Satchmo at Symphony Hall

~ Veröffentlichung von Louis Armstrong and the All-Stars (alle Versionen dieser Veröffentlichung ansehen, 7 vorhanden)

Titelliste

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1▼Vinyl
Nr.TitelBewertungLänge
A1King Porter Stomp
Klarinette:
Barney Bigard (am 1947-11-30)
Klavier:
Dick Cary (piano, trumpet, alto horn) (am 1947-11-30)
Kontrabass [bass]:
Arvell Shaw (am 1947-11-30)
Posaune:
Jack Teagarden (am 1947-11-30)
Schlagzeug:
Sid Catlett (am 1947-11-30)
Trompete:
Louis Armstrong (am 1947-11-30)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (am 1947-11-30)
live recording of:
Mahogany Hall Stomp (am 1947-11-30)
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
?:??
A2(What Did I Do to Be So) Black and Blue
live recording of:
Black and Blue (am 1947-11-30)
Texter:
Harry Brooks (jazz pianist & songwriter) und Andy Razaf
Komponist(in):
Fats Waller
publisher:
Memory Lane Music Ltd. und Redwood Music Ltd. (Carlin)
?:??
A3Royal Garden Blues
live recording of:
Royal Garden Blues (am 1947-11-30)
Komponist(in):
Clarence Williams (US jazz pianist, composer, singer and bandleader) (in 1919) und Spencer Williams (US jazz composer, pianist & singer) (in 1919)
?:??
A4Lover
Bearbeitung von:
Lover (live, 1947-11-30: Symphony Hall, Boston, MA, USA) von Louis Armstrong & His All‐Stars
live recording of:
Lover (am 1947-11-30)
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
?:??
A5Stars Fell on Alabama
Klarinette:
Barney Bigard (am 1947-11-30)
Klavier:
Dick Cary (piano, trumpet, alto horn) (am 1947-11-30)
Kontrabass [bass]:
Arvell Shaw (am 1947-11-30)
Posaune:
Jack Teagarden (am 1947-11-30)
Schlagzeug:
Sid Catlett (am 1947-11-30)
Trompete:
Louis Armstrong (am 1947-11-30)
vocals:
Jack Teagarden (am 1947-11-30)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (am 1947-11-30)
live recording of:
Stars Fell on Alabama (am 1947-11-30)
Texter:
Mitchell Parish
Komponist(in):
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) und Mills Music
?:??
B1I Cried for You
Klarinette:
Barney Bigard (am 1947-11-30)
Klavier:
Dick Cary (piano, trumpet, alto horn) (am 1947-11-30)
Kontrabass [bass]:
Arvell Shaw (am 1947-11-30)
Posaune:
Jack Teagarden (am 1947-11-30)
Schlagzeug:
Sid Catlett (am 1947-11-30)
Trompete:
Louis Armstrong (am 1947-11-30)
vocals:
Velma Middleton (am 1947-11-30)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (am 1947-11-30)
live recording of:
I Cried for You (am 1947-11-30)
Texter:
Arthur Freed
Komponist(in):
Gus Arnheim und Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. und Miller Music Corp.
?:??
B2Since I Fell for You
live recording of:
Since I Fell for You (am 1947-11-30)
Texter und Komponist(in):
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (beendet), Warner Bros., Inc. (not for release label use!) (beendet) und Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
B3Tea for Two
Bearbeitung von:
Tea for Two (live, 1947-11-30: Symphony Hall, Boston, MA, USA) von Louis Armstrong & His All‐Stars
live recording of:
Tea for Two (No, No, Nanette) (am 1947-11-30)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
recording of:
Tea for Two (No, No, Nanette)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
?:??
B4Body and Soul
Bearbeitung von:
Body and Soul (live, 1947-11-30: Symphony Hall, Boston, MA, USA) von Louis Armstrong & His All‐Stars
live recording of:
Body and Soul
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
B5Muskrat Ramble
Klarinette:
Barney Bigard (am 1947-11-30)
Klavier:
Dick Cary (piano, trumpet, alto horn) (am 1947-11-30)
Kontrabass [bass]:
Arvell Shaw (am 1947-11-30)
Posaune:
Jack Teagarden (am 1947-11-30)
Schlagzeug:
Sid Catlett (am 1947-11-30)
Trompete:
Louis Armstrong (am 1947-11-30)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (am 1947-11-30)
live recording of:
Muskrat Ramble (1926 original instrumental version) (am 1947-11-30)
Komponist(in):
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
?:??
2▼Vinyl
Nr.TitelBewertungLänge
C1Steak Face
Bearbeitung von:
Steak Face (live, 1947-11-30: Symphony Hall, Boston, MA, USA) von Louis Armstrong & His All‐Stars
?:??
C2On the Sunny Side of the Street
Bearbeitung von:
On the Sunny Side of the Street (live, 1947-11-30: Symphony Hall, Boston, MA, USA) von Louis Armstrong & His All‐Stars
recording of:
On the Sunny Side of the Street
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
?:??
C3High Society
Bearbeitung von:
High Society (live, 1947-11-30: Symphony Hall, Boston, MA, USA) von Louis Armstrong & His All‐Stars
live recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally) (am 1947-11-30)
Texter:
Walter Melrose
Komponist(in):
Porter Steele (in 1901-04)
basiert auf:
High Society (march composed by Porter Steele in 1901)
?:??
C4That’s My Desire
Klarinette:
Barney Bigard (am 1947-11-30)
Klavier:
Dick Cary (piano, trumpet, alto horn) (am 1947-11-30)
Kontrabass [bass]:
Arvell Shaw (am 1947-11-30)
Posaune:
Jack Teagarden (am 1947-11-30)
Schlagzeug:
Sid Catlett (am 1947-11-30)
Trompete:
Louis Armstrong (am 1947-11-30)
vocals:
Louis Armstrong (am 1947-11-30) und Velma Middleton (am 1947-11-30)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (am 1947-11-30)
live recording of:
That’s My Desire (am 1947-11-30)
Texter:
Carroll Loveday
Komponist(in):
Helmy Kresa
publisher:
Mills Music, Inc.
?:??
D1“C” Jam Blues
Bearbeitung von:
"C" Jam Blues (live, 1947-11-30: Symphony Hall, Boston, MA, USA) von Louis Armstrong & His All‐Stars
live recording of:
“C” Jam Blues (am 1947-11-30)
Komponist(in):
Barney Bigard und Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
recording of:
“C” Jam Blues
Komponist(in):
Barney Bigard und Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
?:??
D2Baby, Won’t You Please Come Home
Klarinette:
Barney Bigard (am 1947-11-30)
Klavier:
Dick Cary (piano, trumpet, alto horn) (am 1947-11-30)
Kontrabass [bass]:
Arvell Shaw (am 1947-11-30)
Posaune:
Jack Teagarden (am 1947-11-30)
Schlagzeug:
Sid Catlett (am 1947-11-30)
Trompete:
Louis Armstrong (am 1947-11-30)
vocals:
Jack Teagarden (am 1947-11-30)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (am 1947-11-30)
live cover recording of:
Baby Won’t You Please Come Home (am 1947-11-30)
Verfasser(in):
Charles Warfield und Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
?:??
D3How High the Moon
?:??
D4Boff Boff
Bearbeitung von:
Mop Mop (live, 1947-11-30: Symphony Hall, Boston, MA, USA) von Louis Armstrong & His All‐Stars
?:??