2:16
13On a Carousel
Produzent(in):
The Hollies und Ron Richards
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 1967)
recording of:
On a Carousel
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
2.353:13
14We’re Alive
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 2003)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-02-22)
recording of:
We're Alive (am 1967-02-22)
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
2:38
15Carrie Anne
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967) und The Hollies Ltd. (in 1967)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-05-01)
recording of:
Carrie Anne (am 1967-05-01)
Texter und Komponist(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
publisher:
PolyGram Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
3.653:03
16Signs That Will Never Change
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 2003)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-05-02)
recording of:
Signs That Will Never Change (am 1967-05-02)
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
2:40
17King Midas in Reverse
Produzent(in):
Ron Richards
Akustikgitarre:
Graham Nash
vocals:
Graham Nash
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 1967, in 2003)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1967-08-03 bis 1967-08-04)
recording of:
King Midas in Reverse (von 1967-08-03 bis 1967-08-04)
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
Komponist(in):
Graham Nash
43:02
18Everything Is Sunshine
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 2003)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-08-03, am 1967-09-05)
recording of:
Everything Is Sunshine (von 1967-08-03 bis 1967-09-05)
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
51:58
3▼CD
Nr.TitelBewertungLänge
1Dear Eloise (1993 Stereo remix)
recording of:
Dear Eloise
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
3:04
2Jennifer Eccles (1993 Stereo remix)
recording of:
Jennifer Eccles
Verfasser(in):
Allan Clarke (of The Hollies) und Graham Nash
3:01
3Open Up Your Eyes (1993 Stereo remix)
recording of:
Open Up Yours Eyes
Verfasser(in):
Allan Clarke (of The Hollies) und Graham Nash
2:49
4Wings (1993 Stereo remix)
recording of:
Wings
Verfasser(in):
Allan Clarke (of The Hollies) und Graham Nash
3:05
5Like Everytime Before (1993 Stereo remix)
recording of:
Like Every Time Before
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
2:10
6Do the Best You Can (1993 Stereo remix)
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 2011)
aufgenommen bei:
Chappells Studios in London (Greater London), England, Vereinigtes Königreich (von 1967-05-14 bis 1967-05-15)
recording of:
Do the Best You Can (von 1967-05-14 bis 1967-05-15)
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
3.652:49
7Man With No Expression (1993 Stereo remix)
recording of:
Horses Through a Rainstorm
Verfasser(in):
Graham Nash und Terry Reid
publisher:
Nash Notes und Unichappell Music, Inc.
3:25
8Listen to Me (1993 Stereo remix)
recording of:
Listen to Me
Komponist(in):
Tony Hazzard (songwriter)
2:38
9Sorry Suzanne (1993 Stereo remix)
recording of:
Sorry Suzanne
Komponist(in):
Tony Macaulay und Geoff Stephens
publisher:
Interworld Music Ltd. und Welbeck Music Ltd.
sub-publisher:
Sonora Musikförlags AB
3:21
10Not That Way at All (1993 Stereo remix)
recording of:
Not That Way at All
Verfasser(in):
Allan Clarke (of The Hollies)
2:50
11He Ain’t Heavy, He’s My Brother (original Stereo mix)
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) und The Hollies Ltd. (von 1969 bis 1970)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1969-06-25)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (am 1969-06-25)
Verfasser(in):
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) und Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3.854:20
12Cos You Like to Love Me (1993 Stereo remix)
Produzent(in):
Ron Richards
recording of:
'Cos You Like to Love Me
Verfasser(in):
Tony Hicks
53:00
13I Can’t Tell the Bottom From the Top (original Stereo mix)
cover recording of:
I Can't Tell the Bottom From the Top
Komponist(in):
Guy Fletcher (keyboardist) und Doug Flett (songwriter)
4:08
14Gasoline Alley Bred (original Stereo mix)
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 1970)
recording of:
Gasoline Alley Bred
Komponist(in):
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway und Tony Macaulay
cover recording of:
Gasoline Alley Bred
Komponist(in):
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway und Tony Macaulay
53:56
15Long Cool Woman in a Black Dress (original Stereo mix)
Techniker(in):
John Punter
Produzent(in):
The Hollies und Ron Richards
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 1971) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1971-07-16, von 1971-07-27 bis 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (von 1971-07-16 bis 1971-07-30)
Verfasser(in):
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
4.153:18
16Long Dark Road (original Stereo mix)
recording of:
Long Dark Road
Verfasser(in):
Tony Hicks und Kenny Lynch (English singer, songwriter, entertainer & actor)
4:17
17The Air That I Breathe (original Stereo mix)
Techniker(in):
Mike Jarratt (recording, mixing and lacquer cutting engineer) und Alan Parsons (of The Alan Parsons Project)
Produzent(in):
The Hollies und Ron Richards
vocals:
Allan Clarke (of The Hollies) (von 1973-11-15 bis 1973-11-22), Tony Hicks (von 1973-11-15 bis 1973-11-22) und Terry Sylvester (singer and guitarist) (von 1973-11-15 bis 1973-11-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) und Polydor International GmbH (not for release label use!) (in 1974)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-11-15 bis 1973-11-22)
cover recording of:
The Air That I Breathe (von 1973-11-15 bis 1973-11-22)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.84:11
18The Woman I Love (Stereo)
recording of:
The Woman I Love
Texter und Komponist(in):
Nik Kershaw
3:36
19Nothing Else but Love (Stereo)
recording of:
Nothing Else but Love
Verfasser(in):
Richard Marx
4:09
20Purple Rain (live) (Stereo)
aufgenommen bei:
Harrogate Convention Centre in Harrogate, North Yorkshire, England, Vereinigtes Königreich (in 1991)
live cover recording of:
Purple Rain (in 1991)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions, Controversy Music und Island Music Ltd.
5:01

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Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/1076234 [Info]